Watch this space: Lindsay Chan maps Christchurch street art

The bare walls of our busted city are a canvas for something beautiful. Since the earthquakes, a lot of us think: “Christchurch street art is ka rawe”. Here’s a mere sample of what is happening right now:

Detail of Yikes’ Alice art on the wall of Alice Cinemas, 22 November 2017.
  • You can vote on Facebook for which Enliven places street mural you’d like painted on the side of the Ibis Christchurch. Voting closes Monday 27 November, so get in quick.
  • Superlot 9 is opening on 2 December at 122 Lichfield Street and is going to have street art bedecking giant spraycans.
  • Fiksate Gallery in New Brighton has an exhibition of street art, illustration and urban contemporary art on until 17 December.
  • YMCA Christchurch in association with PAINT (Pushing Art in New Zealand Trust) presents Street Prints Otautahi 2017. Large scale murals will be painted in the central city, New Brighton and Lyttelton, plus there’s a range of events and activities for all ages between 21 December and 29 December.

Street art can be ephemeral, as murals are painted over, blocked out, or the building canvas demolished. But there is a particular little leap of happiness in the heart when you spot something happening. It’s a buzz. Our street art is tied up with memories and possibilities, and with hope. I spoke to Lindsay Chan who since 2015 has been playing an important role documenting Ōtautahi’s street art and facilitating new artworks via the website Watch this space:

Why do you think Christchurch has become such a street art hub?

Christchurch always had talented muralists and graffiti artists, but it was the earthquakes that brought their talents to the forefront. The city became a blank canvas with empty buildings and buildings waiting to be torn down. George Shaw from Oi! YOU together with the Canterbury Museum and then the YMCA brought in internationally renowned artists to paint large-scale murals across the CBD. Combined with the amazing local talent and visiting international artists keen to make the most of the post earthquake landscape, Christchurch started making a name for itself in the international street art scene. Did you know it has its own chapter dedicated to Christchurch in Lonely Planet’s first ever street art dedicated guidebook, Street Art ?

Art by Flox - Spectrum Street Art Festival, YMCA. December 2015. Flickr IMG_1889
Art by Flox – Spectrum Street Art Festival, YMCA. December 2015. Flickr IMG_1889

How did Watch this Space get started?

When I moved to Christchurch a few years ago, I went on one of Frocks on Bikes free bike tours. That day they showed us around the different street art works. I was surprised to see all this amazing art work in the very city that I live in and bike through all the time. The bike leaders pointed out so many different art works that I had never noticed. I asked Connie, the leader from Frocks on Bikes, how she had decided the route, and she said it was actually quite a lot of work because none of the information was centralized. It was scattered across individual newspaper articles and maps were often incomplete and not kept up to date. Not to mention, Frocks on Bikes is a group of volunteers, so I thought it was a bit crazy that she ended up having to go through various newspaper articles and websites to decide a route and find out the details of each artist and work.

I work in geospatial information systems (GIS). We make maps and visualize data. We take number data and put them into an easy to understand format, usually into maps. I’m always looking for ways to learn new skills and thought this could be a great opportunity to put my skill set to use with something I’m really interested in – street art and create a resource that can be used now by the city and as a legacy item once the city is fully rebuilt.

What does your role involve day-to-day?

Well, my “real” job is working as a geospatial analyst at the Department of Conservation (DOC). I do Watch This Space stuff outside my regular work hours and have gotten others involved too because we think it’s something the city and the visitors to the city need. We are now a charitable trust and have five trustees who are a big help with sharing the day-to-day duties.

Day-to-day, we try to keep up to date with where the latest murals and graffiti are coming up in town and share that through our website and social media so other people can know about it too. We take photos, research the artists, chase down funding, and meet with all kinds of different people to try and convince them that the graffiti and murals in Christchurch are truly amazing and something that the city needs to make space for in “new” Christchurch.

Do you have any favourite artworks in town?

That’s a hard one Donna. I have many favourites. One of the things that draws me to graffiti and murals is the stories behind each of these. I like the paste up of Tony Fomison and the tags that cover it. This one is located on the corner of Manchester and High. The paste up was put up after the earthquakes as part of Christchurch Art Gallery’s Outer Spaces project, but they put it over a tag. Later that artist came back to mark his territory and tagged over the paste up. I think it’s a great dialogue between outdoor and indoor art and the different forms of art that exist in Christchurch.

No! Tony Fomison. Image supplied.
No! Tony Fomison. Image supplied.

My other favourite was a portrait of Ikarus by Wongi . It was on the corner of Manchester and Welles. I like how graffiti is something friends go out to do together. I think it’s even cooler that Wongi did a portrait of one of his good friends and the works around it give it a nice touch too. It shows that a lot of different artists had been out to that spot.

Ikarus by Wongi Wilson. Image supplied.

How can Christchurch people and visitors help grow Watch this space? What are the features of the website they can use?

We want Watch This Space to be a project for the people by the people. The website is set up so people can contribute their own street art images, so if you see something new come up, take a photo and send it in. If you notice a building getting torn down or an art work getting covered up, take a photo and send it in. If you’ve taken photos pre-earthquake, send it in. Watch This Space can only cover so much ground, so please, we’d love to add your images to the map. The best way for this project to be sustainable is if the community gets involved, and we’ve created some easy to use tools so you can.

Other than mapping and creating and accurate, up to date resource, we also want to support paid opportunities for artists. If you’d like to get a mural commissioned, we can connect you with the right artist.

You can also donate to our project to help cover developer fees, writing articles, and just our general time we put into this to make it happen.

How do you work with artists and building owners to activate walls with art?

We have steadily been building ties with the local artists as we add their works to the map and write about them in our blog. People around town are starting to come across our resource and contact us from time to time for help connecting with artists. We recently helped ChristchurchNZ in their search for wall space for the David Kidwell mural on the corner of Lichfield and High as well as helping Christchurch City Council find artists for the Enliven places street mural project.

Mr G at work on his portrait of David Kidwell, October 2017.
Mr G at work on his portrait of David Kidwell, October 2017.

Artists can fill out this expression of interest form on our website, and businesses or local organisations who want to commission a mural can fill out a form, where we’ll help to connect them with a local artist.

There’s a lot that happens before we actually see the mural on the wall, which many people don’t see or understand. That’s where we can step in and help make it easier on both parties.

