Christchurch City Libraries blog hosts a series of regular podcasts from specialist human rights radio show Speak up – Kōrerotia. This show is created by Sally Carlton.
Sally talks with Donald Pettitt (Canterbury Men’s Centre), Iain Fergusson and Steve Carter (mental health advocates) about issues affecting men.
Part I: Campaigns to raise awareness of men’s issues; Why are men’s issues not often explicitly singled out in rights discussions?
Part II: Issues affecting men and their mental health outcomes
Part III: Systems that support men’s rights, and what is still needed
Christchurch’s elite ultramarathoner Vajin Armstrong talks about his training, meditation, and of course, his favourite books.
Have you heard of ultra running? If a marathon just isn’t far enough, here is the new holy grail of running – the ultramarathon. The word ultra means “beyond” in Latin, and these extreme endurance races, commonly referred to as ultras, are certainly beyond what most people would consider physically possible. Perhaps that’s why Vajin Armstrong, one of New Zealand’s elite ultra runners, finds his success lies not only in intense physical training, but also in a strong spiritual practice.
Christchurch born and bred, Vajin has raced all around the world and has placed on the podium in numerous ultras in America, Australia, Europe and Asia. Among his most notable achievements are three consecutive wins of New Zealand’s premier mountain race, the Kepler Challenge in Fiordland. Normally a challenging 4-day hike, Vajin’s best time over the 60km course (which is not only pretty far, but also involves running over a mountain) is a mind-blowing 4 hours 55 minutes.
The 2017 Kepler Challenge is on this Saturday 2 December and once again Vajin will be lining up with the world’s top athletes.
Vajin, after three Kepler Challenge wins, what are your thoughts coming into the race this year? Is winning important to you?
For me the competition is not my primary motivation. My goal during training and racing is to enter the space where I’m completely immersed in the task at hand. At those times where you become totally one with the simple act of running, the rest of your life ceases to exist, there is no past, no future all that exists in that moment. For me this experience of being completely present, totally alive and free is more fulfilling than any outer accolades. The human in us can only do so much, but when we reach that point where we think we can go no further, this is when our inner strength comes to the fore to help us keep going. Ultra running is a great way to experience and explore this incredible frontier. In my life I always feel so happy when I can go beyond my own perceived limitations. Transcending our limitations in any field gives us such joy.
Describe a typical training week.
I regularly run between 160km and 200km per week, I enjoy the process and discipline of it. For me it’s enjoyable and fulfilling to have the opportunity to work hard every day towards my goals.
With such a high volume of training to fuel, do you follow a special diet?
I’ve been a vegetarian for my entire adult life and I have found that a plant-based diet is really conducive to both my running and my life in general. A lot of the top trail runners are vegetarian or vegan.
The highly successful vegan ultramarathoner Scott Jurek’s Eat and Run is a cross between a fascinating autobiography and a vegan recipe book.
What inspires you to keep training at a high level?
When I run I feel the most alive, the most free and the most connected to the world around me. And there’s the self-discovery – beyond the very extremes of fatigue and distress we can find a great calm and power that we never dreamed was there, sources of strength never discovered at all because we never dared to push on past the obstructions.
What are some things running ultras has taught you?
For me trail and ultra running is all about self-transcendence, freedom, simplicity and exploration. Our modern world is so obsessed with the search for comfort and ease that having this outlet, which gives me the chance to put myself in challenging situations and to explore and have adventures, is so balancing. Having the opportunity to spend a whole day out in nature for me is very meditative and fulfilling. You find you begin to value anew the simple pleasures of life, a beautiful sunset, drinking from a mountain stream, good company and natural foods.
How does your meditation practice relate to your training and racing?
For me the practice of meditation and the practice of running are completely interrelated. Through running I develop concentration, discipline and determination while from meditation I get peace, stillness and tranquility. It’s always important to have a balance between the outer aspect of our lives and taking the time to develop and connect with the deeper inner parts of our being. At a certain point the physical body gets exhausted and that’s where the mental and spiritual dimensions kick in – we’re finite, but we can connect to the infinite. I learnt meditation many years ago from the Indian teacher Sri Chinmoy. Sri Chinmoy spoke a lot about sports and meditation and inspired countless athletes. He talked about the cosmic or inner energy, and how when you can connect with this through meditation, your potential is boundless.
