Q&A with Adam McGrath (part 1)

Kia ora music lovers!

Adam McGrath (Image supplied)

The big music news for 2017 is that Christchurch City Libraries will be featuring Adam McGrath for New Zealand Music Month 2017.

Adam is best known for his work being the driving force of the band The Eastern, who are widely regarded as the hardest working band in the lands. But did you know about his social conscience and the value he places on not only community but public libraries too?

I posed a series of questions to Adam in order for us all to get to know him a little better…

So Adam, what was the first album you ever bought?

“When I was ten. I hadn’t seen or heard from my Dad in two, nearly three years. He never paid child support and his name was dirty in my house. So he was like a ghost that I vaguely remembered.

One day I got home from school and on the doorstep was ZX spectrum 16kb computer and a jar full of money delivered courtesy of my erstwhile father. I was stoked, my mum full of sighs. We plugged the computer in and it worked, surprisingly. Come the weekend we hit New Brighton mall for a little shopping with the jar money, Mum got some new threads ready for a dance at the working mens club. I got a GI Joe Cobra Bore, “rip and roar, cobra bore, lots of trouble for GI JOEEEEEEE!” I still remember the advert.

But for me the holy relic of purchases on this day was a copy on tape of ‘Raising Hell” by Run-DMC. This changed my life, made me obsessed and hungry for music in a way I had never felt before, either for toys, or lollies or anything else my young brain had ever thought it wanted. That desperate desire continues unabated today. After 1000 failed jobs and nowhere/nothing starts there was no choice but to give my self up wholly to the blessing and curse of full time music and song slinging. I blame my dad, Reverend Run, Darryl McDaniels, Jam master Jay and New Brighton Mall.”

Which instruments do you play (on stage and not)?

On stage; guitar and harmonica and the nodules in my throat. On record I’ve played bass, mandolin, and keyboard. However not a single one of these, on stage or off would anyone (including most people in my band) say I was anything more than a hack and a chancer.

Is there an instrument that you don’t play but which you would love to be able to?

I would like to play the tin whistle. However whenever I pick up a tin whistle everyone around me suggests I don’t take it any further.

What was your first guitar and do you still have it?

I guess what I call my first guitar was an old F-series Yamaha, I bought for $100 at a junk shop on Manchester Street. I used to go in and play it and listen to the proprietor’s problems, health emotional and otherwise. This served me in good stead because the guitar was actually $120. It had a crack and the top lifted off from the sides, so I taped it together with yellow and green and white insulation tape.

I took that guitar all around the eastern and southern states of America whereupon even in its battered state it kept me feed and watered as it sung out across street corners from Philadelphia to New Orleans to Nashville and many smaller more lonesome corners between. After some time I guess it sensed that I had improved enough for something a little better. It’s job done, it pretty much committed guitar suicide whereupon all parts of it decided to more or less break at once; machine heads popped off, bridge pulled up, neck snapping. It was time to let it go.

It was called Rosilita and the last I saw of her she was in a wardrobe in the town of Conshocken, Pennsylvania waiting for either the dump or the next pair of desperate hands crazy enough to take her out into the world.

From now until his library performances in May, Adam will be reaching into the depth of our digital resources, he’ll be searching and exploring our physical resources, and most of all he’ll be connecting with the people of Christchurch by hearing their stories and discussing their lives/loves/losses. He will use much of what he discovers to inspire new works, songs and music, and during May, Adam will be available for a series of “Live with the Library” concerts, during which he will tell his stories of us, the people of Christchurch.

And here are the dates and times for Adam’s performances;

Central Library Peterborough – The Showcase Concert 

Saturday 20 May, doors open at 7pm

Te Hāpua: Halswell Centre

Friday 26 May, 3:30pm-4:30pm

New Brighton Library

Saturday 27 May, 2pm-3pm

South Library

Sunday 28 May, 2pm-3pm

Stay tuned for the next installment of our Q&A with Adam McGrath!

Flip Grater – On food, music and parenting

Singer-songwriter Flip Grater, Christchurch born and raised, is back ‘on stage’ after a hiatus from performing since the birth of her first child. We catch up with Flip to coincide with her gig appearance at Blue Smoke with fellow Cantabrian-bred Andrew Keoghan, as part of his Something Going On Tour promoting his latest album Every Orchid Offering.

Flip Grater (Image supplied)

Flip’s music has been described as sultry, languid, indie, folk and personal. Her albums include Pigalle, While I’m Awake I’m at War, Be All and End All and Cage for a Song produced by her own label, Maiden Records, and she has published a book The Cookbook Tour: Adventures in Food & Music (a tour diary including recipes and a CD).

