It’s mid-December. That means there’s only a few more days before school breaks up, and Kiwi families start getting together to celebrate the holidays and ring in the New Year. Whether you spend Christmas holidays camping out in the bush or at the beach, meeting up with the whānau at the bach, or just hanging out at home playing backyard cricket or basketball, there are some things that just scream ‘Kiwi summer holidays!’
Heading over to the West Coast? Watch out for the tricky kea – they might try and attack your car! Going to stay at the bach in the country? Remember to check for daddy long legs in the outhouse! Taking the whānau to the beach for a picnic? Those seagulls will try and snatch your kai, so keep a good eye on your picnic basket!
It is these Kiwi classics that Peter Millett and Scott Tulloch draw on in their new book, More Classic Rhymes for Kiwi Kids (Bateman Publishing) where well-known rhymes like ‘I’m a little teapot’, ‘Old McDonald had a farm’, and ‘Wee Willie Winky’ get given a Kiwi twist. There are sheep, kiwi, and huhu grubs galore in this book, and because the pictures show typical everyday scenes, they are a great starting point for talking to children about family holidays you have taken together, sports you used to play when you were little, and about that squiggly, squirmy huhu grub you ate that one time when you were camping.
If you have whānau members coming from overseas, borrowing More Classic Rhymes for Kiwi Kids will introduce them to a side of New Zealand they might not get a chance to see. If you live here in Aotearoa New Zealand, it is a fun book to read and see characters just like you – playing rugby, mountain biking, and camping in the rain.
So firstly, if you find yourself in the mood for a well crafted locked-room mystery in the style of an Agatha Christie murder mystery, get yourself a copy of An Unwanted Guest by mystery master Shari Lapena. It’s a group of strangers held captive by the elements in a secluded boutique hotel. When the guests begin to fall victim to murder the story weaves and wraps around in a classic whodunit style with a good twisty-turny plot. A perfect choice for a bit of summer escapism.
How about hearing some tales of the Norse Gods, written and read by Neil Gaiman – a self-confessed devotee of the classic sagas.
These stories are fantastical, full of deceit and murder, trickery and beauty, and expertly read by the author in the audiobook edition available on our eResource BorrowBox. You’ll discover the strange relationship between Thor and his brother Loki, learn how the Gods came to be in possession of their most treasured artifacts like Thor’s hammer, named Mjolnir, or how Loki came to bear his children – a brilliant story of Loki’s trickery coming back to bite him. Amazing stories and a privilege to be able to listen to the author present them just as intended – casual and conversational storytelling.
What about music…? If you’re looking for some tunes this season then I would suggest you check out the award-winning new album from Kiwi contemporary music legend Eve De Castro Robinson, The Gristle Of Knuckles. New Zealand’s contemporary music is in a fine state if this album is anything to go by. It’s from the hand/mind of one of the countries most respected music educators and composers and features many of our most celebrated musicians. It’s outstanding – dynamic, inventive, masterfully performed, and well worth a listen if you like jazz and contemporary music as an artform.
And there’s always a Graphic Novel to help you while away an evening.
A darkly comedic tale of a man who wants to die but instead, whenever he tries to die, he just shifts over into whoever is around him. A brilliantly funny and darkly curious take of modern life by an expert artist. It’s simplistic artwork counterpoints the bleak nature of the subject matter – a comedy about suicide!? And what results is book of gravity and heart.
A grown up fairytale from the legendary Giambattista Basile that is dark, twisted, and engrossing. Three kingdoms exist within the lands, each ruled by very different monarchs. Through the lives and demands of the people and the supernatural worlds, their stories intertwine to create a masterpiece of imaginative film making. A brilliant cast and a story that will stay with you long after.
“It is my first time to see Korean books in a library!” an elated Donggi Jun said when he saw the shelves of books in his native Korean, a part of the World Languages Collection Ngā Reo o te Ao / World Languages, Auahatanga | Creativity, Level 4 of Tūranga.
