Tomboys, Dead Gophers, and a Coyote – Ivan Coyote at the WORD Christchurch Autumn Season

Funny, tender, perceptive – Ivan Coyote is all these things, and on Monday night I was lucky enough to see them talk at The Piano as part of the WORD Christchurch Autumn Season.

I was really disappointed to miss Ivan on their last trip to Christchurch last year, so as soon as I learnt they would be back this year, I made sure to get my ticket in my hot little hand. I have been a fan of Ivan’s work since reading Missed Her several years ago, and have only become more of a fan with Gender Failure and Tomboy Survival Guide.

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The audience who attended An Evening with Ivan Coyote was – to quote one of my neighbours – ‘quite an eclectic crowd’. Despite any differences in age, gender, or any other identifier, however, everyone was completely drawn in by the stories of growing up in small-town CanadaWhat’s it like to be the only little girl in the world who didn’t want to grow up to be Princess Di on her wedding day? Why open the door to someone empty-handed when there is plenty of road-kill around to offer? What songs would you include in the soundtrack of your life? And how cool is it to live near a World Record-holding giant squash?!

Ivan Coyote
Ivan Coyote. Image supplied.

Much of the material was from Tomboy Survival Guide, Ivan’s most recent book, but the fact that I’d already read the stories did nothing to diminish my enjoyment of the evening. Ivan’s portrayal of different characters had me laughing out loud, nodding in agreement with their observations of life, love and public toilets, and feeling like I was watching more than just one person. The elderly grandmothers, the best friend from childhood, and the ball players and sports coaches – Ivan’s storytelling and use of voices  brought these characters to life, and it was a parade of the weird and the wonderful that we saw up on stage.

With a large number of gender-diverse audience members, Ivan also had words of encouragement and support for those who don’t look or act the way boys and girls ‘should’ look and act – be kind to yourself, be kind to others, and embrace what it is that makes you individual and unique. Be yourself, and know that asking people to use the ‘singular they’ pronoun to refer to you is not going to cause the end of the world!

Ivan is a fantastic storyteller, with some great stories to tell, and I look forward to hearing more from them. With sold-out audiences this year and last, Ivan has said they will be back, and I know that there will be keen interest in their next show. Until we hear about their next visit down to Aotearoa New Zealand, however, have a read of Ivan’s books available here at the library.

Resolution and revolutionaries: A. N. Wilson, eminent biographer

There was an understandably big crowd at The Piano last night for A. N. Wilson in conversation with Christopher Moore. Part of the WORD Christchurch Autumn Season, we were treated to insights about the eminent novelist and biographer’s new and upcoming works, as well as his distinguished career.

As you can see, I was quite a long way back!
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Wilson – or Andrew as I think we’re allowed to call him – was inspired to write biography after reading Lytton Strachey‘s Eminent Victorians and wanting to write as well as him. While he is generally commissioned to write biographies, he chose to write about the lives of Leo Tolstoy and Walter Scott. Scott was pretty much the father of historical fiction, with his tales of the Scottish Highlands allowing people to imagine what it was like to live in the past instead of simply regurgitating facts.

One of the things that fascinated Andrew about Tolstoy was the fact that while we know him as a great novelist, in Russia he was more known for his political beliefs – including his idea of passive anarchy which went to to inspire people like Gandhi. However, after digging into Tolstoy’s domestic sphere he concludes that:

he would not like to be Mrs Tolstoy.

Cover of ResolutionAndrew’s latest novel is Resolution, about the German botanist Georg Forster who travelled with Captain Cook on his second voyage and later became a revolutionary in France. Interestingly, in Communist East Germany Forster was seen as a champion of class struggle and became a national hero. It’s great to hear about different and interesting people and I’m looking forward to reading this book.

An obvious favourite of Andrew’s is Queen Victoria who he describes as “taking being an embarrassing mother to new heights”. However, he is now researching Prince Albert, who is quite a different kettle of fish. Indeed, Andrew describes him as being

deeply strange and complicated.

He also believes that although Victoria was madly in love with Albert, he never fell in love with her and controlled her to a great degree. Look out for this biography in 2019, as its going to be fascinating!

