It’s not often you get to attend the launch of a book written both by a local debut author but also by someone barely into their twenties. Book publishing is a competitive business and the path to publication can be slow and dispiriting (for those that make it there at all), so it’s an impressive achievement at any age.
All the Other Days is a book for teens, first written when Hartley was still a teenager himself. He was encouraged in this by his Shirley Boys’ form (and English) teacher who spoke at the launch, as well as by his family. While there were many subsequent years of hard work on the manuscript, interrupted by a degree in Psychology and a foray into teaching, it’s a testament to the positive influence the right teacher at the right time can have for many people — and also how the work of one author is built with the support of the community around them. A glance at the acknowledgements at the back of a book can give an idea of just how big this community can be.
Hartley is clearly passionate about bringing an authentic voice to Young Adult literature, particularly an authentic male voice which he struggled to find in his youth. (Should’ve asked a librarian.)
Many teens struggle with mental health during adolescence, on top of the usual mix of first love, dealing with school, and potentially problems at home, so being able to connect with characters having a similar experience can be a lifesaver. I have yet to read All the Other Days so can’t speak to the validity of the comparison, but the themes remind me of Will Kostakis (by coincidence another author who broke into publishing very young). If you’re looking for an exciting new addition to YA fiction then put yourself on the waiting list, because it’s looking like All the Other Days is already shaping up to be a big hit.
One of the reasons why I love the WORD Christchurch festival so much is that it includes something for everyone, not just the stereotypical literary festival attendee that you might be picturing in your head. The programme itself can be overwhelming, however, so our new Tūranga Youth Librarians have narrowed down their top picks that might be of interest to young adults. Student rush tickets will be available on the day of events for $12 with student ID, and there are plenty of free options too.
Inspiring Writers Secondary Schools Day Free! Register to hear science communicator Laurie Winkless, YA author Juno Dawson, poet Hollie McNish and Australian author and hip-hop artist Omar Musa present at the University of Canterbury, free for Christchurch secondary school students.
Free! Features three YA authors reading from their latest works, introduced by fellow YA author Paula Morris. Whiti Hereaka won praise for their first YA novel, Bugs, and will be reading from their new time-slip novel Legacy. Juno Dawson (writer of teen non-fiction and dark thrillers) also appears in Juno Dawson: Gender Games, where they will be chatting with local YA author Karen Healey about Doctor Who, writing, and gender; and Yaba Badoe will be reading from A Jigsaw of Fire and Stars, a novel involving magic and growing up in the circus. (Hear more in her panel: Yaba Badoe: Fire, Stars and Witches.)
Bad Diaries Salon $10/12 Everyone has written a diary once in their life right, but have you actually kept your diary and cringed over it as you grew older and “wiser”? Bad Diaries Salon will feature local and international writers reading from their diaries on the theme of risk. Original and unedited this session will be both funny and uncomfortable (in a good way).
The Christchurch Poetry Slam Finals: $10 Competitive poetry is a pretty weird concept, but absolutely worth checking out. Poetry slams are generally a pretty bold and boisterous affair, and this one will be extra special — not only are there some exceptional young poets coming out of Christchurch at the moment, but the guest poet will be USA/NZ slam legend Carrie Rudzinski. (Alina: A bit further afield, but you can also check out Slam Poetry in Waimakariri featuring some talented students from local schools.)
Kā Huru Manu: My Names Are the Treasured Cloak Which Adorns The Land Free! Kā Huru Manu is a Ngāi Tahu digital atlas which records the Māori place names and histories of the Ngāi Tahu rohe (tribal area). I heard Takerei Norton speak about the history of this project at a conference for librarians last year and really enjoyed it. It was interesting to hear about how place names and their meaning were recorded in the past (often incorrectly) and I was blown away to learn that so much of our landscape has a story. This should be a great talk for those interested in New Zealand history, geography, and digital technology.
