Have you ever come across an activity or hobby that surprises you by the extent of the passion felt by those who are involved, and by the global reach and organisation behind the hobby? I’m not talking about Star Trek conventions or Cosplay in general, but rather the world of Bonsai. A gathering of Bonsai enthusiasts matches anything Star Trek fans can generate in terms of excitement and passion, but without the funny uniforms or prosthetics.
I was lucky enough to be able to organise a few days off from my library duties and attend the recent National Bonsai Show and Convention in Dunedin on 7th and 8th October.
Perhaps you’re surprised that there is a National Bonsai show? There’s even a New Zealand Bonsai Association to oversee all things bonsai. This is not Japan, it’s true, but there are still plenty of people in New Zealand who would travel significant distances for such a gathering. And what a mixed lot they were! The Bonsai bug bites all equally – that gathering had everyone from a retired professor of agricultural systems to a carpenter, and, of course, a librarian. All were united by a passion for bonsai, regardless of background.
The convention had two main attractions for most, the national show itself, and the demonstrations and workshops with the famous (in the bonsai world anyway) bonsai professional Bjorn Bjorholm the first non-Japanese bonsai professional to work in Japan. Now based in the United States, Bjorn travels extensively to different parts of the world giving talks and demonstrations, so a chance to sit in with an acknowledged master was not to be missed.
Curious about the bonsai thing? The library can be your friend. There are a good range of books in the library covering the history, the aesthetic principles and the hands-on techniques. The library also offers access to articles from the best known English language Bonsai magazine, the Bonsai Journal.
And if you fancied finding out a bit more and maybe getting some hands on time with trees in the company of like-minded mini tree enthusiasts, why not go along to a local Bonsai club meeting? There are two clubs in Christchurch, both listed in the CINCH (Community Information Christchurch) database. See you there!
Craig Sisterson is a writer and reviewer, and a fan of great crime writing. He’s the force behind the Ngaio Marsh Awards celebrating New Zealand crime writing, starting the Awards in 2010 and now serving as the judging convenor for the prizes.
Read our interview with Craig where he talks Kiwi crime, #yeahnoir, the Ngaio Marsh Awards, and libraries.
This year, you can join in as Scorpio Books and WORD Christchurch present The Great Lit Quiz & Ngaio Marsh Awards! To celebrate NZ Bookshop Day, put together a team of book enthusiasts for a quiz of crime novels and other genres! All tickets gain entry to the invitation-only Ngaio Marsh Awards cocktail party, where the winners will be announced. Hosted by crime writers Paul Cleave and Vanda Symon.
The Bone Line wine and nibbles provided. Saturday, 28 October, 5.30pm Ngaio Marsh Awards; 7pm Great Lit Quiz
$80 per table (up to 5 players) by emailing email@example.com
How did the idea for the Ngaio Marsh Awards come to you?
It was a culmination of a lot of little things. I’d started reading a lot while backpacking through Latin America for six months, picking up dozens of novels from hostel book exchanges and the like to pass the time on 24-hour bus rides in Argentina and Chile. The hostels tended to have plenty of ‘popular fiction’ (crime, romance, sci-fi, action thrillers etc), and I gravitated towards the crime novels, having loved mystery tales since I was a kid devouring The Hardy Boys adventures when I was at Richmond Primary School in Nelson.
Then when I was in Canada I went along to an Arthur Ellis Awards event at the Vancouver Public Library (a crime author panel where the finalists for their national crime writing awards were also announced). I met some really cool Canadian crime writers, including the great William Deverell, and had a really good chat with him afterwards about recognising and celebrating quality writing, and how the crime genre was much deeper nowadays than the stereotype of old-fashioned mysteries, potboilers, and airport thrillers.
