“Here comes your band…”

The iconic and legendary Pixies are well and truly back and we are giving away tickets for their Christchurch show on 9 March.

In 2014 they returned from a 23 year hiatus amid much anticipation with their comeback album Indie Cindy, which was met with thunderous applause & critical acclaim (…from myself, at least!) and if they’d stopped there I would’ve felt completely satisfied as a lifelong fan. Having waited since 1991 for an album of new material (Trompe le Monde), it’s clear that they’ve picked up right where they left off – melodic, lyrical, grunty, and with bucket loads of their signature explosiveness.

Pixies
Pixies 2017 lineup. Image supplied.

It’s now the early stages of 2017, they’ve got a new bass player (Paz Lenchantin), and I’m stoked to be readying myself to see them live right here in Christchurch, on Thursday, 9 March at Horncastle Arena, as they tour their latest album Head Carrier.

Released late last year, Head Carrier is yet another example of their signature sound and songwriting styles, and if you’ve never heard them before then this album is well worth a listen if you like bands such as The Stone Roses, Smashing Pumpkins, or even The Jesus & Mary Chain – another 1990s indie band due to make a comeback this year.

If you’re keen to win a double pass to the Christchurch Pixies show just answer the simple question on our competitions page.

Good luck and see you on the night!

The last of the Bee Gee…??

At the age of 70, Barry Gibb has released a new album In the now, his first in 32 years, is at once a memorial to his brothers and a possible departing letter to his fans.

I’ve read anecdotally that Barry received ‘visions’ of his deceased brothers (Andy and Robin) which helped him in his drive and direction for this new album. Whether or not these ‘visitations’ influenced his work or not, the new album stands up as classic Barry Gibb songwriting craft and is full of Bee Gees flavour in performance.

The style runs across from the punchy dancey tracks most associated with the Bee Gees, through to the balladic style more akin to their early roots. Add to that some smooth Latin grooves and a hint of country-pop stylings, some superb quality production, and you’ve got a dynamic and soulful selection of tunes. At the grand age that he is, Barry has still got a voice that is as timeless as his craft.

The influence and importance of the brothers Gibb can’t be overstated in the annals of music history IMHO. With 28 US Top Ten singles, they were rather unfortunately overshadowed by The Beatles frenzy. But they were at the very forefront of the disco music movement and highly regarded in the industry for their songwriting.

There’s a whole raft of articles from music journals in history documenting the rise & rise of the Bee Gees, and you can access these through our fantastic resource Rock’s Backpages using your Christchurch City Libraries login.

Bee Gees

The library also offers opportunities to explore the Bee Gees back catalogue with scores & P.V.G (piano, vocal, guitar) sheet music.

In a time of bands of yesteryear still continuing to tour with material that is 40+yrs old, it should be celebrated that a giant of music is still producing quality original compositions, and he’s still touring and on his way to New Zealand in April 2017!

Barry is joined by his two sons, Ashley & Stephen, for this album which is a fitting tribute to his family’s musical history, making this another Gibb family gem – get your ears around it!

Historical Fiction of the Masses

Historical fiction is beaut and I read LOADS of it!

I find that it’s an opportunity for talented writers to explore a tiny part of history and expand on it in a way that keeps within the spirit of the times. With the added bonus of hindsight, they might get into some areas that perhaps weren’t fully described by contemporary historians in factual writings.

There’s another side to historical fiction too, and this is the tendency to lean towards topics & settings centred on ladies holding court in the drawing room or the Upstairs-Downstairs type narrative full of posh English aristocrats, much like the recently popular Downton Abbey or Hilary Mantel’s Wolf Hall which has had the tele treatment.

There’s nothing wrong with these stories, some of them are written beautifully and they sure make good TV fodder, but my concern is that we may be boxing the term “historical fiction” into these aristocratic themes and subsequently some other great works about the “historical common people” are not reaching audiences that would love them. So let’s get into the gritty side of what I like to call (for lack of a better term) Historical Fiction of the Masses.

CoverA fine example of Historical Fiction of the Masses (and I may be showing by Tasmanian roots here) is one of my favourite books of all time – Gould’s Book of Fish – a Novel in Twelve Fish by Richard Flanagan. He’s a Tasmanian author who most recently won the Man Booker Prize for his work (also historical fiction) Narrow Road to the Deep North.

In Gould’s Book of Fish he delves deeply into the corruption, lunacy and brutality of the penal system of transportation to Van Diemen’s Land in the 17th/18th centuries. This is a history not often told in its full brutal reality by history’s keepers, until quite recently when shame around the perceived “convict stain” was turned around and many people began speaking with pride of their convicted and transported ancestors.

CoverThere’s another very accomplished and award winning Tasmanian author who writes good “Historical Fiction of the Masses” – Rohan Wilson. His two titles – The Roving Party and To Name Those Lost are full of grit and reality and are based on real points of history, and the characters based on real people.

And there’s other great international titles in this vein too, The Revenant by Michael Punke is a survivalist story set in the 19th century Rocky Mountains frontier and has recently achieved a lot of attention with Leonardo Dicaprio claiming his first Oscar for his role as the main character.

