Of marmalade, memories, and me: A tribute to Paddington Bear

I’ve always been interested in old-fashioned toys, and find it really interesting learning what toys have been popular at different times. There have been some fascinating playthings through the years – no, fidget spinners, I don’t mean you! – but of all the toys I’ve seen, it’s always been the humble teddy bear which held a special place in my heart.

With a history dating back to just the start of the 20th century, I found the story of these furry creatures fascinating, and there was something about their personality and stature that just clicked in my little brain. As far as I was concerned, the teddy bear was my ‘spirit animal’, and quite definitely ‘the’ thing to collect. Toys, ornaments, mugs, books – if it had a teddy bear on it, I wanted it. When I got a membership to Victoria Street’s original ‘Not Just Bears’ shop for my 10th birthday, I was in teddy bear heaven.

I don’t collect teddy bears anymore, but with a background like this, you could guess how I felt when I heard that Michael Bond, creator of one of the most famous literary teddy bears of all, had died. I felt like I had lost a friend, and it was as if a little bit of my childhood had gone with him.

Cover of A bear called PaddingtonPaddington Bear. He of duffle coats, marmalade sandwiches, and a never-ending sense of mischief. The bear from deepest, darkest, Peru, who finds his English family on the platform of London’s Paddington Station. A bear who had been there through the many different stages of my life. A bear I had grown up with, and who I feel is just as important now as he was when I first met him.

My parents have a photograph of me in a costume parade back in my first year of primary school. There I am, dressed up as a nursery rhyme (more specifically, Mary from ‘Mary, Mary quite contrary’ with a garden growing out of my hat), and I am holding hands with my friend Katie. Gumboots, duffle coat and luggage tag, floppy hat, and a smudge of a black bear nose – she was a perfect Paddington. I remember listening to Paddington stories as books on tape as Katie and I played together at her house – we loved hearing about his mishaps, and pretending it was us getting in to all that mischief. When we were expected to be well-behaved and stay out of trouble, Paddington could do what he wanted.

As I got older and was able to read the books myself, I was kind of jealous of how independent this bear was. There are lots of different Paddington stories, and I love the fact that in all of them Paddington sees something that needs doing, and does it. Things don’t always go the way he plans, and he might end up needing the Brown family’s help to achieve what he sets out to do, but he always gives things a go, and it is always him at the centre of the action. Everyone else is just a supporting part. When I was wanting to be more independent and getting frustrated that I couldn’t go down to the park unless I was with my friends and home by teatime, Paddington was off on his own, exploring and doing what he wanted.

Fast-forward a couple of decades, and I am working at a children’s bookshop when a Paddington Bear treasury comes in. A beautifully-illustrated hardcover book, this brought back a rush of memories for me. It instantly became one of my go-to recommendations for people looking for books for young children, but with so many Paddington Bear fans out there already, I didn’t really have to work too hard to recommend it – that bear really did sell himself. I loved seeing the looks on customers’ faces when they realised they could relive their childhood joy, and share these stories with their children. I had loved Paddington when I was little, and now I could introduce him to a whole new generation of fans.

Moving on to Christmas 2014, and I am mentoring a young child through Big Brother Big Sister. This was a child who had heaps of stuff going on in their life, without the opportunities to do so many of the activities many of us take for granted. As a special treat I suggested the two of us go to see a movie, something the kiddo hadn’t done before, and Paddington was the movie of choice. I’m not mentoring this young person anymore, so I don’t know if they still remember the movie’s plot, or if they’ve read any of the books that the movie was based on, but that really doesn’t matter. For me, the best part of going to see this movie was looking over at the seat beside me, seeing a child totally engrossed in a new experience, and knowing that regardless of what happens to them in the future, they will have a memory of doing something new and fun with someone who cares about them at this moment. Sharing books and stories is as much about making memories as it is about actually reading, and now Paddington Bear is makes me think fondly of being with a particular person at a particular time of my life. Hopefully it does the same for them, too.