FlipGratercookbook

She is currently working on an EP of lullabies and a new album of adult material. She says she writes music “to explore certain parts of my brain that don’t tend to appear in conversation.”

Aside from music, Flip has a passion for animal welfare, wholesome foods and cooking, and is a Francophile. And of course there’s the new love in her live, her young daughter.
We flicked some quick questions to Flip about her passions:

You’re an avid cook and vegan, what foodie books are you enjoying that you can recommend?

Currently I love the Yotam Ottolenghi books, Whole: Recipes for Simple Wholefood Eating and Thug Kitchen.

PlentyMorePlentyOttolenghiNopiWholethugkitchenthugkitchen101
What music do you like to listen to when you’re cooking?

If my husband is cooking it’s always gypsy jazz. For daytime summer cooking I prefer (Belgian musician) Stromae or Rokia Traore, for evening or rainy day cooking Leonard Cohen or Gillian Welch.

You have a toddler now. How has parenthood changed your music apparoach?

Well for a start it’s pretty hard to get quality practice time in as my daughter loves to play the guitar with me if I pick it up. It’s all about fitting it in nowadays… trying to find quiet moments to play and be inspired.

You were vegan at 15 and even got your nickname Flipper from your animal rights activism. What form does activism take for you these days?

These days my activism mostly looks like setting a good example – living a vegan lifestyle, reducing plastics in our home, eating and wearing organics etc. but I have written a few pieces on my blog www.ewyum.com about certain food topics I feel passionately about.

You’re from Christchurch (having grown up in Parklands) and spend time here when not living in France. What are some of your current favourite spots in the city?

It’s been great being back seeing the new city coming to life. I miss the old High Street and lanes like Poplar Lane but I’m loving OGB, The Origin, Smash Palace, Mumbaiwala, Pot Sticker and The Cornershop Bistro in Sumner.

What role do libraries play in your life?

I’ve always appreciated libraries but never so much as right now! When we first got back from France we used New Brighton Library for all of our printing and boring officey stuff around my husband’s New Zealand Residency and applying for rental properties etc. Then I was there weekly during pregnancy reading an unhealthy amount of baby-related books. Now I take my daughter to keep her bookshelf rotating (and keep me sane by changing up the bedtime books). It’s truly invaluable.

I’ve been loving introducing Anais (my daughter) to classic English books like The Very Hungry Caterpillar, Peepo and her favourite book – Avocado Baby. And it’s great to find some brilliant newer books and New Zealand books in Te Reo like Kanohi and the Reo Pepi series. At the moment I’m loving reading her Little One by Jo Weaver and Lucy Ladybird by Sharon King-Chai.

KanohiLittleOnePeepoLucyLadybirdVeryHungryCaterpillar

Some of Flip’s Favourite Reads – on Music, Food and Parenting

Just kidsIdleParentFrenchChildrenDon'tThrowFoodPowerofNowBuddhismforMothers.jpeg

Flip Grater’s Bio
Listen:
Flip Grater CDs in our catalogue
Read: Flip’s parenting and food blog: ewyum
Follow: Find Flip Grater on Facebook

Check out other local musicians: New Zealand Music Month in May at Christchurch City Libraries

Anzac Day in Christchurch 2017

Tuesday 25 April 2016 is Anzac Day. All our libraries will be closed on this public holiday. Read our page on Anzac Day and Gallipoli to find out more about this commemoration.

Wreaths in Cranmer Square
Wreaths in Cranmer Square, Anzac Day, Monday 25 April 2016 File Reference: 2016-04-25-IMG_3816

Commemorative services often begin before dawn with a march by returned and service personnel to the local war memorial, where they are joined by other members of the community for the Dawn Service.

Christchurch services and events

The following information is from Christchurch City Council:

Dawn service at Cranmer Square

  • 6am to 6.15am: Gather in Cranmer Square
  • 6.15am: Parade begins
  • 6.30am: Service begins centred around the Memorial Cenotaph
  • 7.15am: Service concludes with Mayor Lianne Dalziel laying a wreath on behalf of the citizens of Christchurch.

Organised by the Canterbury Branch of the Malayan Veterans Association in conjunction with the Christchurch Branch of the Royal New Zealand Returned and Services Association (RSA), and the Christchurch City Council.

There will be a volley of shots fired and a fly-over by the Royal New Zealand Air Force. The New Zealand Army Band will be in attendance and a bugler will play The Last Post.