As an aside, I spoke with the Canadians about the state of New Zealand crime writing (they were curious), and even lamented that other than Dame Ngaio and Paul Thomas’s series, and one-offs from the likes of Simon Snow, Nigel Latta, and Michael Laws, we didn’t seem to have as many crime writers as you’d expect for a country that has some really great writers (Oscar-nominated screenwriters, Man Booker listees, fabulous children’s authors, great longform journalists, etc). Or at least we didn’t have many ongoing series or crime writers putting out multiple books. It’s embarrassing to look back on that discussion now, because NZ does have a greater crime writing history than I knew about at that time, but perhaps the fact I was a keen reader who still wasn’t aware of that was telling too?
When I returned to New Zealand in October 2008, I popped into the Papatoetoe Library my first weekend to keep feeding my reading habit. By chance, a couple of crime novels on the recently returned shelf caught my eye. I picked them up, was taken by the backcover blurbs, and was surprised to read they were set in New Zealand: Cemetery Lake by Paul Cleave and The Ringmaster by Vanda Symon. Not only were they modern NZ crime novels, but each was from an author who’d published more than one novel!
I read them both that weekend, before I started my new job at a legal magazine (I was a lawyer before my overseas adventures). Both were terrific, really top quality stuff. Great characters and writing, coupled with page-turning action and suspense. And both books were as good if not better than many of big-name international bestsellers I’d been reading on my Latin American journey.
So my thoughts about the state of NZ crime writing began to shift. Then my new boss asked if I’d read any good books lately, as a review for our magazine hadn’t come in before deadline. So I wrote reviews of Cleave and Symon’s books, and took off from there. Soon afterwards I was reviewing crime fiction for Australian magazine Good Reading, as well as some other publications. I reviewed a few dozen crime novels for them over the next year, including Kiwi authors like Cleave, Symon, Lindy Kelly, Neil Cross, and Paddy Richardson. The Kiwi crime novels stood up really well against the well-known international stuff, and I started thinking ‘why aren’t we talking about our crime writers more?’ On top of that, I realised that while Canada, Australia, the UK, the USA, and many other countries had crime writing awards, New Zealand didn’t. Our popular fiction writers were unlikely to be listed for the NZ Book Awards, but at least our romance, sci-fi and fantasy authors had their own associations and awards. So did our children’s authors.
Our crime writers did not. That kept niggling at me the more reviews and features I wrote about the genre, and when I raised the possibility of a New Zealand crime writing award with authors, publishers, reviewers, and others in the book industry, pretty much everyone thought it was a great idea in principle. There was a gap between principle and putting it into practice though. And in the end I just got to the ‘ah bugger it, I’ll just start them myself then’ stage. By then I had lots of contacts in New Zealand and overseas, and called on various people for advice. Crime Writers Canada and the Australian Crime Writers Association were very generous and shared with me how their awards started, evolved, and were run. I cherry-picked various things to create our own awards.
How hard was it to set up a literary prize?
How long is a piece of string?, as my mother would say. It’s really hard to answer your question. Looking back it all seemed to go quite smoothly, though that could be my rose-tinted glasses! At the time there were plenty of bumps in the road, for sure, but we just rolled with the punches, adapted, and kept on going (how many cliches can I fit in a paragraph?). We were creating something new, so there was no blueprint (other than advice from overseas peers), so if something wasn’t working or went wrong, I just changed it.
My core concern was to make sure that the awards had a good level of credibility, even if we weren’t offering the winner a big amount of prize money. I just really wanted the awards to be sustainable, not a one-off, and to have some ‘heft’, for want of a better term.
That was achieved (I think) thanks to the really top-notch judges we’ve had from the beginning, and the support of WORD Christchurch. We have a large judging panel for the Best Crime Novel prize; seven judges from New Zealand and overseas. All are crime fiction experts, so we had people who were connoisseurs of the genre and read an awful lot, weighing up the quality of our local crime tales. In the first years we had the likes of legendary British reviewer Mike Ripley (who was the Daily Telegraph’s crime reviewer for 17 years), Vice President of Crime Writers Canada Lou Allin, and doyen of the Kiwi books scene Graham Beattie on the panel.
