This Labour Weekend I’m off to the West Coast of our South Island again. I get an itch to escape to there fairly often and this time it felt like it had been too long since last visit. There is something wholly relaxing about leaving your busy city life for the wilds of ‘the Coast’.
She will be playing her much-lauded and loved songs that have stood the test of time such as Sway, Suddenly Strange and Bursting Through, alongside songs since then, included in The Very Best of Bic Runga (released 2017).
There must be quite a few of us who, in their 20s, would have filtered their relationships and emotional experiences through the lyrics of Bic Runga’s songs when the album was first released, and sang along to Drive, while driving around. Her music has cross-generational appeal and now I don’t know who is the bigger fan, myself or my daughter, but we’ll both be there up front in the majestic theatre to sway to her beautiful and equally majestic voice.
We caught up with Bic for a few quick questions ahead of her concert in Christchurch. She shares her reading interests and formative library memories.
Bic, you grew up in Christchurch, in Hornby, and went to Cashmere High School… what special places do you think of fondly here?
My favourite places are the Arts Centre where I did a lot of hanging out as a teenager. Lyttelton and Governors Bay are also really special places to me.
What role did libraries play in your life growing up?
I used to catch the bus to the library in town most Saturdays, and I discovered all the music I love there. I used to get out cassette tapes and that’s where I discovered The Smiths, The Sex Pistols, The Cure, The Cocteau Twins. It was unlike the music my parents played at home, so it was really my own place.
What type of reading do you enjoy? Any recommendations? What are you looking forward to reading?
My kids are mad about Minecraft, there’s an unofficial Minecraft book they quite liked called the Elementia Chronicles by Sean Fay Wolfe. So if you can’t peel your child away from Minecraft, you could try the book!
Can you recommend any music or artists out of Christchurch who have taken your interest?
If a young person was interested in being a musician today, what advice would you give them?
I’d say just practice a lot, practice slowly and make it your meditation. Everyone wants fame, but it seems no one wants to practice enough!
We asked Bic to share a surprising fact about herself (and it may just be her next creative project) …
I’ve just learned how to draft clothing patterns slowly over the last few years and I’m ready to do a fashion project, maybe using wool. I’m really excited to do something creative that’s not music, but I think the two will work together well.
Finally Bic, you are donating money from every ticket purchased to your Christchurch show to the Māia Health Foundation, who are raising money for projects for Canterbury’s health system. Can you tell us more about that?
Bic has won a multitude of awards and worked on many musical projects and collaborations in the twenty years since Drive was released, too numerous to mention here. Most recently, Bic has written a song for a New Zealand children’s annual of stories, poetry, comics, art and other miscellany Annual 2 which has just been published is aimed at 8 to 12 year olds. Her song, Next Thing You Know You’ll Be Happy, is based on the idea that happiness comes from simple pleasures.
It’s that time of year again – when we celebrate Women in Science! Today (Tuesday 10 October 2017 ) is Ada Lovelace Day. Its aim is to celebrate women in science, technology, engineering and maths.
This year I’m featuring pioneers of science in New Zealand. From the nation’s very beginnings, these women classified and preserved our unique flora and fauna, made incredible discoveries, and improved the health and wellbeing of future New Zealanders.
“…it is to be regretted that, despite the fact that Man cannot replace them, the appalling destruction of our unique native birds and forest continues to this day.”
(from New Zealand Scientists : Pioneer Women: Ellen Blackwell (1864-1952) : Pérrine Moncrieff (1893-1979) : Muriel Bell (1898-1974) : Betty Batham (1917-1974) : Trends in their life and science. 1989: Women Into Science Education. Perrine Moncreiff, p.2.)
Moncrieff wrote articles on bird migration, protection, the endangered South Island Robin, and reaction of animals to the Murchison Earthquake (1929).
In 1974 Pérrine was awarded the Order of Oranje-Nassau by the Netherlands. Abel Tasman, who first discovered New Zealand, was from Holland, and the Dutch had sponsored the park. In 1975 she was honoured as Commander of the British Empire, but sadly she wasn’t recognised by the scientific community.
Ellen Blackwell lived in New Zealand long enough to collaborate with Robert Laing on the book; Plants of New Zealand. She travelled the country with Robert and her brother Frank, researching and photographing native plants, later writing a large part of the text for their book.
As well as describing the pine, palm and lily families of New Zealand flora, Blackwell’s readable style included snippets of local culture and legend:
“The reader was given advice on the preparation of the bracken rhizome for eating, the suitability of matai wood for ballroom floors, how to use nikau palm in the construction of huts and supplejack for ropes and baskets.” (Ibid. Ellen Blackwell p.3.)
