Everyone loves and appreciates different forms of music; whether it’s through singing, playing your favourite instruments and singing along, or by simply listening and feeling the heart of the music. The amazing thing about music is that you can hear it in any language and yet still feel the passion and story behind it.
Waiata, like other forms of music is a way to communicate. It serves a purpose, such as storytelling, to support, to teach, to warn, to urge others, or to mourn. It is beautiful and passionate, and its purpose only make these feelings stronger.
There are three main types of traditional waiata. These are waiata tangi (laments), waiata aroha (love songs) and oriori (lullabies). However, these are only some of the many forms of waiata; and it now spans across various music genres and themes from Alien Weaponry’s album ‘Tū ‘ ( a heavy metal band that sings completely in Te Reo,) to Maisey Rika‘s song ‘Tangaroa Whakamautai,’ from her album Whitiora, which is haunting and beautiful.
What is your favourite waiata? What does waiata mean to you?
Waiata is another way to help learn new words or a language. It helps build your memory by repeating lyrics and having a meaningful or catchy tune; and is a great tool for teaching tamariki.
Te Tāhuhu o Te Mātauranga (Ministry of Education) has some awesome resources built on supporting te reo Māori by giving resources designed for learning and teaching in waiata. Hei waiata contains song sheets with the key, lyrics and tune, teaching suggestions and finally a free MP3 download of the waiata; and there is plenty to choose from!
Another way of getting to learn easy waiata is to listen to it; could be at home, in the shower, or in the car ride on the way to school. Anika Moa has two lovely albums with songs for children that are catchy, easy to sing to and are just plain fun!
Did you know we also have loads of resources of waiata right here in Christchurch City Libraries? There is various forms of enjoying waiata; could be as a CD, a lyric book, or a compilation of various formats e.g book and CD.
The trio played two mesmerising sets of early Bowie songs, which bookended a remarkable talk by Ian who explained to us exactly why David Bowie had such a profound impact on so many people’s lives, not least his own. This is perhaps best illustrated by comparing the two alternative covers of the 1970 album The Man Who Sold The World. The British version features a picture of David in a full length dress and boots reclining on a chaise longue. This being a bit too gender-bending for the Americans at the time, the US release features a cartoon version of a scene set in front of a rather imposing gothic building, which is the mental hospital where David’s brother Terry was incarcerated. The British cover symbolises David’s ever-changing persona and his compulsion to explore all aspects of his creative self, continually reinventing himself anew by inhabiting different identities; as evidenced by a comment on the back cover of the album Hunky Dory, David considered his performance to be an act rather than a reflection of his true self, whatever that may be. The American cover represents Bowie’s embracing of the outsider, rooted in his relationship with his troubled brother. As Ian told us, someone once described Bowie as “a flame towards whom dysfunctional moths flew”, which David was more than happy to make a virtue of.
The second part of Ian’s talk was much more personal and we heard what David Bowie’s music meant to Ian after things went terribly wrong for him as a child when his life was turned upside-down by a perfect storm of unfortunate circumstances, a message that Ian now takes to schools to empower young kids and address the issue of bullying. In the end, what we were treated to was a tour de force on the transcendent power of music and performance to lift us out of our everyday existence and, if only for a brief moment, to take us to another place entirely (brilliantly captured in a picture taken by Mick Rock that was eventually rejected as the cover image for the Bowie-penned single All The Young Dudes by Mott The Hoople). We may have been sitting in a dark room in a college building on a late winter’s day in Christchurch, but for me at least, for an hour or so this afternoon I was transported to the heady days of glam rock in 1970s, and nothing else seemed to matter. This was a wonderful tribute to a much loved, and much missed genius, by someone who delighted in sharing his obsession with us.
Before I go, I’d must give a shout out to whoever was operating the lighting. Nice work! It really added to the atmosphere.
A favourite book of mine that touches on the darker side of some of the themes raised in Ian’s performance is All The Madmen (which interestingly, also features two of the musicians we heard playing before and after Ian’s show – Ray Davies of The Kinks, and Syd Barrett of Pink Floyd).
As well as Ian’s books, you can find dozens of others about every aspect of Bowie’s life and work on the shelves of your local branch of Christchurch City Libraries, as well as CDs of his music, including my own personal favourite Bowie album, Hunky Dory.