More recently Janet Rudolph (editor of Mystery Readers International), J Kingston Pierce of Kirkus reviews, top Australian crime reviewer Karen Chisholm, and award-winning Icelandic crime writer Yrsa Sigurdardottir have served on the judging panel.
These people may not be household names, but they are extremely highly regarded within the global crime writing world, and their involvement has given the Ngaios a lot of credibility on the global stage. They read a massive amount of crime fiction, from the biggest names to new authors and many in between, and when they say our Kiwi authors are world class, that carries a lot of weight.
The other main pillar of the Ngaios from the beginning was the involvement of what is now WORD Christchurch. I wanted a cool event for our first ever Ngaio Marsh Awards presentation in 2010, and Ruth Todd and Morrin Rout of the Christchurch Writers and Readers Festival really came to the party. They were so supportive, and planned a terrific event for the Saturday night of their festival, which even included the Court Jesters doing an improv murder mystery, before the inaugural winner would be announced. The festival also put up some prize money for the winner (adding to the handcrafted trophy created by sculptor Gina Ferguson and selection of Ngaio Marsh books donated by HarperCollins, Dame Ngaio’s publisher). As Dame Ngaio was a Cantabrian herself, it was a perfect fit.
Then the September earthquakes struck, the festival was cancelled, and our event postponed. Not the greatest start! But Ruth and Morrin continued to be so supportive, even as they were dealing with all the property damage and other concerns. We had offers from other festivals to hold an event in other cities, but stuck with Christchurch. We had a cool one-off event in a temporary venue that November, where the pseudonymous Alix Bosco won the inaugural prize for Cut and Run (fittingly, an author whose identity was then a mystery won our first-ever Kiwi mystery writing prize).
I get a lot of credit for starting the awards, but in truth there have been so many people involved, and it is the mana of those people that have made the awards what it is. Along with our authors, judges, and the libraries who’ve come on board with our Murder in the Library series that started in 2015, I’d like to give a nod to Marianne Hargreaves and Rachael King of WORD Christchurch, who’ve done amazing things and had to deal with me flitting about all over the world and not being the easiest to work with. Because of all those great people it hasn’t seemed all that difficult to set up and run a literary prize, even if there have been difficult moments.
What is it about Aotearoa that make us bat above our weight in the crime writing stakes?
Hmm… I think we have some great writers, across all different styles of storytelling. So our talented crime writers are just part of that wider group of great authors. (Seriously, whatever type of stories take your fancy, you can find great Kiwi books; compelling, page-turning, thought-provoking tales. Give some of our authors a go, whatever genre you love.)
In terms of crime writing in particular, I think our Kiwi authors often have a willingness to push the boundaries of the genre. Check out Adam Christopher‘s Ray Electromatic series that’s pure 1960s LA noir, just with a robot detective, or some of our literary-crime crossovers like Tanya Moir’s The Legend of Winstone Blackhat and Fiona Sussman’s The last time we spoke, or Paul Cleave’s latest A killer harvest which you’d call magic realism if he was a literary author. And that’s just a few examples.
Our authors certainly don’t feel constrained by the traditional tropes of the crime genre. Many of our Kiwi crime novels also have a great, subversive sense of humour, even the tales that are dark and serious. Many of our authors also have a good touch for landscapes, whether countryside or urban. But in the end, even if many people think of crime fiction as being primarily plot-focused, the best crime fiction often comes down to character – and our Kiwi authors have created some really terrific crime characters!
Can you suggest 3 titles that epitomise #yeahnoir for readers who haven’t tried Kiwi crime?
Instead, I’m going to choose three other books that are really great, and very ‘Kiwi’ crime reads:
Bound Vanda Symon: the fourth tale in a really terrific series starring young Dunedin detective Sam Shephard. A successful businessman is murdered during a brutal home invasion, with his wife tied up and left to watch. Sam’s colleagues zero in on two local crims who’ve been on the police hit list for a while, but she’s not sure it’s so cut-and-dried. Sam is a terrific crime character, and the whole series is great, but I particularly like this instalment. Vanda Symon has a nice balance of plot, character, and setting, creating a page-turner with plenty of character depth. Sam has that maverick, trouble-with-superiors essence of crime fiction top cops like Harry Bosch (Michael Connelly) and John Rebus (Ian Rankin), but as a younger woman she layers in plenty of freshness too. There’s a great sense of humour in these books, and Sam is a fierce southern lass who’s her own woman.
