Poet Kaveh Akbar is no sheep in wolf’s clothing – WORD Christchurch

Kaveh Akbar is more of a shepherd than a wolf. The internationally acclaimed Iranian-American poet not only produces amazing thought-provoking poetry, but nurtures other poets to achieve their full potential too. So it was a perfect date for us to be hosting him at Tūranga, the flagship of the future. We are all about helping our citizens to access all they need to reach for the top.

Hosted by local poet Erik Kennedy, this event was held in the brand spanking new Tautoru / TSB Space, and brought to us by WORD Christchurch in association with LitCrawl Wellington. View photos of Kaveh Akbar and Erik Kennedy event.

Mr Akbar is a really nice guy. Humble and quietly spoken (though this changes when he reads) Kaveh kept thanking us for coming. When reading, Kaveh is animated, moving with the lilting rhythm of his words, his voice rising with the swell of emotion and experience.

An Iranian-American, he sees his poetry as:

“the membrane between myself and the divine…a new idiom for ancient binaries.”

Binaries such as solitude and community, decay and rebirth, literature and culture.

Kaveh has been posting interviews with poets making waves on DiveDapper; a website he created as a platform for exposure, promotion and connection. It has become a community, bringing poets and enthusiasts together worldwide. The list of poets on this website is impressive! Akbar sees this as a way to “push (his gratitude) outwards.” He further demonstrated this by reading two poems by New Zealand poet Helen Heath.

CoverKaveh’s book of poetry Calling a Wolf a Wolf was released to much acclaim this year. In it, Kaveh addresses difficult themes from addiction to desire; his poetry refreshing in a way that feels uplifting rather than downbeat.

Akbar’s work shares a sense of lessons learned and experience shared, as opposed to a self-indulgent train wreck. In all, there is a theme of hunger: for the physical sensation of being alive. Akbar’s poems grabbed me at first taste. Alliteration, onomatopoeia and themes of life, death and longing fill his poems. Addiction is portrayed as a kind of death; “a void to fill in wellness”. The poetry came from a need to fill the gap left after he became sober: “my entire life up to that point was predicated on the pursuit of this or that narcotic experience.” All this brings to mind a Persian poet who celebrated the wine and song of life, yet without the cautionary tale: Omar Khayyam.

In the light of current politics, Kaveh asserts that the ‘utility’ of poetry ‘forces us to slow down our metabolism of language’. A useful antidote to doublespeak, perhaps. He makes it sound like a science. And in fact it is.

Kaveh Akbar
Kaveh Akbar in conversation with Erik Kennedy. WORD Christchurch event. Tautoru / TSB Space, Hapori | Community, Level 1, Tūranga, Tuesday 6 November 2018. Flickr 2018-November-6-IMG_1984

Although he now only speaks a few words of Farsi these days, Akbar sees feeling as a ‘universal language,’ one that we all understand. The purpose of poetry, he says, is as Homer put it – to ‘delight and instruct.’  So often, we leave out the delight, loving to lecture others on the way of things. Pre-sobriety, Akbar the poet painted himself as the hero of his works; a ‘gloriously misunderstood scumbag.’ A way of being, he says, that’s insufferable (I’ve dated guys like that).

‘So you’re the sobriquet of the School of Delight?’ quips Eric Kennedy. Sobriquet. Oh clever. Thus begins a new Golden Age in Poetry. The interview website DiveDapper came from Kaveh’s hunger for dialogue with other poets while going through recovery. It’s a way to share experience with others – ‘a vast expanse of empathetic resources.’

The internet has meant that ‘the age of coy diminishment of one’s passions is over’…it is now an age of ‘unabashed zeal.’ Eric:  Zeal Land!”

Kaveh read a number of wonderful poems from Calling a Wolf a Wolf. I love the titles – so real but imaginative. He really does have a way with words:

The last word goes to Mr Akbar:

“Poetry is the best thing that exists in the universe.”