Plants of New Zealand refuted some previously held ideas on the Lancewood species as well as the nature of mangroves. She identified that their ‘shoots’ were actually aerial roots.
Ellen’s large part in the creation of the book was largely ignored and although some went in to bat for her, she was uncomfortable with publicity and distanced herself from the controversy.
Muriel Bell, born in Murchison, is known for starting the programme for Free Milk in Schools in 1937.
Muriel studied medicine at Otago University and stayed on to research human metabolism, gaining a doctorate in 1928. She became a lecturer there in 1935. In 1940 she was appointed Director of the Medical Research Council’s Nutrition Research Department, and Nutritionist to the Department of Health.
During World War Two, when there were food shortages, Muriel consulted on diet and low cost meals. She found a source of Vitamin D in fish oil, and devised a rosehip syrup to supplement Vitamin C for children.
Muriel also discovered, when implementing the free milk in schools programme, that exposure to the sun destroyed vitamin C and riboflavin (vitamin B2) in milk. Covered trucks were then used to deliver it. She discovered that iodine is linked to healthy thyroid function, and that it isn’t present in New Zealand soil. So she introduced iodised salt.
She found a link between fluorine and healthy teeth, campaigning for it to be added to tap water, and researched links between cholesterol and heart disease.
Elizabeth Batham was born in Dunedin. Interested in the sea and its biology from childhood, she was an accomplished artist and photographer at school. She studied plankton and sea life in Otago Harbour for a Bachelor of Science in botany and zoology at Otago University.
After gaining a Ph.D on sea anemones at Cambridge in England, Batham took up the first role of Director at the Portobello Marine Biological Station in Otago, turning it into the highly respected research facility it is today; offering international study and courses for school students.
In 1962 Elizabeth was made one of only five female Fellows of The Royal Society of New Zealand. She was so dedicated that she would row to work when the ferry wasn’t working, and would dive for so long she often ran out of air.
Politics, administration and a male team of scientists, threatened by a female boss, made it difficult for Batham to manage the growing facility at Portobello. In 1974 she left to study at Victoria University of Wellington.
Joan Wiffen is my hero. In 1975 she found New Zealand’s first ever dinosaur bone.
Like many of us, Joan fossicked for shells and ammonites in sea cliffs as a child. After taking geology night classes Joan learned that the geology of north west Hawke’s Bay made it possible to find reptile bones, although no one had found any. Yet.
Joan concentrated her searches around the Mangahoua Stream northwest of Napier. Her first major find was a vertebra from a theropod – a carnivorous dinosaur that walked on its hind legs 65 million years ago.
Buried in sandstone rocks in treacherous cold water, were dinosaur fossils from both carnivores and herbivores.
Joan found more theropods, a sauropod (a titanosaur : a huge, herbivorous long necked dinosaur), a hypsilophodont (a small bi-ped), an ankylosaur (like an armadillo), an aquatic, air breathing mosasaur, plesiosaurs (like the loch ness monster) and a flying pterosaur.
Joan Wiffen was awarded a Commander of the British Empire, the Science and Technology Bronze Medal and and Honorary DSc from Massey University in 1994. In 1995 she was honoured with Commander of the Order of the British Empire. In 2004, she was awarded the Morris Skinner Award from the Society of Vertebrate Paleontology.
She continued dinosaur hunting until her death at the age of 87.
Bridget Williams Books (BWB) have a series of online collections that are now available at Christchurch City Libraries. This is a collection of high-quality New Zealand non-fiction books which make it an excellent starting place for any research into New Zealand hot topics. We already have the Treaty Collection, which is an excellent start for all Treaty of Waitangi research but now have four more brilliant BWB collections to peruse.
Christchurch City Libraries has a brand new initiative for 2017 and it’s all about MUSIC!
We are celebrating Christchurch stories. We are celebrating music. And most of all, we are celebrating libraries and the way they can enrich any creative pursuit you are undertaking, at any stage of development. Christchurch City Libraries have a wealth of resources that can help you learn, discover or simply enjoy music.
Our collections and our communities can also inspire the creation of music and we are fortunate this year to have Adam McGrath to share his expertise.
Adam is best known for his work being the driving force of the band The Eastern, who are widely regarded as the hardest working band in the lands. But did you know about his social conscience and the value he places on not only community but public libraries too?
