Podcast – Ethical supply chains

Speak Up Kōrerotia logoChristchurch City Libraries blog hosts a series of regular podcasts from specialist human rights radio show Speak up – Kōrerotia. This show is created by Sally Carlton.

Ethical supply chains is an important issue in today’s consumption-driven world (and related to the last episode Human Trafficking). To debate the issue, Sally is joined in the studio by Jeff Ward (Liminal Apparel​) and Natalie Baird (Christchurch Trade Aid and University of Canterbury​) with David Capperauld (Child Labor Free) on the phone. Talking points include –

  • consumer responsibility
  • corporate responsibility
  • consumer habits in today’s society (people want things cheap and fast)
  • fair trade
  • Fairtrade Fortnight (4-17 Aug)
  • mechanisms for ‘verifying’ or auditing ethical supply chains
  • benefits to producers and their communities, to businesses, and to consumers, of buying from ethical companies

Transcript – Ethical supply chains

Find out more in our collection

Cover of Ethics and the Consumer Cover of Fighting the banana wars Cover of The No-nonsense Guide to Fair Trade Cover of The fair trade revolution Cover of Unfair trade Cover of Slow fashion: Aesthetics Meets Ethics Cover of Invisible Hands Voices From the Global Economy Cover of Working Ethically-- on A Shoestring Creating A Sustainable Business Without Breaking the Bank Cover of Consumer republic Cover of Megatrends 2010 The Rise of Conscious Capitalism Cover of The conscience economy: How A Mass Movement for Good Is Great for Business Cover of The responsibility revolution: How the Next Generation of Businesses Will Win

More about Speak up – Kōrerotia

The show is also available on the following platforms:

New Zealand Book Awards for Children and Young Adults 2017 – winners announced

The winners of the New Zealand Book Awards for Children and Young Adults were announced last night. Drum roll please …

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Margaret Mahy Book of the Year
Snark illustrated and written by David Elliot (after Lewis Carroll), published by Otago University Press (winner of the Russell Clark Award for Illustration)

Picture Book Award
That’s Not a Hippopotamus! Juliette MacIver, illustrated by Sarah Davis,  published by Gecko Press

Junior Fiction (Esther Glen Award)
My New Zealand Story: Bastion Point Tania Roxborogh, Scholastic NZ

Non-Fiction (Elsie Locke Award)
Jack and Charlie: Boys of the Bush Josh James Marcotte and Jack Marcotte, Penguin Random House (Puffin)

Young Adult Fiction (Copyright Licensing NZ Award)
The Severed Land Maurice Gee, Penguin Random House (Penguin)

Te Reo Māori (Te Kura Pounamu Award)
Te Kaihanga Māpere Sacha Cotter, illustrated by Josh Morgan, translated by Kawata Teepa, published by Huia Publishers

Illustration (Russell Clark Award)
Snark illustrated and written by David Elliot (after Lewis Carroll), published by Otago University Press

The Best First Book Award
The Discombobulated Life of Summer Rain Julie Lamb, Makaro Press (Submarine)

Kia ora to the winners, and to the finalists.

Winner of the Margaret Mahy Book of the Year, and the Russell Clark Award for Illustration - David Elliot.
Signing books – Winner of the Margaret Mahy Book of the Year, and the Russell Clark Award for Illustration – David Elliot.

Check out the hashtag #NZCYA on Twitter to see feedback, and tweets from the night.

Finalists in the New Zealand Book Awards for Children and Young Adults inspire Christchurch children

Pop! Bang! That’s what happened – literally – when a group of New Zealand children’s authors and illustrators presented inspiring talks to hundreds of Canterbury school children, just ahead of the announcement of the 2017 winners of the New Zealand Book Awards for Children and Young Adults.

Several of the nominated authors and illustrators toured the country speaking to school children about their work and craft. Hosted in conjunction with WORD Christchurch, they addressed primary and intermediate students who came from across Canterbury to hear them speak at St. Margaret’s College. They talked about what it takes to be a writer and/or illustrator and what keeps them inspired and shared their working processes, all with the aim of sparking readers and the next generation of writers and illustrators. We share some of the highlights here.

Session One: Tania Roxborogh, Leonie Agnew and David Elliot

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Tania Roxborogh, Leonie Agnew and David Elliot, signing books after their talk in Christchurch, 7 August 2017

Tania Roxborogh

BastionPoint.jpg“Any change for good is powered by fury and passion to make the world a better place” says Tania Roxborogh, and this idea is a driving force behind the story in her book about the Bastion Point occupation for Scholastic’s My New Zealand Story series, told from a child’s point of view.