FAFSWAG: Vogue! Free! Something a little bit different. Manu and Tamatoa from the House of FAFSWAG are running an open workshop on voguing. You’ll learn the five elements of vogue femme – catwalk, hand performance, duck-walk, floor performance, and spin/dips. It sounds like it’ll be a fun time! Manu will also be on the panel for Comfortable In Your Skin (koha entry), where queer people of colour will be discussing their writing, art, and activism.
Nanogirl: Cooking with Science! $15 Dr Michelle Dickinson aka Nanogirl takes you on a scientific journey through the kitchen. Her recipes are science experiences you can eat! There will even be the chance for the audience to volunteer to take part in experiments. Grab a copy of Nanogirl’s The Kitchen Science Cookbook from your local library and give a recipe a try!
The Nerd Degree $17/19 A fantastically funny panel show which records a live podcast every month on a different theme and featuring a diverse bunch of nerdy comedians. For the WORD Christchurch festival, host Brendon Bennetts will be challenging the wits of four writers for our amusement.
Ant Sang: Dharma Punk $10/12 You might know Sang through his work on the TV series bro’Town or his graphic novel Shaolin Burning — if not, his latest comic features a woman kidnapped by time-travelling ninjas, so that seems like a pretty good place to start. If you’re a fan of graphic novels or animation/illustration, head along to his session with Tracy Farr.
You Write Funny Free! This promises to be a barrel of laughs, featuring readings from visiting writers and poets on humorous subjects, MC’d by our very own librarian by day, poet/comedian by night Ray Shipley.
Germaphobe Mei is a liar — lying about dropping dance, lying about being in contact with her disowned brother, and lying about dating someone who is Japanese. But most of all she’s lying about intending to become a doctor. As her secrets pile up, Mei has to find a way to confront her parents with her own needs instead of conforming to all of their strict Taiwanese traditions.
Overbearing Asian parents can be a bit of a trope in YA novels but Chao portrays Taiwanese families of varying levels of attachment to tradition, helping Mei to see that some rules might need to be broken. While Mei really struggles with her family there is also a lot of humour (especially in the phone messages left by relatives) and her developing relationship with Darren is very sweet. I’d recommend it to fans of Jenny Han’s To All the Boys I Loved Before as it has a similar cosy hot chocolate vibe even when it’s dealing with serious issues.
After being dumped by her girlfriend for being asexual, Alice throws all her energy into her part-time job at the library and ignoring parental pressure to study law — but when Takumi starts working there too she finds herself somewhat distracted by his good looks. With friendship drama, therapy, and a million missed phone calls from her family, will Alice ever get her act together enough to articulate her own feelings?
I have to confess that I found this a frustrating read — no one behaves well, but especially not Alice, who totally ignores anything that isn’t movies and crappy food and things that score highly on her Cute Chart. Half the time she complains about her wealthy family paying for her rent and education, and the other half she’s surprised and upset when they don’t. Having said that, asexual main characters are still rare enough for this book to be valuable, and others may enjoy Alice’s burgeoning romance with Takumi more than I did.
Penny and Sam are both looking for escape — Penny fleeing her mother to go to university, and Sam fleeing pretty much everything. When Penny discovers Sam having what he thinks is a heart attack she rescues him and they exchange contact details, leading to a friendship via text as Penny pursues her dream of becoming a writer and Sam attempts to become a film-maker, with personal complications along the way.
Not a very compelling summary but this is probably my favourite of the three, similar in feel and content to Eleanor and Park. Penny and Sam are both awkward, creative individuals dealing with difficult backgrounds — Penny with her anger towards her flaky mother, Sam with his checked-out parents and newly pregnant ex-girlfriend — but despite this there is a lot of humour in their exchanges, with many funny moments. If you’re a fan of Rainbow Rowell then I’d add this one to your to-read pile.
Ever since she was tiny, Miss Missy has loved books and reading. She never had a security blanket—instead she had to have Peepo by Janet and Alan Ahlberg in her cot to go to sleep. Our best “look what my baby can do” party trick was getting her to bring us alphabet letters from the fridge. She could find the “S for Sausage” or the “G for Genevieve” or the “H for Helena” (her BFF) long before she could say any of those words. When she got bigger, she went through chapter books so fast that on trips to the library, she’d have finished a book before we even pulled up the drive.