I think one of the great strengths of Watch this Space is that you also list the artworks that are no longer viewable, whether they are on buildings that have been demolished, or sites that have been built up. Do you have a sense of the work having a role to play in our history?

I think it’s extremely important to follow street art as it gets decommissioned. Many people see the beauty of street art as being ephemeral. I agree that is an aspect that contributes to its beauty, but art isn’t just about beauty. Throughout history, art has been used as a form of expression and commentary on the current climate. Graffiti, murals, and street art are a record of what our city is, what it was, and what it could be.

Take for example Daek Williams’s mural that used to be on the corner of Colombo and Peterborough Street. He made that for the Rise festival, and the mural is based on his impression of the residents of the Red Zone and how they stayed and did not leave Christchurch.

Home is Where the Heart is by Daek William. Image supplied.
Home is Where the Heart is by Daek William. Image supplied.

Dcypher’s mural on the side of the Roxx climbing gym on Waltham Road is the artist’s interpretation of Christchurch’s urban landscape prior to the earthquakes. Following street art as it gets covered up and torn down is also preserving piece of history and the memories individuals attach to different works.

Dcypher art on Roxx/Clip n Climb. Image supplied.

Do you use libraries?

I went to the library a lot as a kid. I read a lot growing up.

What are you reading/watching/listening to now?

CoverI have to admit, I’ve been watching the Marvel series on Netflix. I used to love reading as a kid, but when I entered high school, there was so much required reading and analysis and essays about what we were reading, I haven’t been able to get back into it. I recently heard an interview by the author of Nevermoor on RadioNZ. It reminded me of the Harry Potter series, which I was a big fan of growing up. Nevermoor sounds pretty awesome. I might have to go check that out..

Watch this space …

From Friday 24 November, we’re starting to guide tours on Fridays and Saturdays for the rest of the summer. They will go from 11am to 12:30pm, at a cost of $25 per person. Proceeds from the tour will go back into Watch This Space to help cover developer fees, the interviews and editorials on our blog, and be put aside to commission a mural in the future. Find out more and book your tour.

Looking at street art on Madras Street. Image supplied.
Looking at street art on Madras Street. Image supplied.

Watch this space and Christchurch street art

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Books on screen: Murder most foul, sci-fi classics and more

Read the book before you see the film/TV series, or read the source material afterwards for all the added backstories and characters (that you can absorb at your own pace)?

It’s a tricky one and the answer really depends on your own personal tastes and inclinations. Either way, here is the latest crop of works of literature that are getting a makeover for the screen.

Out now

If you’re a “read the book first” sort, you’d better get cracking before you miss –

  • Alias Grace – Canadian 6 part series directed by Sarah Polley, featuring Anna Paquin and a cameo from author Margaret Atwood. Based on the true story of a young housemaid, Grace Marks, who became embroiled in a double-murder, this series is only available on Netflix and is a rivetting watch.
  • IT – I was terrified by this book in the nineties (and the subsequent mini-series adaptation). The current film splits the tale of a group of kids fighting a malevolent entity that often takes the form of an evil clown into two films – the sequel is due in 2019.
  • Murder on the Orient Express – The Agatha Christie classic gets another film outing (the 1974 version earned Ingrid Bergman an Oscar) and with a fairly impressive cast including the likes of Dame Judi Dench, Johnny Depp, and Michelle Pfeiffer, with Kenneth Brannagh (who also directs) as the moustachioed Belgian sleuth, Hercule Poirot. The original novel was published in 1934, so avoiding spoilers might prove difficult.
  • The Mountain Between Us – Kate Winslet and Idris Elba’s charter plane crashes into a mountain and that’s not the end of the drama. Based on the novel by Charles Martin.
  • The Lost City of Z – Author David Grann’s hunt for famed explorer Percy Fawcett’s expedition in the Amazon has Charlie Hunnam as the missing Fawcett, with Sienna Miller as his wife and Robert Pattinson as another member of the expedition.
  • Thank You for your Service – Biographical war drama based on the book by Washington Post journalist David Finkel. The film follows several soldiers after their return from deployment in Iraq and their struggles with PTSD and the psychological trauma of war.

Coming soon

  • Chaos walking: The Knife of Never Letting Go – Another young adult sci-fi series adaptation, this time of Patrick Ness’s widely acclaimed dystopian novel. Daisy Ridley and Tom Holland are set to star.
  • Dune –  Frank Herbert’s epic sci-fi saga gets another go-around (after the 1984 film directed by David Lynch, and two miniseries’ in the early 2000s) this time with Arrival director Denis Villeneuve at the helm.
  • Break My Heart 1,000 Times – Bella Thorne will star in this “supernatural romantic thriller” based on Daniel Water’s young adult novel set in world where people can see ghosts.
  • Guernsey (The Guernsey Literary and Potato Peel Pie Society) – Mary Ann Shaffer’s 2008 bestseller set on the island of Guernsey during WWII was filmed earlier this year, with Downton Abbey stars Lily James and Jessica Brown Findlay in the cast and Mike Newell directing.
  • Ready Player One – Ernest Cline’s dystopian future/Virtual Reality/geek nostalgia-fest novel follows Wade Watts as he attempts to find an ‘easter egg’ that will bestow on him a fortune. Directed by Steven Spielberg, expect to see this everywhere in March 2018.
  • Peter Rabbit – A new animated version of Beatrix Potter’s classic tale of an adventurous bunny is due in early 2018, with voices provided by the likes of Rose Byrne, James Corden and Sam Neill.

On the radar

With the end of the Game of Thrones TV series on the distant horizon, Patrick Rothfuss is being mentioned as the next George R. R. Martin. Probably because they both have beards and neither have actually finished writing all the books in their respective series’. Lin-Manuel Miranda of super-musical, Hamilton, is producing the series for Showtime based on the first 2 novels of the as yet unfinished Kingkiller Chronicles fantasy trilogy.

A natural quartet

I’ve recently been delving into some “recreational non-fiction” reading!

Recreational non-fiction is what you might call stories based on fact that read as easily as a novel. This can be particularly true of memoir or biographies, and I’ve come across four such titles that I would like to recommend to you, the Christchurch reading public!

