A caterpillar bus will take people from the Sawyers Arms Road gates to the gymnasium where the exhibits. Parking for cars is available at the rear of the school. Over 120 exhibitors are offering services and information for older adults and their families.
There will be entertainment throughout the day. Food and beverages available to purchase, and there will also some free light refreshments.
Hard hats on … you are about to enter a construction zone!
Helen helps us wrestle back control of our demolished city – taking us on a journey past our city’s older buildings. Some are under threat of demolition and susceptible to destruction and decay. Capturing them photographically, deconstructing and reconstructing them, giving them a surreal dimension, the buildings seem at times to defy physics. The photographs begin pre-dawn with sunrise ending with night fall as if over a day, the weather also changing – reflecting our climate as if there where four seasons in one day!
Come and take this visual journey with us at Central Library Peterborough from the 18th to the 25th of September.
The lucky winner was Jorja who came along with Casey, Zac (librarian at Halswell School), and me. Jorja also scored a signed copy of Andy’s newest book The 78-storey treehouse (Kia ora Macmillan!)
Jorja’s question was:
What was your inspiration to start writing books?
Andy talked about his time as an English teacher. His students didn’t like books much, so they started making up stories, then photocopying copies and leaving them in other classrooms and the library. Even earlier, as a schoolkid, he drew cartoons for all his friends.
One of the books that inspired him was at his Nana’s place. Heinrich Hoffmann’s Der Struwwelpeter featured scary stories like a girl setting her dress on fire by playing with matches. The stories were funny and totally over the top. His Very Bad Book is based on that book and in it kids do really dangerous things, and their parents give permission … Baaaad parents!
At first the stories did seem weird – but people didn’t realise how weird their senses of humour are! Andy writes with the philosophy “I think this is funny – hopefully lots of people agree with me”.
I am interested in unusual ways of looking at things.
Advice for young writers
I’ve never personally eaten a dead fly.
But someone’s dog did just that during a piano lesson, so it slipped into one of Andy’s stories. “Little details are really fun”.
His top tips for aspiring writers:
Read a lot of books.
Get your own notebook and write in each day. 3 to 4 minutes, then build up to hours. It’s the same as training for a sport. Practice!
Write out chapters of books that you love. This will give you insight into how a story is made. Imitate – get better at making it up.
Learn to touch type.
Andy has a collection of first lines and reckons a lot of work goes into the first line. Except in the Treehouse, where it’s always Andy addressing the audience. A bit like Roald Dahl and Enid Blyton.
Andy’s a fan of Tristam Shandy by Laurence Sterne – a black page, a white page, a marbled page … and as Jorja found out – a BLAM! and a KABLAM! page.
Thanks to all of you who entered, and all the Mums, Dads, caregivers and teachers who helped. There were so many great entries – here are some questions you had for Andy Griffiths:
Did you have a tree house when you were a kid?
What is the most important piece of advice you would give to an 8 year old boy that loves to write?
Hello, my son Thomas would ask Andy Griffith if he could tell us about any tree house stories there will be in the 91 storey tree house. His idea is to have a bungy jumping level at the top of the tree : )
My seven year old daughter would ask how old he is. I would ask if he liked to write stories at school and what did the teachers think of them?
My son Freddie would ask why is your sense of Humour so weird? Lol I would ask him at what age did he realise he wanted to be an author or at least thought about it and what a fab movie his books would makes.
My question for Andy would be: if you hadn’t become an author, what other career would you have chosen?
“will there be a 91-Storey Treehouse?”
(He pestered the book store daily while waiting for the 78-Storey Treehouse to arrive!) Mac
I have read all your bad and treehouse books! You are very naughty, but I do have a question! Why do you always use the number 13 in your treehouse books?
How come you involve Jill Griffiths but not your daughters? (:
with great respect, osher
My question is Have you ever actually made a treehouse, and if you have what was in it?
I would ask Andy if he would add a slide to his treehouse that could take you to different countries.
I would ask Andy if he would extend his treehouse to have a level to attract aliens so we could study them and have marshmallow eating competitions.
To Mr Andy Griffiths:
You write great stories but are you any good at drawing?
aNdy, is all your stuff in your books real? tHomas aged 10
tHis is the best I could get out of Thomas, he is reading so his nose is in his pile of books. mUm and Dad have the tv muted, peace and quiet. his friend Alex has your latest book.
Elsie (8 years old-budding author)…..wants to know” What is it like to be an author?”
His motivation for writing his virals trilogy – still can’t bear to call them vampires – was his daughter Iris who was then something like 9 years old. A prodigious reader she had taken a look at his previous novels Mary and O’Neil and The Summer Guest and pronounced them boring and wanted to read a book about a girl who saved the world! Each day they would cycle around Houston and talk about what would be in such a book. Through this process he lost his inner critic.
