Stella Duffy at the WORD Christchurch Autumn Season

Stella Duffy: writer, playwright, actor, improviser, founder and co-director of Fun Palaces, and general multi-tasker extraordinaire. How, asks interviewer Liz Grant, does she have the energy?

I like working, and I know I’m really lucky to be able to do it — my parents both left school at 14, had very hard working lives, the only time off my dad had was when he was shot down in World War II and became a POW — so when artists talk about how it’s such hard work, and they have to suffer, it makes me want to punch them. What’s hard work is raising seven children like my mother, or being a brilliant man with no opportunities like my dad. I work really hard at my job, but it’s not hard work. I know I’m fortunate to be able to do it.

Liz Grant and Stella Duffy. WORD Christchurch Autumn Season. The Piano. Monday 15 May 2017. Flickr 2017-05-15-IMG_0166

Family

Duffy’s family history is fascinating — like all families it is complex and messy. While researching she discovered a great-grandmother who had given birth in Holloway prison. The reason for her spell inside? Manslaughter; “I didn’t realise the baby was so ill,” she said in court, “and neither did my (12-year old) daughter.” She worked from 9pm-6am every night (“charring” is the occupation given, scare quotes intentional), providing for her children so that she could be home to get them ready for school, only to lose a child and be imprisoned while pregnant with the next. It’s a far cry from Downton Abbey, that’s for sure, and can be seen in the hard working lives of the families in Duffy’s London Lies Beneath.

“There’s no place like home”

Probably the most interesting for me was the talk of home/not home, how once you move away from the place you grew up you effectively lose it — always missing home, but when you visit it has changed without you. This really resonated as someone who grew up in a small town but now lives in a city, with family across New Zealand as well as far away in Europe, who has lived overseas and now feels the tug of home/not-home wherever I am.

Christchurch in particular has that double-layered effect, walking down streets that have changed beyond measure in only a few years. In cities such as London and Rome the juxtaposition of past and present is even more noticeable, everything built on and around and between the layers of its own history. Duffy loves being swallowed up by such a vast, full and vibrant city, being “a small fish in a very big pond”, keeping the taniwha in the Thames fed with Kiwi accents and secrets:

Cover of London Lies BeneathYou know what they say about the taniwha, don’t you, girl?

She shook her head.

He smiled as he said, It’s homesick, of course, but the Thames is too busy and it can’t get by the ships for fear of being seen and lauded and brought ashore for our pleasure again. It doesn’t like to be looked at, not directly. And it’s bigger, much bigger now, grown full on the secrets we tell to the water. That taniwha lives off our whispers, eating up the fears and tears we tell over the side of a bridge. It’s grown fat on what we hide from in the dark, beneath the bedclothes. There’s no getting away from it either, it will follow you along the Effra or the Neckinger as easy as it rides the tide from Tilbury to Teddington.

— London Lies Beneath, Stella Duffy

Ngaio Marsh

When I first read about Money in the Morgue I was under the impression that Duffy was simply finishing an already mostly-completed manuscript, but no: Dame Ngaio Marsh only left three sketchy chapters with some rough notes and no ideas of whodunnit, where it was done or how. Helpful!

Duffy talked a little about how to recreate the tone of Marsh’s writing without the less desirable -isms that permeate 30s era novels (how to make it seem as if it were written in that time but not of that time, if you see what I mean). The answer? Steal a few of Marsh’s writing tics. “Alleyn rubbed his nose.” “His ascetic monk’s face.” “His long, elegant fingers.” Perhaps we’ll see some of New Zealand’s “primordial landscape”, too. All jokes aside, Duffy is careful to avoid any sense of pastiche or mockery in her writing, being an avid admirer of Marsh’s work.

I look forward to reading Money in the Morgue when it’s published in May 2018, and in the meantime reading Duffy’s recent thriller, The Hidden Room. If you’re interested in learning more about the historical setting of London Lies Beneath, Duffy recommends Round About a Pound a Week, written in 1913 by the trade unionist, Fabian and feminist Maud Pember Reeves. If you’re new to Ngaio Marsh’s writing then she recommends starting with Died in the Wool, a country house mystery set on a high country sheep station in New Zealand.

Cover of The Hidden RoomCover of Round About a Pound a WeekCover of Died in the Wool

The Pearl Thief

Cover of Code Name VerityElizabeth Wein has been one of my must-read authors since reading the beautiful punch in the gut that is Code Name Verity a few years ago. I’ve since tracked down the rest of her bibliography and can honestly say there isn’t a book she’s written that I haven’t loved.