What keeps you going when things get tough?
While running, especially in long events, I try and use the skills I have developed from meditation to make my mind still and calm and to be present in the moment. Very often when we are attempting to do something really challenging it is our own mind that can become our worst enemy. Our doubts, worries and insecurities can all attempt to hold us back. Having the ability to quieten the mind and focus on the task at hand is an invaluable skill.
What are the coolest places you’ve ever run?
The Canary Islands, the Sahara Desert, the Atlas Mountains in Morocco, and the Himalayas in both India and Nepal.
Any books you’d like to recommend?
Some books I’ve been reading lately and enjoying are Ego is the Enemy by Ryan Holiday, The Alchemist by Paulo Coelho, and anything by Malcolm Gladwell.
The bare walls of our busted city are a canvas for something beautiful. Since the earthquakes, a lot of us think: “Christchurch street art is ka rawe”. Here’s a mere sample of what is happening right now:
Superlot 9 is opening on 2 December at 122 Lichfield Street and is going to have street art bedecking giant spraycans.
Fiksate Gallery in New Brighton has an exhibition of street art, illustration and urban contemporary art on until 17 December.
YMCA Christchurch in association with PAINT (Pushing Art in New Zealand Trust) presents Street Prints Otautahi 2017. Large scale murals will be painted in the central city, New Brighton and Lyttelton, plus there’s a range of events and activities for all ages between 21 December and 29 December.
Street art can be ephemeral, as murals are painted over, blocked out, or the building canvas demolished. But there is a particular little leap of happiness in the heart when you spot something happening. It’s a buzz. Our street art is tied up with memories and possibilities, and with hope. I spoke to Lindsay Chan who since 2015 has been playing an important role documenting Ōtautahi’s street art and facilitating new artworks via the website Watch this space:
Why do you think Christchurch has become such a street art hub?
Christchurch always had talented muralists and graffiti artists, but it was the earthquakes that brought their talents to the forefront. The city became a blank canvas with empty buildings and buildings waiting to be torn down. George Shaw from Oi! YOU together with the Canterbury Museum and then the YMCA brought in internationally renowned artists to paint large-scale murals across the CBD. Combined with the amazing local talent and visiting international artists keen to make the most of the post earthquake landscape, Christchurch started making a name for itself in the international street art scene. Did you know it has its own chapter dedicated to Christchurch in Lonely Planet’s first ever street art dedicated guidebook, Street Art ?
How did Watch this Space get started?
When I moved to Christchurch a few years ago, I went on one of Frocks on Bikes free bike tours. That day they showed us around the different street art works. I was surprised to see all this amazing art work in the very city that I live in and bike through all the time. The bike leaders pointed out so many different art works that I had never noticed. I asked Connie, the leader from Frocks on Bikes, how she had decided the route, and she said it was actually quite a lot of work because none of the information was centralized. It was scattered across individual newspaper articles and maps were often incomplete and not kept up to date. Not to mention, Frocks on Bikes is a group of volunteers, so I thought it was a bit crazy that she ended up having to go through various newspaper articles and websites to decide a route and find out the details of each artist and work.
I work in geospatial information systems (GIS). We make maps and visualize data. We take number data and put them into an easy to understand format, usually into maps. I’m always looking for ways to learn new skills and thought this could be a great opportunity to put my skill set to use with something I’m really interested in – street art and create a resource that can be used now by the city and as a legacy item once the city is fully rebuilt.
What does your role involve day-to-day?
Well, my “real” job is working as a geospatial analyst at the Department of Conservation (DOC). I do Watch This Space stuff outside my regular work hours and have gotten others involved too because we think it’s something the city and the visitors to the city need. We are now a charitable trust and have five trustees who are a big help with sharing the day-to-day duties.
Day-to-day, we try to keep up to date with where the latest murals and graffiti are coming up in town and share that through our website and social media so other people can know about it too. We take photos, research the artists, chase down funding, and meet with all kinds of different people to try and convince them that the graffiti and murals in Christchurch are truly amazing and something that the city needs to make space for in “new” Christchurch.