More about Kaveh Akbar

Kaveh has been published by the New Yorker, The New York Times, Best American Poetry 2018 and The Guardian:

Poems

Poet and Poetry Cheerleader in Chief: Kaveh Akbar – WORD Christchurch – Tuesday 6 November 6.30pm at Tūranga

… It’s exhausting, remaining /
humble amidst the vicissitudes of fortune. It’s difficult / to be anything at all
with the whole world right here for the having.

(from the poem Being in This World Makes Me Feel Like a Time Traveller)

CoverCome along to Tūranga on Tuesday 6.30pm to hear Iranian-American poet Kaveh Akbar read some of his award-winning works and chat with Christchurch poet and editor Erik Kennedy. This event is proudly bought to you by WORD Christchurch, in association with LitCrawl Wellington. Tickets are $20 waged, and $15 unwaged (plus service fees). Buy tickets from Dash.

Kaveh has won awards, and his poems have appeared in heaps of prestigious publications like The New Yorker, The New York Times, Best American Poetry 2018, and The Guardian.

Check out Kaveh reading Max Ritvo’s “Touching the Floor” and his own poem “Portrait of an Alcoholic Frozen in Block of Ice”:

He founded DiveDapper, a poetry interview site. It is pretty much the poetry equivalent of Jerry Seinfeld’s show ‘Comedians in cars getting coffee’, but in DiveDapper you get two poets on top of their games in conversation. It features a stellar lineup of poets including:

  • Jos Charles, “We must let our unknowabilities exist.”
  • Sharon Olds, “I write as much crap as anyone.”
  • Claudia Rankine, “I’m not investigating race as much as I’m investigating intimacy.”
  • and slam poet Anis Mojgani (who many of you will remember from his previous visits to Christchurch, slaying us with his potent words).

It makes total sense that Jeevika Verma in NPR refers to him as “poetry’s biggest cheerleader”:

He believes that everyone should be reciting poems as they walk into a coffee shop, as they do the dishes, as they go on with their lives.
“The fact that poems exist is the load-bearing gratitude upon which I have built my life,” he explains. “And what do you do with gratitude when it piles up? You have to push it outwards.”
He says it’s sort of like eating a Snickers bar. “Not sharing your gratitude is like holding a Snickers bar in your mouth for a week. You’d just get cavities,” he laughs. “This is what I want to do with DiveDapper. As far as I’m concerned, poetry is the best thing that exists in the universe.”

The event will be followed by a book signing, with Scorpio Books will be selling copies of Kaveh’s book. There will be food and drink available for sale too.

Photo by Hieu Minh Nguyen. Image supplied.

And in more Christchurch poetry news …

The New Zealand Poetry Slam Final Saturday 3 November

The New Zealand Poetry Slam national final is on this Saturday 3 November. It is the first time finals have been in the South Island.

The nation’s best poets will compete in a literary showdown on Saturday, November 3rd in Christchurch. Poets representing Christchurch, Auckland, Wellington, Hamilton, Hawkes Bay, Dunedin, Nelson and Southern Lakes will perform in a three-round poetry slam as selected members from the audience will judge to determine the winner. Can Christchurch defend their title or will a new city take the crown?
Featuring 2017 National Slam Champion, Christchurch’s own Daisy Lavea-Timo (DaisySpeaks), this is not a night to miss.

What: NZ National Poetry Slam Finals
When: Saturday November 3rd 2018
Time: Doors 7pm, Show 7:30pm
Where: Haeata Community Campus, 240 Breezes Rd.
Cost: $20 general, $15 students

National Poetry Day celebration at New Brighton Library

It was a day later than the official National Poetry Day on Friday 24th August, but we figured the Saturday would free the poets up for other engagements and bring in the biggest audience with the added attraction of the weekly New Brighton market.

The poets joked on arrival that they might be reading to each other if no one showed up, but, between myself and the good people at the Digital Library Web Team, we had drummed up as much free Facebook publicity as we could and it paid off.