Through the process of researching and writing this book, Roxborogh was reminded that: “Retelling history is never straightforward” because “people lie, self-edit, and mis-remember” and that “people remember different things.” She added that there is also the problem of bias in New Zealand media – from the right wing as well as the left wing – which she had to take into consideration when researching for this book.

When Roxborogh visited Bastion Point to help her find her point of view for the story, she found herself humbled, prompting her to ask: “What right do I even have to tell this story?” She realised, however, that regardless of who she was, the story of the protesters was a story worth telling.

Roxborogh teaches English and Drama at a Canterbury high school and has written over 50 books.

David Elliot

Snark

SnarkBeing a true history of the expedition that discovered the Snark and the Jabberwock … and its tragic aftermath.

Elliot’s illustrated book was inspired by Lewis Carroll’s The Hunting of the Snark, and the Jabberwock and his presentation of museum-like artefacts and the stories he told about them would have had some in the audience wondering if his tale of the mission to discover the snark was true or not.

Elliot says he spent time living in a cottage inside Edinburgh Zoo and you have to wonder if this influenced his work illustrating weird and wonderous creatures.

Leonie Agnew

ImpossibleBoy.jpgWhat if…
For The Impossible Boy, Agnew asked: “What if a kid believes in something so much that his faith in it makes it real?” like Peter Pan’s belief in fairies, and on the flipside, “if you were an imaginary friend, what if you discovered you weren’t real?”

Agnew recommended using a little bit of non-fiction to make your fiction more real. In this case, she used the war-torn streets of Beirut in Lebanon as the inspiration for her setting of the story.

Various authors at the event talked about the hard parts of writing, when you feel like quitting or at least taking a break. Writing can take time! Agnew wrote 100 drafts of her book over 6 to 8 years. She says if you’re stuck, consider what Einstein said: You don’t solve a problem by looking at it in the same way, try looking at things from a new angle.

Agnew fits writing into her job as a primary school teacher by getting up at 5:30am to write before the school day starts. What inspired her to become a writer? Agnew “grew up in a house full of books” and her dad was a journalist who writes non-fiction, but really, she says, she “just wanted to do it.”

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Books by Leonie Agnew & Tania Roxborogh on display

In the first session with Tania Roxborogh, Leonie Agnew and David Elliot I felt an overall theme of the elusive – of capturing the elusive writing spark, capturing the Snark, and elusive invisible friends. Another theme that came through for me was the theme of imagination: imagine if someone was trying to take your land, imagine wondrous creatures and lands, imagine how an imaginary friend would feel if they discovered they weren’t real. Imagine.


Session Two: Des Hunt, Jenny Cooper and Simon Pollard

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Author Des Hunt, August 2017

Des Hunt

DesHuntSunkenDes Hunt has a love of adventure stories, science, New Zealand animals and he combines all of these into his stories. Sunken Forest was inspired by a real life summer camp he went on when he was 15 at Lake Waikaremoana, a trip that was memorable partly for sparking his interest in geology. The lake was formed during an earthquake landslide that drowned the forest. Standing tree trunks eerily remain there underwater today. Also trapped there are eels which can’t make their way back to sea to migrate to the Pacific islands to lay eggs. Unable to leave, they grow exponentially large.

In Sunken Forest, one such eel befriends Matt, who is sent to boot camp after his father, a boy racer, is sentenced to prison. At camp, Matt has to deal with bullies and getting the blame for things he didn’t do.

In his talk, Des Hunt totally engaged his audience from beginning to end, by which time he had them on the edge of their seats. He cleverly demonstrated the idea of building tension in a story by blowing up a balloon… about to burst at any moment. How do you really build tension in a story? He says: Add conflict and injustice, a disaster and… Pop!… an explosive climax.

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Author Des Hunt using a balloon to demonstrate the build-up of tension in story writing, August 2017

While many of those who spoke at the event started writing or drawing as early as their primary school years, surprisingly Des only published his first fiction book when he was about 50 years old but has since written heaps of books. His passion for writing is now so strong that he can’t imagine doing anything else and he hopes to be an author until he dies. This is good news for my young son who was so inspired by Des Hunt’s presentation he immediately went and read Sunken Forest, despite never having independently read a chapter book without pictures in it before. Des certainly inspired him reader to take his reading engagement to a higher level.

It was fantastic to see instant booktalking success in action! Des tours schools doing writing workshops so see if your school can be added to his schedule.