Do you have any favourite artworks in town?
That’s a hard one Donna. I have many favourites. One of the things that draws me to graffiti and murals is the stories behind each of these. I like the paste up of Tony Fomison and the tags that cover it. This one is located on the corner of Manchester and High. The paste up was put up after the earthquakes as part of Christchurch Art Gallery’s Outer Spaces project, but they put it over a tag. Later that artist came back to mark his territory and tagged over the paste up. I think it’s a great dialogue between outdoor and indoor art and the different forms of art that exist in Christchurch.
My other favourite was a portrait of Ikarus by Wongi . It was on the corner of Manchester and Welles. I like how graffiti is something friends go out to do together. I think it’s even cooler that Wongi did a portrait of one of his good friends and the works around it give it a nice touch too. It shows that a lot of different artists had been out to that spot.
How can Christchurch people and visitors help grow Watch this space? What are the features of the website they can use?
We want Watch This Space to be a project for the people by the people. The website is set up so people can contribute their own street art images, so if you see something new come up, take a photo and send it in. If you notice a building getting torn down or an art work getting covered up, take a photo and send it in. If you’ve taken photos pre-earthquake, send it in. Watch This Space can only cover so much ground, so please, we’d love to add your images to the map. The best way for this project to be sustainable is if the community gets involved, and we’ve created some easy to use tools so you can.
How do you work with artists and building owners to activate walls with art?
We have steadily been building ties with the local artists as we add their works to the map and write about them in our blog. People around town are starting to come across our resource and contact us from time to time for help connecting with artists. We recently helped ChristchurchNZ in their search for wall space for the David Kidwell mural on the corner of Lichfield and High as well as helping Christchurch City Council find artists for the Enliven places street mural project.
Artists can fill out this expression of interest form on our website, and businesses or local organisations who want to commission a mural can fill out a form, where we’ll help to connect them with a local artist.
There’s a lot that happens before we actually see the mural on the wall, which many people don’t see or understand. That’s where we can step in and help make it easier on both parties.
I think one of the great strengths of Watch this Space is that you also list the artworks that are no longer viewable, whether they are on buildings that have been demolished, or sites that have been built up. Do you have a sense of the work having a role to play in our history?
I think it’s extremely important to follow street art as it gets decommissioned. Many people see the beauty of street art as being ephemeral. I agree that is an aspect that contributes to its beauty, but art isn’t just about beauty. Throughout history, art has been used as a form of expression and commentary on the current climate. Graffiti, murals, and street art are a record of what our city is, what it was, and what it could be.
Take for example Daek Williams’s mural that used to be on the corner of Colombo and Peterborough Street. He made that for the Rise festival, and the mural is based on his impression of the residents of the Red Zone and how they stayed and did not leave Christchurch.
Dcypher’s mural on the side of the Roxx climbing gym on Waltham Road is the artist’s interpretation of Christchurch’s urban landscape prior to the earthquakes. Following street art as it gets covered up and torn down is also preserving piece of history and the memories individuals attach to different works.
Do you use libraries?
I went to the library a lot as a kid. I read a lot growing up.
What are you reading/watching/listening to now?
I have to admit, I’ve been watching the Marvel series on Netflix. I used to love reading as a kid, but when I entered high school, there was so much required reading and analysis and essays about what we were reading, I haven’t been able to get back into it. I recently heard an interview by the author of Nevermoor on RadioNZ. It reminded me of the Harry Potter series, which I was a big fan of growing up. Nevermoor sounds pretty awesome. I might have to go check that out..
Watch this space …
From Friday 24 November, we’re starting to guide tours on Fridays and Saturdays for the rest of the summer. They will go from 11am to 12:30pm, at a cost of $25 per person. Proceeds from the tour will go back into Watch This Space to help cover developer fees, the interviews and editorials on our blog, and be put aside to commission a mural in the future. Find out more and book your tour.
Christchurch City Libraries blog hosts a series of regular podcasts from specialist human rights radio show Speak up – Kōrerotia. This show is created by Sally Carlton.