This probably doesn’t make sense to you if you’re not a re-reader, but there are certain books that worm their way into your heart and you need to read them again in order to spend more time with your favourite characters. Books that make you grin foolishly or tear up on the bus. Books that make you thrust a copy into your friends’ hands and say: ‘Read this! It made me have feelings and I need you to read it so that we can have feelings together!’

Elizabeth Wein frequently provokes such outbursts from me. (Sorry, friends.) So I was very excited to read her latest novel The Pearl Thief. Technically it’s a prequel to Code Name Verity but it works well as a standalone.

Cover of The Pearl ThiefJulie arrives at her recently deceased grandfather’s estate in Scotland in 1938, having come home early from boarding school. No one’s around so she wanders down to the river in her brother’s kilt and an old jersey, enjoying the summer afternoon. She falls asleep tickling the trout… and then wakes up in hospital with a giant bump on her head and no memory of what happened.

This is only one of the mysteries she has to solve, as missing scholars, dead bodies and stolen river pearls start to pile up, along with a lot of unfounded local suspicion toward the Scottish Traveller community. Which is awkward as Julie is getting to be quite good friends with two Traveller siblings, Euan and Ellen. Will they figure out the real culprit before the Travellers are framed for the crime?

So many of my favourite things contained in one book: mystery, archaeology, librarians, and Julie running around the moors dressed as Davie Balfour from Kidnapped!, kissing the local girls. Sound like you? Reserve a copy of The Pearl Thief now and beat the rush! And if you also have feelings about Elizabeth Wein’s books and need to share, I’d love to hear from you in the comments.

The Pearl Thief
by Elizabeth Wein
Published by Disney-Hyperion
ISBN: 9781484717165

ARC provided by the publisher via Netgalley in exchange for an honest review.

Cover of Rose Under FireCover of Black Dove, White RavenCover of A Coalition of LionsCover of The Sunbird

Review: Dear Ijeawele

Cover of Dear IjeaweleI first came to Chimamanda Ngozi Adichie‘s work via The Thing Around Your Neck. I like short story collections for discovering new authors because there’s so much less commitment — I read a couple of stories and if I like them I continue; if not, I’ve only lost a few minutes of my time. The former, in this case.

I finished The Thing Around Your Neck (full of eloquent, insightful and sometimes snarky observations on being Nigerian in Nigeria vs. the US) and later had my heart broken by Purple Hibiscus. Since finishing Americanah in 2013 Adichie has stepped away from fiction to write concise manifestos of feminism: first We Should All Be Feminists (fairly self-explanatory), and now Dear Ijeawele, on how to raise a feminist. Both are very short and easy to read so you can easily finish one in your lunch break.

It’s all very common sense stuff but depressingly it apparently needs to be said. Things like: Don’t let motherhood consume you. Share parenthood equally. Bin the concept of gender roles. (That last one especially difficult to do in today’s blue and pink segregated toy aisles.)

I cannot overstate the power of alternatives. She can counter ideas about static ‘gender roles’ if she has been empowered by her familiarity with alternatives. If she knows an uncle who cooks well – and does so with indifference – then she can smile and brush off the foolishness of somebody who claims that ‘women must do the cooking’.

Some advice is more specific to raising an Igbo daughter, but you can easily substitute your own cultural heritage in her suggestion to cultivate a strong sense of identity, or in recognising the pros and cons of the society you live in.

Teach her never to universalize her own standards or experiences. Teach her that her standards are for her alone, and not for other people. This is the only necessary form of humility: the realization that difference is normal.

I wish someone had sat me down as a child and explained some of these things to me. Especially that I don’t have to be nice to everyone: kind, yes, but I don’t owe it to other people to be nice to them when they are hurting me. It can be difficult to have opinions on the internet without being stomped on, but that doesn’t mean we should silence ourselves.

I don’t have any children but I have an interest in making this world easier for everyone to live in, and the suggestions in Dear Ijeawele seem like a good place to start.

Cover of The Thing Around Your NeckCover of Half of a Yellow SunCover of Purple HibiscusCover of AmericanahCover of We Should All Be Feminists
Dear Ijeawele, Or a Feminist Manifesto in Fifteen Suggestions
by Chimamanda Ngozi Adichie
Published by HarperCollins
ISBN: 9780008241032

Knights and Princesses Day

Knights and Princesses fun dayHear ye, hear ye!

