Music highlights for the year. Some are brand new, some are decades old but new to me, all are great!
Versatile – Van Morrison doing jazz interpretations backed by a very slick big band. It’s really well produced and if you’re new to the American jazz standards then this is a great way in!
Utterance – I love this album! It’s a collaborative effort between three on NZ’s finest musicians; David Long (banjo w/effects), Natalia Mann (harp), and Richard Nunns (taonga puoro). These flavours blend beautifully to create haunting soundscapes that are textural and dynamic – truly beautiful sounds from Aotearoa!
The Jazz Messengers – The first album from the group that went on to be the band that every jazz player wanted to be in. They’ve had some huge names in jazz through their ranks over the years and this is a great way to start their 40+ album recording career!
The Kitchen Table Sessions – Beaut, home-cooked alt-country from NZ’s favourite adopted daughter, Tami Neilson. Great country grooves and a lady with a voice of gold – what’s not to love!?
Preservation – Some more beautiful, lyrical, melodic songwriting from NZ’s Nadia Reid.
Second Nature – This is just how I like the Blues; stripped back, acoustic, you can just imagine it on the porch on a hot summer day… This father and son team recorded this album in single takes with no overdubs whilst they were touring Finland in 1991, and it’s a timeless and solid an blues album as you’ll find.
Charlie Watts Meets the Danish Radio Big Band – Charlie Watts (drummer for the Rolling Stones) gives it his jazz side on this album, featuring the big band of Danish radio. Some great jazz music here particularly the ‘Elvin Suite’ numbers. After that you get the obligatory big band arrangements of some Stones songs, beautifully arranged and executed but nothing terribly exciting musically.
Dog – Stripped back acoustic blues doesn’t get much better than this album of what I like to call “porch music” from Charlie Parr. Solid songwriting and a very real connection with the blues makes this a great addition to the genre.
Don’t Let Them Lock You up – New Zealand music is in good shape these days and I really like the creativity and superb musicianship that is on display on this album. They usually perform as a duo but the recording process has allowed them to expand on their ideas and grooves, implement new harmonies and percussion lines, and get really solid and funky! Great album!
Black Notes From the Deep – A great jazz album from the British multi-instrumentalist jazz legend Courtney Pine. Brilliant small ensemble playing and solid musicianship on display. I really liked the instrumentals – not so much the vocal numbers – but that’s just my preference. It’s good compositions played really nicely without arrogance or naff-ness. Jazz fans should have a listen.
Waitangi Day is coming up so why not find out more about the Treaty of Waitangi? The Treaty of Waitangi Collection is an amazing resource. It has all the essential content for learning about the history of the Treaty and its relevance today. The collection is indexed by place and iwi so you can explore the history of the Treaty by your iwi or by your area. Bridget Williams Books and Christchurch City Libraries have provided this fact sheet on Treaty of Waitangi in the Canterbury region. This includes facts like:
Tī ovens (umu-tī) that date from the thirteenth century have been found in South Canterbury. These ovens were used to cook the roots and lower stems of young cabbage trees.
Read more about pre- European archaeology in chapter three of Tangata Whenua in the Treaty of Waitangi Collection.
By 1800, an estimated 20,000 people lived in the tribal area of Ngāi Tahu. This population spread from Kaikōura on the east coast and Tai Poutini on the west all the way down to Rakiura (Stewart Island) and other southern islands.
Read more about Ngāi Tahu in chapter one of New Myths and Old Politics in the Treaty of Waitangi Collection.
eBook titles in the Treaty of Waitangi Collection include:
This eBook has reproductions of the nine sheets of the Treaty of Waitangi, comprising of the original document first signed at Waitangi on 6 February 1840 and eight copies. It also provides information about the sheets, and a map, and information about where the Treaty was signed. This title also includes some short biographies of many of the signatories, which show the range of people who signed Te Tiriti o Waitangi.
He Whakaputanga o te Rangatiratanga o Nu Tireni – known in English as the Declaration of Independence of the United Tribes of New Zealand – is a constitutional document of historical and cultural significance. It was signed first by a group of powerful Northern chiefs at British Resident James Busby’s house at Waitangi. Also included in this title are some short biographies of some of the signatories.