They’re all based around the topic of the natural world, they all read like adventure tales, and they all have a common link; the idea that we should all spend more time in and around nature, observe, engage, and enjoy.

We certainly don’t all need to go to the extreme lengths that these authors do – you don’t, for example, need to be the man responsible for dangling Sir David Attenborough 180ft in the upper canopy of one of the world remotest rainforests! You also don’t need to chase errant wild stags through the outskirts of London during the storm of the decade! And you definitely don’t need to be the man behind the push for Cpt. William Bligh to set off on his ill-fated voyage in the Bounty to take breadfruit from the Pacific Islands and take it to the Americas as cheap fodder for slave owners!

No, we can just sit back on a sunny spring day and enjoy stories of nature and travel, real stories told by real people who actually wrote the words themselves (apart from Linnaeus and Banks of course, their stories are ably told by Oxford historian Patricia Fara)

A Natural Quartet

List created by DevilStateDan

Four books about the natural world that you just can’t miss!

Cover of Sex, Botany and EmpireSex, Botany & Empire

The amazing story behind two giant names in natural science; Carl Linnaeus and Joseph Banks. Just how great were they? Were they true champions of natural science, conservation, and preservation? Or were they subject to their own particular biases and egos in their work, striving to become something more than they were..? This book is a great insight and a brilliant read, giving context to the lives and journeys of these two names so famous now that we forget how recent their work actually is!

Cover of The man who climbs treesThe Man Who Climbs Trees

This is a series of stories that follows a man around the globe as he climbs some of the tallest trees in the world! He regularly works for the BBC to help produce some of the amazing images of the flora and fauna to be found in forest canopies seen in their Planet Earth series, he has a brilliant outlook on nature and conservation, and is a very talented storyteller – his tales read like boys-own adventures as he navigates all kinds of perils (weather, insects, primates, you name it!) to provide safe vertical passage through the forests of the world. If you like the natural world then this is a memoir too good to miss!

Cover of Adventures of a young naturalistAdventures of A Young Naturalist

The story of David Attenborough’s fist major nature assignment as he travels into remote parts (pre-internet or mobile phone coverage!) to obtain vision of some of the creatures of the earth that humans have only ever read about in books. Written by the man himself, his voice is clear and present in every word as he deals with the perils of travelling the wilds of the earth for the betterment of natural science.

Cover of Park lifePark Life

John Bartram stands as the longest serving gamekeeper of the illustrious and ecologically-fragile Richmond Park – a secluded nature reserve in the midst of the busyness of London. He tells of his journey to get to the job and the lifetime of work and memories he has obtained along the way. It is written in a very matter-of-fact manner which serves well to remind the reader that nature is on our doorstep and to stop now and then to treasure it.

And if these stories have piqued your interest in the natural world but you’re wanting to read more about OUR natural world, then perhaps try one of these beaut magazines available through Christchurch City Libraries… they’re full of the same fascination and excitement of discovery as the old stories but with the added advantage that they’re the stories of our own generation, in and of our own region.

Gordon Ogilvie 1934 – 2017

Cover of Place names of Banks Peninsula and the port hillsCanterbury and New Zealand lost a well-known and much-loved son with the recent death of notable historian Gordon Ogilvie. Author, biographer, teacher and one of nature’s gentlemen, he was a man who wore his learning lightly. The deep knowledge of our part of New Zealand displayed in his books helped many of us with our school projects, settled arguments over the origins of place names and provided hours of browsing pleasure.

Ogilvie’s last book, Place Names of Banks Peninsula and the Port Hills, was launched in August when he was very ill but able to be present as family and friends gathered to pay tribute to his life-long dedication to telling the stories of the land we look at and walk on every day.

The room was full of love and respect for a man who said “My life’s ambition has been to write on the hills and peninsula because I love them so much and wanted to share the love and knowledge with others. I’ve done that now and hope readers take what I took from it – the excitement of discovery.”

This ambition was well and truly realised. Ogilvie’s works The Riddle of Richard Pearse, and Denis Glover: His Life, were Book of the Year finalists and The Port Hills of Christchurch, and Banks Peninsula: Cradle of Canterbury won the JM Sherrard Award for New Zealand Regional History. He was awarded an Honorary Doctorate from the University of Canterbury and received the New Zealand Order of Merit for his service to historical research and writing.

The books and the awards are achievements enough but there was so much more to Gordon Ogilvie’s career. His research skills and historical knowledge, his energy and boundless enthusiasm and above all his great writing connect us with the people who were here before us.

By reading the books by the boy from the Horotane Valley who loved to walk the land of Banks Peninsula, Lyttelton Harbour and the Port Hills we can remember and honour his work and his legacy and feel the ‘excitement of discovery’ for ourselves.

Further reading

The Changeover: Girls with big hair, saving people

The film adaptation of The Changeover premiered in Christchurch a few weeks ago, and is now screening in cinemas across the country. If you haven’t yet encountered this melting pot of red-zone Christchurch, subtle romance and sinister magic, I highly recommend watching the movie and reading the novel it was loosely based on.

It’s a measure of how well-loved the book is within the libraries that there have been several reviews written by different staff members over the last few years.

Most recently bibliobishi wrote about the new edition that came out this year; Mo-Mo explored the transition from book to film; and I both raved about the book and wrote down what Elizabeth Knox, Karen Healey and Stuart McKenzie had to say about The Changeover at the 2014 WORD festival.

If you’ve already read and watched The Changeover, try our list of read-alikes for more spooky books about girls with big hair saving people.

 

Yeah! Noir!: Craig Sisterson and the Ngaio Marsh Awards

Craig Sisterson is a writer and reviewer, and a fan of great crime writing. He’s the force behind the Ngaio Marsh Awards celebrating New Zealand crime writing, starting the Awards in 2010 and now serving as the judging convenor for the prizes.

Read our interview with Craig where he talks Kiwi crime, #yeahnoir, the Ngaio Marsh Awards, and libraries.

This year, you can join in as Scorpio Books and WORD Christchurch present The Great Lit Quiz & Ngaio Marsh Awards!
To celebrate NZ Bookshop Day, put together a team of book enthusiasts for a quiz of crime novels and other genres! All tickets gain entry to the invitation-only Ngaio Marsh Awards cocktail party, where the winners will be announced. Hosted by crime writers Paul Cleave and Vanda Symon.
The Bone Line wine and nibbles provided.
Saturday, 28 October, 5.30pm Ngaio Marsh Awards; 7pm Great Lit Quiz
$80 per table (up to 5 players) by emailing rsvp@scorpiobooks.co.nz

Past and present Ngaio judges – Mike Ripley, Ayo Onatade, and Craig Sisterson. Image supplied.