It was a fast paced and exiting story, which ended with Celestine on the run, so Miss Missy and I were both eagerly awaiting Perfect, the next book in the series!
Much as I wanted to enjoy it, I couldn’t help thinking that Perfect was, well, less than perfect. I expected it to pick up just were Flawed left off, with Celestine on the run, and determined to take down the evil Guild that controls the world she lives in. But Perfect doesn’t take off at a run. Instead of running, Celestine decides to hang out on her Granddad’s farm for a couple of weeks, going no-where, doing nothing. And of course, she almost gets caught. Once she finally starts running, I expected her to go get the vital evidence she needed to bring down the evil Judge and his Guild, but it took her an absolute age to figure out what I already twigged onto–that she’d been given the evidence secreted in an unexpected gift. She’d had it since the first book, and it took her half the second one to figure it out! I got a bit annoyed with her naivety (stupidity?). She was just too trusting, and it kept getting her into trouble.
But maybe I’m being to harsh! Miss Missy loved it, and once it got off the ground, I did enjoy reading it. I think Perfect just suffers a little from Sequel Syndrome (I thought I was being clever coming up with that, but a quick Google search will show you its not a new thing!) Is it cynical of me to think that Ms Ahern’s publisher just wanted her to spin the story out into two books instead of one? All in all it was a pretty good book, and if you enjoyed Flawed, it’s definitely worth reading this to find out what happens, so don’t let me put you off!
And maybe you’d like to tell me about a sequel that you thought fell a short?
by Cecelia Ahern
Published by HarperCollins New Zealand
What Happened to Lizzie Lovett? A mystery that Christchurch City Libraries borrowers can unravel by participating in the world’s largest global eBook reading club Big Library Readfrom OverDrive.
Chelsea Sedoti’s debut young adult novel, The Hundred Lies of LizzieLovett, has been selected as the featured title for millions of readers around the world to read at the same time beginning Thursday, October 12 and concluding October 26. This title is also available as an eAudiobook.
Popular girl Lizzie Lovett’s disappearance is the only fascinating mystery her sleepy town has ever had.
Hawthorn has her own theory about Lizzie’s disappearance. And what better way to collect evidence than to immerse herself in Lizzie’s life? Like getting a job at the diner where Lizzie worked and hanging out with Lizzie’s boyfriend. After all, it’s not as if he killed her – or did he?
Told with a unique voice that is both hilarious and heart-wrenching, Hawthorn’s quest for proof may uncover the greatest truth is within herself.
23 July marks the 5th anniversary of the passing of one of Christchurch’s most famous locals, Margaret Mahy.
One of New Zealand’s most prolific writers for children and young adults, Margaret’s writing has touched lives over many generations. Her stories and poems are full of magic and fun with a moral tale in the weaving.
Many of her tales have been brought to the the screen.The Changeover, filmed locally, will be released on film on 28 September 2017.
Margaret Mahy has been an inspiration to writers. She established a retreat for authors in Governor’s Bay, and in her video A Tall Long Faced Tale she tells how publishers would often ask her to rewrite a story up to eleven times! Take note.
I was lucky enough to meet Margaret at the 100th anniversary of the New Zealand School Journal. There she was, in her famous rainbow wig, for all the world holding court at the National Library of Wellington. She signed my journal. I’ll never forget it.
Laura Chant lives with her Mum and beloved little brother Jacko and she has ‘warnings’. Odd sensations overcome her. She’s had them before, when their Dad left the family home and when she met Sorry (Sorenson) a prefect at her high school. And now she’s had another one.
Warily she continues through her day at school, picks up Jacko and walks home, everything as normal. Except on the way they pass a shop that was never there before and the strange, rather sinister old bloke inside bothers her enormously…
Jacko’s health starts to deteriorate, his life hanging in the balance, and Laura is convinced it’s because of the man in the shop. Her Mum is struggling to make ends meet, keep her job and be a loving Mum, there for her children. It’s tough going and Laura’s mad ideas are just not going anywhere. Laura feels herself to be alone.