What’s your favourite?
More music at WORD Christchurch Festival 2018
A Date with Dylan at The Institution at tonight’s New Regent Street Pop-up Festival,Thursday 30 August 6pm
Philip Matthews, Adam McGrath, Jeffrey Paparoa Holman, and David Slack talkin’ bout Bob Dylan.
In conjunction with UC Arts, Empress Theatre Collective presents Free Radicals – an evolving song cycle that celebrates the achievements of women in science and technology. This sold out show on Wednesday night was beautifully presented – a one hour long series of various musical compositions featuring female scientists combined by narration. Great care was taken in the creating the setting with tasteful lighting and imagery to welcome you into the small, intimate space. The atmosphere in the full house was expectant.
Erin Harrington entered to a beautifully lit room and began with a moving and succinct original poem. Her narrative thread drew all of the disparate pieces together in a great and flowing way. The show began with Ariana Tikao singing a song called ‘Bind the Black’ featuring taonga pūoro: pūrerehua, kōauau and pūtōrino. It made for a wonderful opening that felt very welcoming and warm. After some narration by Erin, The Swan Sisters’ voices combined beautifullly in their tribute to Maria Sybilla Merian, The Great Outdoors.
They were followed by Sheree Waitoa on vocal and guitar performing her song Connections, a great song that included te reo Māori and English lyrics and honoured the famous actor and scientist, Hedy Lamarr.
The next work by Glenda Keam was a tribute to the female NASA scientists that were portrayed in the Hollywood movie Hidden Figures. A stark and interesting work featured four solos, and a trio for three vocalists and prepared piano.
Technology was featured in the next piece by Misfit Mod with a flowing and wonderful visual element that help to bind the atmospheric work with the audience.
Beatrice Tinsley, the astronomer who originally studied at Canterbury University, was the subject of the next song by Naomi Ferguson. The electronic soundscape was enhanced by Ferguson’s flowing and powerful melodies.
To end the show the narrator joined with a small choir to sing In Feminea Forma, a piece for voices and electronics by Rosa Elliott. The electronics in this piece and throughout were seamless and added to the well-curated atmosphere.
This show was excellent. I loved every piece, the variety, the atmosphere, and most of all the illuminating subject matter. Hopefully the show will have a life beyond the WORD Christchurch Festival.
Top New Zealand composers and arrangers Gareth Farr, Claire Cowan, Chris Gendall and Hamish Oliver have been working with The Phoenix Foundation and NZSO Associate Conductor Hamish McKeich to create orchestral versions of the band’s much-loved works.
The Phoenix Foundation – Samuel Scott, Lukasz Buda, Conrad Wedde, Will Ricketts, Tom Callwood and Chris O’Connor – won the New Zealand Music Award for best group in 2010 for the album Buffalo. The band also contributed to several movie soundtracks, including film-maker Taika Waititi’s box office hits Boy and Hunt for the Wilderpeople.
We have two double passes to give away to the Christchurch concert on Thursday 30 August at the Isaac Theatre Royal.
Fill out the entry form on our website to be in with a chance to win. Entries close 5pm Wednesday 22 August. Winners will be announced on our website on Thursday 23 August.
Once again there’s everything from poetry sessions, confessional sessions, author and book-related panels, and even a whale-watching tour to beautiful Kaikoura!
But for me, the biggest excitement surrounds the sheer diversity of options available to us, the reader/audience…
As stated above, you can take a Whale Watching (Tues 28 Aug) trip to Kaikōura. Hosted by authors Philip Hoare and David Neiwert, and travelling from Christchurch to rendezvous with Whale Watch Kaikōura for an early afternoon cruise out into the mighty ocean, you can encounter the ocean giants first hand, all the while having the author/hosts regale you with knowledge and stories.
Irvine Welsh: Trainspotting to Dead Men’s Trousers. (Fri 31 Aug) What an exciting opportunity to hear from the mind of the man who burst onto the scene in 1993 with what is now a modern classic! Welsh has written quite a few books centred on the characters featured in Trainspotting, but is this to be the last one…?!? He’s also a highly opinionated and politically-minded individual so there’s sure to be some Brexit talk during his talk.