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Des Hunt with the audience, August 2017

Jenny Cooper

GladysgoestowarIllustrating is compulsive for Cooper: “It’s in my brain and I just can’t stop.”

Some of the many books Cooper has illustrated include...

DoYourEarsHangLowShe'llbeComingRoundtheMounatinJim'sLetters

She especially does a lot of research for illustrating the war stories, hiring models and WWI artefacts and taking hundreds of photos to draw from so she could get the details correct. The war stories she works on are “hard to illustrate because they are so sad” but equally she says, they are “really satisfying.” She added: “Sometimes the hardest and most challenging things you work on were the most rewarding.”

This was a sentiment shared by several of the speakers. Getting to a finished product takes times and many drafts! She tries 6 – 10 layouts before she has a rough drawing and after that, a finished painting may take up to 6 hours.

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Illustrator Jenny Cooper, August 2017

Simon Pollard

BugsPollard.jpgPollard is a spider expert, lecturing as an adjunct professor at the University of Canterbury and he has been working with spiders for 30 to 40 years. He is interested in telling stories about what spiders get up to and recently worked with WETA Workshop on the impressive display of oversized bugs for the Bug Lab show at Te Papa Museum.

Pollard is an engaging speaker and really brings bugs to life. He told stories (complete with eek-inducing pictures) about the jewel wasp that immobilises and enslaves a cockroach so it can use it as a living nursery, laying its eggs in it to hatch. Ingenious, but gross. We also heard about the clever Japanese honey bees that kill their enemy, the Japanese hornet, by gathering together in a ball around one and quivering – the heat of their buzzing wings stops the wasp from secreting their signal for more wasps to attack them.

Then there’s the insect that looks like a spider, but isn’t, just to scare off predators. After learning all these fun facts, we were left marvelling at the magic of the natural world.

Find books by Simon Pollard in our collection.

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Simon Pollard, August 2017

Questions from the kids

Primary and intermediate students from all over Christchurch lined up to ask lots of questions of the authors and illustrators after they spoke. Here are their inquisitive questions, and answers aimed at inspiring young readers, writers and artists.

What were some of your favourite books (growing up and now) and what writers would you recommend?

MillionsPhantomTollboothTheSecretGardenLostWorldTomorrowWhentheWarBegan

Which of the books that you’ve written are your favourites?

  • Leonie: Super Finn – She says: “It’s about a boy who wants to be a superhero and does crazy things. It’s great for years 3-6.”
  • Des: Frog Whistle Mine because he has spent time studying uranium, which the book is about.

SuperFinnFrogWhistleMine

What advice would you give for budding writers and illustrators?

  • David: “Keep a visual diary, write things down, capture and value your imagination.”
  • Tania: “Read heaps… join groups and classes like the School for Young Writers, try different styles of writing.”
  • Simon: “Just write!” and “Write about what you know.”
  • Des: “If there is a book you really enjoyed, go back and read it again to try and find out why you like it.”

The winners of the 2017 New Zealand Book Awards for Children & Young Adults will be announced at the awards ceremony held in Wellington Monday 14th August. 

READ MORE

You can read more excellent in-depth interviews with some of the finalist authors and illustrators here at The Sapling.

More awards information:

An integral part of the New Zealand Book Awards for Children and Young Adults is the HELL Reading Challenge, now in its fourth year. It has been hugely successful in getting kids reading and enjoying the pleasure of stories (and pizza). Kids can pick up their reading challenge cards at Christchurch City Libraries (until December 2017).

Phantom Billstickers National Poetry Day – Christchurch competitions and events

Phantom Billstickers National Poetry Day is on Friday 25 August.
You can see all national and international events and competitions on the Poetry Day website. Here’s what’s happening in Ōtautahi. See all the information in the full listing of local events.

Poetry nā Hinemoana Baker
Poetry nā Hinemoana Baker, Victoria Street,  Flickr 2013-07-30

Christchurch City Libraries is running two events:

Performance Poetry with Greg O’Connell
Friday 25 August 10am to 10.30am, Shirley Library, 36 Marshland Road
Come along, be part of the fun…and experience poetry like never before!
Shirley Library is hosting a special poetry performance by children’s poet Greg O’Connell in celebration of Phantom Billstickers National Poetry Day
Perfect for kids aged 3 to 6 years. Find out more.