Jun hails from South Korea but has been a Christchurch resident for years. “I’m so happy to see lots of popular authors. A lot of us miss our country. These books will be a source of comfort,” added the 58-year-old who also renewed his library membership card so he can start borrowing Korean books “as often as I can”.
Jun is only one of many migrants who were delighted to see the World Languages Collection since Tūranga opened on Friday 12 October. The collection aimed to reflect the thriving cultural diversity of Christchurch. It enables migrant communities to maintain a connection with their language and culture, as well as provide study materials for English language learners.
Olivier Hoel, who left France to work in Christchurch a year ago, was thankful to find his beloved French titles housed at Tūranga:
“It was a great surprise when I saw them first at Peterborough Library and now, they’re here, more accessible in a such a lovely place.”
Visitors to the city were equally impressed. “We are in the wrong city! How come you have this!?” a South African visiting from Wellington exclaimed while lifting an edition of the Afrikaans magazine Rooi rose from the rack. She was also able to find a book in the Afrikaans section written by a friend, quickly getting a snapshot for Instagram.
German tourist Horst Schnidt was also pleased. Looking up from reading the pages of German periodical Der Spiegel, he commented, “This new library is in itself amazing. But having items in various languages like German makes it more special.”
The collection has been well-used. An average of 30 items are being marked “used” every day, at times peaking up at 50. This doesn’t include the many more being borrowed. Many customers also joined the library or renewed their membership (like Jun) just to access the collection.
ESOL tours have proven to be quite popular as well. Over 350 individuals from various cultural backgrounds have been toured around Tūranga since its opening and shown World Languages materials (adult and children’s) including the eResources they can access from the library website. Among them were students from Hagley Community College, Papanui High School (Adult ESOL Department), and Wilkinson’s English School.
“The ESOL items are a big help to me,” said Chinese student Rita Xu who was also thrilled to see the Chinese books section, the most extensive in the collection. “My friends will be happy. I will tell them about it.”
The collection, however, is not only popular with English language learners but also with students of other languages. For instance, German language students from Hagley College were keen on the German books and magazines that could aid them master German.
No doubt, the World Languages Collection in Tūranga is a hit. As Anne Scorgie from South Africa puts it, “Having this collection shows that Christchurch is really now recognising its growing diversity. It’s a great step.”
Christchurch City Libraries blog hosts a series of regular podcasts from specialist human rights radio show Speak up – Kōrerotia. This show is created by Sally Carlton.
11 November 2018 marked one hundred years since the signing of the Armistice that ended the First World War. The scale of this war makes a compelling argument for commemorating it – we must remember in order not to repeat the mistakes of the past – yet does this argument hold true? Guests are invited to ponder the question: Does teaching about war translate into teaching about peace?
Part I:Rowan Light (University of Canterbury)
ANZAC Day commemoration as teaching; changes to ANZAC Day over time including shift from veteran- to state-led event.
Nearly eight years on, the yearning for a vibrant city centre still persists, but there is hope. Hope captured in the moments of collective celebration; the intimacy between two young students; the connection between friends and neighbours as they work, live and play – all within the boundaries of an inner city reinventing itself. In fact, more than hope, there is sense of quiet wonder and anticipation captured by Thomas Herman, Elise Williams and Summer Robson in the fourth and latest instalment of The Christchurch Documentary Project: Inside the Four Avenues, 2018.
The Christchurch Documentary Project is a collaboration between Christchurch City Libraries and the University of Canterbury, School of Fine Arts. Internship positions are offered to photography students in their 3rd or 4th year of study with the brief to create a documentary photographic record of a Christchurch community. The work is then included in the Christchurch City Libraries Digital Heritage Collection.
To date, over 1000 images have been made of communities across our city; beginning with the Halswell Project in 2015, Edge of the East in 2016, Bishopdale in 2017 and now the central city. Collectively these projects document the lives of Christchurch residents and the changing face of our communities as the city rebuilds and evolves after the Christchurch Earthquakes.