During the time of the earthquakes Adam and his band played widely across Christchurch, acoustically and at no charge. His drive was to help communities in their recovery in the best way he could – by giving relief from stress by way of music. He continues to contribute to the creative output of our city, playing regularly here in New Zealand, touring across Australia and over to Europe, sharing the stories he has gathered along his journeys.
In the lead up to New Zealand Music Month, Adam will be spending time in our libraries all over Christchurch. He’ll be reaching into the depth of our digital resources, searching and exploring our physical resources, and most of all he’ll be connecting with the people of Christchurch by hearing their stories and discussing their lives/loves/losses. He will use much of what he discovers to inspire new works, songs and music, and during May, Adam will be performing a series of “Live in the Library” concerts, during which he will tell his stories of us, the people of Christchurch.
Come and celebrate with us at one of our concerts – hear new work by Adam McGrath, performances from our communities, or even a group made up of some of the musical talent we have on our library staff. Who knows….. YOUR story may be put to music by Adam McGrath.
We’ll be speaking with Adam throughout his process and he’ll be giving us some insight into his creative processes, and his musical background. Keep an eye on our website for interviews, Q&A, and more. Stay tuned!
BIRD + YOUNG sounds like a firm purveying fancy jewellery. But for Hera Lindsay Bird (poet) and Ashleigh Young (poet, writer, editor), it is words and ideas that are the things they are making and selling. This WORD Christchurch event at the Christchurch Art Gallery auditorium was introduced by WORD’s programme director Rachael King and chaired by Amy Marr, the Visitor Programmes Coordinator of the Art Gallery.
Hera Lindsay Bird is a poet whose works have pretty much gone viral – you might have read the one about Monica from Friends, and that Keats one – everywhere, BAM! Ashleigh Young is a poet and writer who recently became the first New Zealander to win Yale University’s Windham-Campbell Prize, worth US$165,000 (NZ$230,000), for her collection of raw, real, beautifully honest essays, Can you tolerate this? Their books are both on the shortlist for the Ockham New Zealand Book Awards.
It was a soggy evening, but that didn’t deter the crowd. It was full to the gunnels.
How do they get time to write when they work full time (Hera at Unity Books, Ashleigh at Victoria University Press)? It ain’t easy, but great employers help. Hera gets a paid day off each week. Ashleigh’s boss has offered time off for writing, while keeping her job open.
What followed was a discussion that ranged widely – from influences, to the IIML, sexy stuff, humour, and processes – with a good amount of Q&A time (surprise fact: lots of questions asked by men). Here’s some of the things we learned:
Ashleigh edited Hera Lindsay Bird’s book which she said required barely a single change. She read the manuscript on the floor, weeping and cackling.
Hera enjoys reading crime fiction, humour, and heaps of poetry. She’s currently reading the Adrian Mole books by Sue Townsend.
Ashleigh has lots of self help books concealed on her Kindle.
Ashleigh said she can’t remember not wanting to write (but always knew she’s need a day job to pay the bills)
Hera’s parents had star charts – not for good behaviour but for writing, and she would get paid to write poems. She wondered if her Coromandel hippy parents fancied her as the next Laura Ranger (remember Laura’s Poems?)
Hera feels the support of her family and knows that even if she writes something explicit, her Dad will be chill with it.
This is the question I asked myself this year. I decided to investigate further, and Christchurch City Libraries has an excellent eResource The Treaty of Waitangi Collection from Bridget Williams Books. This platform contains some key texts on the Treaty and the Waitangi Tribunal. There a texts of all different sizes so you can –
have a quick read,
do some in depth research
or search all the texts for the key points you are interested in.
The one grey area for me was translation of the Treaty from English into Māori and reading about how this was translated gave me a greater understanding of why controversy still surrounds the Treaty today. I found it fascinating to read descriptions of what actually happened at Waitangi in 1840 during the signing of the Treaty.
If you are studying and need to cite any of the texts, there is a citation tool. You can choose your citation style and it provides the correct citation for you.
Check out this collection as it is something every New Zealander should know more about.
I confess I didn’t read all of the books in my eyewateringly large pile of holiday reads. But I accidentally went all #AotearoaReads and it was ACE.
First up, I finished Can you tolerate this? Personal essays by Ashleigh Young. She tells stories about her family and relationships, but also little histories that have captured her imagination – a boy with a rare skeletal disease, a French postman and his project with stones. This combination of the personal and something more expansive (in both space and time) is a winner. I gave this book to my little sister at Christmas time, and she has whisked it away to London (where today it is snowing). She’s going to love it.