Diary of a Bookseller (Sat 1 Sept) gives us an insight into the highs and lows in the life of a Scottish second-hand bookshop. It’s hosted by Shaun Bythell who will also be runningBook Collectors Old and New (Fri 31 Aug) – a 3 hour interactive workshop on all things book collecting. Shaun co-hosts with Brian Phillips as they will impart all the knowledge you could want on the world of book collecting.
And finally, the story of the editor-turned-bestselling author. A.J. Finn: The Woman in the Window (Sun 2 Sept) introduces us to the next big thing in thriller writing. Dan Mallory, writing under a pseudonym, is getting huge accolades from some big names in the genre and The Woman in the Window is already getting the silver-screen treatment. This will fascinating to hear him speak about how his years of editing set him up for the best possible crack at his own bestseller!
So there are my pics for this year’s festival – wide, rich, and varied. See you there for literary-themed goodness!
Matariki – the Māori New Year – will take place on 6-9 July 2018. During Matariki we celebrate our unique place in the world. We give respect to the whenua on which we live, and admiration to our mother earth, Papatūānuku.
Matariki 2018 at Christchurch City Libraries continues the theme of ‘Te Iwa o Matariki – the Nine stars of Matariki’, this year with a focus on Toitū Ngā Mahinga Kai o Matariki – Sustainable natural resources of Matariki: Tupuānuku, Tupuārangi, Ururangi.
During June in the lead up to Māori New Year we’ll be offering a range of whānau-friendly celebrations and activities at our libraries.
Each year a community art project runs in our libraries for all to explore their creative side. This year the project is create a replica manu tukutuku (traditional Māori kite). Materials are supplied, all you have to do is bring your creativity.
Our Learning Centres are offering special Matariki Connect sessions for schools, introducing students to the key concepts of Te Iwa o Matariki, and involving a range of fun activities. This programme is now fully booked.
The Arts Centre invites you to come together as a community / whānau to celebrate Matariki 2018 with a variety of activities including a talk by Māori astronomer Dr Rangi Matamua, kapa haka, music and themed storytime sessions.
Matariki Celebration – Ara: Institute of Canterbury – 11-15 June
Ara will be having a whole programme of celebrations and activities 11-15 June across all of their campuses, including waiata, games, speakers, and food.
Pop along to the Bromley Community Centre to celebrate Matariki (Māori New Year)
Free entertainment, free activities, free tea and coffee, free fruit, plus affordable, yummy Māori kai available to purchase! Bromley School Kapa Haka Group will be performing at 4:30pm
Christchurch Art Gallery Te Puna o Waiwhetū – Listen to a new story, The Stolen Stars of Marariki by Miriana Kamo and Zak Waipara, and then make your own Matariki mobile to take home. Ages 4-9. $5 per child, book online.
Organised by Avebury House, Avon-Ōtākaro Network and Richmond Community Garden. Guests are encouraged to contribute produce from their own garden or pantry, dropping off at Avebury House at 11am to contribute to the shared meal from 12 noon to 2pm. Please RSVP to let them know participant numbers and harvest contribution at: www.aveburyhouse.co.nz
Māori crafts (wood carving and flax weaving)
Fun things to do for kids.
Shared kai of soups by Richard Till, and a hangi
blessing and opening of the Native Edible Garden in the Richmond Community Garden
Beginning on Monday 18th June at 5pm with a powhiri, this exhibition showcases contemporary and traditional art works by local Māori artists. Free Kapa haka classes will be held throughout the exhibition and follow the theme of the seven stars of Matariki. The classes offered this year are kite making, movies, waiata and a concert on the final night of Friday 6th July at 5pm.
The children’s activities will be held Tuesdays 4.30pm – 6.30pm & Fridays 5pm onwards throughout the exhibition.
Tuesday 19 June Kapa Haka arts storytelling
Friday 22 June Traditional Games
Tuesday 26 June Movie night
Friday 29 June Whānau movie night
Tuesday 3 July Kapa Haka arts storytelling
Friday 6 July Concert night.
There is no charge for classes however registrations are essential. Call 981 2881 to book. Children and families most welcome.
388 Worcester Street
Monday to Friday 11am – 4pm
Saturday 12pm – 3pm
Most art works will be for sale
Create nature inspired lanterns this Matariki at the Gardens. Combine twigs, leaves and paper to make LED candle lanterns and light up the chilly nights of Matariki. Limited places and parents and guardians will be required to help with construction. Please note that we will be using hot glue. This workshop is most suitable for 7 to 12 year olds, but all ages are welcome. Cost $5 per child.
10am to midday
Christchurch Botanic Gardens
Visitor Centre and Ilex Cafe
Celebrating Matariki at the Phillipstown Community Hub!
A family day with lots of activities, bouncy castle, face painting, carving, music, waiata, traditional sports, photo booths, arts & crafts, kapa haka, and – of course – kai!
Phillipstown Community Hub
39 Nursery Road
Matariki celebrations at Rehua Marae – subscribe to the Facebook event.
Kai and craft stalls, entertainment from local kapa haka and Maori musicians, free workshops. Entertainment: Kaitaka Tupuna O Rehua, Nga Toi O Te Rangi, Lisa Tui, Nga Manu a Tane, Mahina Kaui, Te Ahikaaroa, Te Kotahitanga, and the Koro Band. Workshops (start at 11.30) include star weaving, miniature kite making, tiki making, lantern making,and poi making. Some workshops have limited spaces.
The mobile library van will also be on site.
79 Springfield Road
Join rongoā practitioners as they celebrate Matariki the Māori New Year with a dawn karakia and tree planting as a symbol of new beginnings. The dawn planting will be followed by a hui with kai (bring a plate of food to share) and discussion of the plans for the next 12 months for this new park.
There will also second planting event at 10am. This planting event is suitable for families.
The New Zealand Symphony Orchestra’s 2018 season continues next month with internationally renowned tenor Simon O’Neill returning home to perform a special series of concerts a concert featuring works by Richard Wagner and Anton Bruckner. The Christchurch concert will take place on Wednesday 13 June at the Isaac Theatre Royal.
An Evening with Simon O’Neill will be the singer’s debut orchestral performance of Richard Wagner’s famous song cycle the Wesendonck Lieder.
Wagner wrote the five songs to poems by his muse and lover Mathilde Wesendonck, while he was also working on his great romantic opera Tristan und Isolde.
Hailed by critics as “the Wagnerian tenor of his generation”, O’Neill has recorded Wesendonck Lieder with New Zealand pianist Terence Dennis, but has never sung the song cycle with an orchestra.
This performance will also see the NZSO perform Wagner contemporary Anton Bruckner’s Symphony No. 4. Known as the ‘Romantic Symphony’, it is one of Bruckner’s most popular works and his first symphony to achieve significant public acclaim.
The NZSO will be led by acclaimed Dutch conductor Lawrence Renes, who has a long association with O’Neill and NZSO Music Director Edo de Waart. When O’Neill first performed with the San Francisco Opera in 2012 in John Adams’ Nixon in China, Renes was the conductor.
We have 2 double passes to give away to library members. All you need to do is tell us what the name of the new central library is and complete the competition entry form. Entries close at 5pm on Tuesday, 5 June and winners will be announced on Wednesday 6 June.
每年五月是新西兰的音乐节。人们在庆祝本土音乐的成就之余也会想到存在于不同的历史时期、不同社会、不同形式的音乐。音乐作为人类情感的表达，是任何文明社会不可缺少的。孔夫子曰：夫乐者，乐也，人情之所不能免也。 Confucius said, “Music produces a kind of pleasure which human nature cannot do without”. 尽管不是每个人都有天赋成为一名音乐家，但都能通过发展音乐欣赏的能力，成为一名业余的音乐爱好者或专业的音乐人。尤其对华人移民和他们的子女来说，学会赏析西洋音乐和来自其它文化背景的音乐能丰富在远离故土的生活，甚至开启一个职业的领域。在这方面，基督城图书馆的电子音乐资源能助您一臂之力。
Music highlights for the year. Some are brand new, some are decades old but new to me, all are great!
Versatile – Van Morrison doing jazz interpretations backed by a very slick big band. It’s really well produced and if you’re new to the American jazz standards then this is a great way in!
