Hang gliding – Port Hills: Christchurch Photo Hunt 2017

Photo Hunt 2017: Plains, Port Hills & Peninsula – Finding our way

This year the theme for Photo Hunt is Plains, Port Hills & Peninsula – Finding our way. However, the photos you submit are not limited to this theme. We invite you to share any of your photos and help grow the city’s photographic archive. All entries must be received by 31 October.

Christchurch City Libraries has produced a set of four postcards promoting the competition which are available from your local library. Each week during October we’ll be featuring one of the postcard images on our blog.

Hang gliding – Port Hills. Kete Christchurch. Hang_gliding_-_Port_hills_2966945852_o. Entry in the Christchurch City Libraries 2008 Photo Hunt. Licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 New Zealand License.

Unknown group hang-gliding on Port Hills.  We were passing by and saw them.  It was a relatively new sight in Christchurch in 1976.

Photograph by Irene Absalom.

Date: 1976.

File Reference: HWC08-SO100

Entry in the Christchurch City Libraries 2008 Photo Hunt.

About Kete Christchurch

Kete Christchurch is a collection of photographs and stories about Christchurch and Canterbury, past and present. Anyone can join and contribute.

Central Library Manchester closed this weekend, open with reduced hours and services Monday 16 & Tuesday 17 October

Due to recent strong weather, Central Library Manchester is operating on reduced services and hours.

The library will be open for access to Heritage and Family History collections the following hours:

  • 9am-5pm on Friday 13 October
  • 9am-5pm on Monday 16 October
  • 9am-5pm on Tuesday 17 October

Central Library Manchester will be closed on Saturday 14 and Sunday 15 October.

We are unable to lend out items at this stage and computers and wifi will not be available at this library over this period. All available holds can be collected from Central Library Peterborough.

World Standards Day 14 October

Every year since 1970 World Standards Day has been celebrated to raise awareness among regulators, industry and consumers on the importance of standardisation to the global economy. The day is an opportunity to pay tribute to the collaborative efforts of the thousands of experts worldwide who develop the standards.

This year the theme for World Standards Day is Standards make cities smarter.

Building a Smart City is highly complex. Every city faces its own challenges and requires its own mix of solutions. Sufficient fresh water; universal access to cleaner energy; the ability to travel efficiently from one point to another; a sense of safety and security: these are the kinds of promises modern cities must fulfill if they are to stay competitive and provide a decent quality of life to their citizens.

With standards, we can make our cities smarter, step by step. Individual islands of smartness can grow together and interconnect to:

  1. Support the development of tailor-made solutions that can be adapted to the particular circumstances of a given city
  2. Open the door to a larger choice of products and services
  3. Make things work safely and smoothly together at every level in cities

Current New Zealand Standards (NZS), and joint Australian/New Zealand Standards (AS/NZS) are available online at any of our libraries.

Print copies can be borrowed at Central Library Peterborough or requested from any of our community libraries.

More information about our Standards Collection.

Yeah! Noir!: Craig Sisterson and the Ngaio Marsh Awards

Craig Sisterson is a writer and reviewer, and a fan of great crime writing. He’s the force behind the Ngaio Marsh Awards celebrating New Zealand crime writing, starting the Awards in 2010 and now serving as the judging convenor for the prizes.

Read our interview with Craig where he talks Kiwi crime, #yeahnoir, the Ngaio Marsh Awards, and libraries.

This year, you can join in as Scorpio Books and WORD Christchurch present The Great Lit Quiz & Ngaio Marsh Awards!
To celebrate NZ Bookshop Day, put together a team of book enthusiasts for a quiz of crime novels and other genres! All tickets gain entry to the invitation-only Ngaio Marsh Awards cocktail party, where the winners will be announced. Hosted by crime writers Paul Cleave and Vanda Symon.
The Bone Line wine and nibbles provided.
Saturday, 28 October, 5.30pm Ngaio Marsh Awards; 7pm Great Lit Quiz
$80 per table (up to 5 players) by emailing rsvp@scorpiobooks.co.nz

Past and present Ngaio judges – Mike Ripley, Ayo Onatade, and Craig Sisterson. Image supplied.