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And here we are in 2017. When I think of Paddington now, I see him like a child who has ended up in care for reasons outside of their control. Sent away, to live in a different environment with a new whānau that he doesn’t know… in other words, some of the same challenges New Zealand children might face if they can’t stay in their own homes. Paddington manages to thrive in his new home, despite the difficulties he faces, and in this way he shows our kiwi tamariki that they too can get through these difficult times. It is really important for children to be able to see characters like themselves in books, and if children can look at Paddington as a role model during challenging times in their life, then I think this bear is just as relevant now as he was when Mr Bond first introduced him to us in 1958.

Cover of Paddington's cookery bookSo join me in celebrating the life of Mr. Bond, and the wonderful, colourful, character which he has left us.

Check out the Paddington books we have available, and share his stories with your own friends and family over a nice cup of tea, a marmalade sandwich, and some of Aunt Lucy’s Sweet Potato Mash. Apparently it’s a hit with the bears in the Home for Retired Bears back in Lima, Peru.

Memories, mind-wandering, and the evolution of language

“It was a dark and chilly winter’s night, but the crowd in the foyer of the Charles Luney Auditorium at St. Margaret’s College didn’t let that deter them. They were bundled up warm, busy chatting to their friends, and keen to get into the auditorium to hear Auckland University’s Michael Corballis present ‘Mental Travels in Space and Time’.”

Did you just get an image in your head of how that scene might have looked? If you’ve ever been into the Charles Luney Auditorium before, your mind will have travelled back there, remembered how it looked, and added in people in winter clothes and cold dark weather to suit the story.

If you haven’t been to this particular location, you might have remembered your old school auditorium instead, or maybe the foyer of the old Christchurch Town Hall or Isaac Theatre Royal, and pictured the scene as if it was happening there. Either way, regardless of how you imagined this scene, you based it upon your memories of a time you were in a particular location, and what you saw and heard, and how it made you feel.

You have just used your brain for mental time travel – using memories as a way to imagine ourselves in places and times that we are not currently in. That was the topic of Professor Corballis’ speech, held to celebrate the 150th anniversary of the Royal Society Te Apārangi. The audience learnt about the hippocampus – the part of the brain which helps form memories of events, and which reinterprets those memories and helps us daydream and imagine ourselves in new places and times.

It’s because of the hippocampus that we can empathise, and put ourselves in another person’s situation, why authors and storytellers can come up with fictional made-up stories, and why readers sometimes get so caught up in the stories they are reading – our brain is letting us experience the story in the same way as it would if we were actually living it.

The audience also learnt what happens if the hippocampus is damaged. If this happens, you can’t form memories of the things you have done, but you remember skills that you have learnt. Could you imagine not having any memories of specific events? Or having others tell you that you have done something or gone somewhere with them, but you don’t remember doing it? Yet at the same time, you don’t have any difficulty remembering how to carry out skills such as walking, talking, or drawing? I can’t imagine that personally, but we heard about some individuals for whom this is normal.

Cover of The truth about language

The speech Professor Corballis gave was entertaining and informative, and these same characteristics come through in his new book The Truth About Language. I really enjoyed how accessible this book is – no matter your background, the conversational writing style is easy to read. With anecdotes, quotes from literature, and references to historical and contemporary linguistic theories, Corballis tells the story of how language came to be, and why it is so different in different countries and communities.

Don’t worry if you aren’t a linguist – you will still be able to understand the points Corballis is making, and enjoy the information found in this book. For those readers who do want a more in-depth understanding of the evolution of language, however, the book includes references to other theories and theorists, generous explanatory notes, and a comprehensive bibliography to guide further reading.

From the big bang to the different languages used world-wide in 2017, there are so many aspects of language – body language, pronunciation and sounds, grammar, and so much more. Michael Corballis’ The Truth About Language is a fun way to learn about this fascinating subject, and Christchurch City Libraries has a range of his other books that delve further into the subject. So, if language, the mind, and psychology are things you’re interested in, then check them out on our catalogue!

The Truth About Language: What it is and where it came from
by Michael Corballis
Published by Auckland University Press
ISBN: 9781869408633

Find out more

Hamlet: The Video Game (The Stage Show): Q&A with Kathleen Burns

Shakespeare with tentacles, teenage sex, dead bodies galore, and nerf guns. Yup, you heard right. Hamlet: The Video Game (The Stage Show) is on now at The Court Theatre until June 24, and it is nothing like the Shakespeare you learnt at school.