Hunting Blind Paddy Richardson: like her fellow southern crime queen, Richardson has written several really terrific crime novels, but unlike Symon she has focused on standalones rather than series books. Hunting Blind is a great place to start, a chilling thriller which centres on Stephanie, a psychiatrist whose sister vanished from a lakeside picnic seventeen years ago, fracturing the family and community. Then a new patient tells an eerily similar story, causing Stephanie to reexamine her sister’s disappearance, and sending her on a dangerous and emotional journey around the South Island, searching for long-hidden answers. This is a really terrific novel that was a Ngaio’s finalist in 2011 and really wowed our international panel. Richardson is a master at crafting layered characters who resonate with the reader, and delivers a terrific flavour of the south.
The Sound of her voice Nathan Blackwell: a superb tale from a new author who’s recently joined the #yeahnoir ranks (the Twitter hashtag for NZ crime fiction created by Steph Soper of the NZ Book Council). Blackwell is the pseudonym for a former Auckland detective who was involved in covert operations and investigated very serious real-life crimes. Whoever he is, he’s certainly hit the ground running in the crime fiction world, with a belter of a debut. Detective Matt Buchanan is burnt out, worn down by a succession of tough cases, and haunted by the unsolved disappearance of a young girl years before. Some fresh leads give him hope, but also threaten to draw him across lines that shouldn’t be crossed. Blackwell showcases the courage of Kiwi crime writers in tackling tough issues, giving readers a dark, authentic insight into the stresses the police face.
What do you think about libraries?
In short, libraries are bloody awesome!
I was a sports-loving kid growing up in Nelson, but I also loved spending time in my school and local public library. I discovered so many wonderful authors and books thanks to the librarians, and they cemented my lifelong love of reading. Libraries are so vital to communities, providing information and entertainment, cultivating learning, bringing people together. They’re egalitarian and democratic, opening up doors for anyone regardless of your background or means. Yeah, I think they’re pretty cool.
More about Craig, Ngaio Marsh, and the Ngaio Marsh Awards
It’s that time of year again – when we celebrate Women in Science! Today (Tuesday 10 October 2017 ) is Ada Lovelace Day. Its aim is to celebrate women in science, technology, engineering and maths.
This year I’m featuring pioneers of science in New Zealand. From the nation’s very beginnings, these women classified and preserved our unique flora and fauna, made incredible discoveries, and improved the health and wellbeing of future New Zealanders.
“…it is to be regretted that, despite the fact that Man cannot replace them, the appalling destruction of our unique native birds and forest continues to this day.”
(from New Zealand Scientists : Pioneer Women: Ellen Blackwell (1864-1952) : Pérrine Moncrieff (1893-1979) : Muriel Bell (1898-1974) : Betty Batham (1917-1974) : Trends in their life and science. 1989: Women Into Science Education. Perrine Moncreiff, p.2.)
Moncrieff wrote articles on bird migration, protection, the endangered South Island Robin, and reaction of animals to the Murchison Earthquake (1929).
In 1974 Pérrine was awarded the Order of Oranje-Nassau by the Netherlands. Abel Tasman, who first discovered New Zealand, was from Holland, and the Dutch had sponsored the park. In 1975 she was honoured as Commander of the British Empire, but sadly she wasn’t recognised by the scientific community.
Ellen Blackwell lived in New Zealand long enough to collaborate with Robert Laing on the book; Plants of New Zealand. She travelled the country with Robert and her brother Frank, researching and photographing native plants, later writing a large part of the text for their book.