Iris has an audiographic memory (like a photographic memory but for sound) she would always know what chapter they where up to when returning to a book. She had lots of suggestions – there would be a girl with red hair like her and she named the characters. There was only one rule about what would be in the book – it had to be interesting. After a while he realised his current novel wasn’t going so well and he had 30 pages of notes so he thought he’d write the first chapter and see if it went anywhere – and here we are ten years later with the last volume of the trilogy.
An English professor at Rice University, his only rule for Iris at college is don’t take any creative writing courses I can do that. Now publishing her own work it looks like dad has successfully taught her the family business although I don’t know who taught who …
Why vamps? They are the most interesting out of the four monsters in human form: Frankenstein, werewolves, vampires and zombies. Although I wonder if he forgot about yeti, and Karen was putting a great case for old-fashioned fairies. He excuses himself saying those other Vampire stories were not on his radar, at the time Twilight had only just come out.
At the heart of the vampire noir is the premise that immortality is a terrible state to reassure us that we would rather be human than live forever. He takes vamps and puts them into a new narrative and that’s what makes it interesting. Vamps but with a twist – you’ve always got to bring something else in to make it interesting like a road trip and a viral epidemic. He was inspired by a couple of B grade movies one called Near Dark directed by the talented Kathryn Bigelow. It blended to the western narrative of a drifters story also Magic Johnson had just come out and there was the AIDs epidemic.
Justin’s not averse to a bit of vampire seduction but in a different way, a seduction utilising rhetoric. Fanning as the charismatic narrator, Fanning sitting around for all those years in a library reading books using language to seduce Amy. A rhetorical seduction to make us feel sympathy with him.
On characters and community
Since you are running for your life what is the one thing you would carry with you? In most cases people would carry someone else, therefore you have a love story and bonds of community.
Survival is not sufficient. We read end of the world stories for reassurance and resurrection is an important part of that.
You need survivors to have hope for their children. You think what does it mean to have a child? A child is a deal you make with the future.
Describing the novels as an apocalyptic western road trip, part of the inspiration for The Passage trilogy was the depressing world events at the time. Hurricane Katrina had just hit, G.W. Bush had been re-elected and a second less known Hurricane Rita had triggered an evacuation of Houston which he found himself in the midst of.
One morning stuck on the motorway at 2 am going nowhere in a massive traffic jam watching the fuel gauge go down he did the maths and decided they weren’t going to make it out and made a u-turn and headed back home. Luckily the main force of the hurricane hit further off than predicted.
He is interested in the response of community to disasters like the Christchurch earthquake how community survives. Community is a social lifeboat with a group of mostly good people who are resilient.
“The vampires can’t see themselves in the mirror and after a certain age that is the case with everybody”.
On making things creepy
I look to nature things that creep me out like fish why do they all turn the same way like that? Crickets how they can jump so much further than their body length, the virals are like bugs in hives.
He deliberately doesn’t describe the virals too much leaving it to you to bring the things that scare you to your picture of them. Everyone’s picture of a viral would be different. That’s why movies can be disappointing and on that topic he has sold the film rights but it may be a TV show will eventuate. TV shows are now where the story is at not so many special effects.
“Who has ever blocked the plug in the shower and let it fill up as much as you could just to see what would happen?” asked Andy. How did he know?! I glared at my son in the seat next to me who does this all the time! (And even brings tin foil into the shower to keep it sealed in). Andy asked his audience to imagine a shower was filling up with water with the doors sealed shut with silicon… “How would you get out?!” He was milking the audience for their ideas. It felt like a riddle to solve – one that he doesn’t actually know the answer to but is making up as he goes along.
In the Treehouse series the two main characters Andy and Terry (named after the author and illustrator Terry Denton) get up to some ridiculous stuff that would horrify a health and safety inspector. Andy says “It would be no fun if I had my characters think ahead about the consequences to their actions. A sensible forward-thinking character is a useless character who doesn’t belong in a story.” What he needs are “idiots who never think ahead.” Andy adds: “My job as a writer is to stop my characters from solving problems.” Andy also loves to do what he calls “wasting the reader’s time” – as witnessed by endless pages in his books with the same word written over and over and over and over and over and over…
Dressed in his finest fake tuxedo t-shirt, Andy spoke to hundreds of fans in New Zealand to coincide with his newly premiered book The 78-Storey Treehouse: Movie Opening Night (2016) about the making of a movie about Andy and Terry ‘s adventures (but Andy’s kicked off the set). Oh, and it features spy cows that go around stealing ideas from them. Their justification? “For years the humans have milked us. Now we’re milking them, for their ideas.”