Editors Jolisa Gracewood and Susanna Andrew have again created a brilliant buffet of thoughts and words. You can dip in anywhere and read something that’ll grip you to the last full stop. It’s joyously diverse in topic – kererū, Rugby World Cups, tikanga, Hudson and Halls. It is also geographically varied. The stories are not just set in Aotearoa but range from London to Iceland as well as Kiwi locales like Poplar Avenue and Ashdown Place.
Tell you what reminds me of listening to Radio New Zealand. You’ll find yourself deeply immersed in something you never knew about, and didn’t know you were interested in. That’s magic.
2016 has seen the publication of a bunch of great and interesting New Zealand books, with plenty of strikingly attractive covers. Here are my picks for New Zealand’s best book covers of the year:
Number one is Mansfield and me: A graphic memoir by Sarah Laing, published by Victoria University Press. The cover, as drawn by Sarah, is a thing of beauty. It also draws you into the compelling counterpointing of Sarah and Katherine Mansfield – the very heart of the book.
Here’s what Sarah had to say about her cover design:
It’s quite a different proposition designing your own book cover as opposed to designing for others. I had a couple of other options but it was pretty easy to settle on the one I liked the most. I took Mansfield’s profile from a famous 1915 photograph, and tried to draw my own to match it. I wanted to echo the vase/profile illusion, and also to have us facing each other, when, in so much of the book, our stories run in parallel. Later in the book, Katherine and I share a cup of coffee, and I used to print from my coffee cup as a motif in the background.
Well, for my second book, I asked Elliot Elam to draw me a picture, though I didn’t know what the picture should be … Maybe more importantly, a stranger is picked out of the anonymous crowd and made knowable. Without getting too lofty… in a way that’s what I wanted to do with this book of essays: attempt an impression of things that otherwise would have rushed by.
Ashleigh Young [my editor] has a friend called Russell Kleyn who is a really great photographer and she set me up with him. I had quite a different idea; I have quite a funny portrait of myself and I wanted a really Dorian Gray thing, where there was a portrait of me holding a dorky portrait of myself, but it actually didn’t turn out that well.
He saw this yellow raincoat in this weird attic I was living in and he just wanted to take a few photos of that, so it was kind of a random shot. But I really like the way it turned out and that it obscures my face. What I told him was that I kind of wanted [it to have] an Yvonne Todd vibe about it – feminine but also a bit creepy and off.
Fergus Barrowman, VUP publishers comments on the triple victory:
The books make the covers (that is, if the books weren’t great and successful no one would be noticing the covers); all three were ferociously art-directed by the authors with only gentle pressure from the publisher.
So my three picks for best book covers also happen to be books I loved inside and out. They also are all published by Victoria University Press. So I think I can officially say it – VUP gives good cover. They have cannily produced postcards to show off them fine looking jackets. Next stop, VUP badges and tshirts??
A Christchurch book that deserves a special mention is a picture book produced by C1Espresso, and edited by owners Sam and Fleur Crofskey. Let’s take a walk looks at Christchurch places before and after the earthquakes. It was written by Nicole Phillipson, and the exquisite illustrations are by Hannah Beehre. The design and layout – with all its fascinating fold outs – is by Alec Bathgate & Tahlia Briggs.
The cover of the Gecko annual is a zingy orange red with a dash of gold on the cover. But it’s the contents that are a symphony of beaut design work. Have a look at Kim’s blog post for some pics from inside the annual. It’s a stunner.
Ian, what inspired you to create this book when there are a few books celebrating Dunedin music already?
I didn’t feel there was a book that celebrated the Dunedin Sound adequately. Certainly, Matthew Bannister’s Positively George Street told the story from his personal Sneaky Feelings’ perspective, but you wouldn’t term it a celebration. And yes there are chapters in other books about the Dunedin Sound/Flying Nun scenes amid wider critiques of New Zealand popular music. There are also websites and many magazine articles over the years that are available online.
But in my view the Dunedin Sound deserved its own standalone book. And I also wanted to be able to point out that the Dunedin Sound and Flying Nun are not interchangeable terms though they are often used in this way. There were Dunedin Sound acts never signed to Flying Nun, and also a lot of Flying Nun acts that were not from Dunedin. I wanted to put Dunedin back at the forefront of the Dunedin Sound, which is why the book features only Dunedin acts.
What do you feel this book is adding to the archive of Dunedin music history?
As witnessed by the recent formation of the Flying Nun Foundation – with preservation a part of its goal, as I understand it – I think many people are starting to realise that the heyday of this scene was now more than three decades ago and time is precious. Peter Gutteridge has recently passed away, and the main protagonists will not be around forever – that’s the cold reality.