As well as describing the pine, palm and lily families of New Zealand flora, Blackwell’s readable style included snippets of local culture and legend:
“The reader was given advice on the preparation of the bracken rhizome for eating, the suitability of matai wood for ballroom floors, how to use nikau palm in the construction of huts and supplejack for ropes and baskets.” (Ibid. Ellen Blackwell p.3.)
Plants of New Zealand refuted some previously held ideas on the Lancewood species as well as the nature of mangroves. She identified that their ‘shoots’ were actually aerial roots.
Ellen’s large part in the creation of the book was largely ignored and although some went in to bat for her, she was uncomfortable with publicity and distanced herself from the controversy.
Muriel Bell, born in Murchison, is known for starting the programme for Free Milk in Schools in 1937.
Muriel studied medicine at Otago University and stayed on to research human metabolism, gaining a doctorate in 1928. She became a lecturer there in 1935. In 1940 she was appointed Director of the Medical Research Council’s Nutrition Research Department, and Nutritionist to the Department of Health.
During World War Two, when there were food shortages, Muriel consulted on diet and low cost meals. She found a source of Vitamin D in fish oil, and devised a rosehip syrup to supplement Vitamin C for children.
Muriel also discovered, when implementing the free milk in schools programme, that exposure to the sun destroyed vitamin C and riboflavin (vitamin B2) in milk. Covered trucks were then used to deliver it. She discovered that iodine is linked to healthy thyroid function, and that it isn’t present in New Zealand soil. So she introduced iodised salt.
She found a link between fluorine and healthy teeth, campaigning for it to be added to tap water, and researched links between cholesterol and heart disease.
Elizabeth Batham was born in Dunedin. Interested in the sea and its biology from childhood, she was an accomplished artist and photographer at school. She studied plankton and sea life in Otago Harbour for a Bachelor of Science in botany and zoology at Otago University.
After gaining a Ph.D on sea anemones at Cambridge in England, Batham took up the first role of Director at the Portobello Marine Biological Station in Otago, turning it into the highly respected research facility it is today; offering international study and courses for school students.
In 1962 Elizabeth was made one of only five female Fellows of The Royal Society of New Zealand. She was so dedicated that she would row to work when the ferry wasn’t working, and would dive for so long she often ran out of air.
Politics, administration and a male team of scientists, threatened by a female boss, made it difficult for Batham to manage the growing facility at Portobello. In 1974 she left to study at Victoria University of Wellington.
Joan Wiffen is my hero. In 1975 she found New Zealand’s first ever dinosaur bone.
Like many of us, Joan fossicked for shells and ammonites in sea cliffs as a child. After taking geology night classes Joan learned that the geology of north west Hawke’s Bay made it possible to find reptile bones, although no one had found any. Yet.
Joan concentrated her searches around the Mangahoua Stream northwest of Napier. Her first major find was a vertebra from a theropod – a carnivorous dinosaur that walked on its hind legs 65 million years ago.
Buried in sandstone rocks in treacherous cold water, were dinosaur fossils from both carnivores and herbivores.
Joan found more theropods, a sauropod (a titanosaur : a huge, herbivorous long necked dinosaur), a hypsilophodont (a small bi-ped), an ankylosaur (like an armadillo), an aquatic, air breathing mosasaur, plesiosaurs (like the loch ness monster) and a flying pterosaur.
Joan Wiffen was awarded a Commander of the British Empire, the Science and Technology Bronze Medal and and Honorary DSc from Massey University in 1994. In 1995 she was honoured with Commander of the Order of the British Empire. In 2004, she was awarded the Morris Skinner Award from the Society of Vertebrate Paleontology.
She continued dinosaur hunting until her death at the age of 87.
Almost 700 million people are now over the age of 60. By 2050, 2 billion people, over 20 percent of the world’s population, will be 60 or older. According to Statistics New Zealand, here in Aotearoa by 2051, there will be over 1.14 million people aged 65 years and over. They are expected to make up 25.5 percent (or 1 in every 4) of all New Zealanders (4.49 million).
The Expo will be held at Papanui High School, and promises to be a fun day combining information about services for older adults with free entertainment.