Kathleen Burns is one of the cast, and we had a chance to ask her some questions about Hamlet, gaming, and this show.


Kathleen Burns

Shakespeare! Guns! Gaming! Kicking ass! Hamlet: The Video Game (The Stage Show) at The Court Theatre sounds awesome! Thanks for chatting to us about it – it sounds like a really interesting mix of everything.

Before we start, let’s play ‘Two truths, one lie’ to get to know you. What are two interesting facts about yourself? And what about one thing that’s not true? We’ll see if we can guess which one’s the lie.*

1: I am really good at saying the alphabet backwards super fast.

2: When I was a girl, I had webbed fingers and had to get them surgically un-webbed.

3: I can’t click my fingers.

That first one’s an impressive skill – I hope you’ve found some way to get that into one of your shows! Now that’s out the way, on to the important stuff. Old Will Shakespeare. We had to study one of his plays each year at high school. I think I just about died of boredom watching every girl in my class act out Romeo’s death in a Yr 11 English assessment – do you know just how long a 16-year-old can drag out a death scene?! It was painful!

What about you? Did you have to suffer through the plays in English class or did you actually enjoy learning about the Bard?

At first it was totally daunting… like… what are all these people on about…? But, I had good English teachers who broke it down. It’s actually super easy… this person wants to kill that person, this person wants to sleep with that person… Also I often got asked to read it out loud, and you know… any chance to be centre of attention haha!

What about now? Have your thoughts on him changed, or do you still feel the same way?

The older I get, the more I either love or hate it. Like… “Yay! Titus Andronicus is so cool! Let’s put people in pies!” or “OH EM GEE Hamlet is so annoying, I wish he would just make up his mind…”

So … Hamlet: The Video Game (The Stage Show). That’s quite a mouthful! I looked it up on The Court’s website, and the description for the show was:

“Rebooting the story of Hamlet as a video game, this show blends Shakespeare with modern gaming culture to create a uniquely entertaining live experience. You’ve never seen the Bard this bad-ass!”

What does that actually mean? Most people would say video games and 17th century plays don’t really go together. What exactly are we going to see when we go see Hamlet: The Video Game?

Are you kidding me? Shakespeare and video games are pretty much the same thing. Bloodthirsty violence, revenge, high body count, teenage sex… all of the fun stuff. In this show you can expect to see an epic nerf gun battle, an abundance of gaming jokes, and hearts torn out of chests both literally and figuratively.

So it’s not going to be an old guy standing alone on a dark stage talking to a skull in Ye Olde English that we’re not going to understand? Phew!

Hamlet: The Video Game (The Stage Show) got shown for the first time back in 2015. It obviously did well to come back for a second go, so who is the show *actually* for? Usually people who go and see plays are not the people who’ll spend time playing computer games, so where did the decision to merge classical theatre and gaming come from? And who’s the target audience?

The idea came about from Simon Peacock, who started as a court jester here in Christchurch but now works in the video game industry in Canada. He directed the voices on one of my favourite games: Assassins Creed! This show is totally for gamers. I mean yeah, Shakespeare lovers are loving it too… but it so so packed full of jokes for gamers.

In video games, the gamer is in charge of choosing what their avatar is going to do next, or where they’re going to go, and that happens in this show too, right? So it’s kind of like a choose-your-own-adventure version of Hamlet! That’s pretty cool.

Hahahaha no. It’s not a pick-a-path. Any experienced gamer will tell you that video games only offer the illusion of choice. At its heart, it’s the story of Shakespeare’s Hamlet. But with video game tropes over top, like, at the start, the audience get to customize their Hamlet character. So far the mohawk has been really popular. But can you please come along and choose the beret for once??? It looks kick ass and the audience hasn’t chosen that one yet!

Got it. Always choose the beret.