The service runs for about 30–45mins and will be projected on two large screens.

Citizens’ Service: 10am – ChristChurch Transitional Cathedral, Latimer Square 

The Citizens’ Service is organised by Christchurch City Council in conjunction with Christchurch Cathedral and the RSA. An address will be given by Air Commodore Andrew Woods, RNZAF and representatives of the NZ Defence Force, Consular Corps and various Christchurch youth groups will be attending.

Find more Anzac Day services

The RSA website features a Find an Anzac Day service resource. The Christchurch City Council also has a list of Anzac Day services.

More Anzac related events

Fields of Remembrance

In 2015, the Canterbury Province Field in Cranmer Square contained 632 crosses commemorating the men and women of Christchurch who died in 1915. A further 825 crosses were added in 2016 and the field will gain more crosses again this year.

Field of Remembrance
Field of Remembrance, Cranmer Square [2015] Flickr 2015-03-27-IMG_6781

Exhibitions, displays and events

  • Heathcote WWI Soldiers Remembered – 31 March to 30 April at Linwood Library at Eastgate Mall. The soldiers from Heathcote Valley who died in WWI are individually remembered in an exhibition at Linwood Library.
  • Remembering the Anzacs papercraft – 10.30-11.30am Friday 21 April at Spreydon Library. Poppy-making and memories.
  • ANZAC Commemoration Linwood Cemetery (Sunday 23 April)
  • Eastside Gallery: Anzac Exhibition 2017 Opening Wednesday 19 April – Friday 28 April. A multi-media participatory experience on the theme, “We honour, we remember, we reflect”. Photographs, artworks, installations, memorabilia, talks, readings, poetry and prose, printed and audiovisual material. With a poetry evening on Friday 28 April.
  • Anzac Day Peace Vigil 6-7pm, 25 April at the Bridge of Remembrance
Bridge of Remembrance rededication
Bridge of Remembrance rededication, Anzac Day, Monday 25 April 2016. File Reference: 2016-04-25-IMG_3756

Find out more:

 

NZ Music Month 2017 – Live in the library

Christchurch City Libraries has a brand new initiative for 2017 and it’s all about MUSIC!

NZ Music Month

We are celebrating Christchurch stories. We are celebrating music. And most of all, we are celebrating libraries and the way they can enrich any creative pursuit you are undertaking, at any stage of development. Christchurch City Libraries have a wealth of resources that can help you learn, discover or simply enjoy music.

Our collections and our communities can also inspire the creation of music and we are fortunate this year to have Adam McGrath to share his expertise.

Adam is best known for his work being the driving force of the band The Eastern, who are widely regarded as the hardest working band in the lands. But did you know about his social conscience and the value he places on not only community but public libraries too?

During the time of the earthquakes Adam and his band played widely across Christchurch, acoustically and at no charge. His drive was to help communities in their recovery in the best way he could – by giving relief from stress by way of music. He continues to contribute to the creative output of our city, playing regularly here in New Zealand, touring across Australia and over to Europe, sharing the stories he has gathered along his journeys.

Image supplied
Image supplied

In the lead up to New Zealand Music Month, Adam will be spending time in our libraries all over Christchurch. He’ll be reaching into the depth of our digital resources, searching and exploring our physical resources, and most of all he’ll be connecting with the people of Christchurch by hearing their stories and discussing their lives/loves/losses. He will use much of what he discovers to inspire new works, songs and music, and during May, Adam will be performing a series of “Live in the Library” concerts, during which he will tell his stories of us, the people of Christchurch.

Come and celebrate with us at one of our concerts – hear new work by Adam McGrath, performances from our communities, or even a group made up of some of the musical talent we have on our library staff. Who knows….. YOUR story may be put to music by Adam McGrath.

We’ll be speaking with Adam throughout his process and he’ll be giving us some insight into his creative processes, and his musical background. Keep an eye on our website for interviews, Q&A, and more. Stay tuned!

Browse our full list of NZ Music Month events and performances.

One thousand ropes

Saturday night just gone I managed to sneak out for a rare date night with hubby, to see One Thousand Ropes. Tusi Tamasese’s much anticipated second film was a stark contrast to our usual “date night” choices of Marvel characters and romcoms. Dark and foreboding, this tale was far closer to home – yet still a tale of love and everyday superheroes. The experience of the movie began in the foyer of the cinema, riding up the escalator I could hear the unmistakeable cackle of Sāmoan laughter and on reaching the top I felt immediately at home seeing multigenerational family groups jostling for their popcorn and choc-tops. In Christchurch, where the Sāmoan population sits at around 4000, we were definitely statistically over-represented in that theatre. Outside of Samoa, the last time I remember a similar scene was when I went to see Sister Act 2 in Manukau City. It was this show of support from our community, which proved that there is a great sense of pride in the work of Tusi Tamasese.