An audience of twenty-one showed up to enjoy the poetry of Jeni Curtis, David Gregory, Heather McQuillan and Jeffrey Paparoa Holman, all distinguished poets locally, nationally and internationally.

The event was free, but, if it had been a paying event, it would have been sold-out. To paraphrase the late Frank Zappa, we proved that “poetry is not dead, it just smells funny”.

David and audience

David Gregory reading to an appreciative audience at New Brighton Library.

Heather and audience #2

Heather McQuillan reading.

Jeni and audience

Jeni Curtis reading.

Jeffrey and audience

Jeffrey Paparoa Holman reading.

There was lots of engagement after the reading between the poets and the members of the audience which was wonderful. New Brighton Library wishes to thank the four poets who gave so generously of their time.

Buy their books, or you can borrow them from Christchurch Libraries.

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Find works in our collection by:

National Poetry Day Picks

Despite the beauty of timeless poetry, there is nothing quite as likely to get blood boiling and teeth gnashing, as a conversation about favourite poets. There is a Daumier lithograph called ‘A Literary discussion in the second balcony’ depicting a group of men brawling in an opera box upon such a ‘discussion’. However, National Poetry Day on Friday 24 August, is calling for a good ‘literary brawl’, and below is a list of my ten favourite poetry volumes to add to the furore.

The Poems of Tennyson

If you are wanting to dapple in sheer sunlit perfection, you couldn’t do any better than read a volume of poetry by Alfred Lord Tennyson. From ‘The Lady of Shalott’ to ‘Idylls of the King’, each poem in this collection is word perfect, cementing Tennyson’s reputation as perhaps the most-loved poet of the Victorian era

CoverEugene Onegin

If you can’t see yourself getting though a daunting looking volume of poetry in its entirety, why not try this beautiful novel in verse by ‘Russia’s Shakespeare’, Alexander Pushkin. Through exquisite prose, Pushkin relates the timeless love story between Eugene Onegin, a world weary dandy, and Tatayana a diffident but passionate young woman. This fine translation manages to capture both the rhythm and beauty of Pushkin’s novel in verse, making it a sheer joy to read.

CoverW.B. Yeats

You would be hard pressed to find a list of greatest poets that doesn’t include W.B. Yeats. Reading this wonderful collection of his work, it isn’t hard to see why. A prolific poet who is dearly loved for his moving poems about Ireland, as well as his perceptive meditations on life and death, Yeats is certainly justified in being regarded as one of the most important poets of the twentieth century.

CoverSelected Poems

This selection of Byron’s works includes the beautiful Hebrew melodies and the complete text of lengthier works such as Childe Harolde, an enduring classic. Mad, bad and gloriously dangerous to know, who could not love this selection of his works (and, lets face it, the mad, bad man himself).

Collected

This beautiful selection of Auden’s works includes such loved poems as ‘Funeral Blues’ and ‘In Praise of Limestone’ (who knew limestone could so inspire readers, such is the power of Auden). This selection showcases the amazing diversity of Auden’s writing and its incredible beauty. Mention must be made here of Tom Hiddlestone’s beautiful recital of ‘As I walked One Evening’. If you do nothing else this National Poetry Day, please listen to this and you will be inspired to read this volume of Auden in its entirety.

CoverThe Complete Poems of Emily Dickinson

Emily Dickinson is one of the most beloved, and influential poets of the nineteenth century. Little of Dickinson’s vast work are known to have been published during her lifetime, due to their astonishing originality, but this collection brings together 1775 of her poems, doing justice to a truly unique and insightful  American voice.

Rubāʻīyāt of Omar Khayyam

Perhaps the most celebrated meditation on the brevity of life, this 101 verse narrative known as the ‘The Rubaiyat of Omar Khayyam’ is filled with perception, wit, and beauty. Over two hundred years old, this narrative pieced together from Khayyam’s quatrains by Edward Fitzgerald, caused a storm upon its publication for the sheer distinctiveness of its voice. Today it remains an accessible yet incredibly profound mediation on human existence.

