Love it or hate it, Halloween is upon us once again. Today it is a vastly different experience than the one that the Celts traditionally celebrated. For them it marked the reaping of the harvest, the end of summer and an opportunity for the dead to cross over to the living world and scare the daylights out of everyone. Sounds like great fun so far!
For us however, Halloween has become an attempt at recreating what is largely a Northern Hemisphere celebration – with Southern Hemisphere seasons, beliefs and inclination. And more often than not, if we try to emulate what we see on TV we are destined for disaster. So here is a cautionary tale of ‘How not to Halloween’. Sadly parts of this aren’t as fictional as I would like them to be.
Let us think for a moment… the pumpkins will have only just been planted and won’t be ready until around Easter next year. So now we will have to attempt to carve something sourced from the local supermarket. We pick out a nice Crown pumpkin and overlook the insipid grey colour and lack of grandeur. Beggars can’t be choosers. All it needs is a scary face carved in it and a candle to highlight your excellent pumpkin cutting skills. You take your sharpest knife and start to cut the top off what is arguably the toughest skin on any vegetable available*.
After you get back from the doctor, you decide that it is probably wise to do away with the carved pumpkin as you can’t afford to lose the use of your other hand. You may still be able to salvage it as a Halloween decoration however, as it is now rather realistically covered in blood.
Meanwhile, your kids are dressed up in the scariest costumes you could find at the local Opportunity Shop and are already dreaming about the sheer weight of the lollies that they hope to get. They wonder momentarily if that pillowcase is going to be big enough.
Leaving Hubby home in charge of the lollies; you venture forth into the bright sunlight with a handful of ghosts and witches in tow for the trek around what you thought was a friendly neighbourhood. How wrong you were. You find yourself greeted by grouchy people who can’t even fake being nice for the kids. They love to point out the error of your ways for daring to try and experience what is largely an American custom. Others will wander openly around their living room while your kids knock on a door that will never open. Some will go to the trouble of putting out ‘No trick or treaters’ signs to save you the energy of knocking. I like these people. We each know where the other stands.
Of course it isn’t all doom and gloom. There is the occasional legend that will gush over the kids costumes and hand over a lolly or two. But after an hour and a half of what amounted to a crushing failure; we head home defeated. I console the kids with the fact that if we’re lucky, their dad won’t have eaten his way through the entire bowl of lollies at home. It has been a rather disappointing experience. The kids don’t understand why their Halloween bears little to no resemblance of the ones that they have seen on TV. Let’s be honest – it’s still won’t be dark for another hour or more.
When we get home we find that the only other people that have come around trick or treating were teenagers who didn’t bother to dress up. And when my daughter finds out that they made off with her plastic skeleton that I’d propped next to the ‘bloody’ pumpkin; she probably won’t forgive me.
I know that there are houses somewhere that are re-enacting their version of Halloween – I’ve seen the lollies disappearing from the shops. Maybe next year I’ll save myself some time and heartache and just ask them where they live. At least then we can be assured of a guaranteed result!
So if your kids are begging you to join into Halloween this year, you think you can avoid these amateur mistakes and you are looking to earn some easy brownie points; here are some books to help you achieve this.
Stacy Gregg’s latest pony book The Thunderbolt Pony is a children’s novel very close to home, both for Cantabrians and for the author. Set in the aftermath of an earthquake in the real life town of Parnassus, near Kaikoura, the story is about 12 year-old Evie and her determination to save her beloved Arabian pony Gus, her loyal border collie Jock and her aptly named cat Moxy.
Stacy Gregg portrays strong, independent, fearless girls in her books and here Evie bravely overcomes not only the forces of nature but her anxiety disorder, which she has been suffering since her dad became terminally ill. Evie’s OCD manifests itself in the belief that she if she doesn’t stick to set routines, it will cause bad things to happen, making her the ‘bringer of earthquakes.’ Evie must embark on both a physical and mental journey, in a race against time to get to a rescue boat.
Stacy Gregg has experienced the effects of anxiety disorder firsthand, with her own daughter developing OCD a couple of years ago, and she brings the specificity of what it can be like into the story. In fact, Stacy manages to intertwine quite a lot into this pacy yet reflective story. There’s also Greek mythology in here too with reference to Poseidon, who makes the perfect tie-in as not only the god of the sea but of earthquakes and horses as well.