Claudia Orange has produced several works on the Treaty of Waitangi including this award-winning title published in 1987. Other Treaty titles by Claudia Orange available in the BWB Treaty of Waitangi Collection include The Story of a Treaty; An illustrated History of the Treaty of Waitangi; What Happened at Waitangi?
This is just one of Judith Binney’s books that is available on the Treaty of Waitangi, she is regarded as one of New Zealand’s leading scholars on the subject. This book is a selection of essays that explore sidepaths and previously unexamined histories. They notably delve into the lives of powerful early Māori figures, including the prophets Rua Kenana and Te Kooti, their wives and their descendants, and the leaders of the Urewera.
Aberhart starts here (by senior curator Dr Lara Strongman with Laurence Aberhart) is the companion book to the exhibition (on until 6 February 2018 – don’t miss it). The striking cover cleverly matches Aberhart’s photo with the title added to the building as if it were graffiti, or a business name (in that attractive and distinctive typeface used in the exhibition). The text and the photos have been given room to breathe on the page. It’s a beautiful book with a kind of stately gravitas.
Christchurch Art Gallery have also made some rather stunning “Little Books” – (Birds, Sea, Flowers, Black – highlighting taonga from their collection. The covers are gorgeous, and the books have coloured page edges, foil, and ribbons to mark your page. Swoon.
The publication Bulletin always has outstanding covers to match its great content and striking internal visuals. The colour scheme and Ann Shelton’s art on the cover of the latest issue are a visual symphony. B.189 had The Ramones on the cover!
Credit for this great mahi also goes to:
The students from the graphic design department at the Ilam School of Fine Arts who do the design on Bulletin;
Lecturer Aaron Beehre who is art director for Bulletin and who also designed the Little Books;
Photographer John Collie;
Designer Peter Bray who worked on the Aberhart and Fahey books.
Illustrator Giselle Clarkson has had a phenomenal year. Her art is full of life and fun. She created the much-shared biccies and slices taxonomy in Annual 2. Giselle does brilliant work in The Sapling, school journals – in all sorts of places and on wide range of topics (her natural history comics are fab). Kei runga noa atu – I would love to see a whole book by Giselle!
I particularly like the timeless quality of the first three covers. The historical tourist poster vibe of Maria McMillan’s The Sky Flier is quite striking too.
Black and white and photographic
Photos are always a popular way of attracting a reader. I love the energy in Victor Rodger’s Black Faggot, showing the play in performance. and see that sense of motion and action in Floating Islander, Oxygen, and The Treaty on the Ground. In contrast see the stillness of Elspeth Sandys’ portrait, and the calm library depicted on the cover of The Expatriates.
Magenta, lavender, pinky-purple – New Zealand book covers this year showed a bit of trend towards the pink side. I for one love it. (Update: Spinoff books mentions book covers in their Second annual Spinoff Review of Books literary awards and picks the cover of Baby by Annaleese Jochems designed by Keely O’Shannessy as best cover).
Te Reo Māori
Original NZ books in te reo Māori, and also translations of classics. It’s grand to see te reo front and centre.
Aotearoa’s first bookface cover?
Tom Scott might be the first author to do a sort of #bookface cover. Well, technically, more #illustrationface – either way it’s a great cover.
Cute as heck
Finally, let’s place together two critters that ought not be proximate. They are both so phenomenally cute …
My first love was the Scholastic Book Club. Remember Lucky Books? Making my choices carefully from the brochure, I paid for them with my pocket money. I was so excited to see that pile of new books on my desk! I drove my family nuts with this one: Boo!
When I was a kid, Carthew’s Bookshop in Feilding was my door into the imagined world. They had the Beano… Carthew’s is no longer there, but the building remains.
Teen angst took me to Bennett’s bookshop in Palmerston North. The city store in Broadway, now Whitcoulls, had an impressive staircase. You could hide away in the quiet of the loft floor, which always had sale tables. Sale tables! Woo!
Unity Books at the end of Lambton Quay was my Dad’s favourite bookshop. A treasure trove. Dad ordered a lot of books from there. I shared his love of David Attenborough, Jacques Cousteau and studied religion; making a beeline from the Beehive to visit whenever in Welly.
Moving back to the Manawatu for a bit I flirted with Poppies Bookshop in Feilding and had a co-dependent relationship with Bruce McKenzie Booksellers in Palmerston North. Nestled under Palmerston North City Library in George Street, Bruce McKenzie’s stock popular, classic authors, art and wonderful children’s books. Bruce supports local authors too, and hosts events! Glass of wine, anyone?