In this episode Sally talks with Sharon O’Brien and Federico Federici of INTERACT (International Network on Crisis Translation) andJ. C. Gaillard and Jay Marlowe (University of Auckland) on the issues, challenges and strategies around communicating important information to diverse communities during times of disaster. Talking points include –
Interpreting vs translating
Importance of translation and interpreting as means of inclusion – first language use and access to information as human rights
Risks to crisis translators / interpreters
Importance of disseminating info to everyone before, during and following disasters
Importance of building relationships before disasters occur
Vulnerability and strength of minorities – what they can bring to disaster prep
Importance of allowing minorities to formulate their own policies – not just “participate” in outsider-produced policy
Part I: What were the NZ Wars?; Does it matter how we label them (NZ Wars vs Land Wars vs Māori Wars vs Sovereignty Wars?; NZ Wars and national identity
Part II: How have the Wars previously been acknowledged?
Part III: 2017 commemoration – Why now? What will occur?
Part IV: Looking forward to possible outcomes of commemoration
Craig Sisterson is a writer and reviewer, and a fan of great crime writing. He’s the force behind the Ngaio Marsh Awards celebrating New Zealand crime writing, starting the Awards in 2010 and now serving as the judging convenor for the prizes.
Read our interview with Craig where he talks Kiwi crime, #yeahnoir, the Ngaio Marsh Awards, and libraries.
This year, you can join in as Scorpio Books and WORD Christchurch present The Great Lit Quiz & Ngaio Marsh Awards! To celebrate NZ Bookshop Day, put together a team of book enthusiasts for a quiz of crime novels and other genres! All tickets gain entry to the invitation-only Ngaio Marsh Awards cocktail party, where the winners will be announced. Hosted by crime writers Paul Cleave and Vanda Symon.
The Bone Line wine and nibbles provided. Saturday, 28 October, 5.30pm Ngaio Marsh Awards; 7pm Great Lit Quiz
$80 per table (up to 5 players) by emailing firstname.lastname@example.org
How did the idea for the Ngaio Marsh Awards come to you?
It was a culmination of a lot of little things. I’d started reading a lot while backpacking through Latin America for six months, picking up dozens of novels from hostel book exchanges and the like to pass the time on 24-hour bus rides in Argentina and Chile. The hostels tended to have plenty of ‘popular fiction’ (crime, romance, sci-fi, action thrillers etc), and I gravitated towards the crime novels, having loved mystery tales since I was a kid devouring The Hardy Boys adventures when I was at Richmond Primary School in Nelson.
Then when I was in Canada I went along to an Arthur Ellis Awards event at the Vancouver Public Library (a crime author panel where the finalists for their national crime writing awards were also announced). I met some really cool Canadian crime writers, including the great William Deverell, and had a really good chat with him afterwards about recognising and celebrating quality writing, and how the crime genre was much deeper nowadays than the stereotype of old-fashioned mysteries, potboilers, and airport thrillers.
As an aside, I spoke with the Canadians about the state of New Zealand crime writing (they were curious), and even lamented that other than Dame Ngaio and Paul Thomas’s series, and one-offs from the likes of Simon Snow, Nigel Latta, and Michael Laws, we didn’t seem to have as many crime writers as you’d expect for a country that has some really great writers (Oscar-nominated screenwriters, Man Booker listees, fabulous children’s authors, great longform journalists, etc). Or at least we didn’t have many ongoing series or crime writers putting out multiple books. It’s embarrassing to look back on that discussion now, because NZ does have a greater crime writing history than I knew about at that time, but perhaps the fact I was a keen reader who still wasn’t aware of that was telling too?
When I returned to New Zealand in October 2008, I popped into the Papatoetoe Library my first weekend to keep feeding my reading habit. By chance, a couple of crime novels on the recently returned shelf caught my eye. I picked them up, was taken by the backcover blurbs, and was surprised to read they were set in New Zealand: Cemetery Lake by Paul Cleave and The Ringmaster by Vanda Symon. Not only were they modern NZ crime novels, but each was from an author who’d published more than one novel!
I read them both that weekend, before I started my new job at a legal magazine (I was a lawyer before my overseas adventures). Both were terrific, really top quality stuff. Great characters and writing, coupled with page-turning action and suspense. And both books were as good if not better than many of big-name international bestsellers I’d been reading on my Latin American journey.