Back in the day, girls and women weren’t allowed to act in old Will’s plays – apparently boys and men did a better job of playing the female characters than actual females did. That’s pretty dumb, I reckon, but I guess that was just the way society was back then. There’s a real live female actor in this show though, right? Playing a real live female character? Does she get to do really cool stuff, or is she stuck at home doing embroidery and cooking and looking after the kids? Of course, if a female wants to stay in and do sewing, she totally can – you be you, girl, and do what makes you happy! Anyways – what are the girls up to in Hamlet?

Well actually it’s funny you mention that because…. I am totally a girl. Yip. Boobs and everything. And I’m a gamer too. (Pause for shocked silence) The most domestic thing any of the female characters get up to in this is when Gertrude in her bed chamber brushing her tentacles. Yip, that’s right, her mighty tentacles that come out of her head. When she’s not doing that, she’s kicking ass.

Shakespeare and the tentacles. Not a sentence I thought I’d be writing, but there it goes.

Lots of schools use Hamlet as one of their English texts. How close is this play to the actual Hamlet play? If I go see it will I be able to write about it in my NCEA exams?

It would actually totally help you to understand the basic story of Hamlet… I wish I had something like this when I was in high school!

All right, so you must have thought about this – if Hamlet actually got released as a video game, who would you choose to voice the characters? And why?

I will voice them all. With a million different hilarious voices. And maybe some voice changing technology to make my voice sound deep and evil for Claudius.

Right … you did say you wanted to be centre of attention at school. I guess some things don’t change.

How many of the folks involved in this show are actually gamers? And what’s the fave game at the moment? Although I bet they’re all pretty busy at the moment making sure this is  finished and ready for the audience.

All of us are either current gamers, or have been at some point in our lives. Personally, I’m looking forward to playing Andromeda because I’m a huge Mass Effect fan!

So… Hamlet: The Video Game (The Stage Show) is at The Court Theatre until June 24. It sounds like it’s going to be an amazing show to watch and should have something for everyone.

We’ve opened already! Only a week and a half left, so get in quick!

Thanks for chatting with us, Kathleen – have you got any last words for people out there trying to decide if this show’s for them?

It’s for you. If you come to the show, and then are like “maybe that wasn’t for me”, I will personally come into the foyer and admit to your face that I was wrong. (THIS HAS NEVER HAPPENED)


So there you have it, folks – Hamlet: The Video Game (The Stage Show) is for everyone. If you love Shakespeare but don’t game, or play video games but aren’t a fan of the Bard, or love Shakespeare AND gaming, go see it – it’s only $26, and it’s Shakespeare and tentacles. What’s not to love?!

* Oh, and in case you were wondering: the lie was … number 2.

Images supplied by the Court Theatre.

#Covfefe … or ‘President Trump and Shakespeare are more alike than you might think’

“This morning, I was completely covfefe’d. I arrived for a training session at one location, but didn’t realise the training had been moved to a different part of town. Oops!”

See what I did there? I used a word that didn’t exist 24 hours ago, and you probably understood what I meant by it. Donald Trump, the 45th President of the United States, has created a word, and now everyone is using it. Sure, we don’t *actually* have an exact meaning for that word at this precise moment in time, but Twitter, Urban Dictionary, and keyboard warriors world-wide are working on that, and I predict that ‘covfefe’ will be a word that we hear more of in the future.

CoverKnow who else created loads of new words that people had never heard of, but that we now use all the time in everyday conversation? William Shakespeare, a guy from 17th-century England who was (depending on your opinion) either the world’s greatest playwright, or the man we have to blame for making us suffer through never-ending plays where everyone wanders round in disguise, talks to ghosts, and takes an absolute age to die (Romeo Montague, I’m looking at you!).

Let’s face it, Shakespeare’s plays aren’t the easiest things to read – they have way more than 140 characters, there are some really weird words in there that we don’t use now, and the film adaptations your English teacher shows you are most probably ancient, with bad lighting and hideous makeup and special effects. … And people talking really… really… really slowly, so the whole thing sucks up hours of your life that you can’t get back.