Utterance – I love this album! It’s a collaborative effort between three on NZ’s finest musicians; David Long (banjo w/effects), Natalia Mann (harp), and Richard Nunns (taonga puoro). These flavours blend beautifully to create haunting soundscapes that are textural and dynamic – truly beautiful sounds from Aotearoa!
The Jazz Messengers – The first album from the group that went on to be the band that every jazz player wanted to be in. They’ve had some huge names in jazz through their ranks over the years and this is a great way to start their 40+ album recording career!
The Kitchen Table Sessions – Beaut, home-cooked alt-country from NZ’s favourite adopted daughter, Tami Neilson. Great country grooves and a lady with a voice of gold – what’s not to love!?
Preservation – Some more beautiful, lyrical, melodic songwriting from NZ’s Nadia Reid.
Second Nature – This is just how I like the Blues; stripped back, acoustic, you can just imagine it on the porch on a hot summer day… This father and son team recorded this album in single takes with no overdubs whilst they were touring Finland in 1991, and it’s a timeless and solid an blues album as you’ll find.
Charlie Watts Meets the Danish Radio Big Band – Charlie Watts (drummer for the Rolling Stones) gives it his jazz side on this album, featuring the big band of Danish radio. Some great jazz music here particularly the ‘Elvin Suite’ numbers. After that you get the obligatory big band arrangements of some Stones songs, beautifully arranged and executed but nothing terribly exciting musically.
Dog – Stripped back acoustic blues doesn’t get much better than this album of what I like to call “porch music” from Charlie Parr. Solid songwriting and a very real connection with the blues makes this a great addition to the genre.
Don’t Let Them Lock You up – New Zealand music is in good shape these days and I really like the creativity and superb musicianship that is on display on this album. They usually perform as a duo but the recording process has allowed them to expand on their ideas and grooves, implement new harmonies and percussion lines, and get really solid and funky! Great album!
Black Notes From the Deep – A great jazz album from the British multi-instrumentalist jazz legend Courtney Pine. Brilliant small ensemble playing and solid musicianship on display. I really liked the instrumentals – not so much the vocal numbers – but that’s just my preference. It’s good compositions played really nicely without arrogance or naff-ness. Jazz fans should have a listen.
Returning to the city for its twenty-third year, this festival is a treat for lovers of jazz and blues, and offers a range of experiences showcasing local and international talent, and up-and-coming stars to watch out for in the future. Here are a couple that really stand out to me.
Kurt Elling, Grammy Award-winner and 8-times winner of the Jazz Journalists Association’s ‘Male Singer of the Year’ title, is headlining the festival, playing with the Kurt Elling Quintet at the Piano on Saturday, May 26. His is a voice that is an absolute pleasure to listen to, and with the backing of a live quintet, this is sure to be a magical evening.
Whenever I think of jazz and blues, Billie Holiday is one of the first names I think of. Although we won’t be graced by the great singer herself, we will be able to experience the power of her repertoire when Mary Coughlan sings Billie Holiday in two concerts at The Piano on Wednesday 23 May. This show was first performed in Christchurch at the Jazz & Blues Festival fifteen years ago, and I’m hoping I get to it this time around – I was trying to decide whether to go see it back then, and didn’t, and have been kicking myself ever since.
Having played clarinet when I was younger, I have always enjoyed hearing what Kiwi Nathan Haines has been up to in the music world, and am excited to see him here in Christchurch with Jonathan Crayford. With violin accompaniment, this duo will be reinterpreting the works of well-known classical composers to fit the jazz and blues style of the festival. Both Haines and Crayford have won the Best Jazz Album of the Year award here in New Zealand, and with this amount of skill on the stage I am really excited to see what they create.
Of course, all the big names need to start somewhere, and the Jazz & Blues Festival supports these young up-and-comers and Christchurch locals. Georgie Clifford and Alice Tanner are two such ‘noteable young women’, and Christchurch local Kate Taylor, front-woman of the All-Girl Big Band, is also one to watch. On the festival’s last day, five Christchurch high schools will show off their jazz skills in the Festival High School Jazz Band Concert at Christchurch Boys High School on Sunday 27 May.
As you see, with so many different artists on the programme, there really will be something for everyone. I recommend getting your tickets now so that you don’t miss out on this wonderful musical experience. And, once the festival’s over, check out our jazz and blues resources to stay in the swing of things.
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