So she turns to Sorry for help, knowing, believing he is a witch.
The Changeover is classed as a teenage story with supernatural elements. I first heard it as an adult, as it was read on a children’s holiday programme. I missed the last few episodes and headed to the library. I had to know what happened. There appears to be more going on with Sorry and Laura than meets the eye and what happened to Jacko? Are Laura’s bizarre theories correct? I was so pleased I tracked the book down.
Whilst I have read sci-fi and Fantasy, The Changeover avoids both genres. It’s a darn good story with witches and a bit of magic thrown in and it works. I was caught up in a great story and characters. Jacko is a small boy I wanted to live, not die and I found myself driven to read on, to urge Laura to put some of her thoughts into action, to save him if she could.
As a young woman New Zealand author Elizabeth Knox met Margaret Mahy and got to know her well. In her introduction to the latest edition she writes of the her hero Margaret Mahy:
“I’m thinking of her laugh, her hats, her dogs and cats, her winter coughs, her knitted coats, her rainbow wig, and very imposing penguin suit. I’m thinking of her long sentences and pithy quips; of the rose window of the top bedroom of her flat in Cranmer Square; of her empty refrigerator, of her very model of a modern Major General and, in the same vein, her virtuoso “Bubble Trouble”, and the loving rapture in her grandson Harry’s eyes when he watched her perform it at the launch of Tessa Duder’s book”.
A recent reread of The Changeover as a middle aged adult and I still loved every minute of it AND there’s a movie coming in September AND its filmed in Christchurch, New Zealand, Margaret Mahy’s home town. Will watching a favoured book turned into a movie be iffy? Possibly (watch the trailer below and judge for yourself). But I will go and pay homage to a wonderful writer.
by Margaret Mahy
Published by Hachette New Zealand
Yet another (amazing) book about a broken family. This sad story about a young girl who lives in rags is definitely a must-read for Jacqueline Wilson fans. I loved the connection with Hetty Feather! The beginning of the story is all rather upsetting, with almost no chance of getting any better. But at the end things turn out just fine! Clover is a sweet girl who loves to look after children, she doesn’t tend to get along well with kids her age however Clover is brighter than most of them! She uses her intelligence to find her place at The Girls’ Institute and finally a more permanent home. I would love another book about Clover to see what she gets up to!
I absolutely love this two-part series about telepathy! Jam-packed with an amazing plot and heaps and heaps of love triangles. Before reading this book, I warn you that the ending contains a massive plot twist; that requires a little knowledge about chemical elements. Some of my favourite things about these books, besides the unique use of telepathy, was probably the range of personalities. Each character was different and all of them went on different journeys, experiencing their ESP (telepathy) in different ways.
Margaret Mahy’s young adult novel, The Changeover was already several years old when I first picked up a worn copy in my high school library at the age of 15.
I was so taken with it that even before I had finished reading it I was re-imagining it in my head as a movie.
In that peculiarly obsessive way that teenage girls sometimes are about their favourite things my mania lead me to imagined locations and camera angles, and I had a very long list of songs to be included in the soundtrack. Most of which, upon reflection, were terrible.
When Margaret Mahy died in 2012, I felt moved to write a heartfelt blog post about how important her writing, and this book in particular, had been to me.
A couple of years later at a WORD Christchurch panel discussion on The Changeover, I learned that a film of the book was in development and felt conflicted in that way that book fans often do. Because how could that film ever live up to the book, or indeed my own imaginary movie of it?
Stuart McKenzie is, with his wife Miranda Harcourt, co-director of that film which recently finished shooting here in Christchurch.
Perhaps not fully understanding the degree of my fangirl obsession, he agreed to answer some questions about what their version of Mahy’s story will look like.
Margaret Mahy wrote a number of terrific books for young adults – what made you want to film The Changeover particularly?