So my thoughts about the state of NZ crime writing began to shift. Then my new boss asked if I’d read any good books lately, as a review for our magazine hadn’t come in before deadline. So I wrote reviews of Cleave and Symon’s books, and took off from there. Soon afterwards I was reviewing crime fiction for Australian magazine Good Reading, as well as some other publications. I reviewed a few dozen crime novels for them over the next year, including Kiwi authors like Cleave, Symon, Lindy Kelly, Neil Cross, and Paddy Richardson. The Kiwi crime novels stood up really well against the well-known international stuff, and I started thinking ‘why aren’t we talking about our crime writers more?’ On top of that, I realised that while Canada, Australia, the UK, the USA, and many other countries had crime writing awards, New Zealand didn’t. Our popular fiction writers were unlikely to be listed for the NZ Book Awards, but at least our romance, sci-fi and fantasy authors had their own associations and awards. So did our children’s authors.
Our crime writers did not. That kept niggling at me the more reviews and features I wrote about the genre, and when I raised the possibility of a New Zealand crime writing award with authors, publishers, reviewers, and others in the book industry, pretty much everyone thought it was a great idea in principle. There was a gap between principle and putting it into practice though. And in the end I just got to the ‘ah bugger it, I’ll just start them myself then’ stage. By then I had lots of contacts in New Zealand and overseas, and called on various people for advice. Crime Writers Canada and the Australian Crime Writers Association were very generous and shared with me how their awards started, evolved, and were run. I cherry-picked various things to create our own awards.
How hard was it to set up a literary prize?
How long is a piece of string?, as my mother would say. It’s really hard to answer your question. Looking back it all seemed to go quite smoothly, though that could be my rose-tinted glasses! At the time there were plenty of bumps in the road, for sure, but we just rolled with the punches, adapted, and kept on going (how many cliches can I fit in a paragraph?). We were creating something new, so there was no blueprint (other than advice from overseas peers), so if something wasn’t working or went wrong, I just changed it.
My core concern was to make sure that the awards had a good level of credibility, even if we weren’t offering the winner a big amount of prize money. I just really wanted the awards to be sustainable, not a one-off, and to have some ‘heft’, for want of a better term.
That was achieved (I think) thanks to the really top-notch judges we’ve had from the beginning, and the support of WORD Christchurch. We have a large judging panel for the Best Crime Novel prize; seven judges from New Zealand and overseas. All are crime fiction experts, so we had people who were connoisseurs of the genre and read an awful lot, weighing up the quality of our local crime tales. In the first years we had the likes of legendary British reviewer Mike Ripley (who was the Daily Telegraph’s crime reviewer for 17 years), Vice President of Crime Writers Canada Lou Allin, and doyen of the Kiwi books scene Graham Beattie on the panel.
More recently Janet Rudolph (editor of Mystery Readers International), J Kingston Pierce of Kirkus reviews, top Australian crime reviewer Karen Chisholm, and award-winning Icelandic crime writer Yrsa Sigurdardottir have served on the judging panel.
These people may not be household names, but they are extremely highly regarded within the global crime writing world, and their involvement has given the Ngaios a lot of credibility on the global stage. They read a massive amount of crime fiction, from the biggest names to new authors and many in between, and when they say our Kiwi authors are world class, that carries a lot of weight.
The other main pillar of the Ngaios from the beginning was the involvement of what is now WORD Christchurch. I wanted a cool event for our first ever Ngaio Marsh Awards presentation in 2010, and Ruth Todd and Morrin Rout of the Christchurch Writers and Readers Festival really came to the party. They were so supportive, and planned a terrific event for the Saturday night of their festival, which even included the Court Jesters doing an improv murder mystery, before the inaugural winner would be announced. The festival also put up some prize money for the winner (adding to the handcrafted trophy created by sculptor Gina Ferguson and selection of Ngaio Marsh books donated by HarperCollins, Dame Ngaio’s publisher). As Dame Ngaio was a Cantabrian herself, it was a perfect fit.