The Princess and the PonyThe populace of Central Library Peterborough invite one and all for an afternoon of medieval entertainment, to take place from 1-3pm on Saturday the 25th of March. There will be crown decorating for those of royal blood, and shield making for any knights in need of armour. Catapults will be created and tested! If you are of an active disposition we invite you to attempt the quest, or if of a more mellow nature try out some medieval crafts and board games.

Prizes will be granted for the best costumes so bring your sense of chivalry and your best royal and/or knightly outfit to win! All welcome. This is a free event.

Need help getting into character? Check out my list of favourite books about knights and princesses for kids and teens.

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All About (Nasty) Women — WORD Christchurch

This blog talks about two live-streamed talks from the Sydney All About Women event, but after looking at their website I’ve realised how many interesting talks are happening that aren’t live-streamed. For instance Life on Mars, about Carmel Johnston’s year living in the HI-SEAS Mars simulation on Hawai’i. (I just re-watched The Martian so it caught my eye.) Luckily All About Women is filmed and put on Youtube so those of us who missed out can still watch when they’re uploaded.

Geena Davis on Gender in Media

If you’re skeptical that media representation and the lack thereof can influence the way we view ourselves and others, Geena Davis and her institute on gender in media can provide a few facts that might change your mind. In 2012, the year of Cover of Brave: The essential guideBrave‘s Merida and The Hunger Games’ Katniss Everdeen, the participation of girls in archery competitions more than doubled. Which is great! What’s not so great is how rare that positive representation actually is. The gender disparity in film is just as bad now as it was 1946, and that’s not an exaggeration. I recently read Jessica Chastain’s essay on how amazing and rare it was to work on a set that has 20% women (The Zookeeper’s Wife, directed by Niki Caro). 20%! Sometimes she was the only woman on set at all. I sometimes forget, working in a field that is so woman-friendly, how isolated we can be in the workplace.

As depressing as those facts are I highly recommend having a look at Geena Davis’ website and the footage of her All About Women speech when it goes up. In person she is very, very funny and has inspired me to look even more closely at the media I consume. I recommend you do likewise, particularly animated children’s movies, which from the stats seem to have the worst record of gender disparity and negative stereotyping.

Backstage interview with Jessa Crispin

Crispin rejects the label of feminist because today’s feminism isn’t feminist enough. Too many people are calling themselves feminists, she says, by just co-opting the ideology others have created rather than inventing their own. To make real change we need just a few really hardcore radical women willing to tear down the system, we don’t need to convert everybody to the cause.

If feminism is universal, if it is something that all women and men can “get on board” with, then it is not for me. If feminism is nothing more than personal gain disguised as political progress, then it is not for me. If by declaring myself a feminist I must reassure you that I am not angry, that I pose no threat, then feminism is definitely not for me. I am angry. And I do pose a threat. — Jessa Crispin, Why I Am Not a Feminist

Cover of Why I am not a feministI found listening to Crispin frustrating because while I agreed with some of what she said (feminism needs to be more inclusive racially and economically) I disagree with how she thinks we should solve it. Slacktivism is a problem for many causes, not just feminism, so rather than sneering at the lip-service feminists as not being feminist enough, why not work to inspire more of them to take more active roles in achieving gender parity?

If you were there (or have read Crispin’s book, Why I Am Not a Feminist), I’d love to hear your thoughts in the comments.

Nasty Women

So many smart, articulate ladies on this panel. Some of the best quotes:

No one is looking after us, it’s only us. And if you don’t get active in democracy, you get Trump. — Van Badham

 

The moment we shut up we let them win. — Yassmin Abdel-Gamied

 

Cover of Shrill: Notes from a loud womanSimply presenting my body to the world and insisting that it has value is a political act. It freaks people out. — Lindy West

 

You have the strength of all the women with you, who came before you, and who will come after you. — Van Badham

 

We have to mobilise everyone. Tell our kids that activism and standing for office are part of our civic duties. —Lindy West

 

It’s when people mobilise around the issues that are actually more important than the vacuum of hate, that opinions can change and we’ve got to have hope in that message and our capacity to organise, to speak to people about what’s really important to them. It’s only a tiny percentage of people who are really defined by hatred and will vote hatred more than anything else. — Van Badham

 

The idea of changing the entire world is overwhelming, but the idea of having an impact on the few people who are around us is very very achievable. — Yassmin Abdel-Gamied

One (very small) way that I try to make a difference is to support marginalised authors by buying, reading and reviewing their books. It takes very little effort on my part and I get to read great books! Win-win. If you’re looking for new authors to read I recommend We Need Diverse Books as a great place to start.