Come and celebrate with us as the exhibition for Inside the Four Avenues, 2018 launches at Tūranga on Wednesday 21 November 5:30pm.
The exhibition is on until 23 January 2019. It is outside the TSB Space, Hapori | Community, Level 1.
A Bharatanatyam group performing a traditional South Indian dance, at Culture Galore 2012. Bharatanatyam is one of the Indian classical and traditional dance forms from South India.
Do you have any photographs of traditional Indian performances in Christchurch? If so, feel free to contribute to our collection.
The Discovery Wall is a large interactive exhibition which allows several people to simultaneously explore images and stories of the history of the people and places of Christchurch. It is viewable on the ground floor of Tūranga, Central Library, 60 Cathedral Square, Christchurch, New Zealand. Images displayed on the Wall can also be found on the Discovery Wall website.
Diwali Indian Festival of Lights in Cathedral Square – Saturday 3 November and Sunday 4 November, 2pm to 9pm
Stage performances start at 5pm
Celebrate the Indian festival of Diwali with fabulous food and fun, in the heart of Christchurch. There will be Indian arts and crafts stalls and colourful classical and modern stage performances. The most popular of all Hindu festivals, Diwali is dedicated to the goddess Kali in Bengal and to Lakshmi, the goddess of wealth, in the rest of India. As with several other festivals, Diwali is associated with one of the stories about the destruction of evil by God in one of his many manifestations. In Jainism, where the festival is also known as Mahavira Nirvana, Diwali celebrates the attainment of Nirvana by Lord Mahavira. Diwali also marks the start of the Hindu New Year; goddess Lakshmi is therefore thanked on this day and everyone prays for a good year ahead. In many parts of India, it is the homecoming of King Rama of Ayodhya after a 14-year exile in the forest. The people of his kingdom welcomed Rama by lighting rows (avali) of lamps (deepa), thus its name, Deepawali, simply shortened to Diwali.
Diwali concert and workshop at Tūranga – Sunday 11 November 11am to 12.30pm
Celebrate Diwali with acclaimed local group Revathi Performing Arts. Enjoy a demonstration of Bharathanatyam, the most popular South Indian Classical Dance, then participate in a workshop. Bharathanatyam originated in the temples of South India thousands of years ago. Started as part of daily worship of the temple deity, this art form has evolved over the years to its current form. Free, no bookings required. TSB Space, Hapori | Community, Level 1, Tūranga
What is Diwali?
Diwali or dīpāvali, the festival of lights, is traditionally celebrated by Hindus, Jains and Sikhs with the rising of the new moon at the end of the month, Ashvin. However, in a country as diverse as India, where people from many different faiths live side by side, the festival is not limited to one particular faith for it represents the victory of light over darkness and the triumph of wisdom over ignorance. Throughout cities and villages the darkness will be symbolically turned back. Clay lamps (diya) will be lit in homes and shops, fireworks will be released into the sky and the streets will be filled with music. Read more in Simon’s blog post about Diwali.
This WORD session was hosted by David Higgins, Upoko of Moeraki Rūnanga, with kōrero by the book’s editors Helen Brown (Ngāi Tahu) and Takerei Norton (Ngāi Tahu), and by book contributors Robyn Walsh (Ngāi Tahu) and Mike Stevens (Ngāi Tahu).
The book emerged from the work of the Ngāi Tahu Archives team on Kā Huru Manu, the amazing Ngāi Tahu digital atlas. While collecting and recording places names around Te Waipounamu, the research team realised they were also discovering the names and stories of people who were the very heart of Ngāi Tahu whakapapa. This book is intended to be the first of a series born out of the work of the atlas, and a second volume is already in process.
