These men are shown carrying out their duties at a camp in Addington where recruits were trained before leaving for the South African (Boer) War (1899-1902). They are riding on a wagon owned by J.M. Heywood & Co. who were general cartage contractors of Christchurch and Lyttelton.
Do you have any photographs of Canterbury’s involvement in the South African War? If so, feel free to contribute to our collection.
Kete Christchurch is a collection of photographs and stories about Christchurch and Canterbury, past and present. Anyone can join and contribute.
The theme for this year’s Māori Language Week is –
Kia ora te reo – Let the Māori language live
In celebration of Te Wiki o Te Reo Māori we will be publishing a blog post each day incorporating te reo Māori or highlighting te reo Māori resources.
Te Reo Māori i Te Whare Pukapuka – Māori Language at The Library
Christchurch City Libraries – Ngā Kete Wānanga o Ōtautahi will be celebrating Te Wiki o Te Reo Māori with Wā Kōrero/Storytimes throughout the week with te reo Māori songs and stories. There will also be a couple of storytimes sessions extra to our usual schedule delivered by a bilingual presenter at Linwood and Aranui.
Beyond the official week celebrating te reo, a further initiative, Mahuru Māori, encourages te reo Māori speakers of all levels of ability to commit to speaking te reo Māori only during the month of Mahuru/September. Other options are to speak te reo Māori anake during a chosen day of the week, or for one week of the month. Te reo speakers can join the Mahuru Māori Facebook Group for support and help to complete the challenge. For te reo tweets during September follow @MahuruMaori.
Māori words and phrases from Māori Language.Net, includes commands, phrases to use with children, months of the year, greetings and more.
Kōrero Māori ki… – Speak Māori at…
In addition to online resources and titles available at your local library, the following initiatives and events can help bring some te reo into your day.
A cafe – Order your drink of choice in te reo at any of the cafes in our libraries (South, Upper Riccarton and Te Hāpua: Halswell Centre) or at The Kitchen cafe on the ground floor of the Christchurch City Council building on Hereford St and from 11-16 September you’ll get an extra sweet treat to go with your drink. Need help with how to place your cafe order in te reo? Te Taura Whiri o Te Reo Māori (The Māori Language Commission) has produced this fantastic guide to awhi you.
The post office – NZ Post is celebrating Te Wiki o Te Reo Māori this year with a range of stamps featuring Māori kupu (words) to do with technology. Learn new words like “ahokore” (wifi), “Pūnaha Kimi Ahunga” (Global Positioning System) or “waka hiko” (electric car).
Anywhere – Te Puni Kōkiri is distributing special “kōrero” badges so if you see someone wearing one it’s a tohu that they can carry out a conversation in te reo Māori and are happy to do so. Give them a cheery, “kia ora” if nothing else!
As is often the case when I attend a literary event, I have not read the book of the person speaking (I have good intentions leading up to the event but life generally gets in the way). So I know Clementine Ford only by her reputation as an outspoken feminist and the target of online trolls (it seems, in the modern world, that the first of these things almost always leads to the second). Possibly that’s all you know about her too.
I warm to her immediately. She’s just so cheerful in the face of the abuse that gets flung at her, so “can you believe someone said that?!” about language that is filled with hate, ignorance (and yes, bad grammar). I admire her ability to take rancid, toxic lemons and make mocking, humorous lemonade from them.
Clementine Ford comes across like your best friend who is much smarter and more perceptive than you, and who is prone to dropping hilarious truth-bombs into the conversation while you’re chatting over wine. Except in the auditorium at Christchurch Art Gallery. With 150 other people there. And no wine.
This was obviously a flawed analogy but you get the drift.
She’s also very respectful (not of the trolls) of her audience, warning everyone that there will be some very strong, very unpleasant language shared in the presentation, most of it via screenshots of the “missives” she’s received from various men who feel the need to tell her that she’s wrong, stupid, evil, sexist, fat, sexually unattractive, a professional sex worker, as well as various terrible things that should happen or be done to her. The warning is needed. It’s cumulatively rather overwhelming and makes you feel sick for humanity, even as each one is dissected, commented on and ruthlessly pilloried.