You don’t have to be a horsey person for this story of adventure and animal friendship to appeal. Gregg’s style of historical fiction applied here will particularly resonate with many middle-school children in New Zealand and those around Canterbury, the Hurunui and Kaikoura will feel especially immersed in the familiar settings. Overriding everything, however, is Stacy’s signature quality storytelling.
Interview with Stacy Gregg
We interviewed Stacy on the release of her latest book – she talks about her research and writing process and about her experiences with anxiety disorder in her family.
Stacy, what types of research did you do for The Thunderbolt Pony?
As well as reading lots around my subjects, I’ve always travelled for my research. My books have taken me to Arabia and Spain, Italy and Russia and now for The Thunderbolt Pony, Kaikoura and the East Coast of the South Island. It was important to me to travel the route that my heroine will take, the 64-kilometre stretch between Parnassus and Kaikoura. I was hoping the earth might move while I was there, but it didn’t. I had to rely on second-hand accounts of what the earthquakes were like because I’ve only ever been in a minor tiny tremor once here in Auckland.
What did you find in your research of the earthquakes that surprised you?
That they are noisy! You don’t think about the sound an earthquake makes, you think about the feeling of the land moving underneath you. But everybody I spoke to talked first about the noise. The boom that comes beforehand and the sound like a train surging beneath you. Like the rumble of the thunder that comes before the lightning – it gave me the title for the book.
Stacy, did you have a real person in mind when you were writing the character of Evie, who has OCD?
Evie’s journey is based very much on my own daughter’s struggles with OCD. When I first had the idea for writing the book I asked Issie what she thought about having a character who suffers from OCD and she was really, really supportive of me writing about it. She felt like it was important to raise awareness of the condition so that kids who are suffering from anxiety disorders realise how common it is and that they aren’t alone. There’s been such an overall increase in anxiety disorders in pre-adolescents, but this is especially true in places like Canterbury and Kaikoura where the kids have been through an earthquake and the ongoing aftershocks. Statistics in a recent study in Christchurch have shown that four out of five kids in the region have some level of PTSD (post-traumatic stress disorder). It’s a very real issue.
What did you find in your research about anxiety disorders like OCD that surprised you?
My daughter gets really cross people say stuff like “Oh I totally need to keep the kitchen clean – cos I’m so OCD!” Because that’s not OCD at all – that’s just liking things to be neat! I remember there was a time when the word “schizophrenic” was misused in the same way. Then the mental health community stepped up and reclaimed it and said “hey it’s not okay to talk about schizophrenia as if it means you have a split personality -it’s actually a real condition that people suffer from.” I think the same thing will happen now with OCD.
There are a lot of mistaken preconceptions about OCD being a ‘clean freak’ condition where you have to wash your hands or keep things perfectly tidy. Yes, it can manifest in that way, but it’s just as likely for you to have OCD and have a super-messy bedroom! For many OCD sufferers it’s about wanting to protect people – or animals – you love and make them safe by adhering to rituals and counting. It’s a bit like superstition on steroids. If you have OCD you are compelled to carry out your rituals and you get really anxious and upset if you can’t do them right as you really do believe you are risking harming everyone that you love. You’re carrying the weight of the world on your shoulders. In The Thunderbolt Pony, Evie is fighting her OCD and trying to get a grip on her actual reality, but she’s got a lot to contend with.
How challenging was it to write about a condition in your family? Was this a helpful process for you, to write about it?
It was tough at times to open the wound and examine it – but it’s better than letting it fester I think. Issie and I are both the same like that, we confront stuff head on and she was very honest with me and trusted me to tell the story. OCD is a rough gig. It can totally dominate someone’s life in a very debilitating way. Issie did a lot of really hard work with her clinical psychologist and that work gave her the tools to overcome it. I’m really proud of how open and brave she was, and I’m really grateful to our psychologist Hilary, for the support he gave her. The character of Willard Fox is very much based on him and he gets a big thank you in the dedication.
What has been the response so far from readers of The Thunderbolt Pony?