CoverThe North Water by Ian McGuire dealing with life on a whaling ship in the North Sea & the ship’s morally corrupt crew was long-listed for this year’s Man Booker Prize

There’s a huge depth of writing in this style and a new title piqued my interest after I heard an interview with the author Eowyn Ivey on Radio New Zealand.

CoverHer book is titled To the Bright Edge of the World and during her interview she expressed her admiration for minimalist writers such as Hemingway and Cormac McCarthy. She even said that one of her best-loved books was Gould’s Book of Fish by Flanagan – how could you resist!? Her book is written as diary entries and other correspondence amongst a group travelling through the wilds of frozen Alaska, their families & their descendants. It’s brutal, realistic and believable with strong engaging characters, a weight of mysticism and a deep plot – all the elements for a fine example of Historical Fiction of the Masses!

Go get some titles like these and get reading! Ma Te Wa.

Music finds a way … The Piano to open this weekend

This coming Sunday there is a special event happening in Christchurch city with The Piano Centre for Music and the Arts opening its doors in Armagh Street. The new facility looks great and it houses some brilliant performance spaces, teaching suites and rehearsal rooms. Here’s the calendar of upcoming events. It will be the main venue for the upcoming WORD Christchurch Writers and Readers Festival.

The reopening is to feature a legend of New Zealand and Christchurch jazz, Mr Doug Caldwell. At 88 years of age & 70+ years of playing and exploring jazz piano, he’s a true master of the craft. As a fixture of the local music scene for so long, it’s fitting that he should be the one featured to reopen this new music centre, performing in the 340-seat Concert Hall on Sunday afternoon. Read Charlie Gates’ article in The Press: Christchurch jazz legend Doug Caldwell first to play new Piano music centre.

It’s not often recognised but New Zealand and Australia has a jazz history that runs as deep & as filled with quality that it rivals the American traditions. There are some truly great jazz musicians from our region and they deserve celebration, from the Australian greats; Graeme Bell, Don Burrows and James Morrison – all masters of their particular eras, to Kiwis Mike Nock, Roger Manins and Christchurch’s own Doug Caldwell.

Christchurch City Libraries holds a swathe of resources around the topic of New Zealand jazz. There are booklists on the subject, including sheet music from jazz composers from across NZ – a Kiwi version of the ever-present jazz “Real Book“. There’s also listening lists featuring contemporary artists as well as the more traditional, vocal & instrumental, PLUS a host of resources available for in-library use through our Aotearoa New Zealand Collection (ANZC)

I myself am a keen fan of jazz having studied and played in Tasmania before relocating to Christchurch and connecting with some of the local talent here, with whom I continue my explorations, utilising many of these resources to enrich my experiences and hopefully champion what I know to be a strong seam of cultural history worth celebrating and sharing.

Get along to see the concert & then get busy with your library card & see what else we’ve got – it’s a lot!
#ChooseJazz

Punker than Punk … Rock’s Backpages

An exploration of the new music resource Rock’s Backpages, available free to you through Christchurch City Libraries:

“Underrated” is a term that is widely and oftentimes overused when talking about music and rightly so, it’s a passionate subject!

When I think of “underrated”, in terms of music at least, I think of The Saints – a punk/rock band well ahead of their time, contemporaries of The Ramones, pre-dating The Sex Pistols & The Clash, and hailing from OUR OWN REGION! – albeit on the other side of the Tasman (1970s Brisbane), so why are they not as noted as these others?? They certainly deserve to be, in my humble musical opinion!

My first exposure to The Saints was being handed an old cassette (remember those?!?) by a boyfriend of my older sister back in the 1980s. The tape was many-generations-of-overdubs old with illegible scribbles all over the labels. One side had some pretty decent Australian Rock’n’Roll, on the other side … Eternally Yours by The Saints. It was loud, it was raw & packed with lyrics shouting at you to “Wake Up” & see what’s happening around you! Fair to say it blew my young mind & changed the way I viewed (& engaged) with music and the world forever, and it still sits on my regular playlists today.

See more articles about The Saints in Rock’s Backpages.

In this modern age of accessibility I’m pleased to see that The Saints are now achieving some kind of recognition, with notable artists such as Nick Cave or the Hives claiming them as direct inspiration. The growth of digitisation of historic articles is also making it possible to read about their influence and music.

CoverThere’s loads of books around these days too dealing with the histories of underground music. A good one is Mavericks of Sound: Conversations with Artists who Shaped Indie and Roots Music by David A. Ensminger, a good read looking at some interesting areas of the world underground music

Christchurch City Libraries subscribes to Rock’s Back Pages, through which you can search for and read articles from the history of the world’s music press – articles that were published at the same time as the artists were operating. It covers reviews, opinion pieces & much more – a truly valuable resource for those of us who are into music!

You can log in using your user name & password/PIN, have a look through and see what you can find about the bands that you love, the ones that have influenced you, and the ones that have changed your life – it all makes for interesting & nostalgic reading!

Stay Punk!