CoverThe Complete Poems of Emily Jane Brontë

You may know the Brontes better for their incredible contributions to English literature in the form of novels (i.e ‘Wuthering Heights, ‘Jane Eyre’, ‘The Tenant of Wildfell Hall’) but Bronte fans would be truly missing out if they were to pass up on their poetry. This volume contains the complete works of Emily Bronte’s poetry, and it is every bit as accomplished as her only published novel, Wuthering Heights.

CoverChristina Rossetti

Popular for her effervescent ballads, and incisive poems on love, Christina Rossetti is a poet who seems to become more and more celebrated as time moves on. This beautiful collection contains her complete works including perhaps her most famous poem, ‘Goblin Market’, some terrifying childrens verses, beautiful sonnets, and romantic verses.

Selected Poems of Elizabeth Barrett Browning

How do I love Elizabeth Barret Browning – let me count the ways… This would actually take far too long so I will just say that this volume of her selected poetry will say it all. Including her much loved ‘Sonnets from The Portuguese’, this beautiful volume of her poetry perfectly showcases the perfection of her work, with every line a sheer pleasure to read.

CoverThe Complete Nonsense and Other Verse

Okay, I did say ten picks, but including a light, humorous poet, who doesn’t write with brooding intensity but rather of gentleman and ladies from various parts of the country, did seem too brave a step for me. Edward Lear is my ‘additional’ pick, a fun and fantastical poet whose writing is always sheer fun and joyous to read.

Agree or disagree, there really is a poet out there for everyone. If you have never been convinced of this fact before and have always thought that poetry is strictly for the somewhat soppy, over sentimental birds, please think again. There are poems for literally every taste and every situation-death, war, love, childhood, loss, grief, the list goes on, and with all good poems, the words live on, capturing human emotions in a way that no other art form quite can.

If reading poetry is not your thing and you are more of a listener, there are some great poetry events on at WORD Christchurch Festival 2018 to help celebrate National Poetry Day. These include a lunchtime reading with celebrated NZ poet and winner of Te Mata Poet Laureate (2002), Elizabeth Smither, as well as the 2018 Christchurch Poetry Slam. You can also see Ray’s super helpful blog detailing many other poetry workshops and events in Christchurch.

Celebrating National Poetry Day at New Brighton Library – Saturday 25 August, 2pm to 3pm

New Brighton Library is excited to be hosting four distinguished Christchurch poets who will present a reading to celebrate National Poetry Day.

Although officially National Poetry Day is Friday 24 August, we decided that we would capture a bigger audience for the reading by holding it on the day after, Saturday 25 August. The weekend market brings people into New Brighton in great numbers and hopefully some of the shoppers are also poetry lovers or, at least, poetry curious. Many Mums and Dads are also free from the constraints of work and may want to introduce their children to the power of poetry when it leaps off the page and springs from the mouths of the poets themselves. Many people believe that poetry is at its most effective when delivered orally and consumed aurally. And the poets promise to be family-friendly.

So New Brighton Library invites you to cast aside your preconceptions and any prejudices against poetry that your high school English teacher may have unwittingly cultivated and let these four wonderful poets show you that poetry can be exciting, funny, moving and thought-provoking.

The reading takes place at 2pm on Saturday 25 August and the poets are:

Jeni Curtis
Jeni Curtis. Image supplied.

Jeni Curtis is a Christchurch writer who has had short stories and poetry published in various publications including takahē, NZPS anthologies 2014 to 2017, JAAM, Atlanta Review, The London Grip, and the Poetry NZ Yearbook. In 2016 she received a mentorship from the New Zealand Society of Authors. She is secretary of the Canterbury Poets Collective, and chair of the takahē trust. She is also co-editor of poetry for takahē, and editor of the Christchurch Dickens Fellowship magazine Dickens Down Under.

David Gregory
David Gregory. Image supplied.