I just toured in Australia around schools in Sydney and what amazed me was that the kids there all knew what OCD was and they were very open to talking about anxiety disorders and seemed to really naturally engage with it. I’m just about to begin the South Island tour now – kicking off in Kaikoura – and I admit I am anxious about talking to the kids who have actually experienced the real earthquake. It’s going to be special, going back to the place where the book is set, but it’s also daunting. I hope they like it.
One thing really engaging about your books is the historical fiction aspect, how you use real places, events and real experiences in many of your stories. Why do you choose to write this way?
I think it’s the ex-journalist in me – I love to do solid research and I like to have a true story as a base foundation for my fiction. The Princess and the Foal was the start of that for me – it is the real story of the childhood of Princess Haya of Jordan. Her mother died in a helicopter crash when the Princess was 3 and she became really emotionally withdrawn and shut down after her death. When the princess was 6 her father, King Hussein, gave her an orphan foal to raise and said. “This foal has no mother, just like you. It’s on your shoulders now to be in charge and care for this young life.” This was the turning point for Princess Haya and her whole life story, her incredible success as an Olympic show jumper and as a powerful world influencer, came from that moment. It was so special to me to tell her story and to be given access to the royal palaces and the stables. My love of telling a true story sprang from working on that book.
You often write your historically-based stories from two points of view but in The Thunderbolt Pony we have just Evie’s viewpoints, one during the rescue adventure and one reflecting on her journey later (both physical and mental journey). Is this your way of using your ‘dual narratives’ device in this story?
That is a really good question in terms of discussing structure and the devices an author uses. I have frequently used dual narratives in previous books – dovetailing two girls with perspectives that are historical and modern-day up against each other. For this story though, there is just one voice, it is Evie’s story and hers alone. However, I didn’t want to write it in a linear fashion – I felt like we needed to see her two journeys – the physical and the mental – intertwined. It gives the book a different pace and that’s why we make time leap back and forth. The skill for a writer I think, is to construct a tricky timeline and make it feel like it makes sense and is effortless so that the reader doesn’t notice!
You’ve said you like to “get rid of the parents in a story” – can you tell us more about that and why?
It’s not just me who likes to get the parents out of the way. Look at Harry Potter. Or Lemony Snicket. Parents are a problem because they like boring stuff like routines and being safe. They are all about healthy meals and bedtimes and they are also on hand to help you when things get rough. If there are no parents you can have big crazy adventures where you must be brave and do everything yourself and there’s no one to stick their oar in and say “hang on a minute this is madness let’s stop and have a proper dinner!” That is why you get rid of the parents – they are too sensible and they ruin your fun and crush the spirit out of the adventure.
You write about strong female characters who are fearless, independent, self-sufficient. Can you tell us more about that?
I’ve always written strong girls as my heroines. Horses make girls powerful. You can’t be a powderpuff. You need to be mentally and physically tough to handle them. And at the same time you need to stay vulnerable and soft, because it’s in those unguarded moments that you create a true bond with a horse. My daughter rides competitively and when we roll up at competitions I’m always impressed at these women turning up driving massive trucks and handling enormous powerful warmbloods. We just don’t think anything of it – we don’t expect men to come and help with any of it. It’s a very feminist sport.
How long did the writing process take for this book?
I write a book a year. I spend about three months researching, three months writing and then another three months with my editor, pushing the manuscript back and forth through various stages beating it into shape. Then the next three months are publicity and touring and preparing to do it all over again. I love every stage of the process, I’m very lucky to do the job that I do.
What’s next? What are you working on at the moment?
My next book is called The Fire Stallion and it’s set in Iceland. As usual, I have the whole thing plotted out already – but I’m not giving away any spoilers yet!
What have you recently enjoying reading and what’s on you ‘to-be-read’ pile?
I have just finished Neil Gaiman’s book on Norse Mythology (OK that’s a big clue for the subject matter of my next book). But I won’t be able to read anything for a while now. I am an all-or-nothing reader and I can’t read other authors when I am in writing mode as I’m a terrible mimic. I have to isolate myself for the next few months and then I will binge read when the new book is finally done. On the bedside table until then are Magpie Murders by Anthony Horowitz, The Dry by Jane Harper, and My Absolute Darling by Gabriel Tallent.