CoverWhen it’s that hard to read his plays, you might be asking yourself a few questions: Why’s this guy so famous? Why do people think he’s such a great playwright (that’s the fancy name for an author who writes plays instead of books)? Who reads plays, anyway? and Why do I need to read this when it has nothing to do with real life in 2017?! I asked lots of those same questions myself, because studying Shakespeare every year of high school was about as fun as gouging my eyes out with a rusty spoon. (OK, fine, I haven’t actually tried that to see just how much fun it is, but I can imagine it probably isn’t too far off hearing the Bard’s words mangled by teenage girls and desperately trying to stay awake as the teacher made us analyse every. single. word. and discuss exactly why this actor had to exit on this side of the stage and not that side).

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But … SPOILER … Shakespeare was a really cool guy! He actually wanted his audiences to enjoy his plays, he invented loads of new words that we still use today, and his plays are like the soap operas of today – 1600s Shortland Street, if you will. He wrote some really cool stories about love, life, lust … and loss … and he wanted us, his audience, to have fun with his plays, and escape from their normal, everyday life. He wanted us to get caught up in the murders and passion and insanity so that we forget about the normal, boring, everyday things like homework, looking after your annoying family members, or the fact you’ve just broken up with the love of your life.

HE DIDN’T WANT US TO BE BORED SENSELESS!

So, how can we make Shakespeare more fun? Easy. Basically whatever type of book you like to read, there will be something to do with Shakespeare that it will be easier to read than the plays you’re doing at school.

Graphic novels are like watching a movie on a page. You can look at the pictures, which makes it so much easier to work out what’s actually going on.

CoverThere are pick-a-path versions of his plays where you put yourself in to the story, and choose what happens. Want to play Hamlet as a girl? Do it. Want to turn Romeo and Juliet into aliens and send them off to a distant planet? Do it. Want to cause a zombie invasion or apocalypse and just end the story early? Guess what, do it. Because you can. You can even follow the story the same way Shakespeare wrote it, if you want to.

Learn how to swear and insult people, or find out more about the gross, stinky, and ugly parts of Shakespearian life with some informative non-fiction.

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Prefer to read on your device? Not a problem. There’s a whole series of eBooks that at retell his plays in normal language so they actually make sense. And they’re written by authors who write normal books, so they’re heaps easier to read.

If you prefer reading fictional, made-up stories, there are heaps that have Will as a character, or are based around his life and plays. Some of these have more Shakespeare in them than others, but there could be something that you like the look of, so have a look at them and see what there is. I wouldn’t quote these in your NCEA exam, but you could still learn some interesting facts.

The last, and quite possibly best, way to get excited about Shakespeare – Hamlet: The Video Game (The Stage Show)! Christchurch’s own Court Theatre is putting on a show of William Shakespeare’s Hamlet as a video game, and it looks A. MA. ZING! We’ve been chatting to The Court Theatre about this show and it sounds like a must-see.

If you hate Shakespeare, go see it – it has action and guns! If you love Shakespeare, go see it – it’s Hamlet! If you need to take someone on a date, go see it – it’s the theatre, but it’s also a video game! Seriously, guys, this show sounds like it is going to have something for everyone.

Hamlet: The Video Game (The Stage Show) is on at The Court Theatre from June 3 to June 24, and tickets are only $24. I reckon that sounds like a bargain for this show. I can’t wait to see it!

Tomboys, Dead Gophers, and a Coyote – Ivan Coyote at the WORD Christchurch Autumn Season

Funny, tender, perceptive – Ivan Coyote is all these things, and on Monday night I was lucky enough to see them talk at The Piano as part of the WORD Christchurch Autumn Season.

I was really disappointed to miss Ivan on their last trip to Christchurch last year, so as soon as I learnt they would be back this year, I made sure to get my ticket in my hot little hand. I have been a fan of Ivan’s work since reading Missed Her several years ago, and have only become more of a fan with Gender Failure and Tomboy Survival Guide.