David Gregory has had three books published in New Zealand, Always Arriving and Frame of Mind, both by Sudden Valley Press and Push by Black Doris Press. His poetry has appeared in a goodly number of publications and anthologies and he has performed his work here and in the UK. He has been involved with the promotion of poetry with for over 20 years. He is also an editor for Sudden Valley Press which has produced over 32 high quality poetry books.

Heather McQuillan
Heather McQuillan. Image supplied.

Heather McQuillan is Director at The School for Young Writers. She loves writing in many forms from poetry to short fiction to novels and plays. She has a Master of Creative Writing. Some of her work will appear in the upcoming Bonsai: Best small stories from Aotearoa New Zealand which will be launched at the WORD Christchurch Festival.

Jeffery Paparoa Holman
Jeffery Paparoa Holman. Image supplied.

Jeffrey Paparoa Holman writes poetry, memoir and history. His most recent works are Blood Ties: New and Selected Poems 1963-2016 (Canterbury University Press, 2017) and Dylan Junkie, his Bob Dylan fanboy poems (Makaro Press, 2017).

If you fancy a foretaste of the treats to come, some of their books can be found in the Christchurch City Libraries:

Push by David GregoryMind over Matter by Heather McQuillanNest of Lies by Heather McquillanDylan Junkie by Jeffrey Paparoa HolmanFly Boy by JPHShaken Down 6.3 by JPHAs Big as a FatherThe Lost Pilot

Find works in our collection by:

Read Ray’s post on National Poetry Day, including NZ poets at WORD Christchurch Festival – Wednesday 29 August to Sunday 2 September.

National Poetry Day – Friday 24 August 2018

Aotearoa has been celebrating National Poetry Day on the last Friday in August for over 20 years now! This year it’s on Friday 24 August, and across the country, you can engage in all kinds of events, workshops and competitions. There’s even people marking the occasion with poetry readings in as far flung places as Edinburgh and Berlin.

Closer to home, Ōtautahi has some really cool events you can check out, whether you’re into attending a writing workshop, seeing poetry performed, or entering a competition. If you’re into the competition side of things, make sure you map out submission dates in your calendar now – there’s lots going on with lots of different due dates, but if you leave it till the week of Poetry Day, you might be too late!

Late in the evening, there’s a fiery and feisty evening of poetry planned at the Space Academy, on St Asaph Street – ‘We Are The Persistence’ features Tusiata Avia, Ray Shipley, Alice Andersen, Rebecca Nash and Isla Martin.

If you’re looking for events that are a little more interactive, you could check out the Great Wall of Poetry – a giant display of a diverse range of local poetry – at University Bookshop, Ilam Campus. You can go along and read the work on the wall, and you can also submit your own poems.

UBS is also hosting a poetry workshop with local legend Kerrin P. Sharpe (whose new book, ‘Louder’, is being released at the end of the month). The hour-long workshop, from 12.30-1.30pm, will be full of writing exercises and feedback, with an opportunity for the work you create to be published in UBS’s inaugural National Poetry Day online collection!

Warm-up and wrap-up events happening before and after National Poetry Day

If you’re school age (year 5 to 13) you might like to check out the Young Writers Poetry Pentathlon on Thursday 23 August – a game show crossed with a writing class! Sounds wild.

And the day after National Poetry Day, the fine folk at Hagley Writers Institute are hosting two Saturday daytime workshops so you can take all the inspiration from the previous day and turn it into a poetic masterpiece.

Christchurch City Libraries are of course getting in on the poetry action with a daytime, all-ages, free event on Saturday 25 August at lovely New Brighton Library from 2pm-3pm, featuring readings from four local poets: Jeni Curtis, Heather McQuillan, David Gregory, and Jeffrey Paparoa Holman.

Explore the full list of events across New Zealand.

COMPETITIONS

Nationally, there are some great and creative poetry competitions to get your teeth sunk into.