Pop! Bang! That’s what happened – literally – when a group of New Zealand children’s authors and illustrators presented inspiring talks to hundreds of Canterbury school children, just ahead of the announcement of the 2017 winners of the New Zealand Book Awards for Children and Young Adults.
Several of the nominated authors and illustrators toured the country speaking to school children about their work and craft. Hosted in conjunction with WORD Christchurch, they addressed primary and intermediate students who came from across Canterbury to hear them speak at St. Margaret’s College. They talked about what it takes to be a writer and/or illustrator and what keeps them inspired and shared their working processes, all with the aim of sparking readers and the next generation of writers and illustrators. We share some of the highlights here.
Session One: Tania Roxborogh, Leonie Agnew and David Elliot
“Any change for good is powered by fury and passion to make the world a better place” says Tania Roxborogh, and this idea is a driving force behind the story in her book about the Bastion Point occupation for Scholastic’s My New Zealand Story series, told from a child’s point of view.
Through the process of researching and writing this book, Roxborogh was reminded that: “Retelling history is never straightforward” because “people lie, self-edit, and mis-remember” and that “people remember different things.” She added that there is also the problem of bias in New Zealand media – from the right wing as well as the left wing – which she had to take into consideration when researching for this book.
When Roxborogh visited Bastion Point to help her find her point of view for the story, she found herself humbled, prompting her to ask: “What right do I even have to tell this story?” She realised, however, that regardless of who she was, the story of the protesters was a story worth telling.
Roxborogh teaches English and Drama at a Canterbury high school and has written over 50 books.
Snark – Being a true history of the expedition that discovered the Snark and the Jabberwock … and its tragic aftermath.
Elliot’s illustrated book was inspired by Lewis Carroll’s The Hunting of the Snark, and the Jabberwock and his presentation of museum-like artefacts and the stories he told about them would have had some in the audience wondering if his tale of the mission to discover the snark was true or not.
Elliot says he spent time living in a cottage inside Edinburgh Zoo and you have to wonder if this influenced his work illustrating weird and wonderous creatures.
For The Impossible Boy, Agnew asked: “What if a kid believes in something so much that his faith in it makes it real?” like Peter Pan’s belief in fairies, and on the flipside, “if you were an imaginary friend, what if you discovered you weren’t real?”
Agnew recommended using a little bit of non-fiction to make your fiction more real. In this case, she used the war-torn streets of Beirut in Lebanon as the inspiration for her setting of the story.
Various authors at the event talked about the hard parts of writing, when you feel like quitting or at least taking a break. Writing can take time! Agnew wrote 100 drafts of her book over 6 to 8 years. She says if you’re stuck, consider what Einstein said: You don’t solve a problem by looking at it in the same way, try looking at things from a new angle.
Agnew fits writing into her job as a primary school teacher by getting up at 5:30am to write before the school day starts. What inspired her to become a writer? Agnew “grew up in a house full of books” and her dad was a journalist who writes non-fiction, but really, she says, she “just wanted to do it.”
In the first session with Tania Roxborogh, Leonie Agnew and David Elliot I felt an overall theme of the elusive – of capturing the elusive writing spark, capturing the Snark, and elusive invisible friends. Another theme that came through for me was the theme of imagination: imagine if someone was trying to take your land, imagine wondrous creatures and lands, imagine how an imaginary friend would feel if they discovered they weren’t real. Imagine.
Session Two: Des Hunt, Jenny Cooper and Simon Pollard
Des Hunt has a love of adventure stories, science, New Zealand animals and he combines all of these into his stories. Sunken Forest was inspired by a real life summer camp he went on when he was 15 at Lake Waikaremoana, a trip that was memorable partly for sparking his interest in geology. The lake was formed during an earthquake landslide that drowned the forest. Standing tree trunks eerily remain there underwater today. Also trapped there are eels which can’t make their way back to sea to migrate to the Pacific islands to lay eggs. Unable to leave, they grow exponentially large.
In Sunken Forest, one such eel befriends Matt, who is sent to boot camp after his father, a boy racer, is sentenced to prison. At camp, Matt has to deal with bullies and getting the blame for things he didn’t do.
In his talk, Des Hunt totally engaged his audience from beginning to end, by which time he had them on the edge of their seats. He cleverly demonstrated the idea of building tension in a story by blowing up a balloon… about to burst at any moment. How do you really build tension in a story? He says: Add conflict and injustice, a disaster and… Pop!… an explosive climax.