Poetry Workshop with Greg O’Connell
Friday 25 August 4pm to 5pm, New Brighton Library, 213 Marine Parade
Are you a young person who loves to write poetry? If you answered yes! enrol in our free poetry writing workshop today! Ages: 6 – 9 and 10 – 13 years. Greg O’Connell is a poet, performer and literacy educator.
Limited spaces, bookings essential. To book phone 941-7923. Find out more.

More events and competitions

The Great Wall of Poetry
UBS Canterbury is celebrating the readers and writers of poetry by building a Great Wall of Poetry. You’ve got until 20 August to enter.
Find out more on the Facebook event.

Take Two: Poetica: The Christchurch Urban Poetry Project

Young Poets Open Mic – ages 6 to 12
Young Poets Open Mic – ages 13 to 25
Thursday 24 August 4.3o to 7.30pm
XCHC Café and Exhibition Space, 376 Wilsons Road.
Find out more on the Facebook event.

Sight and Sound at UBS
Friday 25 August, 12:00-1:00pm
University Bookshop, University Drive, Ilam
Come and see the University Bookshop’s poetry wall and hear  James Norcliffe and Jeffrey Paparoa Holman. The winner of The Great Wall of Poetry competition will be announced and guests will be invited to read the work submitted by the members of the public. Find out more on the Facebook event.

Poetry Live, Christchurch!
Friday 25 August, 5.30pm-7.30pm
Exchange Café (XCHC), 376 Wilsons Road, Waltham
Be part of Poetry Live, Christchurch! at XCHC on Phantom Billstickers National Poetry Day. Covert poets, come out of the closet in a friendly place. Join established poets, reading at the Open Mic. Free; koha appreciated. All ages welcome. Find out more on the Facebook event.

Politics and Poetry: Sailing in a New Direction
(Title from the opening of Curnow’s ‘Landfall in Unknown Seas’)
Friday 25 August, 7:30 to 10 p.m.
Space Academy, 371 St Asaph Street
Join us in this exploration of politics within poetry – and the poetry within the politics? Ben Brown, Danielle O’Halloran, Ray Shipley, Doc Drumheller, Andy Coyle and 20/20 Collection poet James Norcliffe will be reading work that engages with the big issues. Free entry, all welcome. Find out more on the Facebook event.

Free Public Workshop – Warm-down event
10.30-12.30, Saturday, 26 August 2017
The Writers’ Block, Hagley College, Hagley Avenue
Free public Saturday workshop with renowned Lyttelton poet, Ben Brown. All welcome. Please register by Monday 21 August.
For further information and to register please contact Director, Morrin Rout, Hagley Writers’ Institute |Phone: 03 3299789 |Mob: 0210464189 |Email: writers@hagley.school.nz

See also:

Poetry Phone – Warm-up/NPD
In this great warm up for National Poetry Day you can txt or call Poetry Phone live poetry readings 022 300 8164 or 021 474 555. Poetry lines are open from Wednesday 23rd to Friday 25th August, round the clock. You can also make poetry requests for friends & lovers, and we will give them a call. Send requests to drusdrus@gmail.com or 022 300 8164, be sure to include a bit of info about the recipient so we get the right poem for them.
Entry Details: R18, usual txt and call charges apply.
Date/Times: 23-25 August, phones open round the clock.

Poetry in a Box – Many Places at Once
Christchurch – Lyttelton Coffee Co/ Henry Traders / Lyttelton Market.
Poet David Merritt will be touring 25-30 poems in a box around a cafe, library or market or seat bench and invite members of the public to read them. Free and open to all ages.
Date/Time: Varies slightly from one venue to another but mostly 8am – 3pm, Friday 25th, Saturday 26th and Sunday 27th August
Find out more in the Facebook event.

Given Words
NZ poets are invited to participate in the Given Words poetry competition.
Follow GivenWords on Twitter
Find out more in the Facebook event.


National Online Poetry Competition
Tararua District Library is celebrating Phantom Billstickers National Poetry Day with our Online Poetry Competition for the whole country. Have your poem published online and be in to win a prize and the glory. Competition open 10th July to 20th August 2017. Winner announced 25 August. Up to 2 poems per entrant will be published on the Tararua District Library Blog. Find out more.

