Recently there have been a number of articles in the world’s press covering the rise of the Alt-Right in politics, and confrontations between Neo-Nazis and anti-racists. Many media commentators have drawn the conclusion after incidents such as Charlottesville, Virginia that President Donald Trump tacitly supports the white supremacist movement and, indeed, draws much voter support from this group. Many political pundits feel that the meteoric rise of Trump in the election campaign was due to the disaffected, poor, and often rural white population.
There are a number of interesting books and films on these movements, both fiction and non-fiction. Some deal with former white supremacists and Neo-Nazis moved to reject the creed of racial hatred. One such epiphany is featured in the documentary Erasing Hate (a video streaming on our eResource Access Video). It tells the story of American Neo-Nazi skinhead Bryon Widner who wanted to start anew with his wife and family and underwent painful laser removal of his white supremacist tattoos.
Other relevant documentaries and films on Access Video include:
Janneth Gil, Liam Lyons, Elise Williams, Lucas Perelini and Thomas Herman photographed the people and physical environment of Bishopdale between March and September this year, building a collection of over 350 images that capture both the history of the area and the often overlooked moments of community life. The gathering at the fishing and casting club meetings; new mums learning baby massage at the Plunket rooms; a father and teenage son watching the All Blacks over a pint, a Coke and a bowl of chips — for the photographers, these were some of the moments that conveyed the deep connections people had in Bishopdale, to each other, and to the place.
“Going to a community like that and noticing that there are so many things going on and people getting together – it opens doors and gives the feeling like you can belong to a place,” Janneth Gil reflected after completing the project. Like Janneth, all of the photographers discovered a vibrant and inclusive community in Bishopdale, and were humbled by the generosity people showed as they were invited into their homes, workplaces and clubs.
For Lucas Perelini whose only experience of Bishopdale before this project was Saturday morning rugby at Nunweek Park, he was inspired by the richness of life that exists in suburban Christchurch if you only pause to look: “Sometimes you can walk around a place and it doesn’t seem like there’s a whole lot going on – but there really is. There’s so much going on that you can’t always see at first glance.”
The Christchurch Documentary Project is a collaboration between Christchurch City Libraries and the University of Canterbury, School of Fine Arts that began in 2015. Internship positions are offered to photography students in their 3rd or 4th year of study with the brief to create a documentary photographic record of a Christchurch community. The photographs are then included in the Christchurch City Libraries Digital Heritage Collection, acting as an important social record for generations to come.
Ngāi Tahu artists have transformed CoCA Gallery. On a recent visit I was captivated by the rock art images drawn on the walls. The drawings, by Ross Hemera, are inspired by ancient rock art. Fascinating pieces of sculpture and projections also rim the gallery walls and interior.
Ngāi Tahu artists from Aotearoa and around the world have come together to create the exhibition Paemanu: Ka Nohoaka Toi.
Curated by senior Paemanu artists, the exhibition takes the form of a nohoaka, a seasonal site for gathering food and other natural resources. There are 72 nohoaka (or nohoanga) within Te Waipounamu. Rights to the nohoanga are part of the Ngāi Tahu Claim settlement.
Christchurch City Libraries blog hosts a series of regular podcasts from specialist human rights radio show Speak up – Kōrerotia. This show is created by Sally Carlton.
In this episode Sally talks with Sharon O’Brien and Federico Federici of INTERACT (International Network on Crisis Translation) andJ. C. Gaillard and Jay Marlowe (University of Auckland) on the issues, challenges and strategies around communicating important information to diverse communities during times of disaster. Talking points include –
Interpreting vs translating
Importance of translation and interpreting as means of inclusion – first language use and access to information as human rights
Risks to crisis translators / interpreters
Importance of disseminating info to everyone before, during and following disasters
Importance of building relationships before disasters occur
Vulnerability and strength of minorities – what they can bring to disaster prep
Importance of allowing minorities to formulate their own policies – not just “participate” in outsider-produced policy
Love it or hate it, Halloween is upon us once again. Today it is a vastly different experience than the one that the Celts traditionally celebrated. For them it marked the reaping of the harvest, the end of summer and an opportunity for the dead to cross over to the living world and scare the daylights out of everyone. Sounds like great fun so far!