While many of those who spoke at the event started writing or drawing as early as their primary school years, surprisingly Des only published his first fiction book when he was about 50 years old but has since written heaps of books. His passion for writing is now so strong that he can’t imagine doing anything else and he hopes to be an author until he dies. This is good news for my young son who was so inspired by Des Hunt’s presentation he immediately went and read Sunken Forest, despite never having independently read a chapter book without pictures in it before. Des certainly inspired him reader to take his reading engagement to a higher level.
It was fantastic to see instant booktalking success in action! Des tours schools doing writing workshops so see if your school can be added to his schedule.
She especially does a lot of research for illustrating the war stories, hiring models and WWI artefacts and taking hundreds of photos to draw from so she could get the details correct. The war stories she works on are “hard to illustrate because they are so sad” but equally she says, they are “really satisfying.” She added: “Sometimes the hardest and most challenging things you work on were the most rewarding.”
This was a sentiment shared by several of the speakers. Getting to a finished product takes times and many drafts! She tries 6 – 10 layouts before she has a rough drawing and after that, a finished painting may take up to 6 hours.
Pollard is a spider expert, lecturing as an adjunct professor at the University of Canterbury and he has been working with spiders for 30 to 40 years. He is interested in telling stories about what spiders get up to and recently worked with WETA Workshop on the impressive display of oversized bugs for the Bug Lab show at Te Papa Museum.
Pollard is an engaging speaker and really brings bugs to life. He told stories (complete with eek-inducing pictures) about the jewel wasp that immobilises and enslaves a cockroach so it can use it as a living nursery, laying its eggs in it to hatch. Ingenious, but gross. We also heard about the clever Japanese honey bees that kill their enemy, the Japanese hornet, by gathering together in a ball around one and quivering – the heat of their buzzing wings stops the wasp from secreting their signal for more wasps to attack them.
Then there’s the insect that looks like a spider, but isn’t, just to scare off predators. After learning all these fun facts, we were left marvelling at the magic of the natural world.
Primary and intermediate students from all over Christchurch lined up to ask lots of questions of the authors and illustrators after they spoke. Here are their inquisitive questions, and answers aimed at inspiring young readers, writers and artists.
What were some of your favourite books (growing up and now) and what writers would you recommend?
An integral part of the New Zealand Book Awards for Children and Young Adults is the HELL Reading Challenge, now in its fourth year. It has been hugely successful in getting kids reading and enjoying the pleasure of stories (and pizza). Kids can pick up their reading challenge cards at Christchurch City Libraries (until December 2017).
Christchurch City Libraries is running two events:
Performance Poetry with Greg O’Connell Friday 25 August 10am to 10.30am, Shirley Library, 36 Marshland Road
Come along, be part of the fun…and experience poetry like never before!
Shirley Library is hosting a special poetry performance by children’s poet Greg O’Connell in celebration of Phantom Billstickers National Poetry Day Perfect for kids aged 3 to 6 years. Find out more.
Poetry Workshop with Greg O’Connell Friday 25 August 4pm to 5pm, New Brighton Library, 213 Marine Parade
Are you a young person who loves to write poetry? If you answered yes! enrol in our free poetry writing workshop today! Ages: 6 – 9 and 10 – 13 years. Greg O’Connell is a poet, performer and literacy educator.
Limited spaces, bookings essential. To book phone 941-7923. Find out more.
More events and competitions
The Great Wall of Poetry UBS Canterbury is celebrating the readers and writers of poetry by building a Great Wall of Poetry. You’ve got until 20 August to enter.
Find out more on the Facebook event.
Take Two: Poetica: The Christchurch Urban Poetry Project
Young Poets Open Mic – ages 6 to 12 Young Poets Open Mic – ages 13 to 25 Thursday 24 August 4.3o to 7.30pm
XCHC Café and Exhibition Space, 376 Wilsons Road. Find out more on the Facebook event.
Sight and Sound at UBS Friday 25 August, 12:00-1:00pm
University Bookshop, University Drive, Ilam Come and see the University Bookshop’s poetry wall and hear James Norcliffe and Jeffrey Paparoa Holman. The winner of The Great Wall of Poetry competition will be announced and guests will be invited to read the work submitted by the members of the public. Find out more on the Facebook event.