Feel A Little Poetic?
Join poet Jenny Palmer and illustrator Evie Kemp, creators of the bestselling Feel A Little book, to make your very own blackout poem! Children of any age can print, create and share a Shy or Happy feelings poem at www.feelalittle.com. Free event open to children of all ages. To enter, find printable forms at www.feelalittle.com and submit completed with contact details via email poem@alittleink.co.nz or social media www.facebook.com/feelalittle and @feelalittlenz by Poetry Day Eve 24 August 5pm

VOLUME Poetry Spam (Junk Poetry Competition)
Choose a piece of spam or junk mail, an advertisement or other unsolicited words (either printed or received by e-mail). Write a poem using only the vocabulary of the piece of junk you have chosen.
Entry details: Free to enter. Open now to all New Zealand residents.
Submission Dates: Entries must be received by 18 August. Send to books@volume.nz or to VOLUME, PO Box 364, Nelson 7040. The winner will be announced on National Poetry Day (25 August) and in our newsletter
Download instructions at http://tinyurl.com/poetryspam

Poetry on Colombo Street
Poetry on Colombo Street. Flickr CCL-2013 -02-22-IMG_4085

Poetica’s Inaugural Project: The Instant Poetry and Infinity Wall. The project culminated with one poem be painted “permanently” on the wall; after a public vote via our Facebook page, Kirsty Dunn’s “Beauty in the Broken” was chosen to represent the project.

Quick Questions with Rebecca Vaughan – WORD Christchurch

We are asking quick questions of writers and thinkers coming to Shifting Points of View, WORD Christchurch’s suite of events at September’s Christchurch Arts Festival.

Today, it’s actor Rebecca Vaughan who is performing in Jane Eyre: An autobiography and also appearing in Madwomen in the attic:

An actor, a novelist and a librarian share their views, their favourite heroines, and improvise their own tales of women with great hair fleeing gothic houses. Rebecca is joined by Karen Healey and Moata Tamaira (librarian from our very own Christchurch City Libraries), in a session chaired by Rachael King.

Rebecca Vaughan. Photo by Ben Guest. Image supplied.

What are you looking forward to doing in Christchurch?

It’s my first time in Christchurch, so I’m really looking forward to having a good explore of the whole city!  I absolutely love just wandering the streets of a new city, and seeing where my instincts take me.  I also imagine I’ll take a visit to the Art Gallery (one of my passions!)

What do you think about libraries?

Libraries are a hugely important, and often underestimated part of forward thinking culture.  To allow free access to so much information: literature, history, reference books, geography, children’s literature, the list is endless, is vital to towns and cities.

And although we have so much information at our fingertips via the internet – libraries are places where communities can meet: storytelling for children, and reading groups for adults, just for starters!  An invaluable resource.

What would be your “desert island book”?

Gosh – that’s hard!  For fiction – it would probably be Jeanette Winterson’s Written on the Body – although I’d also love an unending supply of historical biographies – probably by Alison Weir!

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Share a surprising fact about yourself.

To the surprise even of myself, I became a vegan two years ago.  I thought I would miss cheese so much it would be impossible, but it’s amazed me how much of it was habit, and now I don’t miss it at all!  (Oh and I also performed for the Netherland’s Royal Family!)

Madwomen in the attic — Rebecca Vaughan, Karen Healey, Moata Tamaira, chaired by Rachael King
Great Hall, The Arts Centre, Wednesday 6 September, 8.30pm

Following a performance of Jane Eyre: An Autobiography with Rebecca Vaughan, sit back and enjoy dark tales of Gothic houses, damaged men, plucky heroines and secrets lurking in attics. What is the enduring appeal of the Gothic women of literature? Who are the forgotten women, and the doppelgangers? An actor, a novelist and a librarian share their views, their favourite heroines, and improvise their own tales of women with great hair fleeing Gothic houses. Rebecca is joined by Karen Healey and Moata Tamaira, chaired by Rachael King.

If you like women with great hair fleeing Gothic houses, follow the faaaabulous @PulpLibrarian on Twitter.

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Postcard Hilltop Hotel: Picturing Canterbury

Postcard Hilltop Hotel. Kete Christchurch. PH16-044. Licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 New Zealand License.

Postcard of old Hilltop Hotel on Summit Road, Christchurch-Akaroa Highway.

Entry in the 2016 Christchurch City Libraries Photo Hunt by Gladys Gurney.

Kete Christchurch is a collection of photographs and stories about Christchurch and Canterbury, past and present. Anyone can join and contribute.

Do you have any further photographs of the Hill Top Hotel? If so, feel free to contribute to our collection.

Producer Christine Dann talks about No ordinary Sheila, a documentary about an inspiring woman and the power of wonder

“I’ve got books instead of babies” — these were the words of Sheila Natusch, whose cinematic portrayal is coming to the big screens in Christchurch today and tomorrow (Friday 11 and Saturday 12 August).