One thousand ropes poster - image supplied
One thousand ropes poster – image supplied

Like Tamasese’s first movie The Orator, the majority of the movie is in Gagana Samoa with English subtitles. This has been no obstacle to success, after rave reviews in the Berlin Film Festival. As always there are moments when things are lost in translation, and moments where there is a nod to very Sāmoan humour. But don’t be like the couple who walked out after ten minutes, I would definitely recommend sitting through it. Wedged between my Māori husband and another non-Sāmoan I could see they were equally enthralled in the story. The fact that our movie snacks remained uneaten throughout the movie is always a good measure of the quality of the film.

One Thousand Ropes follows Maea, played by Uelese Petaia (you might remember him from the screen adaption of Albert Wendt’s Sons for the Return Home), who serves his community as a fa’atosaga (Samoan for midwife) and a baker whipping up the dough for keke pua’a (pork buns), pani popo, and German buns. Living a seemingly quiet existence, Maea is still haunted by his renounced violent past and an actual aitu or ghost – Seipua, who is played by Sima Urale. When his estranged daughter Ilisa (played by Frankie Adams) arrives suddenly on his doorstep she asks why he allows this aitu to stay, and he replies that as he has no wife, she keeps him company. The supernatural world is very much a part of our culture, and seeing Seipua hunched and wheezing in the corner of the living room, brought back very vivid memories of stories my mother would tell me as a child.

For me as a New Zealand born Samoan, Maea represented the beauty and the darkness that our older generation often carry with them. The shadows of domestic violence, our attitudes around childbirth out of wedlock, postnatal depression, abuse, and alcoholism have turned the indigenous knowledge and some of our most celebrated traditional practices into very heavy burdens for Maea. These themes weighed heavy on my mind all weekend as I tried to process this thought-provoking, and powerful piece. But on reflection, I realised that it was through the straddling of both the Western world and the Sāmoan world, and the guidance of her father that both young Ilisa and Maea find their strength.

How much will you identify with this movie? What will you see? Whatever it is you take from this tale, it is definitely one you can’t miss.

Still from One thousand ropes. Image supplied.
Still from One thousand ropes. Image supplied.

Relevant Samoan resources in our collection

Samoan Language Week 2017 runs from Sunday 28 May to Saturday 3 June.

Multicultural Expressions of Islamic Art

CMCT Islamic Arts ExhibitChristchurch has been making news recently for its fantastic street art, but our city holds many more artistic treasures that are not so easily seen by the majority of our residents.

This week this will change! South Library is privileged to be hosting Multicultural Expressions of Islamic Art, an exhibition of items and images that belong to the multicultural Muslim community in Christchurch. The exhibition will be running from Sunday 2 April to Sunday 9 April.

The display is organised by the Canterbury Muslim Community Trust (CMCT) with support from Creative Communities NZ.

Ruqayya and Nick, a couple of the trustees from CMCT, kindly answered a few questions about the display.

How does Islamic art differ from the art forms normally seen in Christchurch?

Islamic arts are quite distinctive and they are not restricted to paintings, sculptures or even religious objects as you would expect in other traditions. The idea is that art should be incorporated into everyday life.

There is a quote that sums up this concept, basically that as ‘Islam is integral to every part of a Muslim’s life and makes it beautiful, so [too] Islamic art should be used to make the things of everyday life beautiful’ (Z. Hussain). So most of the objects we’ve included in this exhibit are items that we use to decorate our homes.

What are some of the basic concepts of Islamic art?

The basic concepts of Islamic art transcend time and space, as well as differences in language and culture, but there are also regional differences in interpretation. The Muslim community in Christchurch includes over 40 different ethnic groups so we hope to show some of that difference in diversity.

We have grouped items into four broad categories: Architectural Arts, Calligraphy and Written Arts, Textile Arts, and Decorative Arts.

Calligraphy is a major art form that is used to decorate buildings and everyday objects, but geometry and vegetal or floral patterns are also common themes. These are represented in all four of the categories.

Wall hanging of Surah from Qur'an Embroidered red cushion Syrian Inlaid Qur'an Stand

[images supplied, copyright CMCT)

What are some of the items that will be on display? How were they selected?