Like the Ngaio Marsh Awards on Facebook

See our listing of previous winners and finalists:

Craig Sisterson

How did the idea for the Ngaio Marsh Awards come to you?

It was a culmination of a lot of little things. I’d started reading a lot while backpacking through Latin America for six months, picking up dozens of novels from hostel book exchanges and the like to pass the time on 24-hour bus rides in Argentina and Chile. The hostels tended to have plenty of ‘popular fiction’ (crime, romance, sci-fi, action thrillers etc), and I gravitated towards the crime novels, having loved mystery tales since I was a kid devouring The Hardy Boys adventures when I was at Richmond Primary School in Nelson.

Then when I was in Canada I went along to an Arthur Ellis Awards event at the Vancouver Public Library (a crime author panel where the finalists for their national crime writing awards were also announced). I met some really cool Canadian crime writers, including the great William Deverell, and had a really good chat with him afterwards about recognising and celebrating quality writing, and how the crime genre was much deeper nowadays than the stereotype of old-fashioned mysteries, potboilers, and airport thrillers.

As an aside, I spoke with the Canadians about the state of New Zealand crime writing (they were curious), and even lamented that other than Dame Ngaio and Paul Thomas’s series, and one-offs from the likes of Simon Snow, Nigel Latta, and Michael Laws, we didn’t seem to have as many crime writers as you’d expect for a country that has some really great writers (Oscar-nominated screenwriters, Man Booker listees, fabulous children’s authors, great longform journalists, etc). Or at least we didn’t have many ongoing series or crime writers putting out multiple books. It’s embarrassing to look back on that discussion now, because NZ does have a greater crime writing history than I knew about at that time, but perhaps the fact I was a keen reader who still wasn’t aware of that was telling too?

When I returned to New Zealand in October 2008, I popped into the Papatoetoe Library my first weekend to keep feeding my reading habit. By chance, a couple of crime novels on the recently returned shelf caught my eye. I picked them up, was taken by the backcover blurbs, and was surprised to read they were set in New Zealand: Cemetery Lake by Paul Cleave and The Ringmaster by Vanda Symon. Not only were they modern NZ crime novels, but each was from an author who’d published more than one novel!

CoverCover

I read them both that weekend, before I started my new job at a legal magazine (I was a lawyer before my overseas adventures). Both were terrific, really top quality stuff. Great characters and writing, coupled with page-turning action and suspense. And both books were as good if not better than many of big-name international bestsellers I’d been reading on my Latin American journey.

So my thoughts about the state of NZ crime writing began to shift. Then my new boss asked if I’d read any good books lately, as a review for our magazine hadn’t come in before deadline. So I wrote reviews of Cleave and Symon’s books, and took off from there. Soon afterwards I was reviewing crime fiction for Australian magazine Good Reading, as well as some other publications. I reviewed a few dozen crime novels for them over the next year, including Kiwi authors like Cleave, Symon, Lindy Kelly, Neil Cross, and Paddy Richardson. The Kiwi crime novels stood up really well against the well-known international stuff, and I started thinking ‘why aren’t we talking about our crime writers more?’ On top of that, I realised that while Canada, Australia, the UK, the USA, and many other countries had crime writing awards, New Zealand didn’t. Our popular fiction writers were unlikely to be listed for the NZ Book Awards, but at least our romance, sci-fi and fantasy authors had their own associations and awards. So did our children’s authors.

Our crime writers did not. That kept niggling at me the more reviews and features I wrote about the genre, and when I raised the possibility of a New Zealand crime writing award with authors, publishers, reviewers, and others in the book industry, pretty much everyone thought it was a great idea in principle. There was a gap between principle and putting it into practice though. And in the end I just got to the ‘ah bugger it, I’ll just start them myself then’ stage. By then I had lots of contacts in New Zealand and overseas, and called on various people for advice. Crime Writers Canada and the Australian Crime Writers Association were very generous and shared with me how their awards started, evolved, and were run. I cherry-picked various things to create our own awards.

Founding judge Graham Beattie, 3x winner Paul Cleave, founder Craig Sisterson, 2012 winner Neil Cross, 3x finalist Ben Sanders, Ruth Todd, Australian crime writer Michael Robotham, and 3x finalist Vanda Symon. Image supplied.

How hard was it to set up a literary prize?

How long is a piece of string?, as my mother would say. It’s really hard to answer your question. Looking back it all seemed to go quite smoothly, though that could be my rose-tinted glasses! At the time there were plenty of bumps in the road, for sure, but we just rolled with the punches, adapted, and kept on going (how many cliches can I fit in a paragraph?). We were creating something new, so there was no blueprint (other than advice from overseas peers), so if something wasn’t working or went wrong, I just changed it.

My core concern was to make sure that the awards had a good level of credibility, even if we weren’t offering the winner a big amount of prize money. I just really wanted the awards to be sustainable, not a one-off, and to have some ‘heft’, for want of a better term.

That was achieved (I think) thanks to the really top-notch judges we’ve had from the beginning, and the support of WORD Christchurch. We have a large judging panel for the Best Crime Novel prize; seven judges from New Zealand and overseas. All are crime fiction experts, so we had people who were connoisseurs of the genre and read an awful lot, weighing up the quality of our local crime tales. In the first years we had the likes of legendary British reviewer Mike Ripley (who was the Daily Telegraph’s crime reviewer for 17 years), Vice President of Crime Writers Canada Lou Allin, and doyen of the Kiwi books scene Graham Beattie on the panel.

More recently Janet Rudolph (editor of Mystery Readers International), J Kingston Pierce of Kirkus reviews, top Australian crime reviewer Karen Chisholm, and award-winning Icelandic crime writer Yrsa Sigurdardottir have served on the judging panel.

These people may not be household names, but they are extremely highly regarded within the global crime writing world, and their involvement has given the Ngaios a lot of credibility on the global stage. They read a massive amount of crime fiction, from the biggest names to new authors and many in between, and when they say our Kiwi authors are world class, that carries a lot of weight.