WORD Christchurch – All About Women

All About Women Satellite 5 March 2017Yesterday a car pulled up next to me while we were sitting at the lights, and the gentleman inside (I use the term loosely) rolled down his window. ‘Cheer up!’ he called. ‘Come on! Smile for me!’

If this doesn’t happen to you on a regular basis then perhaps you won’t understand why my immediate response was one of stifled rage. Sure, it’s one of the more innocuous forms of putting women in their place, but it exists on the flipside of the coin marked Nasty Woman. And if you’re looking at the USA thinking That’s so much worse, at least our last prime minister was only grabbing ponytails, don’t be too complacent. Unfortunately kiwi misogynists are looking at global politics for more ideas of how to be horrible to women.

If this depresses you, I have good news! WORD Christchurch is live-streaming a collection of talks by smart, feminist women straight to Christchurch. Geena Davis will be talking about women in Hollywood and the film industry, Jessa Crispin will be discussing her new book (Why I Am Not a Feminist — A Feminist Manifesto), and Yassmin Adbel-Magied, Van Badham and Lindy West will be on the Nasty Women panel. I’m especially excited to listen to Lindy West, as she was one of my favourite staff writers at Jezebel.com a few years ago (and has since published a book, Shrill).

I look forward to hopefully seeing some of you there, but if you can’t make it (or you need something to read in the meantime), check out our staff’s favourite feminist titles here.

Cover of Shrill by Lindy WestCover of If You Knew Me You Would CareCover of Speaking Out by Tara MossCover of Fight Like a Girl by Clementine Ford

Science fiction (double feature)

I’ve been in a bit of a reading slump for several months, but it’s starting to pick up again. Mostly I seem to be into Adventures in space! books at the moment (to be fair when am I not into Adventures in space! books?), possibly a result of the Star Wars renaissance. It’s a good time to be a science fiction fan.

Recent recommended reads:

cover of Ancillary JusticeThe Ancillary trilogy by Ann Leckie, beginning with Ancillary Justice – an approximation of the British Empire in space! AI ships with human bodies who love singing! Lots of tea! It can take a few chapters to get into but rewards persistence. Leckie is definitely one of my favourite new sci fi authors.

Cover of Behind the ThroneBehind the Throne by K. G. Wagers – Often described as: What if Princess Leia and Han Solo were the same person? Foul-mouthed gunrunner Hailimi Bristol is forced to return to her home planet to take up the crown after most of the royal family are assassinated. Chaos ensues. I doubt I’d be able to cope with Hailimi in person (so much shouting, calm down) but I enjoyed the first book. Possibly not enough to check out the second, After the Crown, but I know others enjoyed it.

Cover of The Long Way to a Small Angry PlanetThe Long Way to a Small, Angry Planet by Becky Chambers – Similar to Firefly in that it’s an ensemble cast in space who all love each other even when they hate each other, episodic plot, and occasional encounters with nasty aliens (lots of nice ones too). There’s a sequel, A Closed and Common Orbit, which explores what happens when the ship’s AI gets a body and learns to be an engineer. I think I liked that one even more and it’s a standalone so feel free to pick it up without having read the first. Readers who prefer a fast paced plot should steer clear but if you’re into character-driven feel-good science fiction, this is the author for you.

Other science fiction I’m looking forward to reading:

  • Ninefox Gambit by Yoon Ha Lee. First of a trilogy. To win an impossible war Captain Kel Cheris is given the “help” of a dead, insane but tactically brilliant traitor general.
  • The Three-Body Problem by Cixin Liu. Aliens prepare to invade. Humans are divided in their response to the threat. What happens next will surprise you!
  • Six Wakes by Mur Lafferty. Murder mystery in spaaaaaace!

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Speaking Out: Tara Moss — WORD Christchurch

Tara Moss has worn many hats — model, crime writer, journalist, and now author of two non-fiction titles, The Fictional Woman and Speaking Out. Where The Fictional Woman is part-memoir, Speaking Out is designed as a handbook for woman and girls, full of practical tips on how to speak out and how to deal with the backlash if you do. There’s a whole section on surviving social media (don’t let the trolls get you down), which unfortunately gets more relevant every day.