Like the Ngaio Marsh Awards on Facebook

See our listing of previous winners and finalists:

Craig Sisterson

How did the idea for the Ngaio Marsh Awards come to you?

It was a culmination of a lot of little things. I’d started reading a lot while backpacking through Latin America for six months, picking up dozens of novels from hostel book exchanges and the like to pass the time on 24-hour bus rides in Argentina and Chile. The hostels tended to have plenty of ‘popular fiction’ (crime, romance, sci-fi, action thrillers etc), and I gravitated towards the crime novels, having loved mystery tales since I was a kid devouring The Hardy Boys adventures when I was at Richmond Primary School in Nelson.

Then when I was in Canada I went along to an Arthur Ellis Awards event at the Vancouver Public Library (a crime author panel where the finalists for their national crime writing awards were also announced). I met some really cool Canadian crime writers, including the great William Deverell, and had a really good chat with him afterwards about recognising and celebrating quality writing, and how the crime genre was much deeper nowadays than the stereotype of old-fashioned mysteries, potboilers, and airport thrillers.

As an aside, I spoke with the Canadians about the state of New Zealand crime writing (they were curious), and even lamented that other than Dame Ngaio and Paul Thomas’s series, and one-offs from the likes of Simon Snow, Nigel Latta, and Michael Laws, we didn’t seem to have as many crime writers as you’d expect for a country that has some really great writers (Oscar-nominated screenwriters, Man Booker listees, fabulous children’s authors, great longform journalists, etc). Or at least we didn’t have many ongoing series or crime writers putting out multiple books. It’s embarrassing to look back on that discussion now, because NZ does have a greater crime writing history than I knew about at that time, but perhaps the fact I was a keen reader who still wasn’t aware of that was telling too?

When I returned to New Zealand in October 2008, I popped into the Papatoetoe Library my first weekend to keep feeding my reading habit. By chance, a couple of crime novels on the recently returned shelf caught my eye. I picked them up, was taken by the backcover blurbs, and was surprised to read they were set in New Zealand: Cemetery Lake by Paul Cleave and The Ringmaster by Vanda Symon. Not only were they modern NZ crime novels, but each was from an author who’d published more than one novel!

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I read them both that weekend, before I started my new job at a legal magazine (I was a lawyer before my overseas adventures). Both were terrific, really top quality stuff. Great characters and writing, coupled with page-turning action and suspense. And both books were as good if not better than many of big-name international bestsellers I’d been reading on my Latin American journey.

So my thoughts about the state of NZ crime writing began to shift. Then my new boss asked if I’d read any good books lately, as a review for our magazine hadn’t come in before deadline. So I wrote reviews of Cleave and Symon’s books, and took off from there. Soon afterwards I was reviewing crime fiction for Australian magazine Good Reading, as well as some other publications. I reviewed a few dozen crime novels for them over the next year, including Kiwi authors like Cleave, Symon, Lindy Kelly, Neil Cross, and Paddy Richardson. The Kiwi crime novels stood up really well against the well-known international stuff, and I started thinking ‘why aren’t we talking about our crime writers more?’ On top of that, I realised that while Canada, Australia, the UK, the USA, and many other countries had crime writing awards, New Zealand didn’t. Our popular fiction writers were unlikely to be listed for the NZ Book Awards, but at least our romance, sci-fi and fantasy authors had their own associations and awards. So did our children’s authors.

Our crime writers did not. That kept niggling at me the more reviews and features I wrote about the genre, and when I raised the possibility of a New Zealand crime writing award with authors, publishers, reviewers, and others in the book industry, pretty much everyone thought it was a great idea in principle. There was a gap between principle and putting it into practice though. And in the end I just got to the ‘ah bugger it, I’ll just start them myself then’ stage. By then I had lots of contacts in New Zealand and overseas, and called on various people for advice. Crime Writers Canada and the Australian Crime Writers Association were very generous and shared with me how their awards started, evolved, and were run. I cherry-picked various things to create our own awards.