Andrew obviously has a passion for the people he writes about and it was fabulous to have the opportunity to listen to his great storytelling here in Christchurch – which, he reminded us, is very much a Victorian city.

A N Wilson, photo by Andrew London

 

Stella Duffy at the WORD Christchurch Autumn Season

Stella Duffy: writer, playwright, actor, improviser, founder and co-director of Fun Palaces, and general multi-tasker extraordinaire. How, asks interviewer Liz Grant, does she have the energy?

I like working, and I know I’m really lucky to be able to do it — my parents both left school at 14, had very hard working lives, the only time off my dad had was when he was shot down in World War II and became a POW — so when artists talk about how it’s such hard work, and they have to suffer, it makes me want to punch them. What’s hard work is raising seven children like my mother, or being a brilliant man with no opportunities like my dad. I work really hard at my job, but it’s not hard work. I know I’m fortunate to be able to do it.

Liz Grant and Stella Duffy. WORD Christchurch Autumn Season. The Piano. Monday 15 May 2017. Flickr 2017-05-15-IMG_0166

Family

Duffy’s family history is fascinating — like all families it is complex and messy. While researching she discovered a great-grandmother who had given birth in Holloway prison. The reason for her spell inside? Manslaughter; “I didn’t realise the baby was so ill,” she said in court, “and neither did my (12-year old) daughter.” She worked from 9pm-6am every night (“charring” is the occupation given, scare quotes intentional), providing for her children so that she could be home to get them ready for school, only to lose a child and be imprisoned while pregnant with the next. It’s a far cry from Downton Abbey, that’s for sure, and can be seen in the hard working lives of the families in Duffy’s London Lies Beneath.

“There’s no place like home”

Probably the most interesting for me was the talk of home/not home, how once you move away from the place you grew up you effectively lose it — always missing home, but when you visit it has changed without you. This really resonated as someone who grew up in a small town but now lives in a city, with family across New Zealand as well as far away in Europe, who has lived overseas and now feels the tug of home/not-home wherever I am.

Christchurch in particular has that double-layered effect, walking down streets that have changed beyond measure in only a few years. In cities such as London and Rome the juxtaposition of past and present is even more noticeable, everything built on and around and between the layers of its own history. Duffy loves being swallowed up by such a vast, full and vibrant city, being “a small fish in a very big pond”, keeping the taniwha in the Thames fed with Kiwi accents and secrets:

Cover of London Lies BeneathYou know what they say about the taniwha, don’t you, girl?

She shook her head.

He smiled as he said, It’s homesick, of course, but the Thames is too busy and it can’t get by the ships for fear of being seen and lauded and brought ashore for our pleasure again. It doesn’t like to be looked at, not directly. And it’s bigger, much bigger now, grown full on the secrets we tell to the water. That taniwha lives off our whispers, eating up the fears and tears we tell over the side of a bridge. It’s grown fat on what we hide from in the dark, beneath the bedclothes. There’s no getting away from it either, it will follow you along the Effra or the Neckinger as easy as it rides the tide from Tilbury to Teddington.

— London Lies Beneath, Stella Duffy

Ngaio Marsh

When I first read about Money in the Morgue I was under the impression that Duffy was simply finishing an already mostly-completed manuscript, but no: Dame Ngaio Marsh only left three sketchy chapters with some rough notes and no ideas of whodunnit, where it was done or how. Helpful!

Duffy talked a little about how to recreate the tone of Marsh’s writing without the less desirable -isms that permeate 30s era novels (how to make it seem as if it were written in that time but not of that time, if you see what I mean). The answer? Steal a few of Marsh’s writing tics. “Alleyn rubbed his nose.” “His ascetic monk’s face.” “His long, elegant fingers.” Perhaps we’ll see some of New Zealand’s “primordial landscape”, too. All jokes aside, Duffy is careful to avoid any sense of pastiche or mockery in her writing, being an avid admirer of Marsh’s work.

I look forward to reading Money in the Morgue when it’s published in May 2018, and in the meantime reading Duffy’s recent thriller, The Hidden Room. If you’re interested in learning more about the historical setting of London Lies Beneath, Duffy recommends Round About a Pound a Week, written in 1913 by the trade unionist, Fabian and feminist Maud Pember Reeves. If you’re new to Ngaio Marsh’s writing then she recommends starting with Died in the Wool, a country house mystery set on a high country sheep station in New Zealand.

Cover of The Hidden RoomCover of Round About a Pound a WeekCover of Died in the Wool

Fife-ing it up with Ian Rankin

Ian Rankin was born in Fife. I was born in Fife. Ian Rankin studied at Edinburgh University. I studied at Edinburgh University. Ian Rankin writes successful, suspenseful and gritty crime fiction. Nope, nothing. But I am most affirmatively a mahoosive fan-lassie for his thrillers set in the Athens of the North a.k.a. Edinburgh and featuring Mr Booze John Rebus.

Marcus Elliott and Ian Rankin
Marcus Elliott and Ian Rankin. WORD Christchurch Autumn Season. Charles Luney Auditorium, St Margaret’s College. Sunday 14 May 2017. Flickr 2017-05-14-IMG_0127

Last night Christchurch played host to Ian Rankin as the opening event of the WORD Christchurch Autumn Season and it was a full house at the Charles Luney Auditorium of St Margaret’s College. It was also a slightly more blokey audience than most book events attract, albeit it in a very metro, groomed and grizzled with grey fashion. Marcus Elliott, the Christchurch coroner, was asking the probing questions.

Rankin claims most crime writers would rather be rock stars than writers. Aged 12 he created a band called The Amoebas. With no musical ability himself – and no friends who actually wanted to be in a band – The Amoebas were entirely fictitious, but Rankin still managed to create world tour itineraries, lyrics for top 10 hits and music press interviews.

Writers are shy, nerdy kids who create worlds

he said, and while for most people the adult world draws a halt to childish imagination, for writers it keeps going. Rebus is his imaginary friend, but one who wouldn’t like Rankin in the real world. Rankin claimed Rebus would label him “a wishy-washy liberal”.

The first Rebus novel, Knot and Crosses is celebrating its 30th anniversary and Rankin said the character of Rebus leapt “fully formed” into his head. He didn’t entirely realise he was writing a crime novel and was a little perturbed to see what he thought was the next great Scottish novel appearing in the then “not sexy” crime section of his local bookstore.

He was aware early on he needed help with creating an authentic police world and wrote to the then Lothian Police to get some advice. He was also briefly a suspect in a missing person/murder case!

Asked if he counted policeman amongst his fans, Rankin said “weirdly yes”. Everyone likes a maverick and Rebus is his own man but also on the right side. His novels represent authentic investigations but with all the boring bits taken out, a streamlined version of a real investigation.

Ian Rankin
Ian Rankin: Writing Rebus. WORD Christchurch Autumn Season. Charles Luney Auditorium, St Margaret’s College. Sunday 14 May 2017. Flickr 2017-05-14-IMG_0140

Rankin added that keeping the series fresh wasn’t too challenging as Edinburgh, Scotland and Rebus had all changed. Rebus has retired, and after years of booze, fags and fried food, his body is starting to wind down. Rankin has recently gifted Rebus Chronic Obstructive Pulmonary Disease (COPD) but added he needs to work hard at remembering new story elements, for example he forgot he’d written in a pet dog for Rebus and then had to re-write and add the pooch in later!

Rankin said he likes to explore different social issues and each novel starts with a theme: immigration, people trafficking, xenophobia, banking crisis or business scam – but he is mindful that he also needs to create an exciting read. He says he doesn’t plan too much and sometimes the ending changes because the narrative knows better and he has to “trust to the muse”. All his books end before the criminal trial because, he says, he knows nothing about the Scottish criminal system and is too lazy to do the research.

Marcus Elliott asked about the TV versions of Rebus, and Rankin said there was early interest from the actor Leslie Grantham better known as Dirty Den of Eastenders’ fame. Later the BBC wanted the rather rotund Robbie Coltrane to play Rebus, and Rankin was like “Jesus you know he (Rebus) was in the SAS”! He recently got the rights back and would like to see them filmed in a more leisurely Scandi-style rather than the breakneck a-novel-condensed-to-an-hour speed of the ITV series. Writer, and fellow Fifer Gregory Burke is involved and the actor Ken Stott may even reprise his role.

There was time for a few questions from the audience, and it was the usual mixed bag with questions that aren’t questions and some sneaky self-aggrandisement. Rankin was asked about his love for the music of the late Jackie Leven, a prolific Scottish singer-songwriter, who he collaborated with on a CD and series of stage performances. He was also asked how he researches and makes authentic the criminals that appear in his fiction. He has spent time in prisons particularly through literacy in prison programmes, but was recently shocked when a fan described his recurring crime boss “Big Ger” Cafferty as a “big, huggable, loveable bear of a guy”. He fears he has perhaps over-identified with Big Ger and is going to make him horrible again.

The session started to wind up but Rankin still had time to apologise for Donald Trump being half-Scots and to warn us of the seething rage and stabby darkness carried inside romantic fiction writers. This was a witty and polished session with truck loads of well-executed anecdotes and crime fiction insights.

Ian Rankin signs book
Ian Rankin. Charles Luney Auditorium, St Margaret’s College. Sunday 14 May 2017. Flickr 2017-05-14-IMG_0150

An evening with Ivan Coyote – Tuesday 16 May at WORD Christchurch Autumn Season

Last year, I went to two events run by WORD Christchurch, and I fell in love with Ivan E Coyote.

Ivan Coyote. Image supplied.
Ivan Coyote. Image supplied.

Cover of 'Tomboy Survival Guide' by Ivan CoyoteI first saw them (Ivan goes by the gender-neutral pronoun) at Speaking Proud which I’d attended to see old favourite David Levithan. Ivan read their reply to a letter someone had written them, ‘Shouldn’t I feel pretty‘. It was a powerful, powerful letter and we were both tearing up by the end of it. All Ivan’s writing is performed impeccably – for them, writing goes hand in hand with performance – and is simultaneously moving and stunning. The letter was about more than just gender identity, it was about surviving in the world.

Cover of 'Missed Her' by Ivan CoyoteAt the end of the session, I bought their book Missed Her – a collection of moments, autobiographical stories, things you might read on the blog of a friend. There’s a wicked punch of honesty in each of the stories. When I went up to get the book signed, Ivan thanked me for being part of the audience “I saw you listening intently.”

Then the Christchurch Art Gallery hosted Hear My Voice, a non-stop hour and a half of spoken word poetry, and Ivan was there, a storyteller among the poets. They read ‘literary doritos’ – not quite poems or prose, but little anecdotes, some of them deeply upsetting, some so full of hope. There were stories of cruel, cruel words spoken by adults and poignant, brilliant words from kids who haven’t learned to hate yet.

“I don’t think he is a lady” said a young girl named Rachel, “I think he is a man… but with really pretty eyes.”

A year on and I can still hear Ivan’s delivery when I read those lines. Their storytelling power is epic, the kind of epic that, if you possibly have a chance, you must hear in person to really believe it.

Luckily for all of us – Ivan is coming back to Christchurch soon, at the Piano on the 16th of May. It’s a late-ish session – 8pm – and I’m preparing myself for an intimate, honest, hilarious, heart-aching evening.

Cover of Gender Failure by Rae Spoon and Ivan CoyoteAnd for those who can’t make it, I really encourage you to pick up one of their books and read a story. It won’t take much time, some of them are only half a page long, but it will be worth it. Or look them up on YouTube (Ivan’s done a great TED talk about the use of public bathrooms, and you can also find several performances of their work).

But try and get there if you can; it’ll be a night to remember.

Ivan Coyote: Tuesday 16 May 8pm

Beyond the Green Road – an evening with Anne Enright

Well…. Christchurch, we are in for a treat!  Making the journey all the way from Ireland is Anne Enright, winner of the 2007 Man Booker Prize, Britain’s most prestigious literary award.

Dublin born writer Anne will be gracing us with her presence at the WORD Christchurch Autumn Season.

Anne Enright. Photo by Joe O'Shaugnessy. Image supplied.
Anne Enright. Photo by Joe O’Shaugnessy. Image supplied.