Book Depository sell both new and used books online. And they don’t charge postage! A match made in heaven for a book addict.
Last but not least is the thing I have for second hand books. I like nothing better than a good rummage for a bargain. What if I found someone I could treasure?! Whether its the Cat’s Protection League, the Hospice Shop, the Salvation Army or St Vincent de Paul, you’ll find me in the book section looking for Politically Correct Bedtime Stories, or that Mary Poppins I just can’t find for my collection.
This Labour Weekend I’m off to the West Coast of our South Island again. I get an itch to escape to there fairly often and this time it felt like it had been too long since last visit. There is something wholly relaxing about leaving your busy city life for the wilds of ‘the Coast’.
She will be playing her much-lauded and loved songs that have stood the test of time such as Sway, Suddenly Strange and Bursting Through, alongside songs since then, included in The Very Best of Bic Runga (released 2017).
There must be quite a few of us who, in their 20s, would have filtered their relationships and emotional experiences through the lyrics of Bic Runga’s songs when the album was first released, and sang along to Drive, while driving around. Her music has cross-generational appeal and now I don’t know who is the bigger fan, myself or my daughter, but we’ll both be there up front in the majestic theatre to sway to her beautiful and equally majestic voice.
We caught up with Bic for a few quick questions ahead of her concert in Christchurch. She shares her reading interests and formative library memories.
Bic, you grew up in Christchurch, in Hornby, and went to Cashmere High School… what special places do you think of fondly here?
My favourite places are the Arts Centre where I did a lot of hanging out as a teenager. Lyttelton and Governors Bay are also really special places to me.
What role did libraries play in your life growing up?
I used to catch the bus to the library in town most Saturdays, and I discovered all the music I love there. I used to get out cassette tapes and that’s where I discovered The Smiths, The Sex Pistols, The Cure, The Cocteau Twins. It was unlike the music my parents played at home, so it was really my own place.
What type of reading do you enjoy? Any recommendations? What are you looking forward to reading?
My kids are mad about Minecraft, there’s an unofficial Minecraft book they quite liked called the Elementia Chronicles by Sean Fay Wolfe. So if you can’t peel your child away from Minecraft, you could try the book!
Can you recommend any music or artists out of Christchurch who have taken your interest?
If a young person was interested in being a musician today, what advice would you give them?
I’d say just practice a lot, practice slowly and make it your meditation. Everyone wants fame, but it seems no one wants to practice enough!
We asked Bic to share a surprising fact about herself (and it may just be her next creative project) …
I’ve just learned how to draft clothing patterns slowly over the last few years and I’m ready to do a fashion project, maybe using wool. I’m really excited to do something creative that’s not music, but I think the two will work together well.
Finally Bic, you are donating money from every ticket purchased to your Christchurch show to the Māia Health Foundation, who are raising money for projects for Canterbury’s health system. Can you tell us more about that?
Bic has won a multitude of awards and worked on many musical projects and collaborations in the twenty years since Drive was released, too numerous to mention here. Most recently, Bic has written a song for a New Zealand children’s annual of stories, poetry, comics, art and other miscellany Annual 2 which has just been published is aimed at 8 to 12 year olds. Her song, Next Thing You Know You’ll Be Happy, is based on the idea that happiness comes from simple pleasures.
It’s that time of year again – when we celebrate Women in Science! Today (Tuesday 10 October 2017 ) is Ada Lovelace Day. Its aim is to celebrate women in science, technology, engineering and maths.
This year I’m featuring pioneers of science in New Zealand. From the nation’s very beginnings, these women classified and preserved our unique flora and fauna, made incredible discoveries, and improved the health and wellbeing of future New Zealanders.
“…it is to be regretted that, despite the fact that Man cannot replace them, the appalling destruction of our unique native birds and forest continues to this day.”
(from New Zealand Scientists : Pioneer Women: Ellen Blackwell (1864-1952) : Pérrine Moncrieff (1893-1979) : Muriel Bell (1898-1974) : Betty Batham (1917-1974) : Trends in their life and science. 1989: Women Into Science Education. Perrine Moncreiff, p.2.)