The individual biographies in Tāngata Ngāi Tahu cover 200 years of Ngāi Tahu whānau history, producing a ‘tribal family album’ of stories and images. Editor Helen Brown talked about how among the stories of the ordinary, often household names in te iwi, have been revealed the extraordinary lives of so many Ngāi Tahu people.
The book has been arranged by person/name, which Helen said gives a more nuanced history than a book based on themes or a more traditional history book arrangement, perhaps in alphabetical or chronological order. The order of the book does invoke a back-and-forth journey across time, with people from the 1800s to more recent times spread at random throughout the book. The effect embraces serendipity, with a mix of stunning, historical black-and-white photographs between more modern colour images drawing the reader into the rich history within.
Each biography had a limit of 1000 words, and editing to this limit Helen described as often excruciating. “Whole books are needed,” she said. Perhaps for individual whānau this book will plant the seed to pick up the stories and expand on them for their own tīpuna?
The biographies have been written by a team of writers, whose writing experience in this context Helen described as ranging from gathering the purely anecdotal to more academic pursuits. We were lucky to have some of the writers present in the team of speakers at the WORD event, and each speaker featured an individual from the book, giving the audience a summary of their whakapapa and life.
Robyn Walsh talked about her mother Dorothy Te Mahana Walsh of Ngāi Tahu and Ngāti Kahungunu decent, a leader heavily involved in the ‘hui hopping’ during the Waitangi Tribunal Hearings and a keen performer who travelled to San Francisco supporting the Te Māori exhibition. Robyn concluded “we need and must remember these histories and people.”
Others spoken about on the day were Amiria Puhirere – a stunning figure standing in her full-length korowai in the photo on page 86, she was a prominent leader and renowned weaver who lived at Ōnukū on the Akaroa Harbour; Trevor Hapi Howse – a major part of the research team that led the long work for Ngāi Tahu Te Kerēme/the Ngāi Tahu Waitangi Claim and a key figure in the Kā Huru Manu project; and William Te Paro Spencer – a seafaring kaumātua and muttonbirder, described as “proudly and strongly Ngāi Tahu” and “very much a Bluff local but wordly with it”.
As mentioned above, one of the strong features of the book are the photographs, many of which are from iwi archives and other private collections, and often have not been published or displayed outside the embrace of whānau before. It is clear that it is something special these photos are being shared not only with iwi whānui but with the whole country, and such a personal act of whakawhanaungatanga is to be valued and cherished.
Although the prime audience for the book is Ngāi Tahu tāngata there has been huge interest in it since media company The Spinoff published an article about Mere Harper, who helped setup the Plunket organisation. The audience has since become national and international, with a strong focus on the book’s contribution to the historical narrative of Aotearoa.
South Library will play host to a stunning exhibition of photos of artists Frida Kahlo and Diego Rivera from Friday 26 October to Sunday 11 November.
Diego and Frida: A Smile in the Middle of the Way takes an intimate look at the life and relationship between Frida Kahlo and Diego Rivera, as seen through the lens of some of the most notable photographers of that time, including Manuel Álvarez Bravo, Ansel Adams, Guillermo Kahlo, Leo Matiz, Nickolas Muray, Edward Weston, and Guillermo Zamora. The documentary prints in the exhibition come from the Museo Casa Estudio Diego Rivera y Frida Kahlo, encompassing nearly twenty-five years of their marriage.
Diego Rivera became a legend in his native country for his vibrant murals while Frida Kahlo chose to become a painter after a car crash derailed her dream of becoming a doctor. A Smile in the Middle of the Way was presented for the first time at Casa Estudio Diego Rivera and Frida Kahlo Museum in Mexico City in 2002 and later around the world. This exhibition has been brought to New Zealand by the Mexican Embassy and will be hosted by Christchurch City Libraries.
There will be a Dia de Muertos / Day of the Dead altar and informational display at South Library from Friday 26 October to Friday 2 November, and you can celebrate Dia de Muertos with a Mexican themed bilingual Spanish/English storytimes session: