Postcard. Gold Medal Series, No.211.
Kete Christchurch is a collection of photographs and stories about Christchurch & Canterbury, past and present. Anyone can join and contribute.
Jane Hackett is the Team Leader of the library’s Bindery and Distribution team. One of her big tasks is coordinating the Big Bargain Book Sale (it’s on Friday 24 and Saturday 25 March). She’s been doing it for six years. For her, the book sale wrangling starts before Christmas. The sale includes around 50,000 items, so it’s a biggie.
Jane has some top tips if you are heading along this year:
And this is probably the hottest of the hot tips:
Subscribe to the book sale event on Facebook for regular updates.
Pay by EFT-POS or cash only — no credit cards or cheques.
There will be an exhibition of art by the Landscape Art Group at the book sale. All paintings will be for sale, with prices ranging from about $50 to $300 (more towards the lower end of that scale).
Science Alive’s annual Under 5 Fest gives kids under the age of 5 (and their parents and caregivers and educators) a heap of hands-on science fun. It’s on from Tuesday 21 to Sunday 26 March, 9.30am to 4.30pm at Table Tennis Canterbury stadium, 294 Blenheim Road, Riccarton. Library staff will be there from 11am to 12pm daily, doing a 20 to 30 minute Storytimes / Wā Kōrero at 11am, sharing stories, rhymes, music and play.
The Science Alive team say there will be some cool new exhibits as well as old favourites. Entry is $6 for all ages, except under 2s get in for free. Make sure you bring some coins, there’s a balloon creator and face-painter on site. If you are there and want to share your pics and vids, use the hashtag #U5FEST
Visit the Science Alive website to find out all you need to know about parking, food (and coffee) etc. You can also subscribe to the Under 5 Fest Facebook event to get the latest info.
For older kids, Science Alive also offer Science Snippets, an after school science programme at five libraries across Christchurch.
Last year we interviewed Geni McCallum of Science Alive! about the Under 5 fest and kids and science: “Science is about doing”.
Libraries have plenty of science-themed fun for kids:
(Images in this post supplied by Science Alive)
Christchurch: Our underground story is a “lift-the-flaps” picture book with a difference. It has the sturdy thick board pages and colourful illustrations you’d expect to find in other books of this kind but the topic is a bit less straightforward than teaching simple colours or counting.
It’s about infrastructure, which is not a particularly thrilling word to most kids (or adults). But the ongoing maintenance and repair of quake-damaged infrastructure has a daily impact on Cantabrians, so thrilling or not, it’s probably something we should all pay a bit of attention to.
This is one of the reasons for the book as it attempts to open our eyes to exactly what all those coned-off holes in the ground, detours and diggers are in aid of.
It’s a challenging topic but SCIRT Civil Structural Engineer Phil Wilkins and Chemical Engineer/illustrator Martin Coates have brought their considerable experience to bear in producing a really unique and distinctly Cantabrian book.
Christchurch: Our underground story is sort of a “How Stuff Works” for infrastructure, filled as it is with diagrammatic drawings of how this pipe connects to that one connects to the next one, and the methods by which they’re maintained and repaired. By lifting the flaps you can see the processes and equipment underneath, and it’s all accompanied by explanations of what things are called and what their purpose is. It’s the kind of book that invites inquisitive kids to spend a lot of time absorbed on each page… and it’s pretty educational for adults too.
The illustrations make it clear that this book is about Christchurch with local landmarks and little touches like flowers poking out of road cones that place it very much in the Garden City.
Proceeds from the sale of the book go to Ronald McDonald House which provides accommodation for families who, because they have a sick child in hospital, have to travel from out of town.
The book can be ordered now with purchased copies able to be picked up at a book launch event at the Margaret Mahy Family Playground on Saturday 25 February. You can also place a hold on a library copy.
With the Holi festival approaching its fourth year of being held in Christchurch, people should no longer be surprised by the sight of respectable adults running around, throwing coloured powder and water at each other in the first week of March.
The first Holi festival held in the Garden City was organised by Hitesh Sharma and Sandeep Khanna of Revel Events, and took place at the Pallet Pavilion on 23 March 2014. The festival has grown in size and popularity since and is now one of the many Indian cultural events which are becoming commonplace on the Christchurch social calendar.
There are food stalls, games and dance performances, all the while coloured powder is continuously being thrown around. Those who are attending are encouraged to wear clothing and shoes which are old (as the colour might not wash out). Sunglasses can help keep the powder out of your eyes. The coloured powder supplied at the event is corn based and non-toxic.
This year the festival will be held on the grass space at 221 Gloucester Street. Entry to the festival is free (though bring money to purchase coloured powder and food!)
The festival is traditionally celebrated throughout the Indian subcontinent on the last full moon of the Hindu month of Phalgun.
Holi derives its name and origins from a narrative found in the Hindu scripture, Bhāgavata Purāṇa, which tells of the sinful king, Hiranyakashipu. Believing himself to be more powerful than the gods, Hiranyakashipu was angered that his son, Prince Prahlad, who was a devotee of the god Viṣṇu, refused to worship him. Holika, the demoness sister of Hiranyakashipu, who was immune to fire, tried to kill Prahlad by leading him into the flames of a pyre. In order to save his devotee, Viṣṇu manifested in the world as the lion faced avatar, Narasiṃha, and saved Prahlad. This symbolises the victory of good over evil.
To celebrate the defeat of Holika, a holika dahan, a bonfire with an effigy of the demoness, is burned on the night before the festival. On the next day, the streets are awash with colour as people of all different ages and communities bombard their friends and strangers with coloured powder and water. People are encouraged to lose their inhibitions. Anyone, at anytime, can suddenly find themselves surrounded and doused with colour. In this way, the festival also represents the putting aside of grievances and the celebration of community.
One game, which is commonly played, involves teams forming a human pyramid to reach a pot of butter which hangs high above the street, while bystanders throw coloured water on them. The game has its origins in the story of Krishna (another avatar of Viṣṇu), who tried to steal butter from Radha and the gopis (female cowherders). The game has featured at previous Holi events in Christchurch.
To prepare yourself for the fun of Holi, watch this scene from the Bollywood film, Mangal Pandey, based on the historical events of 1857.
Also make sure to check out Christchurch City Libraries’ collection of India related material.
Come and check out our mask display at the South Learning Centre. Students at the Marker Space Workshop afterschool programme investigated the meaning behind masks and why people wear masks. They then researched and drafted their own mask ideas. Their brief was to incorporate an accessory that could be 3D printed.
Marker Space Workshop afterschool programme delved into the World of Wearable Arts (WOW). But it was more than just costume making – it involved a trip to Creative Junk and sewing lessons with a sewing machine – but also circuit making with LEDs and Arduino chips.
Students were asked to create an Kiwiana outfit which included an electronic circuit with flashing LEDs.
To book a place on one of our courses please phone (03) 941 5140 or email: email@example.com.
A hundred years ago, on 9 February 1917, two very different Antarctic stories were being celebrated in New Zealand.
In Christchurch on 9 February 1917 a statue to honour the Antarctic explorer Robert Scott was unveiled.
The Scott Memorial Statue stood on the corner of Worcester Street and Oxford Terrace and had been commissioned by the Council in 1913. Sculpted by Scott’s widow Kathleen, the 3-tonne, 2.6 metre high white marble statue of Scott in polar dress stood on a plinth inscribed with words from Scott’s farewell message ‘I do not regret this journey which shows that Englishmen can endure hardships, help one another and meet death with as great fortitude as ever in the past.’ A bronze plaque records his name and those of his companions who died on the expedition to be the first to reach the South Pole.
Scott’s statue remained in place until it was thrown off its plinth and damaged during the 22nd February 2011 earthquake. The broken statue was removed and in January 2016 it was put on display again at Canterbury Museum’s special exhibition, Quake City. Today, on the centenary of its unveiling, restoration plans for the repair of the statue were announced.
Meanwhile in another part of New Zealand a group from a very different Antarctic expedition were being welcomed to Wellington. On 9 February 1917 the Aurora arrived in New Zealand after returning from a rescue mission of the Ross Sea party from Sir Ernest Shackleton’s Trans-Antarctic Expedition.
This group had been tasked with laying a series of supply depots for the final part of Shackleton’s proposed route across Antarctica, with the Aurora used for transport and carrying supplies. While anchored at Cape Evans in May 1915 the Aurora became frozen into the shore ice and after a severe gale it broke its moorings and was carried out to sea attached to an ice-floe. This left a ten-man sledding team marooned ashore where they would remain for nearly two years. The Aurora eventually broke free from the ice but then had to sail to New Zealand for repairs.
In December 1916, after repairs, and under the command of Captain J.K. Davis, the Aurora returned to rescue those left behind, leaving Port Chalmers bound for McMurdo Sound. The Aurora arrived at Cape Evans on 10th January 1917, and found seven surviving members of the Ross Sea party. You can read news reports of the ship’s arrival on Papers Past.
Find out about Christchurch and Canterbury Waitangi Day celebrations in 2017.
In the lead up to Waitangi Day, why not find out more about one of the most signficant Treaty claim made to date. Wai 262 is sometimes known as the “flora and fauna” or “intellectual property” claim. Noted academic, Sacha McMeeking will present a talk on this topic with time available for questions and answers.
Every year Ngāi Tahu commemorates Waitangi Day at one of three locations where the iwi signed the Treaty — Awarua, Ōtākou and Ōnuku. In 2017, the Ngāi Tahu Treaty of Waitangi commemorations are at Ōtākou Marae, Tamatea Road, Otago Peninsula.
Subscribe to the Ngāi Tahu Treaty of Waitangi commemorations event on Facebook.
On Monday 6 February, the Okains Bay Maori and Colonial Museum has its 42nd annual family day to commemorate the signing of the Treaty of Waitangi. Highlights include a pōwhiri (traditional welcome), hangi lunch, children’s races and the paddling of the magnificent waka on the Opara River 1pm. View the Museum’s collections and enjoy continuous demonstrations all day including bread baking in a traditional clay oven, master weavers, wood chopping and sheep shearing. Crafts, stalls, pony rides, lolly scramble, sausage sizzle, espresso coffee, garden bar, cafeteria and more.
Entrance cost: Adults $10, Children $2. Please bring cash. No ATM available. Gates open at 10am. Pōwhiri commences at 10:30am. Phone the Okains Bay Museum 03 304 8611 for more details.
Commemorate Waitangi Day at the Christchurch Art Gallery with performances, art and family-friendly activities that celebrate Aotearoa New Zealand and tangata whenua. The day will include including harakeke weaving, and a kapa haka demonstration at 1pm.This will be followed by a performance of Dudley Benson’s incredible ‘A Wedding’ at 3pm — a bold and visceral declaration of our relationship with the land, expressed through engaging pop music.
The “I Love New Brighton” Annual Event is a local festival day that celebrates New Brighton — south, north, central and beyond. The 2017 event is at Thomson Park, Marine Parade from 11am to 3pm. Lots of free activities, have-a-go sports, market stalls, food stalls, bouncy castles, face painting, games and a LIVE stage featuring local bands.
Subscribe to the I love New Brighton event on Facebook.
Kaiapoi’s Annual Waitangi Day family celebration event is on again at Trousselot Park, Kaiapoi from 10am to 2pm on Monday 6 February. Activities include: live entertainment, school kapa haka performances, market and food stalls, bouncy castle, pony rides, face painting and ‘walk about’ quiz. Support Kaiapoi High School and buy a hangi meal for lunch, tickets are on sale from the Kaiapoi i-site $10 each.
Free fun activities for the whole family at Darfield’s Waitangi Day Community Country Picnic. Pedalmania, bouncy castles, pony rides, petting zoo, games — plus market stalls and more. Bring a picnic and top up at the food stalls while listening to local storyteller and puppeteer Liz Weir. Local emergency services will be there including rides on the old fire engine with a lolly scramble. Join in a game of backyard cricket, enjoy a Devonshire tea, ice cream, candyfloss and lemonade.
Find more Canterbury Waitangi weekend events listed in Eventfinda.
Why would one read a literary magazine in the time when novels are still the hottest form on the scene? Because reading a literary magazine is like being young and ready to fall in love every day fresh. You can pick up the read you fancy, and if you realize you made a wrong judgement, you can very easily let it go, because – guess what? There is another one waiting for you when you turn the page. No hard feelings, no strings attached!
Takahē is a New Zealand literary magazine published in Christchurch and has been on the scene since 1989. Its core repertoire consists of short stories, poetry and art by New Zealand writers and artists, and often extends to essays, interviews and book reviews. The magazine is a good starting point for emerging literary talents and offers a place for their first public appearance along with established writers.
One of the prevailing themes of April 2016’s issue is motherhood, or the biological and relational obstacles preventing motherhood. Lucy-Jane Walsh (These Things Happen) brings a fresh insight into a life of a young woman who cannot have a child but forms an unusual friendship with someone else’s (at the same time it cleverly captures the nuances of the craziness and obsessiveness of modern parenthood). Suvi Mahonen in Little White Crescent dives into details of medical checks and scans of a pregnant future mother, while much more darker side of deficient pregnancy comes to life in Meagan France’s Grace.
