When you read Devin Murphy’s immersive coming of age novel The Boat Runner, you are carried away into a world where doing the morally right thing no longer seems so straight forward.
Devin Murphy spent eight years working on this debut novel, inspired by his own and his wife’s family history. He draws on the stories of the war he heard as a child, and his own personal experiences as a young man exploring the oceans. He also incorporates his struggles to find his own purpose.
Devin’s love of storytelling means he describes those little details that make you feel you are actually there.
Exploring the moral perspectives of the Dutch and German boys thrust into the campaign, we see events through the eyes of 14 year old Jacob Koopman. Jacob’s story in the novel exposes how people came to accept the German invasion and the propaganda of the times, and how morally complex those dark days were.
The book shows a young naive man striving to determine his own path when war threatens and family values are being reexamined. In his search to do what is right, he has to reexamine how he sees his family and what it means to be human. The novel traverses the pre-war days of the Hitler Youth Camps and the build up towards war.
As war erupts, Jacob is quickly thrust into events beyond his comprehension, and we learn the story of the young Dutch boys thrust into the German war machine. It is a fast-moving tale of boyhood, honour, and bravery – tempered by painful realization of the horrors of war and the story builds toward the decision which changes the path of his life forever.
Facebook knows fake news is a real issue so how do we know what is going on? Can we trust the news media? Is the newspaper, if you still read it, worth the paper it is printed on? Can you trust Facebook not to be feeding you fake news to your profile?
If you turn to social media, you soon discover hoaxes spread virally across every platform. So where do you go for reliable news, and how do you know what you are reading is real? Who is telling the truth out there?
Time for the Truthiness Test
Is it up to date? Has it been verified?
If it has just happened, there may not have been time to verify events as they occur. Check at intervals throughout the day to see if further reports clarify the situation and read other news sources to see how they are interpreting events. Try if possible to get first person reports from people on the ground rather than sources from half a world away where the events may be misinterpreted. Some news agencies will republish or rehash old news that may not be relevant to the current situation until they can get the full story. If it was posted or published a while ago does it still stand up and add to the overall picture.
Who wrote it and why?
Every story is written with a different readership in mind. Why was this story written and for whom? Do they want to entertain or to sell you something? Is it free of bias? What does the contact us information on the website tell you about the organisation that published it and what they stand for? Does the website tell you about their writers? Are they qualified to comment? Try googling the author to see what else they have published. Is the story written in a way that is trying to sway you to their point of view? How do your own beliefs affect the way you read the article and how you interpret it.
Have you checked it?
Take a look at some other news sources to check if they have a different interpretation of events. Does the URL tell you anything about the source of the information? Is it from a trusted organisation government source or educational institution? Do they have links to supporting sources or does it look like speculation? If they do have links, check them out to see where they got their information from. If they don’t state their sources they may be being paid to spread this information. Is the story overstating the facts or using outrageous headlines to get you reading it? Is it a joke? Although sometimes truth is stranger than fiction it might be a satire or a joke, so take a look at the About us section of the website to be sure.
Lawrie Metcalf had a long association with the Christchurch Botanic Gardens as the Assistant Curator from 1955 – 68 and the Assistant Director from 1968 -1977. It was important to him to demonstrate how gardeners could incorporate natives into their garden and create a garden that truly reflected New Zealand, something uniquely our own.
We can thank Lawrie for the native plant display in the Botanic Garden which was created to showcase what can be done with our native plants. Just like walking through a piece of bush this garden is the ideal place to take tourists to see native plants in a natural setting and an is an inspiration for the home gardener wanting to incorporate natives into their garden. He created displays that not only looked magnificent but also educated the visitor, placing the gardens on a solid scientific footing he also collected plants from throughout the country.
As the botanist with the Canterbury Museum he collected live plants and herbarium specimens on expeditions to alpine areas in the South Island expanding scientific understanding of what grew there. Lawrie expanded the international seed exchange programme to send native plant seeds to hundreds of botanic gardens, receiving seeds from around the world to trial at the botanic gardens. Later moving to Invercargill, as Director of Parks and Recreation for the Invercargill City Council, he continued his work establishing a sub-antarctic collection at Queens Park.