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The audience who attended An Evening with Ivan Coyote was – to quote one of my neighbours – ‘quite an eclectic crowd’. Despite any differences in age, gender, or any other identifier, however, everyone was completely drawn in by the stories of growing up in small-town CanadaWhat’s it like to be the only little girl in the world who didn’t want to grow up to be Princess Di on her wedding day? Why open the door to someone empty-handed when there is plenty of road-kill around to offer? What songs would you include in the soundtrack of your life? And how cool is it to live near a World Record-holding giant squash?!

Ivan Coyote
Ivan Coyote. Image supplied.

Much of the material was from Tomboy Survival Guide, Ivan’s most recent book, but the fact that I’d already read the stories did nothing to diminish my enjoyment of the evening. Ivan’s portrayal of different characters had me laughing out loud, nodding in agreement with their observations of life, love and public toilets, and feeling like I was watching more than just one person. The elderly grandmothers, the best friend from childhood, and the ball players and sports coaches – Ivan’s storytelling and use of voices  brought these characters to life, and it was a parade of the weird and the wonderful that we saw up on stage.

With a large number of gender-diverse audience members, Ivan also had words of encouragement and support for those who don’t look or act the way boys and girls ‘should’ look and act – be kind to yourself, be kind to others, and embrace what it is that makes you individual and unique. Be yourself, and know that asking people to use the ‘singular they’ pronoun to refer to you is not going to cause the end of the world!

Ivan is a fantastic storyteller, with some great stories to tell, and I look forward to hearing more from them. With sold-out audiences this year and last, Ivan has said they will be back, and I know that there will be keen interest in their next show. Until we hear about their next visit down to Aotearoa New Zealand, however, have a read of Ivan’s books available here at the library.

The Mikado: A very modern comedy

People people-watching in bustling New Regent Street, folks out and about in their finery, and a sea of black and white as those carrying black instrument cases make their way towards an unassuming looking back entrance off Gloucester Street – New Zealand Opera is back at the Isaac Theatre Royal, and this time it’s for their 2017 production – Gilbert and Sullivan’s The Mikado.

Set in Japan, and first performed over 120 years ago in a theatre in London, it might be difficult to see how this comic opera could appeal to the sense of humour of people here in 2017 Christchurch. Sitting in the audience last night, and hearing all the laughter around me throughout the show, I can tell you that this production has updated itself fantastically. Harajuku girls, the use of cellphones as a plot device, and references to Donald Trump and theatre etiquette mean you’ll forget that this opera has been around for long enough to become a theatre classic, and will enjoy it even if you aren’t a regular opera-goer.

Jonathan Abernethy as Nanki-Poo bribes Poo-Bah as played by Andrew Collis.
Jonathan Abernethy as Nanki-Poo bribes Poo-Bah as played by Andrew Collis. Image credit: David Rowland

The Mikado‘s story follows Nanki-Poo, the son of the Japanese Mikado (or Emperor), in his journey to Titipu in search of his sweetheart, Yum-Yum. Unfortunately for him, Yum-Yum is now engaged to her guardian Ko-Ko, and the woman Nanki-Poo was intended to marry is not overly happy at being left behind so unceremoniously. … Also, Ko-Ko isn’t that keen to have a rival love interest, either. What follows is an hilarious story of love, loyalty and power, and a reminder that sometimes even the best-laid plans don’t work out quite the way you’d expect.

This show was a delight to watch, and by the end of it my cheeks hurt from all the grinning and laughing. While I thought that all the cast members did a great job portraying their characters, I particularly enjoyed Brendan Coll’s version of the character Ko-Ko. With his wide range of facial expressions and various voices, I don’t think I have ever spent so much time laughing at someone with the job title ‘Lord High Executioner’!

Helen Medlyn as Katisha and Byron Coll as Ko-Ko.
Helen Medlyn as Katisha and Byron Coll as Ko-Ko. Image credit: David Rowland

I also thoroughly enjoyed watching Andrew Collis as Pooh-Bah – he’s the epitome of pomposity in this show, but he’s spoken to Moata and it looks like in reality he’s a really nice guy.