The other main pillar of the Ngaios from the beginning was the involvement of what is now WORD Christchurch. I wanted a cool event for our first ever Ngaio Marsh Awards presentation in 2010, and Ruth Todd and Morrin Rout of the Christchurch Writers and Readers Festival really came to the party. They were so supportive, and planned a terrific event for the Saturday night of their festival, which even included the Court Jesters doing an improv murder mystery, before the inaugural winner would be announced. The festival also put up some prize money for the winner (adding to the handcrafted trophy created by sculptor Gina Ferguson and selection of Ngaio Marsh books donated by HarperCollins, Dame Ngaio’s publisher). As Dame Ngaio was a Cantabrian herself, it was a perfect fit.

CoverThen the September earthquakes struck, the festival was cancelled, and our event postponed. Not the greatest start! But Ruth and Morrin continued to be so supportive, even as they were dealing with all the property damage and other concerns. We had offers from other festivals to hold an event in other cities, but stuck with Christchurch. We had a cool one-off event in a temporary venue that November, where the pseudonymous Alix Bosco won the inaugural prize for Cut and Run (fittingly, an author whose identity was then a mystery won our first-ever Kiwi mystery writing prize).

I get a lot of credit for starting the awards, but in truth there have been so many people involved, and it is the mana of those people that have made the awards what it is. Along with our authors, judges, and the libraries who’ve come on board with our Murder in the Library series that started in 2015, I’d like to give a nod to Marianne Hargreaves and Rachael King of WORD Christchurch, who’ve done amazing things and had to deal with me flitting about all over the world and not being the easiest to work with. Because of all those great people it hasn’t seemed all that difficult to set up and run a literary prize, even if there have been difficult moments.

Paul Cleave wins the Ngaio Marsh Award, 2015. Image supplied.
Paul Cleave wins the Ngaio Marsh Award, 2015. Image supplied.

What is it about Aotearoa that make us bat above our weight in the crime writing stakes?

Hmm… I think we have some great writers, across all different styles of storytelling. So our talented crime writers are just part of that wider group of great authors. (Seriously, whatever type of stories take your fancy, you can find great Kiwi books; compelling, page-turning, thought-provoking tales. Give some of our authors a go, whatever genre you love.)

In terms of crime writing in particular, I think our Kiwi authors often have a willingness to push the boundaries of the genre. Check out Adam Christopher‘s Ray Electromatic series that’s pure 1960s LA noir, just with a robot detective, or some of our literary-crime crossovers like Tanya Moir’s The Legend of Winstone Blackhat and Fiona Sussman’s The last time we spoke, or Paul Cleave’s latest A killer harvest which you’d call magic realism if he was a literary author. And that’s just a few examples.

CoverCoverCoverCover

Our authors certainly don’t feel constrained by the traditional tropes of the crime genre. Many of our Kiwi crime novels also have a great, subversive sense of humour, even the tales that are dark and serious. Many of our authors also have a good touch for landscapes, whether countryside or urban. But in the end, even if many people think of crime fiction as being primarily plot-focused, the best crime fiction often comes down to character – and our Kiwi authors have created some really terrific crime characters!

Can you suggest 3 titles that epitomise #yeahnoir for readers who haven’t tried Kiwi crime?

Just three? Sheesh, that’s tough. I’d probably give you a different answer depending on what day, or time of day, you asked me, but here goes. Oh, I’ll leave aside all our terrific Ngaio Marsh Awards winners, other than to say you can’t go wrong with picking a crime novel to try from Paul Cleave, Paul Thomas, Alix Bosco, Ray Berard, Neil Cross, and Liam McIlvanney.

Instead, I’m going to choose three other books that are really great, and very ‘Kiwi’ crime reads:

CoverBound Vanda Symon: the fourth tale in a really terrific series starring young Dunedin detective Sam Shephard. A successful businessman is murdered during a brutal home invasion, with his wife tied up and left to watch. Sam’s colleagues zero in on two local crims who’ve been on the police hit list for a while, but she’s not sure it’s so cut-and-dried. Sam is a terrific crime character, and the whole series is great, but I particularly like this instalment. Vanda Symon has a nice balance of plot, character, and setting, creating a page-turner with plenty of character depth. Sam has that maverick, trouble-with-superiors essence of crime fiction top cops like Harry Bosch (Michael Connelly) and John Rebus (Ian Rankin), but as a younger woman she layers in plenty of freshness too. There’s a great sense of humour in these books, and Sam is a fierce southern lass who’s her own woman.

CoverHunting Blind Paddy Richardson: like her fellow southern crime queen, Richardson has written several really terrific crime novels, but unlike Symon she has focused on standalones rather than series books. Hunting Blind is a great place to start, a chilling thriller which centres on Stephanie, a psychiatrist whose sister vanished from a lakeside picnic seventeen years ago, fracturing the family and community. Then a new patient tells an eerily similar story, causing Stephanie to reexamine her sister’s disappearance, and sending her on a dangerous and emotional journey around the South Island, searching for long-hidden answers. This is a really terrific novel that was a Ngaio’s finalist in 2011 and really wowed our international panel. Richardson is a master at crafting layered characters who resonate with the reader, and delivers a terrific flavour of the south.

The Sound of her voice Nathan Blackwell: a superb tale from a new author who’s recently joined the #yeahnoir ranks (the Twitter hashtag for NZ crime fiction created by Steph Soper of the NZ Book Council). Blackwell is the pseudonym for a former Auckland detective who was involved in covert operations and investigated very serious real-life crimes. Whoever he is, he’s certainly hit the ground running in the crime fiction world, with a belter of a debut. Detective Matt Buchanan is burnt out, worn down by a succession of tough cases, and haunted by the unsolved disappearance of a young girl years before. Some fresh leads give him hope, but also threaten to draw him across lines that shouldn’t be crossed. Blackwell showcases the courage of Kiwi crime writers in tackling tough issues, giving readers a dark, authentic insight into the stresses the police face.

What do you think about libraries?

In short, libraries are bloody awesome!