As the movie proves, it isn’t just books that inhabit Sheila’s world. It’s also wonder and passion for the natural world — plants, animals and rocks. This translates into writing and beautiful illustrations.  The documentary shows so much — her love for the sea and sailing, honeymoon spent in the hut under Mt. Aoraki, the fun of learning Icelandic and swimming with seals, her close and dear friendship with Janet Frame in their formative days as young writers. Got the feeling? Who needs a TV and a car if you can enjoy a night camping under the stars and a bicycle tour from Picton to Bluff?

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Sheila Natusch. Image supplied.

Sheila Natusch greatly contributed to the understanding of nature by writing and illustrating Animals of New Zealand, the first comprehensive reference guide on this subject. She carried on writing all her life, on nature and history. Sheila has her artistic talent (inherited from her mother and grandmother) to accompany her words with convincing yet soft illustrations. In 2007 she was awarded New Zealand Order of Merit for her services to writing and illustration.

Watching the movie, it is not hard to see what compelled producer Christine Dann and filmmaker Hugh MacDonald (Sheila’s cousin) to capture Sheila on film. With premieres rolling out in cinemas from Auckland all the way to Gore, they are both fully occupied these days, but Christine still found some time to reveal the backstory of this inspiring project.

When did the idea to make a documentary about Sheila become obvious and where did it come from?

Director Hugh Macdonald has known Sheila all his life and always wanted to make a film about her, as she is such a fascinating character, as well as a woman of great achievements. I knew about her achievements before Hugh introduced me to Sheila, and as soon as I met her knew she’d be a great film subject.

Sheila is such a cinematic character, her enthusiasm and love for life in all its forms is beaming from the screen. Her story and persona are perfect for a form of a film storytelling. What was your intention in making this documentary, besides portraying Sheila and telling her story (because it also is a film about nature, New Zealand, wonder, curiosity and passion)?

Hugh and I share Sheila’s love of nature and the wild places of New Zealand. We agree with her that they are a source of much joy and inspiration. In making a film about her we wanted to share some of that joy and inspiration via someone who embodies it.

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Love for the nature shines through the warmth of Sheila’s illustrations.

You produced the documentary but also contributed as a researcher and writer. How long did your research take, what were the main resources you used?

The research for the film took about nine months, but that was spread over 18 months in time as it involved going to Dunedin twice, down the West Coast, and to Southland  and Stewart Island. My written sources included Sheila’s letters to her parents in the 1940s, and to Professor Ramsey in the 1950s and 60s, plus all her published work, both books and articles. Of course I talked to Sheila a lot to check things out as needed.

Is there a funny story from behind the scenes, something that happened during filming that you could share with our readers?

There always seemed to be lots of surprises happening, mostly good ones – such as the completely unexpected delivery of a box of chilled mutton birds to Sheila’s place when we just happened to be there with the camera for other reasons  – and that enabled us to shoot the scene in the Bach Cafe where Sheila takes them to her friend Maraea to cook up for them all.

The visit of the Ecuadorian navy sailing ship the Guayas to Wellington in January 2016 was another such good surprise, even though we had to scramble hard to get the filming organised

Sheila made nature and science accessible to New Zealanders in a user-friendly and encouraging way, especially with the Animals of New Zealand. However, she was to an extent criticized by scientists due to a lack of scientific language in her works. Why do you think that happened?

She was writing at a time when the scientific community (especially the Royal Society) was trying to raise the status of science as a profession of experts who communicated largely with each other, rather than the general public. Sheila has always believed that knowledge about nature needs to be shared as widely as possible, and that means writing in non-technical, jargon-free and also lyrical ways.

Sheila is extraordinarily talented in so many different ways: she is an amazing self-taught illustrator as well as a writer, she has a great passion, understanding and an eye for the natural world, she is a researcher and an “outdoor pioneer-ess”. And she managed – it seems like all throughout her life – to nurture and develop all those talents, which must have been quite hard in those days.

Sheila is not only very intelligent, she’s also very determined, so although she was certainly knocked back and excluded from some things she wanted to do, or ways she wanted to do them, she just kept on pushing until she found a way around the obstacle.

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The film focuses on creation of two integral works: Animals of New Zealand and The Cruise of the Acheron.

Which is your favourite motto or a thought from Sheila’s wise yet witty repertoire of thoughts?

Too hard to choose! But in the film you’ll hear her say several times that you have to ‘keep on keeping on’ when challenges arise, and that’s a good advice.