On the upside I’m surprised and delighted to hear Ford, an Australian, acknowledge not only Ngāi Tahu but also Ngāi Tūāhuriri (Christchurch sits in the traditional rohe/territory of this Ngāi Tahu hapu) and to use “Aotearoa” in preference to “New Zealand” because a friend of hers has challenged her to use indigenous names as a statement against colonialism. Also, her pronunciation was better than average.
But back to the trolls. Reading the messages Ford has received from various men makes you wish that they really were misshapen goblins living under bridges and not actual humans walking around with a cellphone in their pocket and the notion that they can say whatever they want to another person, if that person is a woman, with a complete lack of consequences. This is a situation that Ford has tried to turn around as she frequently adopts a “name and shame” approach. This may seem harsh but when you read the things that men have said to her it seems more like a public service than anything. The irony is, though Facebook is happy enough to be the medium of choice for threats of sexual violence and abuse by these trolls, the sharing of such by Ford often violates their “community standards” and has sometimes resulted in her account being blocked. But not those of the people doing the abusing.
Well, that seems a bit screwed up, Facebook. But Ford acknowledges that Facebook has its claws in us and a boycott simply wouldn’t work. Possibly advocating for a change to the laws around online abuse might help.
Ford has other helpful suggestions for dealing with sexism and sexist behaviour such as forcing someone to explain their sexist joke, with “I don’t get it. Why is that funny?” or pretending not to hear the sexist/offensive thing and forcing them to repeat it once or even twice. This subtly shifts the power dynamic in the interaction.
In the online world she is in favour of out and out mockery (with reference to Harry Potter and the boggart – your greatest fear that can only be vanquished by laughing at it). Ford advised deploying a series of gifs, the following of which is my favourite.
This was a really illuminating, funny, and challenging session but one which only a handful of men attended and relatively few young women, two groups I really feel would have benefitted a lot from the realness of Ford’s feminist experiences (and rude jokes about her genitalia).
As it was it ran overtime and nobody wanted to stop, least of all Ford herself. But the talk was being recorded so I’d recommend giving it a listen when it becomes available or –
Listen, and understand. That terminator is out there. It can’t be bargained with. It can’t be reasoned with. It doesn’t feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead.
This is how Michael Biehn’s Kyle Reese describes Arnold Schwarzenegger’s T-800 in the 1984 film The Terminator. He didn’t know how right he was. The Terminator just keeps coming back. The perfect pop culture metaphor for a franchise that can’t be killed.
In 1991 a sequel followed. At that time the $100 milion budget of Terminator 2: Judgment Day made it the most expensive film ever produced and it was a cinematic juggernaut (I did my bit by spending my pocket money to go and see it two weekends in a row).
And from there the Terminator just kept rising from the ashes (or still burning wreckage of crashed truck/plane/HK). A trilogy of novels set after the events of T2 follows Sarah and John Connor who have fled to South America.
A television series followed. Before Lena Headey was the ruthless Cersei Lannister in Game of Thrones she was the equally determined Sarah Connor in the The Sarah Connor Chronicles.
There were a further three movie sequels (with varying degrees of coherence), the most recent being an alternate timeline Terminator: Genisys which brought back a lot of the attitude of the first film (but positively tied itself in time-travel knots).
James Cameron announced earlier this that he will produce the sixth installment of the Terminator franchise, with shooting due to start next year. Arnold Schwarzenegger, the 90s action star who never really went away, will reprise his role.
Last year to celebrate the 25th anniversary of T2 a 3D version was released and this will hit New Zealand screens briefly next week. I’d say get your tickets booked lest you miss out but… he’ll be back.