For us however, Halloween has become an attempt at recreating what is largely a Northern Hemisphere celebration – with Southern Hemisphere seasons, beliefs and inclination. And more often than not, if we try to emulate what we see on TV we are destined for disaster. So here is a cautionary tale of ‘How not to Halloween’. Sadly parts of this aren’t as fictional as I would like them to be.
Let us think for a moment… the pumpkins will have only just been planted and won’t be ready until around Easter next year. So now we will have to attempt to carve something sourced from the local supermarket. We pick out a nice Crown pumpkin and overlook the insipid grey colour and lack of grandeur. Beggars can’t be choosers. All it needs is a scary face carved in it and a candle to highlight your excellent pumpkin cutting skills. You take your sharpest knife and start to cut the top off what is arguably the toughest skin on any vegetable available*.
After you get back from the doctor, you decide that it is probably wise to do away with the carved pumpkin as you can’t afford to lose the use of your other hand. You may still be able to salvage it as a Halloween decoration however, as it is now rather realistically covered in blood.
Meanwhile, your kids are dressed up in the scariest costumes you could find at the local Opportunity Shop and are already dreaming about the sheer weight of the lollies that they hope to get. They wonder momentarily if that pillowcase is going to be big enough.
Leaving Hubby home in charge of the lollies; you venture forth into the bright sunlight with a handful of ghosts and witches in tow for the trek around what you thought was a friendly neighbourhood. How wrong you were. You find yourself greeted by grouchy people who can’t even fake being nice for the kids. They love to point out the error of your ways for daring to try and experience what is largely an American custom. Others will wander openly around their living room while your kids knock on a door that will never open. Some will go to the trouble of putting out ‘No trick or treaters’ signs to save you the energy of knocking. I like these people. We each know where the other stands.
Of course it isn’t all doom and gloom. There is the occasional legend that will gush over the kids costumes and hand over a lolly or two. But after an hour and a half of what amounted to a crushing failure; we head home defeated. I console the kids with the fact that if we’re lucky, their dad won’t have eaten his way through the entire bowl of lollies at home. It has been a rather disappointing experience. The kids don’t understand why their Halloween bears little to no resemblance of the ones that they have seen on TV. Let’s be honest – it’s still won’t be dark for another hour or more.
When we get home we find that the only other people that have come around trick or treating were teenagers who didn’t bother to dress up. And when my daughter finds out that they made off with her plastic skeleton that I’d propped next to the ‘bloody’ pumpkin; she probably won’t forgive me.
I know that there are houses somewhere that are re-enacting their version of Halloween – I’ve seen the lollies disappearing from the shops. Maybe next year I’ll save myself some time and heartache and just ask them where they live. At least then we can be assured of a guaranteed result!
So if your kids are begging you to join into Halloween this year, you think you can avoid these amateur mistakes and you are looking to earn some easy brownie points; here are some books to help you achieve this.
Nursery rhymes are easy to remember, short to sing and have fun actions! So, in preparation for New Zealand Chinese Language Week (16-22 October) why not start your Chinese learning with Chinese nursery rhymes? Here are some easy Chinese nursery rhymes you can try. The best part is that you don’t have to worry about the different tones in Chinese. Try to match the tune.
Twinkle Twinkle Little Star
Twinkle, twinkle, little star
How I wonder what you are
Up above the world so high
Like a diamond in the sky
Twinkle, twinkle, little star
How I wonder what you are
Diwali or dīpāvali, the festival of lights, is traditionally celebrated by Hindus, Jains and Sikhs with the rising of the new moon at the end of the month, Ashvin. However, in a country as diverse as India, where people from many different faiths live side by side, the festival is not limited to one particular faith for it represents the victory of light over darkness and the triumph of wisdom over ignorance. Throughout cities and villages the darkness will be symbolically turned back. Clay lamps (diya) will be lit in homes and shops, fireworks will be released into the sky and the streets will be filled with music.