We felt The Changeover was really cinematic. It’s a supernatural thriller about a troubled teenager who’s got to change over and become a witch in order to save her little brother from an evil spirit. So, it’s got a great central conflict! And its genre is very clear — yet at the same time it puts this compelling twist on it by feeling very naturalistic.
Its themes of love, loss, sacrifice and change are primal. Laura Chant feels like a real person — she struggles with herself and her kind of dispossessed place in the world, but she’s got big dreams. In other words, she’s a complex and powerful heroine who our audience can really identify with!
Another thing that made the book feel so cinematic for us was Christchurch. We updated Margaret’s story to contemporary, post-earthquake Christchurch. For us, the brokenness and reconstruction of Christchurch is like a visual metaphor for Laura’s own damage and subsequent transformation.
The book (and Margaret Mahy herself) are very beloved, by me and many others. Does that place extra pressure on you to do a good job with the film?
All along we’ve wanted to make something Margaret would love: raw and lyrical, tender and tough and true. We wanted to keep the story feeling very contemporary, as the book itself was when it was first published in 1984. Like Margaret, we wanted to find the magic in the real world, not drift away into fantasy.
We were lucky to have Margaret’s blessing from the start. Before she died, she read and loved an early draft of the screenplay. So that was a great feeling to carry through the development of the project and into the shoot itself. She really encouraged us to find the spirit of the story and not be bound by the literal form of the book. We had this quote in mind by the great French film director Jean Renoir, “What interests me in adaptation isn’t the possibility of revealing the original in a film version, but the reaction of the film maker to the original work.”
I guess you could think of the book and the film as two reflecting worlds — much in the same way that Laura herself discovers the connectedness between two powerful realities — magic and the everyday — and finding in fact that they’re really one and the same.
Margaret was always clear that Laura’s changeover into a witch is a metaphor for her becoming a young woman, an active journey to embrace her own creative power. And Laura’s story itself is a metaphor for the challenges we all face in our lives and the changeovers we all have to go on in order to grow.
Oh yeah, back to the question about doing a good job… Yes, we really feel that! And we’ve still got a lot of work to do in post-production. Helps to have great people to work with, which we have.
On the one hand The Changeover, if you’re familiar with Christchurch, is very recognisably placed here, on the other hand it’s also very vague about where it’s set. The name of the city is never mentioned. The suburbs and street names in it are all made up. Christchurch is certainly its spiritual home, but you could make a very good argument that it’s not a story that needs to be specifically told here, and yet you are telling it here. What made you want to shoot here rather than in Auckland or “Wellywood”?
As you say, Christchurch is the “spiritual home” of The Changeover and we always wanted to make it here. I was born and bred in Christchurch and spent my early teenage years in Bishopdale which Margaret calls Gardendale in the book.
The Changeover was welcomed to Christchurch by Ngai Tahu in a moving whakatau — as a production we felt hugely embraced by Christchurch, the people, the Council, the environment itself.
Miranda and I were determined to film in Christchurch because its flat vistas give the film a unique look. Cinematographer Andrew Stroud and Production Designer Iain Aitken helped us reflect the everyday and often unexpected beauty of the place.
Christchurch also allowed us to explore the division between social worlds which is a key feature of The Changeover. Laura comes from a solo-parent family struggling to make ends meet. By contrast, Sorensen Carlisle lives in an architect-designed home with fine art on the walls and a sense of history and sophistication. The developing romance between Laura and Sorensen means first differentiating and then bridging these two worlds.
Mahy herself described The Changeover as having a lot of folk tale elements – there are “evil” step-parents and an enchanted brother, for instance – but also that “the city is simultaneously a mythological forest”. Will your film retain those suggestions of a modern day fairy tale?
Yes it does and that is in the very DNA of the story. At heart The Changeover is an emotionally powerful female rite-of-passage keyed into a primal fairy tale tradition. It’s true that those fairy tale elements are more overt in Margaret’s novel.