To start with we didn’t really know what items people would have, so we put out a general request for anything that had special meaning for them or represented traditional arts encompassing an Islamic aesthetic. It has been really interesting to see what turned up!

We will be showcasing displays of calligraphy. We have several examples of a verse from the Qur’an produced in embroidery, wood carving, carpet and papyrus painting. There are also photographs showing Islamic designs in architecture and henna art as well as modern art.

In the display cabinets, we will group items according to their use so there will be a section on textiles with examples from Pakistan, Afghanistan and the Maldives. Also, beautifully decorated metalwork, traditional jewellery and even examples of incense burners and Arabic coffee pots, as well as many other items.

What motivated CMCT to put on this display?

Muslims are often in the news for all the wrong reasons so one of our motivations was to show a different side to Islam. We want to emphasise some of the beauty and diversity in Islam. It is also a fantastic opportunity to educate the wider public about some of the items that have meaning to us. We have prepared some posters and short descriptions to help people understand more about the objects on display.

CMCT were fortunate to obtain some funding from the Creative Communities grant which is covering the costs of setting up the exhibition. It has helped to bring the community together to collect and produce some of the items on display. We have some very talented people out there and we’ve had a lot of fun putting it all together.

The items will be on display in three main areas of South Library. Photos, paintings, calligraphy and wall hangings will be displayed along the far wall; household objects including metalwork, ceramics, textiles, personal items and religious items will be housed in the glass display window. Check out the foyer display for posters explaining more about the different categories.

Find out more about Islamic art

Cover of Persian Art and Architecture Cover of Palace and Mosque Cover of Islamic Art and Architecture 

Don’t miss this wonderful opportunity to admire the beauty of Islamic art.

 

School holidays! Holiday programmes, events, and activities – April 2017

Find out what’s on this school holidays for Christchurch children. Check out the holiday programmes and activities at our libraries and learning centres, and shows and performances for kids.

Library and Learning Centre holiday programmes and activities

Our libraries and learning centres offer a variety of accessible, safe and affordable activities for children during their school holidays. Programmes and activities are aimed at children between the ages of five and 15 years:

Activities include Maker Space, Minecraft, LEGO mindstorms robotics, disguises, treasure hunts, invisible ink messages, code breaking, and sewing. Some sessions require booking.

Eye Spy April

Christchurch holiday programmes and workshops

The following organisations are running holiday programmes or workshops for kids or teens in the April 2017 holidays:

Search CINCH, our Community Information Christchurch database, for more Canterbury holiday programmes.

Find an OSCAR programme (Out of School Care and Recreation) and view this map of OSCAR programmes in Christchurch.

Shows, movies, and performances

Kid friendly movies on in the holidays include Beauty and the beast, Smurfs: The Lost Village, The LEGO Batman movie and The Boss Baby.

Things to do, and places to go in Christchurch

Margaret Mahy Playground - new slide and towers

Most of these venues are free but some have a entry fee. There is more information on their websites.

For more events and activities, search Be There and Eventfinda.

Boot Repair Shop: Picturing Canterbury

Boot repair shop. Kete Christchurch. Boot-Repair-Shop-. Entry in the 2013 Christchurch City Libraries Photo Hunt. CC-BY-NC-SA-3.0 NZ.

Boot repair shop. Location unknown, but could be near the railway as there is a tank in the background. Somewhere around Waltham / Opawa, 1920s.

Kete Christchurch is a collection of photographs and stories about Christchurch & Canterbury, past and present. Anyone can join and contribute.

Do you have any further information about this photo? If so, please share it with us by leaving a comment.

Bishopdale 2017 – The Christchurch Documentary Project

The Christchurch Documentary Project has looked at Halswell and the seaside suburbs of the East. Now it is Bishopdale’s turn.

Photo by Janneth Gil
Photo by Janneth Gil

Photography students from the School of Fine Arts are photographing the people and the physical environment of Bishopdale from March through to August this year with the goal of building an archive of contemporary documentary images.

The photographers are: Thomas Herman; Robert Earl; Liam Lyons; Elise Williams; Janneth Gil; Lucas Perelini.