Founding judge Graham Beattie, 3x winner Paul Cleave, founder Craig Sisterson, 2012 winner Neil Cross, 3x finalist Ben Sanders, Ruth Todd, Australian crime writer Michael Robotham, and 3x finalist Vanda Symon. Image supplied.

How hard was it to set up a literary prize?

How long is a piece of string?, as my mother would say. It’s really hard to answer your question. Looking back it all seemed to go quite smoothly, though that could be my rose-tinted glasses! At the time there were plenty of bumps in the road, for sure, but we just rolled with the punches, adapted, and kept on going (how many cliches can I fit in a paragraph?). We were creating something new, so there was no blueprint (other than advice from overseas peers), so if something wasn’t working or went wrong, I just changed it.

My core concern was to make sure that the awards had a good level of credibility, even if we weren’t offering the winner a big amount of prize money. I just really wanted the awards to be sustainable, not a one-off, and to have some ‘heft’, for want of a better term.

That was achieved (I think) thanks to the really top-notch judges we’ve had from the beginning, and the support of WORD Christchurch. We have a large judging panel for the Best Crime Novel prize; seven judges from New Zealand and overseas. All are crime fiction experts, so we had people who were connoisseurs of the genre and read an awful lot, weighing up the quality of our local crime tales. In the first years we had the likes of legendary British reviewer Mike Ripley (who was the Daily Telegraph’s crime reviewer for 17 years), Vice President of Crime Writers Canada Lou Allin, and doyen of the Kiwi books scene Graham Beattie on the panel.

More recently Janet Rudolph (editor of Mystery Readers International), J Kingston Pierce of Kirkus reviews, top Australian crime reviewer Karen Chisholm, and award-winning Icelandic crime writer Yrsa Sigurdardottir have served on the judging panel.

These people may not be household names, but they are extremely highly regarded within the global crime writing world, and their involvement has given the Ngaios a lot of credibility on the global stage. They read a massive amount of crime fiction, from the biggest names to new authors and many in between, and when they say our Kiwi authors are world class, that carries a lot of weight.

The other main pillar of the Ngaios from the beginning was the involvement of what is now WORD Christchurch. I wanted a cool event for our first ever Ngaio Marsh Awards presentation in 2010, and Ruth Todd and Morrin Rout of the Christchurch Writers and Readers Festival really came to the party. They were so supportive, and planned a terrific event for the Saturday night of their festival, which even included the Court Jesters doing an improv murder mystery, before the inaugural winner would be announced. The festival also put up some prize money for the winner (adding to the handcrafted trophy created by sculptor Gina Ferguson and selection of Ngaio Marsh books donated by HarperCollins, Dame Ngaio’s publisher). As Dame Ngaio was a Cantabrian herself, it was a perfect fit.

CoverThen the September earthquakes struck, the festival was cancelled, and our event postponed. Not the greatest start! But Ruth and Morrin continued to be so supportive, even as they were dealing with all the property damage and other concerns. We had offers from other festivals to hold an event in other cities, but stuck with Christchurch. We had a cool one-off event in a temporary venue that November, where the pseudonymous Alix Bosco won the inaugural prize for Cut and Run (fittingly, an author whose identity was then a mystery won our first-ever Kiwi mystery writing prize).

I get a lot of credit for starting the awards, but in truth there have been so many people involved, and it is the mana of those people that have made the awards what it is. Along with our authors, judges, and the libraries who’ve come on board with our Murder in the Library series that started in 2015, I’d like to give a nod to Marianne Hargreaves and Rachael King of WORD Christchurch, who’ve done amazing things and had to deal with me flitting about all over the world and not being the easiest to work with. Because of all those great people it hasn’t seemed all that difficult to set up and run a literary prize, even if there have been difficult moments.