“So how do you get your ideas?” – an audience member asked Andy. “I steal them!” he confessed. “Haven’t you ever heard of Enid Blyton’s The Faraway Tree?” he joked. Seriously though, he loved the feeling of expansion and freedom when he read The Faraway Tree books years ago and he tries to copy that feeling. Playing in trees is inherently dangerous – and he keeps his that way by not putting fences around the crazy levels they build such as a chain-saw juggling area and crocodiles under a skateboard ramp. His storytelling advice is to ask: “What is the worst thing that can happen?” and to “think the opposite of what would happen and do that.” He says he does the opposite of what the reader expects because shock and surprise equals reader laughter. “I never underestimate my readers’ stupidity.” He means that in a nice way.
Now back to that shower rapidly filling up to the ceiling with water, and you trapped naked inside: “What would you do? All you have is a rubber duck” he said, waving a rubber duck toy in the air. He suggested using the duck’s squeaker as a distress signal to call emergency services (it didn’t work by the way, he tried it live). You could plug the shower head with the duck but it would fill and expand and being killed by an exploding rubber duck, he says, would be an embarrassing way to die. “What’s the worst that could happen?!?” You could break your way through the ceiling by hammering it with the rubber duck but then get trapped in the ceiling and float through the roof space until you came crashing down naked into your sister’s sleepover party. Humiliation overdrive. In case he hasn’t made his point with his young readers (and potentially budding writers themselves): “It’s all about brainstorming.”
Another great way of generating ideas? Making lists – such as the lists of what kind of levels they could have in their treehouse – a bowling alley, a game of snakes and ladders with real snakes and, in The 78-Storey Treehouse, what about an all-ball level for sports fans? Including fire balls and wrecking balls. There’s also Andyland, Terrytown and Jillville (to home the Andy, Terry and Jill clones left over from the previous book), a combining machine (eg. electric eel + unicorn = Electricorn) and a Scribbletorium.
Speaking of scribbles, Andy shared with everyone Terry’s early drawings of their treehouse complete with marshmallow machine and vegetable vaporiser and certainly their most dangerous hazard of all, their publisher Mr. Big Nose whose nose explodes when he gets angry, usually caused by Andy and Terry not making another deadline on the book they are meant to be writing. Andy’s character tends to get a bit cross in his books too which just makes Terry funnier.
Hands up – who likes Terry better than Andy? About half the room. Andy says he has to be mean to Terry since he steals his chips and that’s why he had to create a high-security potato chip storage facility in his latest book, complete with 1000 mousetraps, 100 lasers, a 10-tonne weight and an angry duck – to deter those friends and family who like to steal our chips from us (you know who you are). In real life, Andy and Terry endlessly amuse each other – into their third book in the Just series (Just Crazy, Just Stupid etc…) they felt they just didn’t have enough bad ideas and were having trouble getting a book together …so how about a book about a book that never gets started?
Andy showed a few slides of amazing, and amusing, trees and treehouses. A child in the audience reprimanded him for his picture of a tree that looked like a bum: “That’s inappropriate!” He joked back: “You have to do some serious introspection when a six year-old tells you that you are inappropriate.”
Andy says he has been writing since he was about 5 or 6 years old. He says one of his earliest ‘books’ he made was a get-well card for his dad that read “Get well soon …or you are doomed” with a drawing of a tombstone. Andy reminisced about how when he was a child he read cautionary tales – German tales from the 1800s such as Heinrich Hoffmann’s Der Struwwelpeter– and similar to Hilaire Belloc’s cautionary verses – unlovely bedtime stories – about what frightfully horrible things can happen to you when you play with matches or suck your thumb. And did that teach him to be a good boy? No! That taught him that “Reading is cool.” “I don’t know what will happen when I read!” he enthused. The same can be said about his stupendous stories.
Joking about all the dangers in his books he says that’s why he came to New Zealand, because there were no scary things, like poisonous spiders… um, uh, Andy! Watch out! The audience were quick to educate him about the redbacked spider and the katipo. Andy said that he doesn’t believe in cruelty to animals in his books but an audience member called him out: “But what about when the shark is fed Terry’s underwear?” Well, Andy points out he had Jill (their animal-whisperer sidekick) perform open-shark surgery to save it. Andy says the moral is: “Don’t wash your undies in a shark tank – or just don’t wash your underpants” full stop. Andy Griffiths doesn’t miss a beat.
“Is Jill really your sister?” someone was desperate to know. “Let’s hope not! I’m married to her in real life” said Andy, who met his wife Jill Griffiths in 1997 when she was the editor of his first book Just Tricking and was quick to add that Jill is funny in her own right (she composed the Ballad of the Ninja Snails in The 52-Storey Treehouse). He says Jill stops him from taking his jokes too far (although I’m not sure how much further they could go).
“Will there be an actual Treehouse Movie?” an eager fan inquired. “Not so far” answered Andy, sounding unsure how his books would translate on screen. But is he working on another book? He did some quick mathematical calculations (adding 13 to 78) before confirming that, yes, a 91-Storey Treehouse is under construction – due to be built by August 2017. Great news! Because the worst that could happen for fans is that Andy and Terry stop reaching to new heights.