With the book being so wonderfully pictorial, I very much had the sense as I was collecting photographs and ephemera from here there and everywhere that this historical flotsam and jetsam is equally not going to last forever. Preserving it in a book like this – I’ve felt as much a historian, archaeologist and curator as an author. Simply, like the excellent job the the Hocken Library (in Dunedin) does, I hope this book with become part of the archive of Dunedin’s music history and ensure such ‘stuff’ is not lost forever.
Tell us about some interesting things you discovered in the process of creating the book? Hidden gems unearthed?
I knew it before I started on the project, but through talking to so many musicians, fans, and others involved in the scene in some way or another, it brought home to me once again how contentious the term ‘Dunedin Sound’ is. Even within the camp. That was interesting.
I was also reminded, when talking to others from the era who weren’t involved in ‘the scene’ – mostly musicians of other ilks – of the resentment that still exists regarding the media attention and resultant opportunities that the primary proponents received. It is still seen as something of a ‘club’ by many, and not always in a good way.
In terms of hidden gems unearthed, there are so many images that have never been seen before, and finding these – from old suitcases, basements, tops of wardrobes – stuff that hasn’t been seen the light of day for 30 plus years – was the biggest thrill. Forced to name a couple, I’ll mention the wonderful early photos of The Enemy taken by Ian Bilson and Josie Haines. Discovering these really got my heart racing.
Another discovery was just how close the music and the artwork/design aspects of the Dunedin Sound was. Again, I’d expected it, but not to the extent I found. With so much of the artwork and design done by the musos themselves, or by close friends and family, there’s a synergy between the two that you could never have got from faceless, uninvolved designers trying to portray the music while working in an office behind chrome and glass at some mega record company located in another city.
What have you enjoyed most about putting this book together and what were the challenges?
I enjoyed the feeling of preserving history, and meeting so many awesome people. Key collaborators on the book’s content included Graeme Downes, Alan Haig, Robert Scott, Stephen Kilroy, Roy Colbert, Sarah Williamson (research assistant). But really, everyone was wonderfully supportive of the project.
The biggest challenge was finding the origins of hundreds of photos. Many great pics were supplied to me by people who had them in their possession but had no idea who took them in the first place or how they came by them. More often than not, once I’d tracked them down, the musicians in the photos didn’t know who took them either, being so long ago. So, being a cold-case detective was extremely challenging. I still have dozens of fantastic pics in my ‘photographer unknown’ folder on my laptop that didn’t make it into the book for that reason.
Sure. He’s a glittering 1970s-esque glam rocker based upon Bowie’s Ziggy Stardust persona. He was my confidence-resurrecting imaginary escapist fantasy figure during my very troubled teens (during the 1970s) but was laid to rest when I left my teens behind. When I started teaching at the university post 2000 I wanted to show my students an example of a performance persona in order to help them learn to combat nerves and stage-fright etc; ways to suppress self-doubt and become 10ft tall and bullet-proof on stage. So rather than just talking about it, I brought Dr Glam out of the crypt and began performing.
I had an absolute blast, and it got the message across as my students saw their quietly spoken genial lecturer become a posing, pouting, glittery monster in 8 inch platforms, makeup and spandex, ha ha. (Did I mention the fun aspect???) But, by its very nature, glam rock(ers) shouldn’t go on for too long, and so I killed him off in 2014 at a dramatic Death-of-Dr-Glam gig. Nite nite and thanks. But I pulled him out of the grave one more time for this year’s David Bowie tribute show at Sammy’s. To all intents and purposes, though, Dr Glam is dead. I have since reinvented myself in the guise of his anagrammatic cousin, Mr Glad, and with my band, The Skeleton Family, we do twisted cabaret type gigs now and then.
Thanks Ian… Can you recommend some music-related books and DVDs that you really enjoy?
David Bowie: Five Years documentary. The best Bowie doco yet made.
Ian Chapman is a musician, author and Senior Lecturer in the Department of Music, Theatre and Performing Arts at the The University of Otago. A musicologist, he is working on his seventh book at the moment titled Experiencing Alice Cooper: A Listener’s Companion (Rowman & Littlefield 2017), which pays album-by-album tribute to another of his rock-theatre heroes.
Several others have been working on related books including one by Graeme Downes. Alan Holt is writing a book about the history of Flying Nun Records; Graeme Jefferies memoir Time Flowing Backwards is due out April 2017 and Needles & Plastic: A Flying Nun Discography 1981-1988 (2016) by Matthew Goody and Sean Elliot is out now.