Paul Cleave wins the Ngaio Marsh Award, 2015. Image supplied.
Paul Cleave wins the Ngaio Marsh Award, 2015. Image supplied.

What is it about Aotearoa that make us bat above our weight in the crime writing stakes?

Hmm… I think we have some great writers, across all different styles of storytelling. So our talented crime writers are just part of that wider group of great authors. (Seriously, whatever type of stories take your fancy, you can find great Kiwi books; compelling, page-turning, thought-provoking tales. Give some of our authors a go, whatever genre you love.)

In terms of crime writing in particular, I think our Kiwi authors often have a willingness to push the boundaries of the genre. Check out Adam Christopher‘s Ray Electromatic series that’s pure 1960s LA noir, just with a robot detective, or some of our literary-crime crossovers like Tanya Moir’s The Legend of Winstone Blackhat and Fiona Sussman’s The last time we spoke, or Paul Cleave’s latest A killer harvest which you’d call magic realism if he was a literary author. And that’s just a few examples.

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Our authors certainly don’t feel constrained by the traditional tropes of the crime genre. Many of our Kiwi crime novels also have a great, subversive sense of humour, even the tales that are dark and serious. Many of our authors also have a good touch for landscapes, whether countryside or urban. But in the end, even if many people think of crime fiction as being primarily plot-focused, the best crime fiction often comes down to character – and our Kiwi authors have created some really terrific crime characters!

Can you suggest 3 titles that epitomise #yeahnoir for readers who haven’t tried Kiwi crime?

Just three? Sheesh, that’s tough. I’d probably give you a different answer depending on what day, or time of day, you asked me, but here goes. Oh, I’ll leave aside all our terrific Ngaio Marsh Awards winners, other than to say you can’t go wrong with picking a crime novel to try from Paul Cleave, Paul Thomas, Alix Bosco, Ray Berard, Neil Cross, and Liam McIlvanney.

Instead, I’m going to choose three other books that are really great, and very ‘Kiwi’ crime reads:

CoverBound Vanda Symon: the fourth tale in a really terrific series starring young Dunedin detective Sam Shephard. A successful businessman is murdered during a brutal home invasion, with his wife tied up and left to watch. Sam’s colleagues zero in on two local crims who’ve been on the police hit list for a while, but she’s not sure it’s so cut-and-dried. Sam is a terrific crime character, and the whole series is great, but I particularly like this instalment. Vanda Symon has a nice balance of plot, character, and setting, creating a page-turner with plenty of character depth. Sam has that maverick, trouble-with-superiors essence of crime fiction top cops like Harry Bosch (Michael Connelly) and John Rebus (Ian Rankin), but as a younger woman she layers in plenty of freshness too. There’s a great sense of humour in these books, and Sam is a fierce southern lass who’s her own woman.

CoverHunting Blind Paddy Richardson: like her fellow southern crime queen, Richardson has written several really terrific crime novels, but unlike Symon she has focused on standalones rather than series books. Hunting Blind is a great place to start, a chilling thriller which centres on Stephanie, a psychiatrist whose sister vanished from a lakeside picnic seventeen years ago, fracturing the family and community. Then a new patient tells an eerily similar story, causing Stephanie to reexamine her sister’s disappearance, and sending her on a dangerous and emotional journey around the South Island, searching for long-hidden answers. This is a really terrific novel that was a Ngaio’s finalist in 2011 and really wowed our international panel. Richardson is a master at crafting layered characters who resonate with the reader, and delivers a terrific flavour of the south.

The Sound of her voice Nathan Blackwell: a superb tale from a new author who’s recently joined the #yeahnoir ranks (the Twitter hashtag for NZ crime fiction created by Steph Soper of the NZ Book Council). Blackwell is the pseudonym for a former Auckland detective who was involved in covert operations and investigated very serious real-life crimes. Whoever he is, he’s certainly hit the ground running in the crime fiction world, with a belter of a debut. Detective Matt Buchanan is burnt out, worn down by a succession of tough cases, and haunted by the unsolved disappearance of a young girl years before. Some fresh leads give him hope, but also threaten to draw him across lines that shouldn’t be crossed. Blackwell showcases the courage of Kiwi crime writers in tackling tough issues, giving readers a dark, authentic insight into the stresses the police face.