Exhibitors will cover areas such as:
Health and Wellbeing
And of course staff from various units of the Christchurch City Council will also be there. Pop down and see the stand from Christchurch City Libraries. Library staff will be available to chat about the many ways in which we can help you enjoy our vast selection of print, audio and online resources.
I’ve had this song in my head since I saw Peter Garrett recently. Not at the Midnight Oil concert, but at the WORD Christchurch Shifting Points of view session at The Piano. It was the last talk in a series of goodies that formed WORD’s suite of Christchurch Arts Festival offerings.
Peter Garrett – musician, former Aussie federal politician, activist – appeared in conversation with the able and amiable broadcaster/journalist Finlay Macdonald, and followed the session with an audience Q & A and a book signing.
Peter’s book is a memoir of his life and career called Big Blue Sky. He found writing it both challenging and gut-wrenching:
It’s not just about what you remember, it’s how honest can you be.
He talked about the reformation of Midnight Oil and the series of concerts they are undertaking, including such stunner venues as Alice Springs and a rainforest in Cairns. Peter reckons they are sounding even better than their heyday.
His broad and expansive knowledge of Australian history as well as other topics made him a thoroughly engaging speaker. He talked politics, music, and more – and his move into federal politics made a lot of sense because he strongly believes:
The system cannot work unless it is infected by people who want it to work.
Peter went with the Labour Party instead of Green because he was “allergic to moral superiority and preachiness”.
There was plenty of music talk for the aficionados. He shared musical influences and passions – The Beatles, Neil Young, Rage against the Machine, Aborigine bands. Recalling seeing Muddy Waters play at ANU university, Peter got shivers right there on stage. So did we.
The appearance of Mr John Safran in Christchurch managed to pack out The Piano venue on Sunday with a fair audience. He was matched with NZ’s very own version of himself, Te Radar Esq., who pointed out that although they both looked very similar, you could easily tell them apart as John was the one with the accent. Unless of course you were from Australia, in which case Te Radar was the one with the accent. Simple really.
Yet simple John’s new book Depends What You Mean by Extremist: Going Rogue With Australian Deplorables is not. In fact it might be claimed that one reason for writing the book was because most other media didn’t like the tangled web of stories John had discovered in his very own Aussie backyard. What he’d found happening in the world of political radicals was not easily reduced by the popular media spotlight to black vs white, or local vs outsiders.
There are many reasons people are in involved in anti-Islam rallies, and it’s not always politics.
In the world of Australian extremist groups things have become very complicated, says John. “Out in the street things are so messed up, it’s hard to pick things apart.”
John has found a very diverse range of cultures and people marching for the reclaim Australia and anti-Islam causes, some of them strange and unexpected bedfellows. An anti-immigrant campaigner with Aboriginal and Italian lineage hanging with white nationalists, a Sri Lankan pastor opposing multiculturalism, and leaders of anti-immigrant rallies opening their speeches by acknowledging the land they were standing on as belonging to the Aboriginal community.
Some have claimed the lack of media interest in John’s stories proves the “bubble” caused by social media and the internet is real, the so-called echo chamber where we only pay attention to things and ideas that meet our world-view and beliefs.
Yet people have always filtered news and read newspapers and magazines selectively. We read what attracts our interest and reading things that don’t fit our understanding of the world can be challenging, so often we don’t. The internet hasn’t created that effect, it’s just made it quicker and easier to achieve – such is the way of computers.
What John has discovered is that thanks to social media on the internet, the “unsayable often becomes normal when repeated over and over”:
The world changed as I was writing the book. The anti-Islam street movement tried to portray the rallies as ‘normal’ not extreme, but I found they were led by some very extreme people. It was like the fringe and alternative had become mainstream or at least mingled up with the mainstream.
Te Radar asked John if he’d become less optimistic about the world as a result of writing the book? John’s response was that he had definitely got a bit paranoid hanging around with extreme people. Ironically he thought that getting out on the streets got him out of the echo chamber that the average person might inhabit.