I was a sports-loving kid growing up in Nelson, but I also loved spending time in my school and local public library. I discovered so many wonderful authors and books thanks to the librarians, and they cemented my lifelong love of reading. Libraries are so vital to communities, providing information and entertainment, cultivating learning, bringing people together. They’re egalitarian and democratic, opening up doors for anyone regardless of your background or means. Yeah, I think they’re pretty cool.

More about Craig, Ngaio Marsh, and the Ngaio Marsh Awards

Ngaio Marsh photographed during the 1940s
Ngaio Marsh photographed during the 1940s : “Ngaio in the spotlight” CCL PhotoCD 17, IMG0038

Isaac House

Isaac House stands in solitary splendour on the corner of Colombo and Armagh Streets. Located at 779 Colombo Street, it is a Category 2 listed heritage building in the distinctive Georgian Revival style. It was completed in 1927 for Henry Owen, proprietor of chemists
Cook and Ross. If — like me — you are a fan of this architectural style, 69 Worcester Street is another fine example.

The owners of  Isaac House kindly let the public in to have a gander yesterday to see how they have restored this gem. Here are some photos from the past, and yesterday.

Male and female cabin crew of TEAL standing at the corner of Colombo and Armagh Streets [ca. 1960] CCL PhotoCD 11, IMG0044
Male and female cabin crew of TEAL standing at the corner of Colombo and Armagh Streets
[ca. 1960]
CCL PhotoCD 11, IMG0044
National Bank
National Bank 1963. Corner of Colombo and Armagh Streets. Flickr HW-08-FE-12
Victoria Square and Armagh Street
Wednesday 17 September 2014. Flickr 2014-09-17-IMG_2188
Isaac House
Wednesday 11 October 2017. Flickr 2017-10-11-IMG_3833

More about Isaac House

Bic Runga Drive’s back to Christchurch

Soulful singer-songwriter Bic Runga, born and raised in Christchurch, is coming back to her hometown for a 20th anniversary concert celebrating her first album Drive, on Friday 20 October at Issac Theatre Royal.

20th+Anniversary+of+Drive+tour

She will be playing her much-lauded and loved songs that have stood the test of time such as Sway, Suddenly Strange and Bursting Through, alongside songs since then, included in The Very Best of Bic Runga (released 2017).

Drive

There must be quite a few of us who, in their 20s, would have filtered their relationships and emotional experiences through the lyrics of Bic Runga’s songs when the album was first released, and sang along to Drive, while driving around. Her music has cross-generational appeal and now I don’t know who is the bigger fan, myself or my daughter, but we’ll both be there up front in the majestic theatre to sway to her beautiful and equally majestic voice.


We caught up with Bic for a few quick questions ahead of her concert in Christchurch. She shares her reading interests and formative library memories.

Bic image 5
Bic Runga on tour in Australia, March 2017. Photo credit: Amanda Lee Starkey

Bic, you grew up in Christchurch, in Hornby, and went to Cashmere High School… what special places do you think of fondly here?

My favourite places are the Arts Centre where I did a lot of hanging out as a teenager. Lyttelton and Governors Bay are also really special places to me.

What role did libraries play in your life growing up?

I used to catch the bus to the library in town most Saturdays, and I discovered all the music I love there. I used to get out cassette tapes and that’s where I discovered The Smiths, The Sex Pistols, The Cure, The Cocteau Twins. It was unlike the music my parents played at home, so it was really my own place.

Central Library
Literature Arts & Music: audiovisual issue desk, Ground Floor. 1995. Flickr Arch52-BWN-0036

What type of reading do you enjoy? Any recommendations? What are you looking forward to reading?

I like non-fiction. I like science books and I love books about space! And I like music biographies. I liked Patti Smith‘s Just Kids, and I love Marianne Faithfull‘s autobiography Faithfull. The Phil Collins‘ autobiography Not Dead Yet I’ve heard is really funny, I’ll get to it soon!

JustKidsNot Dead Yet

Are there any special books or stories you remember fondly from your childhood? And what books are your own children enjoying at the moment?

I remember reading the Ramona Quimby series (about 3 sisters) when I could first read a chapter book. And any of the non-fiction Usborne Books for children. Anything by Roald Dahl worked on me as it does my children now.

BeezusandRamonaRamona's worldmatilda2RoaldDahl

My kids are mad about Minecraft, there’s an unofficial Minecraft book they quite liked called the Elementia Chronicles by Sean Fay Wolfe. So if you can’t peel your child away from Minecraft, you could try the book!

Can you recommend any music or artists out of Christchurch who have taken your interest?

At the show at the Isaac Theatre Royal I’ve asked Asti Loren to sing a duet with me, she has such a beautiful voice. I love how self motivated she is, she posts a lot of stuff online and really does everything herself which is such a different world from my generation when you needed record labels and directors and stuff.

If a young person was interested in being a musician today, what advice would you give them?

I’d say just practice a lot, practice slowly and make it your meditation. Everyone wants fame, but it seems no one wants to practice enough!

We asked Bic to share a surprising fact about herself (and it may just be her next creative project) …

I’ve just learned how to draft clothing patterns slowly over the last few years and I’m ready to do a fashion project, maybe using wool. I’m really excited to do something creative that’s not music, but I think the two will work together well.

Finally Bic, you are donating money from every ticket purchased to your Christchurch show to the Māia Health Foundation, who are raising money for projects for Canterbury’s health system. Can you tell us more about that?

I’m proud to be an ambassador for the Māia Health Foundation alongside (fellow Cantabrians) Jake Bailey and Brendon McCullum. It’s still quite a new charity so I’m constantly trying to raise their profile in everything I do. Our main projects right now are a helipad as part of the hospital so the rescue helicopters don’t have to land in Hagley Park 8 minutes away, and more beds for parents in the children’s ward so families can stay together.

 


Bic has won a multitude of awards and worked on many musical projects and collaborations in the twenty years since Drive was released, too numerous to mention here. Most recently, Bic has written a song for a New Zealand children’s annual of stories, poetry, comics, art and other miscellany Annual 2 which has just been published is aimed at 8 to 12 year olds. Her song, Next Thing You Know You’ll Be Happy, is based on the idea that happiness comes from simple pleasures.