Anne Enright: Wednesday 17 May 6pm

CoverThe Gathering, Anne Enright’s fourth novel and winner of the 2007 Man Booker Prize, centers around the nine children of a large Irish family who gather together for their brother’s funeral.  It starts off with the main character, Veronica Hegarty having a memory about something that she might have witnessed about her brother years ago in her grandmother’s house, problem is that she has no idea if it really did happen or not …

CoverHer latest novel, The Green Road (2015), won the Irish Novel of the Year.  It follows the lives of four adult children spread over three continents, each struggling to cope with their own lives as well as with their difficult mother who announces that she will be selling the family home. The self-absorbed children return to the small Irish town in Country Clare where they grew up, and are forced to confront the realities and complexities of their family situation.

Moving, humorous yet sad, Enright’s intriguing writing style has captured the attention of fans around the globe. She was recently named the inaugural Laureate for Irish Fiction.

With her quick wit and fantastic sense of humour deeply engaging audiences worldwide, an evening with Anne Enright is one event you don’t want to miss!

Ali Ng

Buses, Byzantium and fangirling Stella Duffy

image_proxyMany years ago I used to bus up and down the Walworth Road and round the Elephant and Castle, south of the Thames in London, either on the 68 or the 468 (if memory serves me right Janet Frame used to take one of those buses, or one very similar).

While I’d spend quite a lot of that time reading I also used to enjoy looking out of the window at the variety of people and places. I always enjoyed the Mixed Blessings Bakery, Rimworld the hat shop, and the halal noodle bar. On a more serious note, there was also a memorial to victims of the Blitz on the side of the Cuming Museum. As with any city it was a true palimpsest, with many layers of history side by side and intermingled.

Imagine my nostalgia when the pages of a book took me on that same journey, but decades earlier. A book which has a dedication which talks of a taniwha in the Thames. I just loved Stella Duffy’s London Lies Beneath, so rich and evocative of the melting pot of the city in 1912.

This sense of place and history and connections is one of many reasons I am so excited that Stella is coming to the WORD Christchurch Autumn Season on 15th May to talk about her latest books, including London Lies Beneath, and her task of finishing Ngaio Marsh‘s unfinished Money in the Morgue.

Stella Duffy, photo by
Stella Duffy, photo by Gino Spiro

Stella writes and campaigns in many areas, such as the arts, breast cancer, women’s and LGBT issues, and has worked in the theatre and written a number of novels and short stories. More recently she has become a co-director of Fun Palaces – a weekend each year where a variety of venues and locations enable arts and science for all, with a belief that community belongs at the core of all culture. They are a brilliant idea and Central Library Peterborough has had the opportunity to host a Fun Palace for the last couple of years.

I have also only just realised that Stella has written fiction about the Empress Theodora – I do love a bit of Byzantium!

I can’t wait for 15th May and hope to see you there.

A.N. Wilson at the WORD Christchurch Autumn Season

When I heard that British historian A.N. Wilson was going to be talking at the WORD Christchurch Autumn Season this month I oohed and aaahed, and inwardly danced the conga. Nothing — short of A.N. Wilson himself requesting me to leave this event for being far too bright-eyed, enthusiastic, and downright scary — could make me miss this evening.

A.N. Wilson. Image supplied.
A.N. Wilson. Photo by Andrew London. Image supplied.

A.N. Wilson: Monday 15 May 7.30pm

A.N. Wilson is one of the historians who first sparked my interest in biography and history. His beautiful biography of C.S. Lewis was written with an honesty and empathy that left me with a truer sense of the man. His depiction of a troubled and less than perfect individual was contrary to many previous accounts of Lewis, which portrayed the beloved creator of Narnia as an almost patron saint, living by the perfect standards Christian historians envisaged for him.

Wilson cut to the chase but with a sympathy and affection for his subject. He touchingly described the demands made on Lewis by Mrs Moore, and the loneliness that dogged him through events such as the death of his mother, and his brothers struggles with alcoholism. Wilson’s ‘humanisation’ of Lewis encouraged me to investigate more and read some other sadly under-read works by Lewis (such as the very moving A Grief Observed), a sure mark of a very great biographer.