So why did a crime writer choose to write a nonfiction book that isn’t about death? Well, she says, here’s a powerpoint presentation I prepared earlier. There followed twenty minutes of increasingly depressing statistics about the lack of voice and representation of women in media and politics. Suffice it to say, we can do better. (Except Canada, phwoar: fifty/fifty representation in parliament! Be still my beating heart.)

Tara Moss at WORD Christchurch.
Tara Moss at WORD Christchurch.

When we are silent or unheard our ideals and perspectives, our needs, our pain, and our struggles remain unknown or unacknowledged; and often for this reason, unchanged. — Tara Moss

This just emphasises what I’ve been hearing from many of the other panels. If we don’t hear indigenous voices, if we don’t hear LGBT voices, then we’re not representing our society. As someone who’s been nosy all her life I’ve never quite understood why we haven’t figured this out yet. Listening’s not that hard, is it? We might learn something.

Tara Moss. Image supplied
Tara Moss. Image supplied

The reality is not that women talk more … but that we want and expect them to talk less. — Soraya Chemaly

Oh, right. That’s why. Even about issues that you’d expect women to have an equal say — birth control, parental leave, women’s rights — we’re still deferring to male opinion. And let’s not even talk about violence against women. No wait, let’s. Did you know a woman dies almost every week in Australia at the hands of a current or former partner? Did you know one out of five women experiences sexual violence, worldwide? That violence against women and girls remains unchanged despite a downward trend in all other crime?

Cover of Speaking OutThis can all seem incredibly depressing (it is), but at least things have changed since the 20th century. We can improve this situation; it’s not static, it’s not just the way things are.

The more we speak out, the less easy it will be to silence others … Toxic silence does a lot more damage than oversharing; silence has never solved anything. — Tara Moss

So here’s your homework: read Speaking Out. Speak out more, and listen to those who are already. Comment on this post. Tell your own story. Once we have an equal voice, everyone will be better off.

See more photos of Tara Moss and her fact-filled presentation on our Flickr.

WORD Christchurch

Sister Cities/First Nations – WORD Christchurch

We all consider ourselves good people, so it can be confronting to realise that we’re unwittingly contributing to oppression. For peace of mind it can seem easier to ignore the evidence rather than engage in change, thinking if we cover our eyes then it isn’t there, it’s all the past, it doesn’t affect me. Or we go to the other extreme, demand our education from those we meet rather than listen to those already speaking.

Ali Cobby Eckermann. Photo by Adrain Cook. Image supplied.
Ali Cobby Eckermann. Photo by Adrain Cook. Image supplied.

Ali Cobby Eckermann (Aboriginal Australian descended from the Yankunytjatjara language group) and Elissa Washuta (member of the Cowlitz Indian Tribe) are two who are well worth listening to. First Eckermann read from her poem Black Deaths in Custody:

when I walk down this wing and peer

into this filthy room the door closes behind me

the feeling in my heart is changing

from a proud strength of duty to fear

all the stories I have ever heard

stand silent in the space beside me—

a coil of rope is being pushed

under the door of this cell

And Washuta read out her essay This Indian Does Not Owe You, which I recommend reading in full:

When you quiz me on genocide highlights — “Were those smallpox blankets real? I’ve always wondered about that” — to sate your hunger for facts, I do not owe you a free education of the kind that my university students pay for, and I am not so flattered by your interest in my people that I might unfurl a lecture on 500 years of colonization for your edification.

Elissa Washuta. Photo by Elizabeth Ogle. Image supplied.
Elissa Washuta. Photo by Elizabeth Ogle. Image supplied.

Nic Low asked about the role of anger in writing. Both have been through traumatic experiences – rape, disordered eating, the removal of a child – but are still gentle, kind people in person. Writing provides a safe space for anger. Eckermann brought up the idea of good anger and bad anger, and Washuta responded:

We have that bad anger and what do you do with it? A lot of us just destroy ourselves with drugs and alcohol, because that bad anger has just embedded itself, and then we’re told Oh that’s all in the past, that was hundreds of years ago, get over it. The reality is that in our communities we are experiencing ongoing colonisation every day, all the time. We are still a colonised people.

Eckermann agreed – they don’t want to hurt others, so they hurt themselves. She hopes writing can bring us closer to a collective understanding and healing. By acknowledging pain, maybe some can begin to heal.

Cover of Inside My MotherWho are you writing for?