I was very delighted, when I realised that Sheila quotes Walt Whitman in her introduction to Animals of New Zealand (his poem The beasts, which talks about the animals). I wonder if she ever in your conversations revealed her fondness for any other authors and who were they?

She has a big library of books on ships and sailing, and likes novels and poems about the sea and life on it. She can remember a lot of songs and poems from her early years with a sea theme, such as John Masefield’s Cargoes. She’s pretty good on Shakespeare as well.

Is there anything else you would like to share with our readers about Sheila and your movie?

It has been very rewarding for Hugh and me to share our enjoyment of Sheila, and her enjoyment of life, through this film, and find that is (as we hoped) resonating deeply with other people.

Sheila’s story told through the camera lens is full of curiosity and wonder for nature and great outdoors that surround us. It proves that those who observe and see, will be rewarded greatly – with life-long beauty and content. Make sure you see it!

Find out more

Fangirl Heads South

It was one of those moments when you hear your crazy calling and decide in a split second to just indulge it. Your favourite singer was performing 3 nights in a row on the same island as you … why not go to all three gigs?

Sure it meant driving more than the entire length of said island in less than 3 days, while going to three concerts, booking motels, concert tickets, taking a half day off work, but life is for living and following your passions, and everyone knows I’m passionate about the glorious Tami Neilson.

Tami NeilsonLuckily for me my husband is a fan boy of almost equal proportions (competitive moi?), so he was all up for the adventure.

The first night of the adventure was a Thursday night, and Tami was performing at Charles Luney Auditorium here in Christchurch. It was sold out and it was a very refined, well behaved audience… well except for the devotees like us, who of course know the words of her songs and cheer and whoop enthusiastically.

Cover of Martin & MahaliaThe show was part of the Cavell Leitch New Zealand Jazz and Blues Festival. It was an exploration of the road from gospel to rock and roll. Tami sang examples of early gospel and blues and talked about the influence of  various artists such as Mahalia Jackson, Sister Rosetta Tharpe and Mavis Staples on artists such as Chuck Berry, Bob Dylan and many others. The second half of the show was her own work. Her band, her ‘Red Hot Band of Rhythm’, are all top New Zealand musicians she has worked with often and they are obviously loving what they do.

Friday lunchtime, we leave work at 12, rush home, throw some clothes and snacks in the car and head nonstop for Dunedin. Another awesome concert – a different crowd and venue gives a different vibe, more intimate and grateful. You get the sense so many more people here actually know her music.

Tami wowing in Queenstown – photo: Purplerulz

Next morning, and we’re heading to Queenstown, through parts of the country we haven’t seen in decades, if ever.There’s a little snow around, hardly any traffic, and the rolling hills through the Rock and Pillar range are truly breathtaking. Road trips in New Zealand are just wondrous.

It’s a weird little crowd at this last gig. They’ve got a definite country pub thing going on, a lot of them have been drinking for quite a while, so are behaving rather boorishly and in the end, Tami, after trying her darnedest to engage with them, gives them what they want, music to dance to – she even sings Happy birthday.

We get back home that night wishing we didn’t have work in the morning, but the memories and the music are buzzing in our brains, and does so for days after.

If you have a passion for music, check out the wealth of music and learning to be had within Christchurch City Libraries’ databases, like  American Song which offers rich pickings in many genres, Gospel being among them.

So, moral of this long tale? Take a chance, if you say, “no, that’s crazy I shouldn’t” then I strongly recommend that you do. Feel the fear and do it anyway.

Find out more

Daughters of Dystopia

Dystopia: relating to or denoting an imagined place or state in which everything is unpleasant or bad, typically a totalitarian or environmentally degraded one.

I love a great dystopian novel, it’s a genre that can veer into classic science fiction, but the ones I love the most are the ones you can imagine happening in your world, if the circumstances changed just slightly, a world power got that much more control, a disease could not be contained or the general populace let things that are deemed as unacceptable become acceptable, little by little. Ordinary people trying to survive, railing against the system or changing it forever.

When I began reading Gather the Daughters, by Jennie Melamed, it was no surprise that both the victims and heroines of the story were young girls. Melamed is a psychiatric nurse who specialises in working with traumatised children. The girls in this debut novel slowly come to the realisation that the only world they have known is filled with lies and not as idyllic as their leaders have taught them it is.