The astonishingly prolific A.N. Wilson has written many other biographies including a landmark biography on Leo Tolstoy, a fascinating study of Queen Victoria (which has recently been adapted for television), and Hitler: A short Biography. Wilson unfailingly succeeds in making his subjects come to life with a poignancy and finesse that make him a joy to read.

While Wilson has had his struggles with Christianity over the years (rather like C.S. Lewis himself), it hasn’t stopped him from also writing moving and valuable accounts of the lives of Jesus and St Paul. There is a richness and complexity to his writing that informs the reader, but also makes them question things. Theology is one of the most complex subjects for an author to tackle, and being able to follow Wilson’s own complicated spiritual journey through his work makes for fascinating, relatable reading.

Book Cover 

Wilson has also received considerable attention for his non-fiction works such as The Victorians and The Elizabethans.

In addition, he is the author of such popular novels as Dante in Love and Winnie and Wolf. One of Wilson’s most praised novels My Name is Legion relates what happens when a newspaper begins a smear campaign on an Anglican missionary, seeking to overthrow a corrupt African regime. Wilson takes a hilarious but brutal look at the morals of modern day Britain – its people, politics, and press, and does so with an elegance and subtlety that make his work compulsive reading.

It seems that Wilson is able to adapt to any format and genre having also written a children’s story, presented several television series including The Genius of Josiah Wedgwood (one of Wilson’s own heroes), and contributed to publications such as ‘The Times Literary Supplement’ and ‘The New Statesman’.

The ultimate ‘man of letters’, Wilson is a consistently compelling writer with an awe-inspiring literary oeuvre. His session at WORD Christchurch Autumn Festival promises to be a fascinating evening. Wilson will be discussing his impressive career with arts critic Christopher Moore, and his most recent works Resolution: a novel of the boy who sailed with Captain Cook and a biography on Queen Elizabeth II.

I’ll see you there on May 15th (and yes, I am counting down the days…)

Helen

Ashleigh Young and Hera Lindsay Bird at the WORD Christchurch and Christchurch Art Gallery

BIRD + YOUNG sounds like a firm purveying fancy jewellery.  But for Hera Lindsay Bird (poet) and Ashleigh Young (poet, writer, editor), it is words and ideas that are the things they are making and selling. This WORD Christchurch event at the Christchurch Art Gallery auditorium was introduced by WORD’s programme director Rachael King and chaired by Amy Marr, the Visitor Programmes Coordinator of the Art Gallery.

CoverCover

Hera Lindsay Bird is a poet whose works have pretty much gone viral – you might have read the one about Monica from Friends, and that Keats one – everywhere, BAM! Ashleigh Young  is a poet and writer who recently became the first New Zealander to win Yale University’s Windham-Campbell Prize, worth US$165,000 (NZ$230,000), for her collection of raw, real, beautifully honest essays, Can you tolerate this? Their books are both on the shortlist for the Ockham New Zealand Book Awards.

It was a soggy evening, but that didn’t deter the crowd. It was full to the gunnels.

Crowd for Ashleigh Young and Hera Lindsay Bird
Crowd for Ashleigh Young and Hera Lindsay Bird. Flickr 2017-03-22-IMG_9004

Hera and Ashleigh kicked off with some readings:

How do they get time to write when they work full time (Hera at Unity Books, Ashleigh at Victoria University Press)? It ain’t easy, but great employers help. Hera gets a paid day off each week. Ashleigh’s boss has offered time off for writing, while keeping her job open.

What followed was a discussion that ranged widely – from influences, to the IIML, sexy stuff, humour, and processes – with a good amount of Q&A time (surprise fact: lots of questions asked by men). Here’s some of the things we learned:

  • Ashleigh edited Hera Lindsay Bird’s book which she said required barely a single change. She read the manuscript on the floor, weeping and cackling.
  • Hera enjoys reading crime fiction, humour, and heaps of poetry. She’s currently reading the Adrian Mole books by Sue Townsend.
  • Ashleigh has lots of self help books concealed on her Kindle.
  • Ashleigh said she can’t remember not wanting to write (but always knew she’s need a day job to pay the bills)
  • Hera’s parents had star charts – not for good behaviour but for writing, and she would get paid to write poems. She wondered if her Coromandel hippy parents fancied her as the next Laura Ranger (remember Laura’s Poems?)
  • Hera feels the support of her family and knows that even if she writes something explicit, her Dad will be chill with it.