What do you think about libraries?

In short, libraries are bloody awesome!

I was a sports-loving kid growing up in Nelson, but I also loved spending time in my school and local public library. I discovered so many wonderful authors and books thanks to the librarians, and they cemented my lifelong love of reading. Libraries are so vital to communities, providing information and entertainment, cultivating learning, bringing people together. They’re egalitarian and democratic, opening up doors for anyone regardless of your background or means. Yeah, I think they’re pretty cool.

More about Craig, Ngaio Marsh, and the Ngaio Marsh Awards

Ngaio Marsh photographed during the 1940s
Ngaio Marsh photographed during the 1940s : “Ngaio in the spotlight” CCL PhotoCD 17, IMG0038

Friend request: Social media mystery

Friend Request is the debut novel of Laura Marshall.

When I read the blurb about this book, I wanted to read it.
“Louise receives a Facebook friend request from Maria Weston.”
“Maria Weston wants to be friends.
But Maria Weston’s dead.
Isn’t she?”

Ohh, talk about goose bumps!

The novel follows Louise a woman with a troubled teenage past that has caught up with her. Can she face her past and come clean? She has a lot to lose, her son for one.

The narration is skilfully split between the present day (2016) and the past (1989) as we learn about what happened to Maria 25 years ago.

This psychological thriller has themes of social media, bullying, teenage & middle age angst and dealing with choices made in the past.

I found Louise realistic as a paranoid single Mum, but found her only reasonably likeable. I’m sure I would have found the book rather gripping if I had connected with Louise, but I ended up finding it rather flat with the ending slow and transparent.

I still think if you like psychological thrillers, like Gillian Flynn’s Gone Girl, or Lisa Jewell’s Then She Was Gone you should give it a try. Maybe you’ll connect with Louise and find it the gripping modern mystery it could be.

Friend request
by Laura Marshall
Published by Hachette New Zealand
ISBN: 9780751569155

Tania Cook
Outreach Library Assistant

From the Sign of the Takahe: Picturing Canterbury

From the Sign of the Takahe. Kete Christchurch. PH13-135. Entry in the 2013 Christchurch City Libraries Photo Hunt. Licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 New Zealand License.

Taken from the Sign of the Takahe out a window across the Canterbury Plains to the Southern Alps.

Entry in the 2013 Christchurch City Libraries Photo Hunt.

Photo Hunt 2017: Plains, Port Hills & Peninsula – Finding our way

This year the theme for Photo Hunt is Plains, Port Hills & Peninsula – Finding our way. However, the photos you submit are not limited to this theme. We invite you to share any of your photos and help grow the city’s photographic archive. All entries must be received by 31 October.

Kete Christchurch is a collection of photographs and stories about Christchurch and Canterbury, past and present. Anyone can join and contribute.

The Little Library Cookbook

You know that a book is a wonder when you stomp around the house muttering ‘I should have written this’. The wonderful new cookbook by Kate Young The little library cookbook really is one such SATHM (stomp around the house muttering) book.

Fiction and food are one of life’s irresistible combinations, and ‘literary’ cookbooks have always been a weakness of mine. I’m thinking of Cherry cake and ginger beer, The unofficial Harry Potter cookbook, and Dinner With Mr Darcy, the list goes on. However, there is something particularly appealing about Kate Young’s contribution to this unique foodie genre. Not only are the recipes seriously good- (if a cookbook contains a bread recipe that enables me to produce a loaf of crusty goodness rather than a forlorn looking dough worthy of papier mache, then I know that the cook knows their stuff), but also, the narrative is simply gorgeous. Young takes us on not only a culinary and literary journey, but also an engagingly personal one that had me wanting to reminisce, cook and read simultaneously.