Lawrie was born in Christchurch and while at school Dr L.W. McCaskill (1900–1985) got him interested in growing native plants. He undertook his horticultural training and has gone on to greatly inspire young horticulturalists many of whom went on to hold senior positions. In his semi-retirement he ran a nursery in Nelson with his wife Lena and continued to publish books.
He was president of the Canterbury Botanical Society and was awarded the Cockayne Gold Medal, The Loder Cup, Ian Galloway Outstanding Achievement Award, Veitch Memorial Medal and the Companion of the Queen’s Service Order (QSO) for services to horticulture and conservation. In addition his work was acknowledged earlier this year with the naming of the herbarium at the Botanic Gardens the Lawrie Metcalf Herbarium by the Christchurch City Council.
Lawrie used his love of photography in his many books the most well-known of which is The cultivation of New Zealand trees and shrubs, originally published in 1972. This book gave Kiwis the knowledge of how to identify, grow and care for natives with confidence and was written in a way anyone could understand.
The landscaping trend towards natives shows no sign of abating and Metcalf’s books on native plants, trees and shrubs, alpines, grasses, ground covers, ferns and hebes, all written in a practical style and imparting a wealth of scientific knowledge, will continue to inspire New Zealand gardeners and horticulturalists for years to come.
The Atomic Weight of Love is the debut novel of Elizabeth J. Church and I hope we see a lot more books from her. This book is an ideal Christmas present. It appeals to a wide audience and will make a great holiday read and is not without a little racy love interest.
Meridian has won a place at the University of Chicago where she studies ornithology working towards a graduate degree and eventual doctorate. Just as her wings are opening and she starts to glimpse new horizons she falls in love with a college professor two decades older than herself and her wings are clipped.
It is written in a memoir style following Meridian as a woman growing up in the 1940s through the fifties and sixties into the seventies and the emergence of women’s liberation. You will find yourself reflecting at times how so much has changed yet still remains the same.
Meri marries Alden and follows him to Los Alamos where she attempts to fit into the group of ex-academic wives she meets there. It is the era when a wife is expected to follow their husband and make the best of it. She struggles to be a good wife while salvaging something of her studies by continuing to study Crows, having left her graduate study dreams behind her.
The novel’s dual strands, the place of women with the emergence of the women’s liberation movement, and the atomic bomb with its resulting anti-war Vietnam and Korean war movements, almost splits it characters by gender over its two themes.
Some of the characters could do with more development – they feel a little clichéd. It seems women have little to say on war in this novel and men little say on the home front. Even for the times this feels a little stretched. She skims over the women who Meridian meets in Los Alamos except her best friend Belle, a strong woman who urges her not to minimise herself yet when it comes to the crunch still tells her to stay in her marriage and try to make it work.
That being said bird studies draw amusing parallels between human and bird society. Each section of the novel starts with an ornithological reference “A Parliament of Owls”, “A Deceit of Lapwings, “A Murder of Crows”. When Meridian meets Clay, a young hippie ex-marine about two decades younger than her, it seems they are about to repeat past mistakes. Her husband seems not to understand her sacrifice while her lover urges her to soar again.
Hard hats on … you are about to enter a construction zone!
Helen helps us wrestle back control of our demolished city – taking us on a journey past our city’s older buildings. Some are under threat of demolition and susceptible to destruction and decay. Capturing them photographically, deconstructing and reconstructing them, giving them a surreal dimension, the buildings seem at times to defy physics. The photographs begin pre-dawn with sunrise ending with night fall as if over a day, the weather also changing – reflecting our climate as if there where four seasons in one day!
Come and take this visual journey with us at Central Library Peterborough from the 18th to the 25th of September.
His motivation for writing his virals trilogy – still can’t bear to call them vampires – was his daughter Iris who was then something like 9 years old. A prodigious reader she had taken a look at his previous novels Mary and O’Neil and The Summer Guest and pronounced them boring and wanted to read a book about a girl who saved the world! Each day they would cycle around Houston and talk about what would be in such a book. Through this process he lost his inner critic.