Poetry Live, Christchurch! Friday 25 August, 5.30pm-7.30pm
Exchange Café (XCHC), 376 Wilsons Road, Waltham Be part of Poetry Live, Christchurch! at XCHC on Phantom Billstickers National Poetry Day. Covert poets, come out of the closet in a friendly place. Join established poets, reading at the Open Mic. Free; koha appreciated. All ages welcome. Find out more on the Facebook event.
Politics and Poetry: Sailing in a New Direction (Title from the opening of Curnow’s ‘Landfall in Unknown Seas’) Friday 25 August, 7:30 to 10 p.m.
Space Academy, 371 St Asaph Street Join us in this exploration of politics within poetry – and the poetry within the politics? Ben Brown, Danielle O’Halloran, Ray Shipley, Doc Drumheller, Andy Coyle and 20/20 Collection poet James Norcliffe will be reading work that engages with the big issues. Free entry, all welcome. Find out more on the Facebook event.
Free Public Workshop – Warm-down event 10.30-12.30, Saturday, 26 August 2017
The Writers’ Block, Hagley College, Hagley Avenue Free public Saturday workshop with renowned Lyttelton poet, Ben Brown. All welcome. Please register by Monday 21 August.
For further information and to register please contact Director, Morrin Rout, Hagley Writers’ Institute |Phone: 03 3299789 |Mob: 0210464189 |Email: email@example.com
Poetry Phone – Warm-up/NPD
In this great warm up for National Poetry Day you can txt or call Poetry Phone live poetry readings 022 300 8164 or 021 474 555. Poetry lines are open from Wednesday 23rd to Friday 25th August, round the clock. You can also make poetry requests for friends & lovers, and we will give them a call. Send requests to firstname.lastname@example.org or 022 300 8164, be sure to include a bit of info about the recipient so we get the right poem for them. Entry Details: R18, usual txt and call charges apply. Date/Times: 23-25 August, phones open round the clock.
Poetry in a Box – Many Places at Once Christchurch – Lyttelton Coffee Co/ Henry Traders / Lyttelton Market. Poet David Merritt will be touring 25-30 poems in a box around a cafe, library or market or seat bench and invite members of the public to read them. Free and open to all ages. Date/Time: Varies slightly from one venue to another but mostly 8am – 3pm, Friday 25th, Saturday 26th and Sunday 27th August
Find out more in the Facebook event.
National Online Poetry Competition Tararua District Library is celebrating Phantom Billstickers National Poetry Day with our Online Poetry Competition for the whole country. Have your poem published online and be in to win a prize and the glory. Competition open 10th July to 20th August 2017. Winner announced 25 August. Up to 2 poems per entrant will be published on the Tararua District Library Blog. Find out more.
Feel A Little Poetic? Join poet Jenny Palmer and illustrator Evie Kemp, creators of the bestselling Feel A Little book, to make your very own blackout poem! Children of any age can print, create and share a Shy or Happy feelings poem at www.feelalittle.com. Free event open to children of all ages. To enter, find printable forms at www.feelalittle.com and submit completed with contact details via email email@example.com or social media www.facebook.com/feelalittle and @feelalittlenz by Poetry Day Eve 24 August 5pm
VOLUME Poetry Spam (Junk Poetry Competition) Choose a piece of spam or junk mail, an advertisement or other unsolicited words (either printed or received by e-mail). Write a poem using only the vocabulary of the piece of junk you have chosen. Entry details: Free to enter. Open now to all New Zealand residents. Submission Dates: Entries must be received by 18 August. Send to firstname.lastname@example.org or to VOLUME, PO Box 364, Nelson 7040. The winner will be announced on National Poetry Day (25 August) and in our newsletter
Download instructions at http://tinyurl.com/poetryspam
What?!?!? Sign me up, you say? Well, let me give you the lowdown:
The resident Gamemasters (Michael and Damien) select a game of the month and devise a wicked competition for all budding gamers to test their abilities. The challenge runs for a month and a leader board in the library shows the top 5 competitors!
The top player at the end of the month wins an AMAZING PRIZE (think movies and free!) and bragging rights for the whole month.