The girls live on an island, living a puritan life, where everyday decisions and everyone’s lives are constrained by a set of rules set down by “The Ancestors”. The male descendants of these original peoples who fled The Wastelands across the sea run the island along rules to suit their own needs. Young girls are married off to older men as soon as they come into ‘fruition’, at puberty.The rules set down, called Shalt Nots, include practices that are definitely of benefit to the elder men, not their young daughters.

Every summer until then, the children of the island run rampant, rarely going home, sleeping rough and enjoying their freedom until the shackles of childbearing and helping the community survive are placed on them.

Told through the eyes of the older girls who are all about to reach fruition, chapters are given over to each girl in turn and I enjoyed the pace of the book and the way the author slowly revealed the horrors of being a young girl on the island. Little is shown of the feelings of the young boys, or the men’s justifications for their actions.

The main heroine is Janey, who should have reached fruition at 17, but is so desperate not to be a woman and succumb to the demands of a husband, she is slowly starving herself. She and Vanessa, who has access to her father’s library of books from past days, give the other girls knowledge and courage, trying to find a way to escape, or at least effect change.

Janey wakes early the third morning, at the first tint of crimson shattering the black night sky, as if someone had shaken her from slumber. She takes the precious moment gladly and watches the girls sleep peacefully. Let this last, she prays, she knows not who to – certainly not the ancestors, or their puppetmaster God. Just for a little while, let them have this. Let them have it. Please.

It certainly had a hint of Lord of the Flies or The Handmaid’s Tale at times and I kept imagining it as a film, but I’m never sure if that is a good thing.

If you love a good dystopian tale about strong young women who decide to take a stand, this is your book. I powered through it in a few days, which is pretty amazing for me. I was in turn heartened and horrified but kept on turning the pages, wanting to see the fate of these young heroines clinging onto their childhoods to save their lives.

Gather the Daughters
by Jennie Melamed
Published by Hachette New Zealand
ISBN: 9781472241719

Fight for your (women’s) rights – Clementine Ford – WORD Christchurch

CoverFight like a girl kicks off with an author’s note “I hope you enjoy it, and find it galvanising!” Well, this book is absolutely galvanising — and upsetting, eye-opening, rage-inducing. It comes down to this: Girls, women, trans women — it’s ok to be angry, in fact if you’re not, you should be:

If you are a woman living in this world and you’re not angry, you’re not paying enough attention. Not to your own life, not to the lives of other women and not to the lives of the women who’ll come after you. (p 281)

Clementine Ford. Image supplied.

Next month you can hear Clementine in person at a WORD Christchurch Shifting Points of View event, part of the Christchurch Arts Festival.

Fight like a girl — Clementine Ford
Christchurch Art Gallery Te Puna o Waiwhetu, Saturday 2 September, 3pm

Join Australia’s online sensation, fearless feminist heroine and scourge of trolls and misogynists everywhere Clementine Ford as she outlines her essential manifesto for feminists new, old and soon-to-be, and exposes just how unequal the world continues to be for women. Introduced by journalist Beck Eleven.
Find out more and book your tickets.(one session has already sold out, soz)

Talk of feminism is always timely. Just look what our politicians Meritia Turei and Jacinda Ardern have been dealing with.

The book covers all the topics you’d expect: body issues, diets, sex, gaslighting, girl gangs, and references feminist pop culture touchpoints like Broad City, Parks and Recreation, and Jessica Jones.

Fight like a girl has enough personal backstory to make you understand the things that set Clementine on the path to righteous feminism, particularly in the area of reproductive rights and mental health. She also sets it straight about the online abuse she’s suffered for ten years.

But where I think this book comes out strongest is in its observations:

Why do some women come out against feminism (we’ve seen several high profile NZ examples of this)

… it all comes back to the same thing – women capitulating to the system in order to be given some notion of power within it. (p. 145)

What is privilege?

If you’re not forcing yourself to routinely interrogate the benefits you enjoy in society, it’s all too easy to tell yourself that other people are inventing their disadvantages. (p. 148)

Why do some women hate men? Because they have compelling reasons to. 

Instead of berating feminists for being misandrists, perhaps these men should start taking responsibility for the abominable, destructive and dehumanising treatment of women throughout all of history up to and including the present day. (p.159)

Clementine relates examples of rape culture: Brock Turner, Stephen Milne, the Four corners case, and more. The effect of the cumulative examples is to make you want to change EVERYTHING.


Follow Clementine Ford on Twitter.

If you want more New Zealand stories, I recommend the TVNZ On Demand series So this happened – “real stories of harassment verbal and physical as told by those who have experienced them”.

More feminist reading on our website