Along with the cast, members of the Christchurch Symphony Orchestra and the creative team involved with The Mikado have created a production that has a combination of visual, verbal and physical comedy, and is accompanied by an instrumental arrangement that adds to the overall enjoyment of the show. I highly recommend going to see it – the Isaac Theatre Royal is a beautiful venue, and this is an opera that will appeal to more people than just the usual opera crowd. With sensuous left shoulder blades, aunties with moustaches, and wandering 21st century minstrels peddling their CDs on Marine Parade, why not make The Mikado your introduction (or re-introduction) to Gilbert and Sullivan?

You only have until Saturday March 11th to head along and see this great show, so grab your tickets and get ready for a fun night out.

Cover of The Mikado sound recordingTo prepare for the show, or to relive the experience afterwards, jump into our collection and check out what Mikado-related material we have in a range of formats.

What languages do you speak?

There are approximately 6900 languages in the world today. That’s right – six thousand, nine hundred! That’s A LOT of different languages! How many of them can you speak?

World Languages magazines

CoverWe all learn a language when we are born. That’s our ‘mother language’ – we pick it up from our family and friends, and learn it without too much effort. Some New Zealanders speak English as their mother language, some speak te reo Māori or New Zealand Sign Language, and others speak one of those thousands of other languages. To quote that well-known song, Aotearoa New Zealand really is a great big melting pot of cultures!

UNESCO’s International Mother Language Day (21 February 2017) is a chance to celebrate the different languages we all speak, and to encourage people to read, learn, and share ideas in their native language.

CoverHere at Christchurch City Libraries we have heaps of resources you can read in your mother language – books, newspapers, magazines, online resources, you choose! Our World Languages collections have books and magazines in languages from Afrikaans to Vietnamese.

PressReader lets you read newspapers and magazines from Albania to Zimbabwe, and our selection of language eResources can help you study, relax, or learn English or another language.

Check these resources out, and maybe by next year you’ll be able to say you speak one more language than you do now!

Pippi Longstocking – 70 years young, and still going strong

I remember reading Astrid Lindgren’s Pippi Longstocking as a child, and thinking what a wonderful, exciting life this nine-year-old girl had. With no adults to tell her what to do, a pet monkey and horse who lived in her house, and two good friends who lived right next door with whom she could have adventures every day, this girl – to my young brain, at least – was living the dream.

CoverNow, I know that reading books as a child is different from reading books as an adult – I’m sure lots of us have had fond memories of a childhood favourite, re-read it as an adult, and been bitterly disappointed by the experience. However, I have just read the Lauren Child-illustrated version of Pippi Longstocking, and I am very pleased to announce that this was not the case. It is still just as magical a read as ever, whether you are re-reading it as an adult, sharing it with your own child or grandchild at bedtime, or discovering it for the first time as a nine-year-old.

There are eleven chapters in this book, each of which is a story in itself. With titles such as ‘Pippi is a thing-searcher and ends up in a fight’, ‘Pippi plays tag with the police’, and ‘Pippi dances with burglars’, you know right from the start that there will be plenty of action, trouble-making, and laughter, and you are not disappointed. With very little regard for social expectations, Pippi says what she thinks, does what she wants, and goes where she pleases, causing confusion for the adults around her, and delighting the neighbourhood children … and the reader. She does not feel bound to do things the conventional way, and I enjoyed reading about her unique attempts at baking, her creative attitude to schoolwork, and the tales she tells of her adventures with her father. These are not necessarily true tales, but since ‘[her] mamma is an angel and [her] pappa is king of the natives … how can you expect her always to tell the truth?’

Although Lindgren first wrote about Pippi seventy years ago, the story has not dated, and Tiina Nunally’s translation and Child’s illustrations ensure that it is just as much fun for children in 2017 as it was in 1945, when it was first published. A friend’s six-year-old daughter was reading this book at the same time as I was, and the fact she was so excited to share with me her favourite parts of the story speaks volumes about how this story has endured over the years.

Lauren Child’s illustrations are absolutely fantastic, and really help to bring Pippi to life. Through her customary collage style of art, Child captures Pippi’s cheeky nature, and you cannot help but smile at the colourful interpretations of the events taking place. This particular edition of this book is just begging to be shared with young readers, and will ensure that Pippi’s adventures are enjoyed by children (and their adults) for years to come.

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