Annual 2
Annual 2

 

Take a look inside Annual 2

BicRungasongsheetAnnual2
Bic Runga’s song about simple pleasures, composed especially for Annual 2 (2017)

MORE

Buy Tickets: Friday 20 October, Isaac Theatre Royal
Listen: Bic Runga’s CDs in our catalogue
Browse: Bic Runga’s website
Read: In-depth background on Bic on Audioculture
Watch: Before she was famous, she formed the duo Love Soup with Kelly Horgan as a seventh former at Cashmere High School in Christchurch and they entered the Smokefree Rockquest Canterbury Finals in 1993, earning her first recording contract afterwards (see their performance of Superman Song from the 5 minute point in this video).

 

Stacy Gregg’s latest pony book is close to home: an interview with the author of The Thunderbolt Pony

Stacy Gregg’s latest pony book The Thunderbolt Pony is a children’s novel very close to home, both for Cantabrians and for the author. Set in the aftermath of an earthquake in the real life town of Parnassus, near Kaikoura, the story is about 12 year-old Evie and her determination to save her beloved Arabian pony Gus, her loyal border collie Jock and her aptly named cat Moxy.

Scorpio A4 Poster 2017.jpg

Stacy Gregg portrays strong, independent, fearless girls in her books and here Evie bravely overcomes not only the forces of nature but her anxiety disorder, which she has been suffering since her dad became terminally ill. Evie’s OCD manifests itself in the belief that she if she doesn’t stick to set routines, it will cause bad things to happen, making her the ‘bringer of earthquakes.’ Evie must embark on both a physical and mental journey, in a race against time to get to a rescue boat.

Stacy Gregg has experienced the effects of anxiety disorder firsthand, with her own daughter developing OCD a couple of years ago, and she brings the specificity of what it can be like into the story. In fact, Stacy manages to intertwine quite a lot into this pacy yet reflective story. There’s also Greek mythology in here too with reference to Poseidon, who makes the perfect tie-in as not only the god of the sea but of earthquakes and horses as well.

You don’t have to be a horsey person for this story of adventure and animal friendship to appeal. Gregg’s style of historical fiction applied here will particularly resonate with many middle-school children in New Zealand and those around Canterbury, the Hurunui and Kaikoura will feel especially immersed in the familiar settings. Overriding everything, however, is Stacy’s signature quality storytelling.

Interview with Stacy Gregg

We interviewed Stacy on the release of her latest book – she talks about her research and writing process and about her experiences with anxiety disorder in her family.

StacyGreggCarolynHaslett.jpeg
Children’s author Stacy Gregg. Photo credit: Carolyn Haslett (photo supplied). 

Stacy, what types of research did you do for The Thunderbolt Pony?

As well as reading lots around my subjects, I’ve always travelled for my research. My books have taken me to Arabia and Spain, Italy and Russia and now for The Thunderbolt Pony, Kaikoura and the East Coast of the South Island. It was important to me to travel the route that my heroine will take, the 64-kilometre stretch between Parnassus and Kaikoura. I was hoping the earth might move while I was there, but it didn’t. I had to rely on second-hand accounts of what the earthquakes were like because I’ve only ever been in a minor tiny tremor once here in Auckland.

What did you find in your research of the earthquakes that surprised you?

That they are noisy! You don’t think about the sound an earthquake makes, you think about the feeling of the land moving underneath you. But everybody I spoke to talked first about the noise. The boom that comes beforehand and the sound like a train surging beneath you. Like the rumble of the thunder that comes before the lightning – it gave me the title for the book.

Surviving 7.8My Story Canterbury Earthquake
Read first-hand accounts of the November 2016 Kaikoura earthquakes in Surviving 7.8 and Aftermath. And for a child’s fictionalised point of view, My New Zealand Story Canterbury Earthquake.

Stacy, did you have a real person in mind when you were writing the character of Evie, who has OCD?

Evie’s journey is based very much on my own daughter’s struggles with OCD. When I first had the idea for writing the book I asked Issie what she thought about having a character who suffers from OCD and she was really, really supportive of me writing about it. She felt like it was important to raise awareness of the condition so that kids who are suffering from anxiety disorders realise how common it is and that they aren’t alone. There’s been such an overall increase in anxiety disorders in pre-adolescents, but this is especially true in places like Canterbury and Kaikoura where the kids have been through an earthquake and the ongoing aftershocks. Statistics in a recent study in Christchurch have shown that four out of five kids in the region have some level of PTSD (post-traumatic stress disorder). It’s a very real issue.

What did you find in your research about anxiety disorders like OCD that surprised you?

My daughter gets really cross people say stuff like “Oh I totally need to keep the kitchen clean – cos I’m so OCD!” Because that’s not OCD at all – that’s just liking things to be neat! I remember there was a time when the word “schizophrenic” was misused in the same way. Then the mental health community stepped up and reclaimed it and said “hey it’s not okay to talk about schizophrenia as if it means you have a split personality -it’s actually a real condition that people suffer from.” I think the same thing will happen now with OCD.

There are a lot of mistaken preconceptions about OCD being a ‘clean freak’ condition where you have to wash your hands or keep things perfectly tidy. Yes, it can manifest in that way, but it’s just as likely for you to have OCD and have a super-messy bedroom! For many OCD sufferers it’s about wanting to protect people – or animals – you love and make them safe by adhering to rituals and counting. It’s a bit like superstition on steroids. If you have OCD you are compelled to carry out your rituals and you get really anxious and upset if you can’t do them right as you really do believe you are risking harming everyone that you love. You’re carrying the weight of the world on your shoulders. In The Thunderbolt Pony, Evie is fighting her OCD and trying to get a grip on her actual reality, but she’s got a lot to contend with.

How challenging was it to write about a condition in your family? Was this a helpful process for you, to write about it?

It was tough at times to open the wound and examine it – but it’s better than letting it fester I think. Issie and I are both the same like that, we confront stuff head on and she was very honest with me and trusted me to tell the story. OCD is a rough gig. It can totally dominate someone’s life in a very debilitating way. Issie did a lot of really hard work with her clinical psychologist and that work gave her the tools to overcome it. I’m really proud of how open and brave she was, and I’m really grateful to our psychologist Hilary, for the support he gave her. The character of Willard Fox is very much based on him and he gets a big thank you in the dedication.

image_proxyWhat has been the response so far from readers of The Thunderbolt Pony?