Initially I thought I was writing for myself, or for my community, but now I think I’m writing for the future. Poetry is supposed to change and inform lives… I mean statistically we know that one in four women is raped in their lifetime, but we have to share our stories so it’s not just statistics, it’s life lived. – Eckermann

I wanted to see people like me on the page – I didn’t know any other native people at college, I was diagnosed bipolar, raped, had an eating disorder, and to me they all seemed interconnected but I couldn’t find anything that reflected my own experience. So my books are a gift to other college students. I knew there had to be other people like me, and there are. – Washuta

How do you feel about your country?

I’d like to remove the culture of denial in Australia.  It’s been really rewarding going to other countries that know their histories, who aren’t afraid of their history. — Eckermann

There’s this cheerful narrative about the brave pioneers who crossed the continent to create something out of the “pristine untouched wilderness” when really people were doing all sorts of maintenance work. The pioneers just didn’t understand how the land was being used, or couldn’t see it. But it’s always “It’s really nice that the Indians helped the settlers make something out of this super boring place.” — Washuta

The session ended with a plea for greater friendship and connection in the face of the tsunami of racism that seems to be washing over the world.

So listen to others. Be kind. And go read their books.

WORD Christchurch

The Right to be Cold – WORD Christchurch

As a fellow introvert I find Sheila Watt-Cloutier incredible, going from interpreter/nurse at the Ungava Hospital to International Chair of the Inuit Circumpolar Council, among other things. Here’s someone who won’t need Tara Moss’s book Speaking Out as she has already been speaking out for decades via various platforms, successfully raising awareness of Inuit and global issues (and as she points out, the two are interlinked). Hers is a voice we need to hear more of.

Sheila Watt-Cloutier. Image supplied.
Sheila Watt-Cloutier. Image supplied.

So who are the Inuit?

The Inuit people are spread over four countries — Greenland, Canada, Alaska (US), and Siberian Russia. They total 165,000 all at the top of the world, most very far away from each other (not helped by the current airline routes). The same language is spoken with different dialects, the same food is eaten, the same legends, the same hunting practices, the same songs. The same people.

The motivation behind The Right to be Cold

Watt-Cloutier spent her first ten years in the Arctic in Kuujjuaq, Nunavik, which is located in Northern Quebec (Canada). She grew up in a very close knit family, raised by her mother and grandmother, travelling by dog-sled, and maintaining a close connection to the local environment and community. After leaving for school age ten and returning almost a decade later, the stark changes wrought in those few years propelled her onto a more political platform.

I felt a sense of responsibility to write the book from a personal narrative, through the experiences of those graphic changes, because I can still remember those more traditional times. It wasn’t generations ago, it was in my lifetime, things have changed very rapidly. I wrote it from a place of trying to connect all these pieces of how we had come from such a powerful, independent culture, strong and valuable, to the addiction, violence and abuse problems we deal with today. I wanted to put into context these wounds, to piece together what has happened in our family systems, societies, and communities.

The disappearance of the dog teams

It wasn’t until I was an adult starting to work in politics that stories began to come out. It was such a shameful time, the wounds were so deep that the men in our communities didn’t talk about that era. There was a time in history when the authorities of the day decided (supposedly for health and safety reasons) to remove the dogs. Thousands were shot and killed, families would come in from outpost camps to barter only to have their dogs shot and therefore their transport removed… It was a great trauma.

How did this affect the Inuit communities?

The dog slaughters and the demolition of the sealing industry changed the way hunters could provide for their families. They began to turn to rifles, ammunition, and motorised boats rather than traditional hunting practices, but the loss of the cultural tradition of hunting plus the degradation of the ice through climate change have caused a lot of damage to their sense of worthiness, integrity, identity.

Traditionally Inuit hunters are calm, reflective, inclusive, wise people. While Western impressions of hunters are often as aggressive men with rifles, hunting in the Arctic leaves no room for anger; any foolish decisions place yourself and your family in jeopardy in such a harsh environment. By losing that identity as proficient provider the hunters have begun to act out, passing their hurt on to women and children through violence. To circumvent that cycle of abuse Watt-Cloutier feels it is important to reclaim and understand their history. By reconnecting with their culture and past hopefully some will regain a sense of place in the community.

Cover of The Right to be ColdIf I could just help one person alleviate part of the burden that they carry, then I will have accomplished what I set out to do.

I haven’t really delved into the more environmental part of the talk because there was a lot of information packed into that one-hour session, but I highly recommending reading her book The Right to be Cold to learn more about how we can make this a better planet for everyone, not just the polar bears.

WORD Christchurch