Then the September earthquakes struck, the festival was cancelled, and our event postponed. Not the greatest start! But Ruth and Morrin continued to be so supportive, even as they were dealing with all the property damage and other concerns. We had offers from other festivals to hold an event in other cities, but stuck with Christchurch. We had a cool one-off event in a temporary venue that November, where the pseudonymous Alix Bosco won the inaugural prize for Cut and Run (fittingly, an author whose identity was then a mystery won our first-ever Kiwi mystery writing prize).
I get a lot of credit for starting the awards, but in truth there have been so many people involved, and it is the mana of those people that have made the awards what it is. Along with our authors, judges, and the libraries who’ve come on board with our Murder in the Library series that started in 2015, I’d like to give a nod to Marianne Hargreaves and Rachael King of WORD Christchurch, who’ve done amazing things and had to deal with me flitting about all over the world and not being the easiest to work with. Because of all those great people it hasn’t seemed all that difficult to set up and run a literary prize, even if there have been difficult moments.
What is it about Aotearoa that make us bat above our weight in the crime writing stakes?
Hmm… I think we have some great writers, across all different styles of storytelling. So our talented crime writers are just part of that wider group of great authors. (Seriously, whatever type of stories take your fancy, you can find great Kiwi books; compelling, page-turning, thought-provoking tales. Give some of our authors a go, whatever genre you love.)
In terms of crime writing in particular, I think our Kiwi authors often have a willingness to push the boundaries of the genre. Check out Adam Christopher‘s Ray Electromatic series that’s pure 1960s LA noir, just with a robot detective, or some of our literary-crime crossovers like Tanya Moir’s The Legend of Winstone Blackhat and Fiona Sussman’s The last time we spoke, or Paul Cleave’s latest A killer harvest which you’d call magic realism if he was a literary author. And that’s just a few examples.
Our authors certainly don’t feel constrained by the traditional tropes of the crime genre. Many of our Kiwi crime novels also have a great, subversive sense of humour, even the tales that are dark and serious. Many of our authors also have a good touch for landscapes, whether countryside or urban. But in the end, even if many people think of crime fiction as being primarily plot-focused, the best crime fiction often comes down to character – and our Kiwi authors have created some really terrific crime characters!
Can you suggest 3 titles that epitomise #yeahnoir for readers who haven’t tried Kiwi crime?
Instead, I’m going to choose three other books that are really great, and very ‘Kiwi’ crime reads:
Bound Vanda Symon: the fourth tale in a really terrific series starring young Dunedin detective Sam Shephard. A successful businessman is murdered during a brutal home invasion, with his wife tied up and left to watch. Sam’s colleagues zero in on two local crims who’ve been on the police hit list for a while, but she’s not sure it’s so cut-and-dried. Sam is a terrific crime character, and the whole series is great, but I particularly like this instalment. Vanda Symon has a nice balance of plot, character, and setting, creating a page-turner with plenty of character depth. Sam has that maverick, trouble-with-superiors essence of crime fiction top cops like Harry Bosch (Michael Connelly) and John Rebus (Ian Rankin), but as a younger woman she layers in plenty of freshness too. There’s a great sense of humour in these books, and Sam is a fierce southern lass who’s her own woman.
Hunting Blind Paddy Richardson: like her fellow southern crime queen, Richardson has written several really terrific crime novels, but unlike Symon she has focused on standalones rather than series books. Hunting Blind is a great place to start, a chilling thriller which centres on Stephanie, a psychiatrist whose sister vanished from a lakeside picnic seventeen years ago, fracturing the family and community. Then a new patient tells an eerily similar story, causing Stephanie to reexamine her sister’s disappearance, and sending her on a dangerous and emotional journey around the South Island, searching for long-hidden answers. This is a really terrific novel that was a Ngaio’s finalist in 2011 and really wowed our international panel. Richardson is a master at crafting layered characters who resonate with the reader, and delivers a terrific flavour of the south.