Young includes the essential recipes that any respectable ‘library cookbook’ should have (I am of course thinking of Proust’s madeleine in particular here), but she also includes recipes from books that are simply dear to her heart. These include crab and avocado salad from Sylvia Plath’s The Bell Jar, chicken casserole from Barbara Pym’s Excellent Women, and gin martini and chicken sandwich from JD Salinger’s Franny and Zooey.

Young is not limited in her literary taste either, with ‘hunny’ and rosemary cakes’ worthy of Winnie the Pooh getting a deserved mention, and even vanilla layer cake as Anne of Green Gables originally intended getting its full due.

This was perhaps what I loved best about this gorgeous book — the lovely surprises when I turned page after page to also see one of my own beloved authors getting their recipe out there, such as mince pies from Kate Atkinson’s Behind the Scenes at the Museum, curried chicken from Conan Doyle’s Sherlock Homes, and eclairs from Nancy Mitford’s The Pursuit of Love. Young’s taste in both food and literature is so close to my own; I was busy lapping up every word and nodding profusely in agreement.

Observations really do make Young’s narrative a joy, see du Maurier’s Rebecca:

the sinister Mrs, Danvers, surely one of the most insidious and manipulative villains in literature, turns a story that could be romantic into one where even the crumpets seem to be a threat.

and E.M. Forster’s A Room With a View:

the thing is, I think meringues and coffee get a raw deal here. They’re meant to be emblematic of the comfortable, predictable life that Lucy lives as a young woman, but I think they deserve better… And so I am here to advocate for meringues and coffee.

I very much enjoyed her bookish reminiscences along the way, such as her passage on first reading The book thief:

I have a vivid memory of being reduced to tears by the ending, trapped in a window seat on a flight to Italy. Perhaps inevitably for a story narrated by death and set in Germany during the second world war, it’s devastating.

I also enjoyed the stories of family and friends along the way, in fact, as the youngest of three sisters, her dedication of Shirley Jackson’s ‘spice cookies’ to her own sister bought a bit of a lump to my throat (also, as my sisters would heartily concur, greater love hath no sister than this that she should lay down her cookie recipe…).

There is nothing not to love about this gorgeous book — engaging, beautifully presented, and full of scrumptious recipes, this really is a must read for all book loving foodies.

The Little Library Cookbook
by Kate Young
Published by HarperCollins New Zealand
ISBN: 9781784977672

See also: Moata’s booklist  Pop culture will eat itself for themed cookbooks for movies, TV shows, literature and art.

Learning music with Lynda

Have you discovered our Lynda? I have.

Lynda logo

I’m struggling with music notation and learning to read music… I should have paid attention when I tried to learn at 11, because now when I’m trying to learn at 55, it’s quite painful.

It just isn’t straight forward, there are weird rules and exceptions, and it’s more mathematical than I thought it would be. Add to that, I’m looking at it from a jazz perspective and my brain not only hurts but feels numb.

I’ve got books, and I’m in a class, but I recently thought, “hey there’s that Lynda woman in our Christchurch City Libraries eResources who offers videos to learn about just about anything… I wonder what she has to offer me?”

So I got my library card and my PIN ready to go: it’s one of our resources you do have to be a  library member to use. I logged into Lynda, after finding it in the eResources section of our website.

Next, the search for ‘music’, which yielded a plethora of results from Intro to songwriting, Insider’s guide to today’s music biz, and Finding music using apple apps, and there amongst them was Music Theory.

I settled on learning musical notation and worked my way through a series of videos that I could stop, back up, repeat until some of what I was reading and practising was sinking in. There was also music theory for songwriters, improvisation and theory, and one I’m obviously not quite up to, Music Theory for Fun!

In the process, I learnt that you can adjust the skill level to suit you, as well as choose from specific authors and teachers, the length of course you want and a wealth of other limiters to make the learning truly suited to you.