Cathedral Square has long been an important civic space for Christchurch. In its time it has functioned as a transport hub and “movie theatre central”. It’s been a meeting place, and a stage for political protest, debate and speeches. It has been the home to markets, tourism operators, and of course, a cathedral. Numerous concerts have been held there and recently it has hosted a temporary ice-rink. From mid next year it will also have a shiny, new library in its North-East corner.
Cathedral Square is a place with a many memories for Christchurch people and it has changed a great deal over the years. So while you’re considering what The Square of the future should be like, have a look at these glimpses of its past.
Love the special sign for “Pedestrians” in this street photo from 1938.
Though there’s no date provided for this photo of Cathedral Square covered in snow, the presence of the Citizens’ War Memorial, far left, (unveiled in 1937) means it might be the snow of July, 1945.
The Plaza Theatre originally opened as The Strand in 1917. In this photo the neighbouring United Service Hotel can be seen at left with the Women’s Rest Rooms at right. The theatre was demolished in 1990.
A common street photograph pose near the Citizens’ War Memorial.
Long hair and sandals in the seventies.
An orderly bus queue on a sunny afternoon, in the late 70s or early 80s.
Obligatory Wizard photo.
A busy day in Cathedral Square, probably in the 1990s
Christchurch Arts Festival sculpture “Snow Orchid” and Speigeltent venue in background, 2007.
Many protests and demonstrations have taken place in Cathedral Square over the years. This one in 2010 resulted in Neville Toohey being arrested.
Cathedral Square as it looks now. But what does the future hold?
On a seemingly ordinary morning, eighty year old Robbie leaves his partner Emily, sleeping in bed, changes his clothes, feeds their dogs then does something that will completely shatter Emily’s world. ‘Together’, begins on this day, the last day of Robbie’s life, and slowly tells Robbie and Emily’s story backwards, from 2016 back to 1962. As Cohen unfolds their story, Robbie’s motives for his actions that morning slowly become clearer as a secret emerges which even their beloved son can never know, and which the couple have spent their lives running from.
A warning though, ‘Together’ requires a constant stash of Kleenex from page one. In the first part of this story Robbie and Emily are celebrating 43 love filled years together along with their beloved son and grandchildren in Maine. They have been grounded and highly successful in their professional lives – Emily as a doctor and Robbie as a boat builder- but with Robbie showing the early signs of Alzheimer’s, it is clear that their time together is drawing to a close. From then on, Cohen takes us back to each integral moment in the couple’s relationship, from their meeting, to their decision to very much sacrifice everything to be together, to the final big reveal that will leave you stunned, rapt, and thanks to Julie Cohen’s beautiful writing, ultimately moved.
‘Together’ is frequently being referred to as a love story, but Cohen’s gift for brilliant characterization and unique story telling make this so much more. If you love David Nicholls ‘One Day’ or Jojo Moyes’ ‘Me Before You’ this compelling and unpredictable story is an ideal match for you.
Like Em and Dex in David Nicholls ‘One Day’, Robbie and Emily are complex, fun and vivid characters that are a joy to read about. Readers very much love and invest in them from page one.
Cohen’s understated yet passionate and moving writing very much helps to create this, and while some may find the reversed timeline a little difficult to get their head around at first, this unique structure works perfectly for Cohen’s story. The narrative is well thought out and I found myself going back and rereading passages again, immersing myself in the couple’s memories and story more and more, as moments seemed to take on whole new meanings.
Robbie and Emily have stayed in my mind for days since reading this beautiful novel. I loved every moment of my time with them and was left wanting more. Beautifully written, thought provoking, and clever in so many ways, ‘Together’ is a book that will leave you gripped from start to finish. Just remember to grab that stash of Kleenex and put aside a solid day to get through this wonderful novel because trust me, once you start you won’t be putting this down.
Congratulations to our two Highly Commended entries who will each receive a library goody bag.
Congratulations to our talented finalists! We have certificates for our finalists; they are ready for you to pick up at Papanui Library after 9am on Saturday 22 July – please contact us at LibraryEvents@ccc.govt.nz to organise delivery if you are unable to pick-up.