We have two local dance groups performing on Saturday 14 October at three different library venues.
Revathi Performing Arts will perform a puṣpāñjali (welcoming dance) set to Carnatic (Southern Indian) music at:
Diwali is also closely associated with one of the great epics of India, the Rāmāyaṇa. The focus of the epic is the journey of Prince Rāma, an avatar (incarnation) of the god, Viṣṇu, to rescue his wife, princess Sītā, who was abducted by Rāvaṇa, the king of rākṣasas (demons). Aided by an army of monkeys and bears, led by the monkey general, Hanumān, Rāma laid siege to the island kingdom of Lanka and eventually defeated Rāvaṇa. Returning to their kingdom of Ayodhyā, Rāma and Sītā were greeted by people who lined their route with lamps to welcome them back. The lighting of lamps at Diwali is said to represent the lights guiding the couple back to their kingdom.
This exhibition will show photographs and tell stories of the Lost Cave Baches, located between the east end of Taylors Mistake and Boulder Bay. A booklet will be available with photographs and stories.
In celebration of the opening of the Lyttelton Rail Tunnel 150 years ago, members of the public are invited to share their stories, memories and images of travelling on the Lyttelton to Christchurch passenger train. These memories will be collected and recorded in the Lyttelton Library by volunteers for the Lyttelton Museum. There will be an accompanying display of images and information about the Lyttelton Rail Tunnel at the Lyttelton Library.
Come and see a heritage display reflecting Christchurch’s past in the Classics Building at The Arts Centre. Library staff will be on hand to answer your questions about our heritage images collection and our Christchurch Photo Hunt competition.
All aboard for a special storytimes adventure incorporating stories, songs and rhymes with a Cantabrian flavour (and plenty to please train fans too). Set inside a magical star tunnel, these sessions will run every half hour from 10am to 3pm in the Classics Building at The Arts Centre. Suitable for children aged 3-7 years. Bookings will be taken on the day.
An exhibition for those who love freewheeling. Here you’ll see a fascinating display illustrating Christchurch’s colourful cycling history. It will include heritage bikes on display, as well as images and historical research pulled from Christchurch City Libraries collections.
A history of Governors Bay, Ōhinetahi, Allandale and Teddington, this immensely readable, impeccably researched and superbly illustrated book tells the stories of the families who settled at the head of the harbour, of the homes they built, of their relationship with the land and sea, their working and recreational lives. It traces the influence of well-known residents such as Thomas Potts, Hugh Heber Cholmondeley and Margaret Mahy. Author Jane Robertson has interviewed many residents and ex-residents, whose experiences and photographs enrich a book that is not just for those with connections to this special place, but for anyone interested in the history of Canterbury and of New Zealand.
An introductory session on how to use Ancestry Library Edition, which is free within the library. Come and get some tips to help you discover your family’s history.
You will gain an overview of the wide variety of vital records from New Zealand, Australia, United Kingdom, Europe and the United States from this eResource. Free, no booking required.
“This is my 2nd photo of the waka on Waitangi Day, 1977. The launching coincided with the opening of the Museum. I’m not sure if this was taken prior to the official launching, or the way back. (I think it was the latter). See also File Reference: HWC08-SO-101.”
Date: 6 February 1977
File Reference: HWC08-SO102
Entry in the Christchurch City Libraries 2008 Photo Hunt.
Photo Hunt 2017: Plains, Port Hills & Peninsula – Finding our way
This year the theme for Photo Hunt is Plains, Port Hills & Peninsula – Finding our way. However, the photos you submit are not limited to this theme. We invite you to share any of your photos and help grow the city’s photographic archive. All entries must be received by 31 October.
Kete Christchurch is a collection of photographs and stories about Christchurch and Canterbury, past and present. Anyone can join and contribute.