But wait, you say I’m not interested in music theory.. stick with me here, because there are so many other things to learn, such as:

  • Become a Photographer
  • Publish an eBook
  • Become a Web Designer
  • Become a Motion Graphics Artist
  • Be a Small Business Owner
  • Be a Six Sigma Black Belt

So, check out our Lynda and expand your horizons… I’ll keep on with my key signatures and triads (not of the Chinese gang variety!)

Start your Chinese learning with nursery rhymes

Nursery rhymes are easy to remember, short to sing and have fun actions! So, in preparation for New Zealand Chinese Language Week (16-22 October) why not start your Chinese learning with Chinese nursery rhymes? Here are some easy Chinese nursery rhymes you can try. The best part is that you don’t have to worry about the different tones in Chinese. Try to match the tune.

Twinkle Twinkle Little Star

Twinkle, twinkle, little star
How I wonder what you are
Up above the world so high
Like a diamond in the sky
Twinkle, twinkle, little star
How I wonder what you are

小星星
xiǎo xīng xīng
一闪一闪亮晶晶
yì shǎn yì shǎn liàng jīng jīng
满天都是小星星
mǎn tiān dōu shì xiǎo xīng xīng
挂在天空放光明
guà zài tiān kōng fàng guāng míng
好像許多小眼睛
hǎo xiàng xǔ duō xiǎo yǎn jīng
一闪一闪亮晶晶
yì shǎn yì shǎn liàng jīng jīng
满天都是小星星
mǎn tiān dōu shì xiǎo xīng xīng

Head, Shoulders, Knees and Toes

Head, shoulders, knees and toes,
Knees and toes, knees and toes,
Head, shoulders, knees and toes,
Eyes, ears, mouth and nose.

頭兒,肩膀,膝,腳趾
tóu ér jiān bǎng xī jiǎo zhǐ
膝,腳趾 膝,腳趾
xī jiǎo zhǐ, xī jiǎo zhǐ
頭兒,肩膀,膝,腳趾
tóu ér jiān bǎng xī jiǎo zhǐ
眼,耳,鼻和口
yǎn,ěr,bí hé kǒu

Numbers

1, 2, 3
yī èr sān
4, 5, 6
sì wǔ liù
7, 8, 9
qī bā jiǔ
10
shí
(repeat backwards)

Christchurch City Libraries have a good range of Chinese learning materials as well as the eResources Mango Languages and Rosetta Stone.

Come join our New Zealand Chinese Language Week Celebration in the libraries from October 15th to 22nd.

If you would like to learn more Chinese nursery rhymes, do check out the Bilingual Babytimes every Tuesday at 11am in Te Hāpua: Halswell Centre.

Bilingual storytime with Anita
Bilingual storytime with Anita, New Zealand Chinese Language Week 2016, Flickr File Reference: 2016-09-Bilingual_storytime-Anita.jpg

Anita
Te Hāpua: Halswell Centre

Isaac House

Isaac House stands in solitary splendour on the corner of Colombo and Armagh Streets. Located at 779 Colombo Street, it is a Category 2 listed heritage building in the distinctive Georgian Revival style. It was completed in 1927 for Henry Owen, proprietor of chemists
Cook and Ross. If — like me — you are a fan of this architectural style, 69 Worcester Street is another fine example.

The owners of  Isaac House kindly let the public in to have a gander yesterday to see how they have restored this gem. Here are some photos from the past, and yesterday.

Male and female cabin crew of TEAL standing at the corner of Colombo and Armagh Streets [ca. 1960] CCL PhotoCD 11, IMG0044
Male and female cabin crew of TEAL standing at the corner of Colombo and Armagh Streets
[ca. 1960]
CCL PhotoCD 11, IMG0044
National Bank
National Bank 1963. Corner of Colombo and Armagh Streets. Flickr HW-08-FE-12
Victoria Square and Armagh Street
Wednesday 17 September 2014. Flickr 2014-09-17-IMG_2188
Isaac House
Wednesday 11 October 2017. Flickr 2017-10-11-IMG_3833

More about Isaac House