Moncrieff wrote articles on bird migration, protection, the endangered South Island Robin, and reaction of animals to the Murchison Earthquake (1929).
In 1974 Pérrine was awarded the Order of Oranje-Nassau by the Netherlands. Abel Tasman, who first discovered New Zealand, was from Holland, and the Dutch had sponsored the park. In 1975 she was honoured as Commander of the British Empire, but sadly she wasn’t recognised by the scientific community.
Ellen Blackwell lived in New Zealand long enough to collaborate with Robert Laing on the book; Plants of New Zealand. She travelled the country with Robert and her brother Frank, researching and photographing native plants, later writing a large part of the text for their book.
As well as describing the pine, palm and lily families of New Zealand flora, Blackwell’s readable style included snippets of local culture and legend:
“The reader was given advice on the preparation of the bracken rhizome for eating, the suitability of matai wood for ballroom floors, how to use nikau palm in the construction of huts and supplejack for ropes and baskets.” (Ibid. Ellen Blackwell p.3.)
Plants of New Zealand refuted some previously held ideas on the Lancewood species as well as the nature of mangroves. She identified that their ‘shoots’ were actually aerial roots.
Ellen’s large part in the creation of the book was largely ignored and although some went in to bat for her, she was uncomfortable with publicity and distanced herself from the controversy.
Muriel Bell, born in Murchison, is known for starting the programme for Free Milk in Schools in 1937.
Muriel studied medicine at Otago University and stayed on to research human metabolism, gaining a doctorate in 1928. She became a lecturer there in 1935. In 1940 she was appointed Director of the Medical Research Council’s Nutrition Research Department, and Nutritionist to the Department of Health.
During World War Two, when there were food shortages, Muriel consulted on diet and low cost meals. She found a source of Vitamin D in fish oil, and devised a rosehip syrup to supplement Vitamin C for children.
Muriel also discovered, when implementing the free milk in schools programme, that exposure to the sun destroyed vitamin C and riboflavin (vitamin B2) in milk. Covered trucks were then used to deliver it. She discovered that iodine is linked to healthy thyroid function, and that it isn’t present in New Zealand soil. So she introduced iodised salt.
She found a link between fluorine and healthy teeth, campaigning for it to be added to tap water, and researched links between cholesterol and heart disease.
Elizabeth Batham was born in Dunedin. Interested in the sea and its biology from childhood, she was an accomplished artist and photographer at school. She studied plankton and sea life in Otago Harbour for a Bachelor of Science in botany and zoology at Otago University.
After gaining a Ph.D on sea anemones at Cambridge in England, Batham took up the first role of Director at the Portobello Marine Biological Station in Otago, turning it into the highly respected research facility it is today; offering international study and courses for school students.
In 1962 Elizabeth was made one of only five female Fellows of The Royal Society of New Zealand. She was so dedicated that she would row to work when the ferry wasn’t working, and would dive for so long she often ran out of air.
Politics, administration and a male team of scientists, threatened by a female boss, made it difficult for Batham to manage the growing facility at Portobello. In 1974 she left to study at Victoria University of Wellington.
Joan Wiffen is my hero. In 1975 she found New Zealand’s first ever dinosaur bone.
Like many of us, Joan fossicked for shells and ammonites in sea cliffs as a child. After taking geology night classes Joan learned that the geology of north west Hawke’s Bay made it possible to find reptile bones, although no one had found any. Yet.
Joan concentrated her searches around the Mangahoua Stream northwest of Napier. Her first major find was a vertebra from a theropod – a carnivorous dinosaur that walked on its hind legs 65 million years ago.
Buried in sandstone rocks in treacherous cold water, were dinosaur fossils from both carnivores and herbivores.
Joan found more theropods, a sauropod (a titanosaur : a huge, herbivorous long necked dinosaur), a hypsilophodont (a small bi-ped), an ankylosaur (like an armadillo), an aquatic, air breathing mosasaur, plesiosaurs (like the loch ness monster) and a flying pterosaur.
Joan Wiffen was awarded a Commander of the British Empire, the Science and Technology Bronze Medal and and Honorary DSc from Massey University in 1994. In 1995 she was honoured with Commander of the Order of the British Empire. In 2004, she was awarded the Morris Skinner Award from the Society of Vertebrate Paleontology.