Any library member can rock up and join in – just ask a librarian to book the PlayStation and the Gamemasters will set you up (there are a few rules to adhere to). Make sure you show us your score too, no sneaky cheats in the library please…
This month’s game is Wipeout, a futuristic racer game but with guns – who said driving would ever be easy?
So what do you reckon? Are you a master of computer manipulation? Can you drive, drift and shoot at the same time? Can you top the table and topple the reigning champ? Come down and give it a go – we double dare you!
Here’s the current champion Steven Fletcher; he’s the Rocket League master and scored 37 to 2 in last month’s challenge. Woah! Way to go Steve!
I’d be the first to admit I judge books by their covers all the time, but sometimes the blurb is so compelling I have to try the first chapter anyway. Such was the case with Noteworthy, a book with a deceptively bland cover much like the author’s previous book, Seven Ways We Lie. I mean, look at them! A+ for colour-matching but C- for covers that don’t match the content:
Actually don’t look at them, just open them up and start reading instead, because listen to the description of Noteworthy:
After learning that her deep voice is keeping her from being cast in plays at her exclusive performing arts school, Jordan Sun, junior, auditions for an all-male octet hoping for a chance to perform internationally.
I didn’t realise I needed a book about a girl going undercover in an all-male a cappella group, but I definitely did. The blurb doesn’t mention it but she auditions and spends much of the book passing as a teenage boy and (against her first inclinations) becoming friends with the other members of the group. The author describes her book as “approx. 1/3 slapstick comedy, 1/3 hideous music puns, and 1/3 explorations of toxic masculinity and performative femininity,” which is fairly accurate, so if you’re a fan of puns and a cappella and figuring out who you are while pretending to be someone you aren’t, then give Noteworthy a try. If you want something a bit darker with a larger cast of characters, each based loosely on one of the seven sins, then try Seven Ways We Lie.
Ramona Blue is the most recent novel by Julie Murphy, whose book Dumplin’ I enjoyed last year. They have similar themes of teenage girls in small towns trying to be confident in who they are while suffering from crippling doubts, but where Dumplin’s self-proclaimed fat girl Willowdean deals with this by entering the local beauty pageant, Ramona Blue is aggressively happy to stay living in a trailer with her dad and supporting her pregnant sister, definitely isn’t frustrated that she can’t go to college, definitely isn’t upset that her summer girlfriend has gone back home to her boyfriend.
In the middle of all this Ramona’s childhood friend Freddie moves back into town and they start swimming at the local pool, which Ramona turns out to be rather good at, and maybe also start having feelings for each other, but that can’t be right because Ramona has always known she was gay, hasn’t she? And she still likes girls, so what’s going on? Spoiler! it’s the elusive bisexual, now captured in fiction. I was worried when I realised the direction the book was going in but it was handled really well, and is only one strand of Ramona’s complex story.
If that’s still too light-hearted for you then maybe you’ll appreciate Tiffany D. Jackson’s grim debut, Allegedly.
Inspired by a similar case in Maine five years ago, Allegedly is told from the perspective of the now sixteen-year-old girl (Mary) convicted of manslaughter of a white infant when she was only nine. Her case is famous; books have been written, a film is in the works, and at the time of her trial the public were pushing for the death penalty. Eight years later she’s living in a group home while attempting to study for her SATs despite the interference of the women who run the home and the other girls living in it — while newly pregnant. The discovery that the authorities will take away her baby when he’s born prompts Mary to re-open her case, declaring she has been innocent all along. Was she? Or is she just doing whatever it takes to keep her unborn child?
I read this book at the perfect time: at the end of a particularly trying week, on the first day of a particularly nasty bug.
Reading something comforting in bed with a hot water bottle was the only activity I could bear, and luckily When Dimple Met Rishi delivered in spades. A lot of the books I usually read feature unexpected (or expected) character deaths, or stressful situations, or characters coping with losing a parent (this particular trope keeps popping up unexpectedly since losing a parent myself last year, and I’m not a fan! Publishers, take note). When Dimple Met Rishi is the antidote to all that — cute and sweet, but with enough depth to not be irritating. Perfect cosy winter reading.