Iris has an audiographic memory (like a photographic memory but for sound) she would always know what chapter they where up to when returning to a book. She had lots of suggestions – there would be a girl with red hair like her and she named the characters. There was only one rule about what would be in the book – it had to be interesting. After a while he realised his current novel wasn’t going so well and he had 30 pages of notes so he thought he’d write the first chapter and see if it went anywhere – and here we are ten years later with the last volume of the trilogy.
An English professor at Rice University, his only rule for Iris at college is don’t take any creative writing courses I can do that. Now publishing her own work it looks like dad has successfully taught her the family business although I don’t know who taught who …
Why vamps? They are the most interesting out of the four monsters in human form: Frankenstein, werewolves, vampires and zombies. Although I wonder if he forgot about yeti, and Karen was putting a great case for old-fashioned fairies. He excuses himself saying those other Vampire stories were not on his radar, at the time Twilight had only just come out.
At the heart of the vampire noir is the premise that immortality is a terrible state to reassure us that we would rather be human than live forever. He takes vamps and puts them into a new narrative and that’s what makes it interesting. Vamps but with a twist – you’ve always got to bring something else in to make it interesting like a road trip and a viral epidemic. He was inspired by a couple of B grade movies one called Near Dark directed by the talented Kathryn Bigelow. It blended to the western narrative of a drifters story also Magic Johnson had just come out and there was the AIDs epidemic.
Justin’s not averse to a bit of vampire seduction but in a different way, a seduction utilising rhetoric. Fanning as the charismatic narrator, Fanning sitting around for all those years in a library reading books using language to seduce Amy. A rhetorical seduction to make us feel sympathy with him.
On characters and community
Since you are running for your life what is the one thing you would carry with you? In most cases people would carry someone else, therefore you have a love story and bonds of community.
Survival is not sufficient. We read end of the world stories for reassurance and resurrection is an important part of that.
You need survivors to have hope for their children. You think what does it mean to have a child? A child is a deal you make with the future.
Describing the novels as an apocalyptic western road trip, part of the inspiration for The Passage trilogy was the depressing world events at the time. Hurricane Katrina had just hit, G.W. Bush had been re-elected and a second less known Hurricane Rita had triggered an evacuation of Houston which he found himself in the midst of.
One morning stuck on the motorway at 2 am going nowhere in a massive traffic jam watching the fuel gauge go down he did the maths and decided they weren’t going to make it out and made a u-turn and headed back home. Luckily the main force of the hurricane hit further off than predicted.
He is interested in the response of community to disasters like the Christchurch earthquake how community survives. Community is a social lifeboat with a group of mostly good people who are resilient.
“The vampires can’t see themselves in the mirror and after a certain age that is the case with everybody”.
On making things creepy
I look to nature things that creep me out like fish why do they all turn the same way like that? Crickets how they can jump so much further than their body length, the virals are like bugs in hives.
He deliberately doesn’t describe the virals too much leaving it to you to bring the things that scare you to your picture of them. Everyone’s picture of a viral would be different. That’s why movies can be disappointing and on that topic he has sold the film rights but it may be a TV show will eventuate. TV shows are now where the story is at not so many special effects.
Fiona Kidman’s latest book All Day at the Movies explores what it means to be a woman in New Zealand. It’s an episodic novel set over six decades. She explores where families were at and where they are going now.
Family is important to me as an only child I was often an observer looking in on families.
But she also says “I try not to put my family into books”.
This novel was inspired by the sight of abandoned tobacco kilns. Her father grew tobacco in KeriKeri and the memories of the Nicotiana scent drew her to setting her central character in the tobacco field of Motueka. The novel features a lot of pregnancies – as Owen Marshall observes, some more welcome than others. One of her characters doesn’t know who her father is.
Fiona acknowledges pregnancy is a huge issue in women’s lives. She is an adoptive mother herself, and acknowledges adoption was not handled well in the past. Recently her novels are set around a central historical character – but in this novel she wanted to say something about politics, how decisions made in Wellington affect people’s lives.
Fiona has always been a political animal. She was part of the 1981 Springbok tour movement as explored in her novel Beside the Dark Pool. Exploring the social context her characters inhabit over the decades gives her a vehicle to say something about how Wellington decisions affect their lives.