She continued dinosaur hunting until her death at the age of 87.
Bridget Williams Books (BWB) have a series of online collections that are now available at Christchurch City Libraries. This is a collection of high-quality New Zealand non-fiction books which make it an excellent starting place for any research into New Zealand hot topics. We already have the Treaty Collection, which is an excellent start for all Treaty of Waitangi research but now have four more brilliant BWB collections to peruse.
Christchurch City Libraries has a brand new initiative for 2017 and it’s all about MUSIC!
We are celebrating Christchurch stories. We are celebrating music. And most of all, we are celebrating libraries and the way they can enrich any creative pursuit you are undertaking, at any stage of development. Christchurch City Libraries have a wealth of resources that can help you learn, discover or simply enjoy music.
Our collections and our communities can also inspire the creation of music and we are fortunate this year to have Adam McGrath to share his expertise.
Adam is best known for his work being the driving force of the band The Eastern, who are widely regarded as the hardest working band in the lands. But did you know about his social conscience and the value he places on not only community but public libraries too?
During the time of the earthquakes Adam and his band played widely across Christchurch, acoustically and at no charge. His drive was to help communities in their recovery in the best way he could – by giving relief from stress by way of music. He continues to contribute to the creative output of our city, playing regularly here in New Zealand, touring across Australia and over to Europe, sharing the stories he has gathered along his journeys.
In the lead up to New Zealand Music Month, Adam will be spending time in our libraries all over Christchurch. He’ll be reaching into the depth of our digital resources, searching and exploring our physical resources, and most of all he’ll be connecting with the people of Christchurch by hearing their stories and discussing their lives/loves/losses. He will use much of what he discovers to inspire new works, songs and music, and during May, Adam will be performing a series of “Live in the Library” concerts, during which he will tell his stories of us, the people of Christchurch.
Come and celebrate with us at one of our concerts – hear new work by Adam McGrath, performances from our communities, or even a group made up of some of the musical talent we have on our library staff. Who knows….. YOUR story may be put to music by Adam McGrath.
We’ll be speaking with Adam throughout his process and he’ll be giving us some insight into his creative processes, and his musical background. Keep an eye on our website for interviews, Q&A, and more. Stay tuned!
BIRD + YOUNG sounds like a firm purveying fancy jewellery. But for Hera Lindsay Bird (poet) and Ashleigh Young (poet, writer, editor), it is words and ideas that are the things they are making and selling. This WORD Christchurch event at the Christchurch Art Gallery auditorium was introduced by WORD’s programme director Rachael King and chaired by Amy Marr, the Visitor Programmes Coordinator of the Art Gallery.
Hera Lindsay Bird is a poet whose works have pretty much gone viral – you might have read the one about Monica from Friends, and that Keats one – everywhere, BAM! Ashleigh Young is a poet and writer who recently became the first New Zealander to win Yale University’s Windham-Campbell Prize, worth US$165,000 (NZ$230,000), for her collection of raw, real, beautifully honest essays, Can you tolerate this? Their books are both on the shortlist for the Ockham New Zealand Book Awards.
It was a soggy evening, but that didn’t deter the crowd. It was full to the gunnels.
How do they get time to write when they work full time (Hera at Unity Books, Ashleigh at Victoria University Press)? It ain’t easy, but great employers help. Hera gets a paid day off each week. Ashleigh’s boss has offered time off for writing, while keeping her job open.
What followed was a discussion that ranged widely – from influences, to the IIML, sexy stuff, humour, and processes – with a good amount of Q&A time (surprise fact: lots of questions asked by men). Here’s some of the things we learned:
Ashleigh edited Hera Lindsay Bird’s book which she said required barely a single change. She read the manuscript on the floor, weeping and cackling.
Hera enjoys reading crime fiction, humour, and heaps of poetry. She’s currently reading the Adrian Mole books by Sue Townsend.
Ashleigh has lots of self help books concealed on her Kindle.
Ashleigh said she can’t remember not wanting to write (but always knew she’s need a day job to pay the bills)
Hera’s parents had star charts – not for good behaviour but for writing, and she would get paid to write poems. She wondered if her Coromandel hippy parents fancied her as the next Laura Ranger (remember Laura’s Poems?)
Hera feels the support of her family and knows that even if she writes something explicit, her Dad will be chill with it.