My favourite ones include:

National Poetry Day is an opportunity for lovers of poetry to spend the day writing, listening, and getting inspired; but it’s also a day of discovery and new ideas for folks who may have found poetry a bit hard to engage with previously. New Zealand has so many wonderful poets from diverse and wonderful backgrounds, and if you take the time this National Poetry Day to encounter something new, you won’t regret it!

New Zealand poetry at WORD Christchurch Festival 2018

Find works in our collection by these New Zealand poets appearing at the WORD Christchurch Festival from Wednesday 28 August to Sunday 2 September:

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See more poetry events at WORD Christchurch.

Ray
Upper Riccarton

No coward soul…

I am the only being whose doom
No tongue would ask, no eye would mourn;
I never caused a thought of gloom,
A smile of joy, since I was born.

Oh Emily Brontë – how wrong you are! I don’t know if this poem of yours is autobiographical or not, but you really have caused many smiles of joy and thoughts of gloom, and all sorts of other feelings, since you were born 200 years ago on 30 July 1818 in West Yorkshire.

image_proxyThink how many people have swooned over Heathcliff – surely the ultimate Byronic hero – and been captivated by the passion and strangeness of Wuthering Heights, Emily’s only published novel. It is in many ways a brutal and nasty book, considered shocking when it was first published in 1847, but has stood the test of time to be considered one of the greatest novels in the English language.

Emily is also known for her intense, intellectual poetry, although reading ‘I am the only being whose doom‘ has made feel a tad bit gloomy. In her isolated, seemingly lonely life, did she really feel that she had to keep her emotions under control because they were corrupting her? Or has she created a narrator to explore her thoughts around emotions and the need to be loved? We’ll never know, for Emily Brontë is so very elusive, perhaps the most mysterious of her incredible family.

She is also a canvas on which other authors have speculated – both about her life and about some of the gaps in Wuthering Heights.

I don’t really know how comfortable Emily would be with all this continued attention, but I hope she knows that she’s appreciated the world over. We’ll certainly be remembering her on her birthday and her wonderful way with words. I’ll leave you with this quote I love from Chapter 9 of Wuthering Heights:

I’ve dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they’ve gone through and through me, like wine through water, and altered the colour of my mind.

Do you have any favourite Emily Brontë poems or quotes or Heathcliffs?

Find out more

A Matariki poem: Ururangi – Seventh born

Ururangi – Seventh Born

E Ururangi – Seventh born,
yonder in the heavens,
cloaked within your stardust korowai,
we see you, I see you…
amid your celestial whānau Matariki,
Ururangi, I entreat, throw off your cloak and shine brightly,
herald in the gentle winds,
so as we may rest and celebrate good fortune,
E Ururangi – Seventh born,
yonder in the heavens.

An original poem about Matariki that references one of the stars of the cluster, Ururangi – the star of the wind. The kaupapa (focus) for Matariki 2018 is sustainable natural resources of Matariki – Tupu-ā-nuku, Tupu-ā-rangi and Ururangi. These whetū (stars) are connected to food that is grown in the earth, food that comes from the sky, and the wind. It is essential for us to look after our Earth, and its natural resources, so that it can continue to sustain us.

Celebrating World Poetry Day – Wednesday 21 March 2018

It’s World Poetry Day today! As an occasional poet myself, I’m a bit embarrassed to say I didn’t know there was a World Poetry Day until earlier this week. Turns out the United Nations Educational, Scientific and Cultural Organization are behind it, declaring in 1999 that March 21st would be a day to celebrate poetry globally each year.

What’s so good about poetry though? For lots of people, poetry doesn’t really play a part in their lives – at the most, perhaps when people think of poetry they think of a stuffy 3rd form classroom, being lectured about World War One rhyming couplets and Shakespearean sonnets.