The Sound of her voice Nathan Blackwell: a superb tale from a new author who’s recently joined the #yeahnoir ranks (the Twitter hashtag for NZ crime fiction created by Steph Soper of the NZ Book Council). Blackwell is the pseudonym for a former Auckland detective who was involved in covert operations and investigated very serious real-life crimes. Whoever he is, he’s certainly hit the ground running in the crime fiction world, with a belter of a debut. Detective Matt Buchanan is burnt out, worn down by a succession of tough cases, and haunted by the unsolved disappearance of a young girl years before. Some fresh leads give him hope, but also threaten to draw him across lines that shouldn’t be crossed. Blackwell showcases the courage of Kiwi crime writers in tackling tough issues, giving readers a dark, authentic insight into the stresses the police face.
What do you think about libraries?
In short, libraries are bloody awesome!
I was a sports-loving kid growing up in Nelson, but I also loved spending time in my school and local public library. I discovered so many wonderful authors and books thanks to the librarians, and they cemented my lifelong love of reading. Libraries are so vital to communities, providing information and entertainment, cultivating learning, bringing people together. They’re egalitarian and democratic, opening up doors for anyone regardless of your background or means. Yeah, I think they’re pretty cool.
More about Craig, Ngaio Marsh, and the Ngaio Marsh Awards
She will be playing her much-lauded and loved songs that have stood the test of time such as Sway, Suddenly Strange and Bursting Through, alongside songs since then, included in The Very Best of Bic Runga (released 2017).
There must be quite a few of us who, in their 20s, would have filtered their relationships and emotional experiences through the lyrics of Bic Runga’s songs when the album was first released, and sang along to Drive, while driving around. Her music has cross-generational appeal and now I don’t know who is the bigger fan, myself or my daughter, but we’ll both be there up front in the majestic theatre to sway to her beautiful and equally majestic voice.
We caught up with Bic for a few quick questions ahead of her concert in Christchurch. She shares her reading interests and formative library memories.
Bic, you grew up in Christchurch, in Hornby, and went to Cashmere High School… what special places do you think of fondly here?
My favourite places are the Arts Centre where I did a lot of hanging out as a teenager. Lyttelton and Governors Bay are also really special places to me.
What role did libraries play in your life growing up?
I used to catch the bus to the library in town most Saturdays, and I discovered all the music I love there. I used to get out cassette tapes and that’s where I discovered The Smiths, The Sex Pistols, The Cure, The Cocteau Twins. It was unlike the music my parents played at home, so it was really my own place.
What type of reading do you enjoy? Any recommendations? What are you looking forward to reading?
My kids are mad about Minecraft, there’s an unofficial Minecraft book they quite liked called the Elementia Chronicles by Sean Fay Wolfe. So if you can’t peel your child away from Minecraft, you could try the book!
Can you recommend any music or artists out of Christchurch who have taken your interest?
If a young person was interested in being a musician today, what advice would you give them?
I’d say just practice a lot, practice slowly and make it your meditation. Everyone wants fame, but it seems no one wants to practice enough!
We asked Bic to share a surprising fact about herself (and it may just be her next creative project) …
I’ve just learned how to draft clothing patterns slowly over the last few years and I’m ready to do a fashion project, maybe using wool. I’m really excited to do something creative that’s not music, but I think the two will work together well.
Finally Bic, you are donating money from every ticket purchased to your Christchurch show to the Māia Health Foundation, who are raising money for projects for Canterbury’s health system. Can you tell us more about that?
Bic has won a multitude of awards and worked on many musical projects and collaborations in the twenty years since Drive was released, too numerous to mention here. Most recently, Bic has written a song for a New Zealand children’s annual of stories, poetry, comics, art and other miscellany Annual 2 which has just been published is aimed at 8 to 12 year olds. Her song, Next Thing You Know You’ll Be Happy, is based on the idea that happiness comes from simple pleasures.
Christchurch City Libraries blog hosts a series of regular podcasts from specialist human rights radio show Speak up – Kōrerotia. This show is created by Sally Carlton.
Maria Pozza is a world expert in the topic of arms control and outer space, and shares her legal knowledge of this ‘out there’ human rights issue, speaking about issues such as tension between the laws of nation states and international treaties.
Part I: The importance of talking about arms control in outer space
Part II: Outer Space Treaty
Part III: What do we mean by ‘arms control’ (weaponisation vs militarisation); New Zealand and arms control in outer space
Part IV: Future of arms control in outer space