But the idea that he may be humanising these people by writing about them in a book was not something he was trying to achieve. He is more driven by the comedian and artist in him, not so much the need to be a writer:
I can’t moralise about anything ‘cos I’ve always done something in the past I shouldn’t. But I don’t think people read my book and think the things these groups are saying and doing are ok.
A few questions from the audience stirred things up, with a bit of heckling that just came across as try-hard or even embarrassing. Mostly it was all very civilised and well-behaved. I don’t go to a lot of these events, so maybe that’s normal in Christchurch.
I’ve enjoyed reading the book and it’s definitely an eye opener. And thanks to John seeing the irony in much of what he saw happening, very funny too, although perhaps more in a gallows humour way.
All of which made me think that maybe John Safran is using humour to wake us up to the way people under our very noses think about the world. Does this make him the comedic hand sanitizer of the Aussie extremist world?
The theme for this year’s Māori Language Week is –
Kia ora te reo – Let the Māori language live
In celebration of Te Wiki o Te Reo Māori we will be publishing a blog post each day incorporating te reo Māori or highlighting te reo Māori resources.
Te Reo Māori i Te Whare Pukapuka – Māori Language at The Library
Christchurch City Libraries – Ngā Kete Wānanga o Ōtautahi will be celebrating Te Wiki o Te Reo Māori with Wā Kōrero/Storytimes throughout the week with te reo Māori songs and stories. There will also be a couple of storytimes sessions extra to our usual schedule delivered by a bilingual presenter at Linwood and Aranui.
Beyond the official week celebrating te reo, a further initiative, Mahuru Māori, encourages te reo Māori speakers of all levels of ability to commit to speaking te reo Māori only during the month of Mahuru/September. Other options are to speak te reo Māori anake during a chosen day of the week, or for one week of the month. Te reo speakers can join the Mahuru Māori Facebook Group for support and help to complete the challenge. For te reo tweets during September follow @MahuruMaori.
Māori words and phrases from Māori Language.Net, includes commands, phrases to use with children, months of the year, greetings and more.
Kōrero Māori ki… – Speak Māori at…
In addition to online resources and titles available at your local library, the following initiatives and events can help bring some te reo into your day.
A cafe – Order your drink of choice in te reo at any of the cafes in our libraries (South, Upper Riccarton and Te Hāpua: Halswell Centre) or at The Kitchen cafe on the ground floor of the Christchurch City Council building on Hereford St and from 11-16 September you’ll get an extra sweet treat to go with your drink. Need help with how to place your cafe order in te reo? Te Taura Whiri o Te Reo Māori (The Māori Language Commission) has produced this fantastic guide to awhi you.
The post office – NZ Post is celebrating Te Wiki o Te Reo Māori this year with a range of stamps featuring Māori kupu (words) to do with technology. Learn new words like “ahokore” (wifi), “Pūnaha Kimi Ahunga” (Global Positioning System) or “waka hiko” (electric car).
Anywhere – Te Puni Kōkiri is distributing special “kōrero” badges so if you see someone wearing one it’s a tohu that they can carry out a conversation in te reo Māori and are happy to do so. Give them a cheery, “kia ora” if nothing else!
As part of WORD Christchurch’s Shifting Points of View sessions of the Christchurch Arts Festival, Dr David Galler talked to poet and fellow medicine-man Glenn Colquhoun about Things that matter.
Dr David Galler is a specialist intensive care doctor at Middlemore Hospital and he spoke to a fully engaged audience on Saturday evening about the things that matter in regards to health and wellbeing. Galler spoke of how communities need to support each other to fight against illness and disease. Treatments need to be holistic, with the approach of what is good for the environment is also good for our health.
David spoke about his life, growing up with Jewish parents and the effects that his parents’ history has had on his own life.
He takes his role as doctor very seriously and has a strong social conscience evident in his manner and through his stories of life and death from “things that matter”.
The conversations were at times serious and provided the audience with many more questions than answers.