The other topic that floats up to the surface is – of course – love, or various forms of love and its cousins (David Hill’s On Special, Melanie Dixon’s The Cottage, Sarah Penwarden’s Mirror Ball, Rupa Maitra’s Eve).
The second topic that recurs is writing (The Celtic Gift by Juliana Feaver and Kate Mahoney’s Flight from New York).
As far as the dating goes, I would definitely revisit Nathan Bennett’s Washed Up (only Birdling’s Flat can inspire such weird yet beautiful story about the relationship you don’t come across very often), Melanie Dixon’s The Cottage (with a witty perspective on a rather sad ending of a romantic weekend), Michael Botur’s This is God’s House (complex and unusual relationship narrated in dynamic slang and persvasive style) and Bev Wood’s Ode to Gallipoli (lyrical meditation on peace with an elusive narrator).
What can offer a better shelter to love than poetry? In this issue it comes hand in hand with its ancient partner – death. Under the mindful study of surrounding the pain of passing reveals itself (The Hospice Room by Robert McLean, Rachel Smith’s Light and Shade) and so does singularity of existence through proximity of death (Sarah Penwarden’s poems). How presence and absence are both immanent to love is evoked by Julie Barry in You are now not. Iain Britton’s verses from Calling go further and transcend into cyclical time: binding with ancestors in order to stand, singing in order to weave people together, emerge past and present.
Love can be destructive as well. Venus fails to pursue her artistic calling because she makes the same mistake again – i.e. falls in love (Jenny Powell’s Marlene Dietrich in Gore for the Gold Guitar Awards). The answer to her problem is hiding in sea snails – as Kirstie McKinnon points out they will teach us about letting go.
More existential orientated poems will explain why it is always good to keep your passport on you – or begin at the end (Frieda Paz in Road, map, direction, begin), otherwise you might end up stuck on the bridge – like a subject in Julie Barry’s Preposition of place. Liang Yujing offers a new metaphor for life – heavy school bags on young pupils and big black mouth of a primary school devouring them. Can we escape? No, as Mary Cresswell proves in her poems, adequately pairing themes of artistic and existential crisis (or blocks) with old troubadour’s poetry forms. But as Julie Barry points out in her Grapefruit, the weight of humanity is too much for one and only branch we live on anyway. And this is not all, I am leaving other joyful jewels for yourself to discover!
Takahē regularly offers essays on art and latest book reviews. April’s issue will be of a special interest to Christchurch readers, as it brings to focus Lisa Walker’s revolutionary jewellery (written by curator Felicity Milburn), which can also be seen as an exhibition in Christchurch Art Gallery – Te Puna o Waiwhetu until the 2nd April 2017.
Being a wonderful relic means I still thrive every Saturday morning when I browse through the good old printed paper while sipping the first morning coffee. These days, I am paring this ritual with an early evening one which includes wine and Takahē. Both combinations are perfect and correspond well to each other. I urge you to try them both.
School holidays are on – find out what’s on for Christchurch children. Check out the holiday programmes and activities at our libraries and learning centres, and shows and performances for kids.
Our libraries and learning centres offer a variety of accessible, safe and affordable activities for children during their school holidays. Programmes and activities are aimed at children between the ages of five and 15 years:
Activities include LEGO animation, Maker Space, Minecraft, LEGO mindstorms robotics, summer sewing, photo fun, and Bee-bots story adventure.
The following organisations are running holiday programmes for kids in the summer holidays:
Search CINCH, our Community Information Christchurch database, for more Canterbury holiday programmes.
Kid friendly movies on in the holidays include: Moana, Sing, Rogue One, Ballerina, Middle School: The worst years of my life.
This summer there will be some outdoor movies to enjoy!
Outdoor Cinema at the Arts Centre movies will be shown free-of-charge at 5.30pm and 8pm, the first for children followed by a later screening for the adults. North Quad, Arts Centre.
Grab the family and get into some free Christmas entertainment at Re:START. Bring a cushion and head down – the outdoor screening begins at 6:30pm and in addition there’s late night shopping hours until 9pm and extended food options, with some of the city’s best food trucks on hand. The new Re:START Play:ZONE will also be available!