I just toured in Australia around schools in Sydney and what amazed me was that the kids there all knew what OCD was and they were very open to talking about anxiety disorders and seemed to really naturally engage with it. I’m just about to begin the South Island tour now – kicking off in Kaikoura – and I admit I am anxious about talking to the kids who have actually experienced the real earthquake. It’s going to be special, going back to the place where the book is set, but it’s also daunting. I hope they like it.

One thing really engaging about your books is the historical fiction aspect, how you use real places, events and real experiences in many of your stories. Why do you choose to write this way?

I think it’s the ex-journalist in me – I love to do solid research and I like to have a true story as a base foundation for my fiction. The Princess and the Foal was the start of that for me – it is the real story of the childhood of Princess Haya of Jordan. Her mother died in a helicopter crash when the Princess was 3 and she became really emotionally withdrawn and shut down after her death. When the princess was 6 her father, King Hussein, gave her an orphan foal to raise and said. “This foal has no mother, just like you. It’s on your shoulders now to be in charge and care for this young life.” This was the turning point for Princess Haya and her whole life story, her incredible success as an Olympic show jumper and as a powerful world influencer, came from that moment. It was so special to me to tell her story and to be given access to the royal palaces and the stables. My love of telling a true story sprang from working on that book.

PrincessandtheFoalTheIslandofLostHorsesTheGirlWhoRodetheWindTheDiamondHorse

You often write your historically-based stories from two points of view but in The Thunderbolt Pony we have just Evie’s viewpoints, one during the rescue adventure and one reflecting on her journey later (both physical and mental journey). Is this your way of using your ‘dual narratives’ device in this story?

That is a really good question in terms of discussing structure and the devices an author uses. I have frequently used dual narratives in previous books – dovetailing two girls with perspectives that are historical and modern-day up against each other. For this story though, there is just one voice, it is Evie’s story and hers alone. However, I didn’t want to write it in a linear fashion – I felt like we needed to see her two journeys – the physical and the mental – intertwined. It gives the book a different pace and that’s why we make time leap back and forth. The skill for a writer I think, is to construct a tricky timeline and make it feel like it makes sense and is effortless so that the reader doesn’t notice!

You’ve said you like to “get rid of the parents in a story” – can you tell us more about that and why?

It’s not just me who likes to get the parents out of the way. Look at Harry Potter. Or Lemony Snicket. Parents are a problem because they like boring stuff like routines and being safe. They are all about healthy meals and bedtimes and they are also on hand to help you when things get rough. If there are no parents you can have big crazy adventures where you must be brave and do everything yourself and there’s no one to stick their oar in and say “hang on a minute this is madness let’s stop and have a proper dinner!” That is why you get rid of the parents – they are too sensible and they ruin your fun and crush the spirit out of the adventure.

You write about strong female characters who are fearless, independent, self-sufficient. Can you tell us more about that?

I’ve always written strong girls as my heroines. Horses make girls powerful. You can’t be a powderpuff. You need to be mentally and physically tough to handle them. And at the same time you need to stay vulnerable and soft, because it’s in those unguarded moments that you create a true bond with a horse. My daughter rides competitively and when we roll up at competitions I’m always impressed at these women turning up driving massive trucks and handling enormous powerful warmbloods. We just don’t think anything of it – we don’t expect men to come and help with any of it. It’s a very feminist sport.

How long did the writing process take for this book?

I write a book a year. I spend about three months researching, three months writing and then another three months with my editor, pushing the manuscript back and forth through various stages beating it into shape. Then the next three months are publicity and touring and preparing to do it all over again. I love every stage of the process, I’m very lucky to do the job that I do.

What’s next? What are you working on at the moment?

My next book is called The Fire Stallion and it’s set in Iceland. As usual, I have the whole thing plotted out already – but I’m not giving away any spoilers yet!

What have you recently enjoying reading and what’s on you ‘to-be-read’ pile?

I have just finished Neil Gaiman’s book on Norse Mythology (OK that’s a big clue for the subject matter of my next book). But I won’t be able to read anything for a while now. I am an all-or-nothing reader and I can’t read other authors when I am in writing mode as I’m a terrible mimic. I have to isolate myself for the next few months and then I will binge read when the new book is finally done. On the bedside table until then are Magpie Murders by Anthony Horowitz, The Dry by Jane Harper, and My Absolute Darling by Gabriel Tallent.

NorseMythologyMagpie MurdersThe DryMy Absolute Darling

Thanks for your time Stacy!

StacyGreggSigning
Stacy Gregg at a book signing. Photo credit: Kelly Bold (photo supplied).

Thank you to HarperCollins.

The Thunderbolt Pony
by Stacy Gregg
Published by HarperCollins New Zealand
ISBN: 9780008257019

Midnight Oil’s Peter Garrett – WORD Christchurch Shifting Points of View

I’ve had this song in my head since I saw Peter Garrett recently. Not at the Midnight Oil concert, but at the WORD Christchurch Shifting Points of view session at The Piano. It was the last talk in a series of goodies that formed WORD’s suite of Christchurch Arts Festival offerings.

CoverPeter Garrett – musician, former Aussie federal politician, activist – appeared in conversation with the able and amiable broadcaster/journalist Finlay Macdonald, and followed the session with an audience Q & A and a book signing.

Peter’s book is a memoir of his life and career called Big Blue Sky. He found writing it both challenging and gut-wrenching:

It’s not just about what you remember, it’s how honest can you be.

He talked about the reformation of Midnight Oil and the series of concerts they are undertaking, including such stunner venues as Alice Springs and a rainforest in Cairns. Peter reckons they are sounding even better than their heyday.

His broad and expansive knowledge of Australian history as well as other topics made him a thoroughly engaging speaker. He talked politics, music, and more – and his move into federal politics made a lot of sense because he strongly believes:

The system cannot work unless it is infected by people who want it to work.

Peter went with the Labour Party instead of Green because he was “allergic to moral superiority and preachiness”.

Peter Garrett

There was plenty of music talk for the aficionados. He shared musical influences and passions – The Beatles, Neil Young, Rage against the Machine, Aborigine bands. Recalling seeing Muddy Waters play at ANU university, Peter got shivers right there on stage. So did we.

Peter Garrett signing books
Peter Garrett signing books. Flickr IMG_2529

More Peter Garrett

Midnight Oil fan family follows band to Christchurch Adele Redmond, The Press

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