If you or your group would like to be photographed for this project, please contact the library on 941 7923 or at library@ccc.govt.nz

Photo by Janneth Gil
Photo by Janneth Gil

Ashleigh Young and Hera Lindsay Bird at the WORD Christchurch and Christchurch Art Gallery

BIRD + YOUNG sounds like a firm purveying fancy jewellery.  But for Hera Lindsay Bird (poet) and Ashleigh Young (poet, writer, editor), it is words and ideas that are the things they are making and selling. This WORD Christchurch event at the Christchurch Art Gallery auditorium was introduced by WORD’s programme director Rachael King and chaired by Amy Marr, the Visitor Programmes Coordinator of the Art Gallery.

CoverCover

Hera Lindsay Bird is a poet whose works have pretty much gone viral – you might have read the one about Monica from Friends, and that Keats one – everywhere, BAM! Ashleigh Young  is a poet and writer who recently became the first New Zealander to win Yale University’s Windham-Campbell Prize, worth US$165,000 (NZ$230,000), for her collection of raw, real, beautifully honest essays, Can you tolerate this? Their books are both on the shortlist for the Ockham New Zealand Book Awards.

It was a soggy evening, but that didn’t deter the crowd. It was full to the gunnels.

Crowd for Ashleigh Young and Hera Lindsay Bird
Crowd for Ashleigh Young and Hera Lindsay Bird. Flickr 2017-03-22-IMG_9004

Hera and Ashleigh kicked off with some readings:

How do they get time to write when they work full time (Hera at Unity Books, Ashleigh at Victoria University Press)? It ain’t easy, but great employers help. Hera gets a paid day off each week. Ashleigh’s boss has offered time off for writing, while keeping her job open.

What followed was a discussion that ranged widely – from influences, to the IIML, sexy stuff, humour, and processes – with a good amount of Q&A time (surprise fact: lots of questions asked by men). Here’s some of the things we learned:

  • Ashleigh edited Hera Lindsay Bird’s book which she said required barely a single change. She read the manuscript on the floor, weeping and cackling.
  • Hera enjoys reading crime fiction, humour, and heaps of poetry. She’s currently reading the Adrian Mole books by Sue Townsend.
  • Ashleigh has lots of self help books concealed on her Kindle.
  • Ashleigh said she can’t remember not wanting to write (but always knew she’s need a day job to pay the bills)
  • Hera’s parents had star charts – not for good behaviour but for writing, and she would get paid to write poems. She wondered if her Coromandel hippy parents fancied her as the next Laura Ranger (remember Laura’s Poems?)
  • Hera feels the support of her family and knows that even if she writes something explicit, her Dad will be chill with it.

Photos

See our pics from the event.

Quotable Quotes

I don’t think either of us leave the house very much. (Hera)

I really love New Zealand actually. (Ashleigh)

This whole thing is terrible for my process. (Ashleigh, on this talk and writer events when you are an introvert writer)

I love her blurriness. (Ashleigh, on Lydia Davis)

People know both Renoir and Taylor Swift. (Hera, on art and pop culture)

George Saunders is my favourite living writer. (Hera)

All the sex in it is kind of a joke. (Hera, on her book)

Even Bill Manhire can be really funny. (Ashleigh)

I don’t find anything moving that I didn’t find funny first. (Hera)

Book signing - Ashleigh Young and Hera Lindsay Bird
Book signing – Ashleigh Young and Hera Lindsay Bird. Flickr 2017-03-22-IMG_9027

An Ashleigh and Hera playlist

Here are some of the many writers, poets, and musicians namechecked by Ashleigh and Hera:

  • Lydia Davis – Ashleigh loves her writing: “Something about her voice makes me want to write myself”.
  • Both name checked Frank O’Hara.
  • NZ poet James Brown
  • Hera is inspired by Mark Leidner, Chelsey Minnis, PG Wodehouse
  • Anne Carson – intense beauty, no humour. (Hera)
  • Ashleigh: Mark Greif – Against Everything
    “The opinions he expresses have a finality to them whereas Lydia Davis’ work seems like everything is still forming in front of her”
  • Hera recommended Lincoln in the Bardo – George Saunders. He is coming to the Auckland Writers Festival this year.
  • Ashleigh currently listening to Grandaddy the band – for a nostalgic ‘so bad it’s good’ hit.
  • Hera was asked about her use of a text generator in writing a poem in the book. She said she liked to play and experiment with language and referenced This Paper Boat  by Gregory Kan.

Amy – who was a great and enthusiastic facilitator for this session –  heartily recommended The TOAST website.

What’s next

Hera is heading off to a couple of overseas festivals.

Ashleigh is writing poems, and is off to New Haven, Connecticut to collect the Windham-Campbell Prize (and go to New York with the other recipients).

Both are working on new books. Slowly, surely.

Donna R and Kim M