Dimple Shah is almost running out the door in her eagerness to get away from her overbearing, traditional-minded mother (who wants her to find the Ideal Indian Husband) and to start studying to become a web developer. To her surprise, her parents agree to pay for the summer program for aspiring web programmers she’s been eyeing up for years.
Rishi Patel is a romantic who wants to find what his parents have achieved — a fairytale but practical marriage. When his parents tell him they’ve arranged for him to meet their friends’ daughter at Insomnia Con, he leaps at the opportunity — maybe a bit too hard, because Dimple is anything but thrilled to meet him. In fact, she didn’t even know he existed.
There are quite a few tropes playing out here, but I like them all so they get a pass. Dimple and Rishi are both engaging characters who make some stupid mistakes, and best of all they realise they do actually like each other quite quickly rather than the author coming up with flimsy misunderstandings in order to string the suspense along. Instead the conflict is through them figuring themselves out, what they want to do with their lives and careers, balancing cultural tradition/family with an American upbringing, and deciding whether being in a relationship is compatible with university study. Some of which I’m still figuring out myself, so maybe I need to a summer conference. The romance is pretty cute, and Dimple is usually quite good at pointing out when Rishi is being too smug.
I would have liked a bit more development of Dimple’s room-mate, Celia, as she is poorly served by both some of her friends and by the narrative. And some more detail on the app-building and the program would have been interesting to me. But given that it’s a book entitled When Dimple Met Rishi, I can’t complain too much if it’s all about them.
If you’re a fan of funny contemporary teen romance with geekery and Bollywood dancing, then get thee to a library and pick this one up. If you’ve already read it, have a look at:
Miss Manners would probably be spinning in her grave*, but seriously, I don’t know when I’ve laughed so hard as when I read Old MacDonald Heard a Fart! I took it home the other night, to read it to the Beecrafty family, but it seems not everyone enjoys a fart book as much as I do! Maybe I shouldn’t have read it at the dinner table, because of course it prompted a raucous fart-noise competition between myself and the Young Lad, and Mr K left the room in disgust. But if you’ve got kids who appreciate a bit of scatological humour, this picture book is a must!
There’s just so much to love about this book. As you probably already guessed from the title, it’s an irreverent, noisy version of the farmyard classic. It has lovely, vibrant, and expressive illustrations, with lots of little details and things to spy. I had to giggle at the Elvis rooster and the Jurassic Pork poster on the stable wall. The Ziggy Stardust unicorn in a Dalí landscape is really something, too.
But best of all has to be the instructions on how to create (verbally, I promise!) each fart sound. The Young Lad and I had great fun contorting our lips into the correct formations to make all the gross noises. Although he was quick to demonstrate his own favourite technique – I didn’t know what an accomplished fart noise creator he was. The next night, he was most indignant when I said I couldn’t read it again as I had taken the book back to work!
The story of this story is also quite something. Debut author Olaf Falafel tweeted that he needed a publisher for his new book, and before two weeks were up, he had a book deal! Isn’t that twitterising a whole lot better than covfefe?
Volunteering is a rewarding way to make a difference in your community. Here is some information from Volunteering New Zealand on National Volunteer Week 2017.
This year’s theme is:
Live, laugh, share — Volunteer Kia ringa hora: Me mahi tūao
National Volunteer Week (NVW) 2017 will be held from 18 to 24 June. This positive message is about celebrating what volunteers bring to their communities. It is important to recognise volunteering and the place it has in keeping our communities strong and healthy.
Search the libraries’ CINCH database for information about volunteering and voluntary organisations.
The international Red Cross and Red Crescent Movement is the world’s largest humanitarian movement. New Zealand Red Cross has a team of over 20,000 volunteers. Volunteer for Red Cross New Zealand.
Volunteer Service Abroad
Volunteer Service Abroad sends Kiwis to aid projects in different parts of the world. They offer long-term, short-term and youth volunteering opportunities in countries within the Pacific, Asia and Africa.
WWOOF (Willing Workers on Organic Farms)
Volunteer on organic farms with people who are looking for volunteer help. In return for volunteer help, WWOOF (Willing Workers on Organic Farms) hosts offer food, accommodation and opportunities to learn about organic lifestyles. Wwoof.org has a directory of WWOOF networks in different countries.