We wanted the film to feel very contemporary and naturalistic so in our story the fairy tale nature is felt rather than seen. We often thought about Bruno Bettelheim’s groundbreaking study on fairy tale called The Uses of Enchantment. He says, “This is exactly the message that fairy tales get across to the child in manifold form: that a struggle against severe difficulties in life is unavoidable, is an intrinsic part of human existence — but that if one does not shy away, but steadfastly meets unexpected and often unjust hardships, one masters all obstacles and at the end emerges victorious.” That is something we experience through Laura in The Changeover.
In terms of characters, it strikes me that Sorensen Carlisle, at least how he’s written in the book, is something of a contradictory figure – dangerous yet vulnerable, jovial yet dark, aloof yet intense – that must present some challenges when it comes to casting. How difficult was it to find someone who can be all those things in a convincing way?
We had great casting agents in NZ and in the UK. We looked long and hard to cast this film. When we auditioned young UK actor Nick Galitzine we knew we had found our mysterious and compelling Sorensen Carlisle. And Nick and Erana James who plays Laura Chant have a powerful chemistry together. We have always said that this intensity is our special effect!
Reading the book as a teenager it was incredibly important to me that Laura was of mixed racial heritage both in a personal sense, as it was quite unusual to read about someone like me as the heroine of a novel, but also in that it marks her as being different and something of an outsider, which I think adds to her story. I’m really pleased that you’ve cast a part-Māori actress in the role. Was that always the plan?
This was totally important to us too. We love how in the book Laura is part-Maori but Margaret Mahy doesn’t make a big thing about that, it’s simply part of the unique world of the story which in fact helps make it feel universal. It’s true that Laura being part-Maori means that by her very nature she finds herself between two worlds. That’s the journey Laura is on — to open herself to new worlds, new experience.
We looked for many years for our Laura Chant — and we kept coming back to Erana James who we had met early on in our process. Of course, financiers want to cast someone in a central role like this who already has a profile. Erana hadn’t acted in a film before so she was unknown in NZ let alone internationally. But with the support of the NZ Film Commission we made a “tone reel” last year with Erana playing Laura. She was fantastic in it — and the international people involved in the project — like our sales agent and even Tim Spall or Melanie Lynskey — could immediately see that this young woman had something special.
Could you hope for a better villain than Timothy Spall?
You are so right! But what drew us to Tim in the first place is that he could reveal the humanity in Carmody Braque. It’s this which makes him such a powerful adversary for Laura — because there is something of Braque in Laura herself. A desire to live more fully and expand her horizons.
We are so lucky to have Timothy Spall in The Changeover. He is mesmerising. I think Margaret Mahy would have been thrilled!
It’s clear from his answers that Stuart McKenzie is as much a fan of The Changeover as I am, so I feel much more relaxed about the movie adaptation now.
In addition to the film coming out late next year, McKenzie says there will also be a movie tie-in reprint of the (currently out of print) book. So roll on 2017!
A bestselling story for young adults that appeals to a wide audience, Miss Peregrine’s Home for Peculiar Children is based on a fantastical collection of sepia photographs, of children with strange abilities.
Following clues left from his Grandfather’s violent death, Jake becomes linked with the fate of the original and colourful characters that fill a slip of time, hidden on an island. The reader becomes drawn in too, unable to stop reading late into the night. That’s always the sign of a great book.
Leaving room for a couple of sequels in the series, which is up to book 3: The Library of Souls, this first story begins an epic journey of self-discovery and adventure for Jacob and his new friends as they try to escape those who would expose them.
Are ghosts a photograph of time? What is really behind the spooky photographs that are sprinkled through the pages? The really scary thing about this book is that images in the antique pictures seem REAL.
The very exciting news is that Miss Peregrine’s Home for Peculiar Children is making the transition to the big screen! It will be in cinemas this week, with a star studded lineup which includes Dame Judi Dench as Miss Avocet.
Before you see it, I urge you to read the book.
If anyone can do this book justice, Tim Burton can? I have high hopes…