On 19 September 1893 women in New Zealand got the vote. Campaigners, led by Kate Sheppard, had fought for years for Māori and Pakeha women’s suffrage.
The Press editorial on 20 September 1893 stated:
We believe that a very large number of women do not desire to vote. 
Election day was Tuesday 28 November 1893. The Press reported:
The pretty dresses of the ladies and their smiling faces lighted up the polling booths most wonderfully, and one envied the returning officer and poll clerks whose duty it was to pass in review such a galaxy of beauty.
About 10,000 Christchurch women voted, with only a few incidents:
At the Provincial Council Chamber some peculiar scenes took place. In one instance a man and his wife and daughter came to vote. The man first wished to go into the recess to instruct his wife how to vote. The poll clerks removed him. Then he went into where his daughter was recording her vote and wished to instruct her. This also he was prevented from doing much to his chagrin.
40 years later the first woman was elected into the New Zealand Parliament. Christchurch woman Elizabeth McCombs had been heavily involved in working for the community. She won the Lyttelton seat in a by-election September 1933, after the death of her husband James. She held the seat until her death in June 1935. 
100 years after women got the vote, the Kate Sheppard Memorial was unveiled by Governor-General Dame Catherine Tizard. The words on the Memorial end with the words of The White Ribbon editor, Nelly Perryman, from 1918:
We, the mothers of the present need to impress upon our children’s minds how the women of the past wrestled and fought, suffered and wept, prayed and believed, agonised and won for them the freedom they enjoy today.
This feature was first published in our quarterly magazine, uncover – huraina. It is our newest channel to help you explore and celebrate the resources, content, events, programmes and people of Christchurch City Libraries, Ngā Kete Wānanga o Ōtautahi.
George LeBrun, plumber, working on the roof of the McLean’s Mansion. Note the ropes on either side of the ladders to keep it steady, the only visible sign of health and safety requirements in those days. No hard hat, no Hi Viz vest, no cones, no harness. I am told that when transporting these long ladders 2 apprentices would carry it, each on his own bicycle with the ladder on his shoulder along with tool bags. Must have been interesting negotiating corners!
McLeans Mansion, 387 Manchester St, was completed in September 1900, but in recent years has been threatened with demolition. Recently plans were released to turn the building into an art gallery.
Kete Christchurch is a collection of photographs and stories about Christchurch & Canterbury, past and present. Anyone can join and contribute.
September the 15th marks the day the New Zealand infantry joined the battle of the Somme, and this year marks exactly one hundred years from that catastrophic day. It was our first major experience with the Western Front, a very, very different kind of battle to the ones we had experienced in Gallipoli, and would turn into the largest loss of new Zealanders lives in our post-1840 history.
More New Zealanders lost their lives on the Western Front than in Gallipoli, although Gallipoli still overshadows the Somme in the public memory. Today, let’s look at some of the local boys who lost their lives that day, and remember them, and the thousands and thousands of others that would follow them.
Frederick Everard Turner signed up in the very early days of the war in August 1914. He was an Anglican lad, who lived on Princess Street on Woolston. Though he survived the Gallipoli landings of the 25th of April, 1915, he was shot and killed on the first day of the Battle of the Somme. When he died, he was 25 years old.
Thomas Arthur Raxworthy grew up in Upper Riccarton, and was living in London Street, Richmond, when he enlisted. He worked for the Christchurch City Council, and married his wife Margaret in November, 1912. He was killed when he was 23 years old, on the 15th of September, 1916. His two children, Edith and Thomas, were still only toddlers.
Frederick Reginald Ashworth grew up in Hornby and went to Hornby School. He and his brother John, who was also killed, were from a well known and highly respected family. Frederick enlisted in October, 1915, but less than a year later, on the 15th of September, he was killed in the Somme. He was 23 years old.
Travis Armitage grew up in New Brighton and went to New Brighton School. He had two younger sisters, Constance and Mary. When he enlisted, he was living up in the Manawatu with Ninna, his wife of four years. He was killed by a shell on the 15th of September. His friend, William Scott, witnessed his death. Travis was 27 years old.
Monday 19 September 2016 is Suffrage Day / White Camellia Day – On 19 September 1893 women in New Zealand got the vote, and the white camellia was the symbol of the suffragists.
Here in Christchurch, there’s a celebration honouring the achievements of women from 12 to 12.30pm by the Kate Sheppard Memorial on the corner of Worcester Street and Oxford Terrace. Mayor Lianne Dalziel will speak, and the Kate Sheppard Memorial Award 2016 will be presented. The finalists in the Lois Middlemiss Award will read their poems, including Beth Walters, Aranui High – “East Side Youth: Our Voice”. (info from The Christchurch Mail)