Photos

See our pics from the event.

Quotable Quotes

I don’t think either of us leave the house very much. (Hera)

I really love New Zealand actually. (Ashleigh)

This whole thing is terrible for my process. (Ashleigh, on this talk and writer events when you are an introvert writer)

I love her blurriness. (Ashleigh, on Lydia Davis)

People know both Renoir and Taylor Swift. (Hera, on art and pop culture)

George Saunders is my favourite living writer. (Hera)

All the sex in it is kind of a joke. (Hera, on her book)

Even Bill Manhire can be really funny. (Ashleigh)

I don’t find anything moving that I didn’t find funny first. (Hera)

Book signing - Ashleigh Young and Hera Lindsay Bird
Book signing – Ashleigh Young and Hera Lindsay Bird. Flickr 2017-03-22-IMG_9027

An Ashleigh and Hera playlist

Here are some of the many writers, poets, and musicians namechecked by Ashleigh and Hera:

  • Lydia Davis – Ashleigh loves her writing: “Something about her voice makes me want to write myself”.
  • Both name checked Frank O’Hara.
  • NZ poet James Brown
  • Hera is inspired by Mark Leidner, Chelsey Minnis, PG Wodehouse
  • Anne Carson – intense beauty, no humour. (Hera)
  • Ashleigh: Mark Greif – Against Everything
    “The opinions he expresses have a finality to them whereas Lydia Davis’ work seems like everything is still forming in front of her”
  • Hera recommended Lincoln in the Bardo – George Saunders. He is coming to the Auckland Writers Festival this year.
  • Ashleigh currently listening to Grandaddy the band – for a nostalgic ‘so bad it’s good’ hit.
  • Hera was asked about her use of a text generator in writing a poem in the book. She said she liked to play and experiment with language and referenced This Paper Boat  by Gregory Kan.

Amy – who was a great and enthusiastic facilitator for this session –  heartily recommended The TOAST website.

What’s next

Hera is heading off to a couple of overseas festivals.

Ashleigh is writing poems, and is off to New Haven, Connecticut to collect the Windham-Campbell Prize (and go to New York with the other recipients).

Both are working on new books. Slowly, surely.

Donna R and Kim M

Six of the best – Ian Rankin, Anne Enright, and more top writers coming to Christchurch!

WORD Christchurch has joined forces with the Auckland Writers Festival to bring amazing authors to Christchurch in May.

The WORD Autumn Season, which runs from 14 to 17 May, features:

  • Bestselling Scottish crime novelist Ian Rankin;
  • Man Booker Prize-winning Irish novelist Anne Enright;
  • Highly-respected British historian and biographer A. N. Wilson, author of The Victorians;
  • Science writer James Gleick exploring the mysteries of time travel;
  • Novelist and Kiwi expat Stella Duffy, who is currently completing Ngaio Marsh’s unfinished novel Money in the Morgue;
  • Canadian storyteller Ivan Coyote, who was the breakout star of last year’s popular WORD Christchurch Writers and Readers Festival.

WORD Christchurch Autumn Season

WORD Christchurch’s programme director Rachael King says:

The audience for our last festival increased by 50% on the previous festival, showing there is a real appetite for these thought-provoking events in Christchurch. We are thrilled to collaborate with the Auckland Writers Festival to be able to bring such high-calibre speakers to the city.

What should you do now?

  1. Have a good look at the programme of events on the WORD Christchurch website.
  2. Get your tickets now. If you buy tickets by 21 April, you do in the draw to win a 10-session pass to the Auckland Writers Festival, which runs 16 to 21 May.
    Another great option is the Autumn Season Pass – it costs $90 plus $3 booking fee and gets you into all six events. All season pass holders automatically also go in the draw to win books from all six writers, courtesy of UBS.
  3. Get reading these six writers – visit our page WORD Autumn Season and find their books in our collection. Or go to your local bookshop.

See you at the WORD Autumn season!