Poetry in the Aotearoa New Zealand Centre
Poetry in the Aotearoa New Zealand Centre. Central Library Manchester, Christchurch. Friday 22 August 2014. Flickr 2014-08-22-IMG_1608

But, as the UN says: “Poetry reaffirms our common humanity by revealing to us that individuals, everywhere in the world, share the same questions and feelings…” which is a pretty comforting idea. At its most simple, I guess they’re saying that whatever background and culture and language you come from, poetry provides a way of explaining thoughts and feelings and ideas that maybe just don’t make as much sense in other formats. What would the Hogwarts Sorting Hat be without its introductory poem? The Oompa Loompas without their songs? And on a more serious note, those soldiers writing in the trenches certainly thought they could express their experiences more powerfully through poems; and the poems that come out of revolutions and wars and times of upheaval can give us insight into the humanity of a situation that a simple news report cannot. For most cultures around the world, storytelling, poetry, and spoken word are the key ways histories have been recorded and traditions have survived.

Phantom Poetry on High Street
Phantom Poetry on High Street. Flickr CCL-2012-07-IMG_5335

There’s plenty of opportunity to explore some poetry this World Poetry Day – a short walk around the city will get you face to face with a poem on a bollard or a wall with thanks to Phantom Billstickers poetry posters; a quick YouTube search and you’ll find plenty of slam and performance poetry (Button Poetry is a great place to start); and of course the library has plenty of poetry to get your hands on – why not start with Kate Tempest (UK); Rupi Kaur (Canada); or Selina Tusitala Marsh?

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Or you could check out some live poetry! It’s happening all year round in Ōtautahi, with Catalyst, Faultline Poetry Collective, and Mad Poets Society all hosting regular events. There’s also a New Zealand National Poetry Day, celebrated this year on Friday 24th August where events and competitions are run all over the country.

It’s pretty clear that poetry is still strong, still living and breathing in communities all around the world – including right here!

Ray

Harry Giles: Doer of Things (WORD Christchurch event, Tues 13 March 7.30pm at Space Academy)

I must admit to some trepidation about reporting on a Poetry Reading. How does one describe a Poetry Reading to those that weren’t there? Even one by a flamboyant Scottish poet who has travelled halfway across the world.

Harry Josephine Giles originally came from the Orkney Islands but they did not elaborate from which island other than to tell us that their island had 700 people and six churches of various denominations. Obviously, a small island northeast of Scotland was never going to contain nor satisfy a restless, creative spirit like Harry’s so they headed for the big city and now reside in Edinburgh.

I vacillated on whether I should take notes, but I thought that would be a buzz kill when I was trying to listen and enjoy the poetry in the moment.

Harry started off reading some poems in English and then went on to read some in Scots. If you want to see what Scots poetry looks like, check out Whit tae write nou?

I profess ignorance and I have no excuse since I am descended from Scots, but I was unaware that three languages were spoken in Scotland as Harry enlightened us. I knew they spoke English (the language of their colonisers) and Scots Gaelic (related to the other Celtic dialects of Ireland, Wales, Cornwall and Brittany), but I hadn’t considered Scots as a separate language. I’d thought of it as a variation of English. But Harry put us straight, explaining that Scots has those Norse origins that English shares.

Harry kindly read their Scots versions of poems then followed with the English translation, so to speak.

Although tired after their whirlwind tour of Aotearoa (nine gigs in seven days in New Plymouth and Wellington), Harry gave an energetic performance. It was easy to see that Harry works in the performance and theatre arenas because they enlivened their poetry with modulations of their voice and gestures. Harry has a beguiling shyness that peeps out from time to time.

Harry read a small series of poems in which they had engendered their fears and anxieties through the persona of a female military drone. You can hear some of the sequence on Soundcloud.

https://soundcloud.com/harry-giles-6/drone

Harry was introduced by Ray Shipley who is a Christchurch-based poet, comedian, youth worker and founder of the Faultline Poetry Collective. Ray made an able MC and general crowd-exciter, but Harry had the audience engaged from their first poem and many of us were sad to bid Harry farewell after only an hour and a half.

More Harry Giles