Looking at her characters as they deal with illegitimacy, estrangement, and abuse you may think she has a negative view of life and of men. But she says “I love men”. There are at least 5 positive men in the book, even though it may not seem that men come out well.
“I have had a lucky life” one of her characters says in the novel (and she observes it of her own life) which ends on an optimistic note. She looks at the circumstances of her characters and why things happen without making judgments. Authentic characters are important – how real people deal with things and how it affects them in 20, 30, 40 years time. Her characters become very real to her – they stand at the kitchen bench and come for rides with her in the car. By the time she sits down to write a novel they have their own voice which has to be listened to. Sometimes she is ready to let them go after a novel, and sometimes they don’t want to go away and reappear in another form like her character Jessie Sandal from Songs of the Violet Café.
Fiona has always been a feminist writer as is evident in A breed of Women. She sees herself not as a woman’s writer but a writer writing for women. She first thought of herself as a writer as a 22-year-old in the 1960s. It was in an era when it was embarrassing to be pregnant. She had worked at Rotorua Library and moved to Rotorua High School library when she married her husband who also worked there. When she got pregnant, students remarked “Got her up the duff eh Sir!”, leading to a request for her to leave the school. Such were the expectations of the era.
She left and started writing – submitting a play for a competition. Her play evoked the comment that it must have been written by the dirtiest minded young woman in New Zealand.
I felt I did know stuff about being a woman that a middle-aged man in Wellington seemed not to know.
Fiona often struggled with expectations:
What am I doing sitting at the kitchen table, buying the kids clothes not preserving hundreds of jars and doing this.
She worked as a secretary of PEN and the NZ Book Council and hoped to help authors think of writing as working.
Her favourite genre is short stories but they don’t sell a lot of books and she loves poetry but working in other genres is necessary. She made as much money working in television in a month as writing in a couple of years.
Through working in television, she learnt to see as you would through the camera
through radio work she learn to listen especially to the silences
through journalism she learnt to ask questions
All have been useful in her writing work. Poetry is not so much thinking about the audience more spontaneous.
Canadian Elizabeth Hay has to write about what means most to her. In her latest book His whole life, she writes of the close mother-son bond. As the marriage comes apart, the mother-son bond deepens. In her earlier novel Late nights on air she revisits her years as “An old radio hack”.
On the publishing scene
New Zealand authors will sympathize with her comments that publishers aren’t always aware how much Canadians interested in Canadian tales. Publishers want books to be set outside Canada with an eye to foreign sales.
“He knows he’s not the smartest guy in the world” unlike Harper. He’s done some things like the Montreal Gay Pride march, does he overdo it? – Sometimes. Under former president Harper, Canada was very tar oil sands orientated. Under Trudeau it is different – landscape and environment is at the heart of the country now.
On the landscape
You can’t live in Canada without having a sense of it because there is so much of it and a need of landscape which is at the heart of our writing”.
There is nothing like a book festival, the chance to luxuriate in an atmosphere charged with language, bathing your senses in rich text, balm to your soul.
At WORD Christchurch the words come flying off the page during readings, you will hear the inspiration behind your favourite authors work, you’ll be inspired to try new genres, enjoy poetry and become informed on global issues.
So many authors will be present at this ear’s wonderful WORD Christchurch programme there is something for everyone but for me two sessions leapt off the programme’s pages. An hour with Dame Fiona Kidman our own literary giant and An evening with Justin Cronin and for someone new I have selected Canadian Tales: Elizabeth Hay. You may think a diverse choice but for me they are all powerful writers who hold you enthralled to the very end.
A little 1988 yellowed hard-covered copy of Unsuitable Friends has adorned my book shelf for many decades. It was my introduction to Dame Fiona Kidman’s work. Her characters struggle to free themselves from domestic constraints to achieve their dreams and to keep their moral compass. It is almost as if she is writing for her daughter who would be a contemporary of mine, as would she be of my mother. The book seemed written just for young women like me.
I remember arguments on the role of women in the house, Dad asserting that going to work had given my mother funny ideas! It was refreshing to read such vivid contemporary women’s fiction. No wonder she won the New Zealand Book Award for fiction that year.
Her urging of her female protagonists to not be bound by the constraints of their circumstance continued in her 2013 novel The Infinite Air about the enigmatic Jean Batten and in this year’s release All Day at the Movies. I can’t wait to get my hands on it. The outsider status of these characters is what appeals to me and it is this that also appeals in Justin Cronin’s writing.
Man’s responsibility to use scientific discovery to the benefit of the planet as well as humanity, and the need to look to technology to solve man-made environmental problems is a big theme at this conference. Justin Cronin’s apocalyptic trilogy about an escaped laboratory virus fits right in here.
Not one to usually read a vampire tale I started reading The Passage as a read-a-like for Cormac McCarthy’s The Road. It was some time before I realized I was reading a vampire novel but not like any you have ever read. It’s a rip roaring yarn with fear and violence and with a cautionary back story.
I am saving the end of this trilogy till I can reread the first two, there are so many back plots and references I want to read them all back to back. If you are a Game of Thrones fan you’ll love it.
For my last pick I wanted an author I knew nothing about and comparisons to Margaret Atwood and Annie Proulx mean she has got to be good, so I chose Elizabeth Hay. I’ve just started her much praised coming of age tale, His whole life, and it’s making me thirsty to read more. This Canadian has a lovely laid back style which entrances you and keeps you spellbound.
We all think we know what it means to have different capacities than everyone else to do everyday tasks… but do we really understand?
Ask yourself who you see when you think of somebody who has an impairment, a disability, someone who is differently abled?
Do you see a wheelchair, a crutch, a cane? Somebody who has a carer with them?
Or do you see somebody who looks just like you, who goes about their day just like you?
Nearly a quarter of the adult New Zealand population (21 percent) identifies in some way as disabled and for people over the age of 65 it increases to over half the population (59 percent) according to the Disability Survey for 2013. I don’t know about you but I don’t see all that many wheelchairs, crutches and canes. Most impairments are hidden. We may not notice them in everyday interactions. We need to be aware of the needs of others.
Just because you do not wear glasses and have no cane doesn’t mean you can see. You can be functionally blind but able to see just enough to navigate into and around buildings but unable to read signs and fill out forms or use self-service points. Somebody without a wheelchair or crutches may have muscular weakness which leaves them unable to stand for any length of time and unable to lift and carry luggage, groceries or shop purchases.
What do we do when we see somebody struggling? Do we assume they are fine struggling on by themselves? Do we ask if they need help?
Better still do we build our buildings and service points with everyone in mind?
You may say we do we bear in mind wheelchair access by having light switches at a lower height and ramps but have they been test driven by someone in a wheelchair before your business opened? Only then will you know if you have thought of all the barriers and are truly barrier free. Do not forget it only takes one link in the chain to break to make all your efforts in vain.
On the 3rd of December it is International Day of Persons with Disabilities. Time to include everyone because inclusion matters. We subtly exclude people when we focus on the impairment and not the ability. How can we support people to continue living their lives fully in society?
Have you ever seen people ignore somebody and talk to the person they came with? Would you like being spoken about as if you where not really there?
You may think you would never ignore somebody in this way but if you do not give consideration to everyone when you plan services, websites and buildings you are in effect ignoring and excluding a large part of the population. With that in mind Christchurch City Libraries strives to serve everyone. Let us know how we can improve and serve you better by contacting us.
Check out our page on help in using the library where you can find out about captioned DVDs, large print and talking books as well as our eResources including eBooks where you can change the font size. If you want help with using our library eResources come along to one of our computer drop in sessions.
New technologies especially in the field of communications have come a long way but not everyone has access to them. Mobile phones can help with vision impairments as an installed magnifying glass app can be a great help. Our library computers for public use also have some accessibility tools installed.
I have a tip for searching our library catalogue. Did you know you can search the catalogue for accessible formats?
Click on ‘Search’
Select ‘Accessible Formats’ from the ‘All Formats’ dropdown list.
Enter your search word e.g. Lee Child, then click on the magnifying glass
Can you recommend any other useful apps or tips to help?
For more library resources about accessibility check out: