올 해도 Summertime Reading Challenge 가 시작되었습니다. 좋아하는 책 많이 읽으시고 다양한 상품도 받으세요. 가까운 도서관에 준비된 엽서나 온 라인으로 등록하세요. 12월 1일 부터 내년 2월 28일까지입니다. 어린이는 0 – 13살까지, 어른은 14이상입니다.
이 달에도 많은 새로운 책들이 도서관에 들어왔습니다. 여행계획이있으시다면 도서관 전자책을 가져가세요. 훨씬 가볍게 떠나실 수 있을거예요. 도서관 카드 잊지마세요.
림태주 작가의 ‘관계의 물리학’ – 사람에 대한 애정, 세상과의 관계에 지치고, 나답게 살기를 원하지만 끊고 맺음의 균형에 서툰이들을 위한, 작가 특유의 위트와 통찰력이 시적인 감수성으로 잘 그려진 책입니다.
‘나는 그냥 버스기사입니다’ 운전하며 글 쓰는 버스기사 허혁, 자신의 버스안에서 바라본 세상, 그 세상 속의 자신을 이야기한 책입니다.
우리 엄마가 나와 형제들을 키우며 느꼈을 슬픔과 기쁨, 괴로움을 똑같이 겪으며, 나는 엄마와 다시 이어졌다. 딸을 키우며 단 하루도 엄마 생각을 안 한 날이 없다. 그만큼 엄마가 절실히 그리웠다. 우리 엄마는 얼마나 외로웠을까? 이런생각을 할 때마다 가슴이 무너졌다 – ‘ 시읽는 엄마’ 프롤로그 중에서.
‘달빛 변호사’ 저자 김영훈 – 현직 변호사로서 법정에서 일어나는 또 다른 세상의 이야기를 소설 형식을 빌려 쉽게 풀어나간 책입니다. “ 법정은 우리 삶의 축소판이다. 법정에 선 이들은 원고와 피고, 피해자와 가해자를 가리지않고 모두 어려운 상황에 직면한 사람들이다. 이들에게 격려와 위로가 되어주고 다시 일어나 앞으로 나아갈 버팀목이 되어 주는 것이 변호사의 역할이다.”
‘혼자서 본 영화’ – 여성 학자 정 희진이 20년간 본, 저자 자신의 인생 영화 28편을 책에 담았습니다. 한편 한편 섬세하게 분석한 이책은 영화를 좋아하는 분들에게 새로운 재미에 빠져들게 합니다.
You are invited to hear Dr Lois Tonkin who has written a book honouring women who are childless by circumstance. She has interviewed a mixture of single, gay, straight, partnered and transgender women all of whom come from different backgrounds and whose lives have taken different paths for complex reasons, leading to childlessness.
Stories are presented in the voice of women from New Zealand, Australian, Europe and the United States. They reveal feelings of grief, and the search for fulfillment and purpose in their lives. Their hope, and the positive way in which they have found meaningful lives gives us insight into a growing issue for women today, in a society which does not recognise the grief of childlessness through circumstance.
Tonkin, who lectures at the University of Canterbury as well as working as a counsellor at Genea Oxford Fertility in Christchurch, will read an excerpt from the book and talk about it in an open discussion. Her book published in September by Jessica Kingsley Publishers was published to coincide with World Childless Week. Jody Day has written an insightful foreword. She met Tonkin at Fertility Fest.com in 2016 and is the founder of Gateway Women.
One story from the book tells of being part of a generation of women told the worst thing we could do was get pregnant. This is the story of our generation. This book tells the stories of women who fear having a child for the wrong reasons at the wrong time, with the wrong person, and then the desperation of trying to get pregnant in their late thirties. Then the acceptance that it would not be happening and what that meant for the future, and how they might build a fulfilling life in another way.
Come along and hear their stories at the launch of a book dealing with one of the most important and least discussed topics for this generation of New Zealand women.
Those who choose the traditional route of motherhood need to be aware of the sense of social isolation and the judgement these women feel, and the lack of understanding we have of the complex issues at play. Most women see themselves having a child at some point but in their thirties find themselves thinking “is this the way it is going to be?” They still see themselves having children at some point, but due to expectations to fill early promise in education and career, or due to economic vulnerability and family background, they choose to postpone motherhood.
We have only to look at the different paths our female Prime Ministers have taken and the way the world perceives them regarding motherhood – the role chance has played in our latest Prime Minister’s choice regarding motherhood and how the media have feted her – to see how society views childlessness.
Come and hear Lois Tonkin and listen to the gift of these women’s experiences, and find out what it is to be childless by circumstance, and how women find other ways to forge valued and fulfilling lives.
Nearly eight years on, the yearning for a vibrant city centre still persists, but there is hope. Hope captured in the moments of collective celebration; the intimacy between two young students; the connection between friends and neighbours as they work, live and play – all within the boundaries of an inner city reinventing itself. In fact, more than hope, there is sense of quiet wonder and anticipation captured by Thomas Herman, Elise Williams and Summer Robson in the fourth and latest instalment of The Christchurch Documentary Project: Inside the Four Avenues, 2018.
The Christchurch Documentary Project is a collaboration between Christchurch City Libraries and the University of Canterbury, School of Fine Arts. Internship positions are offered to photography students in their 3rd or 4th year of study with the brief to create a documentary photographic record of a Christchurch community. The work is then included in the Christchurch City Libraries Digital Heritage Collection.
To date, over 1000 images have been made of communities across our city; beginning with the Halswell Project in 2015, Edge of the East in 2016, Bishopdale in 2017 and now the central city. Collectively these projects document the lives of Christchurch residents and the changing face of our communities as the city rebuilds and evolves after the Christchurch Earthquakes.
Come and celebrate with us as the exhibition for Inside the Four Avenues, 2018 launches at Tūranga on Wednesday 21 November 5:30pm.
The exhibition is on until 23 January 2019. It is outside the TSB Space, Hapori | Community, Level 1.
Lee Child has just released his 23rd Jack Reacher book – Past Tense – and I can hardly wait to get my hands on it. The only thing that could possibly be better, is attending ‘An Evening with Lee Child’ – but you also won’t be surprised to hear that this WORD Christchurch event is already sold out. With a drawcard like bestselling author Lee Child having a chat with local author Paul Cleave – it’s no wonder! There was much seat bouncing and skiting to anyone who would listen when I heard that I would be going to see the creator of the Jack Reacher series in the flesh. It is almost like being in the same room as the great man himself – and who wouldn’t want to be up close and personal with someone like Jack?
Lee Child is one of an elite group of authors of whose work I have read in its entirety – and eagerly anticipate his next offering. This doesn’t sound like too big of a deal, I agree; but I am actually one of those librarians who don’t read many books. Blame the alluring pull of technology, being time-poor and feeling like it is taking my work home with me. But for another tale about Jack, I will always make an exception.
With 23 books under his belt and more than 40 short story anthologies, Lee Child has been giving his imagination and typing skills a serious work out over the last 21 years. His books have been bestsellers and he’s sold well over 100 million of them all over the world. From a librarian’s point of view I can honestly say that they are rarely back in the library long enough to actually get shelved.
Now I can see how this is a wee bit like teasing you all given that the event is actually sold out – but don’t despair. You can put your name on the waitlist according to the WORD Christchurch website – so you might be in with a chance! I on the other hand will be there with bells on and will let you know what you missed from the comfort of your lounge room – so watch this space!
At the 11th hour of the 11th day of November in 1918, the First World War – ‘The War to End All Wars’ – ended; this day is known as Armistice Day. The 11th of November 2018 marks the 100th anniversary of this day. 18,200 New Zealanders died and 41,300 were wounded. Let’s take this opportunity to remember the millions of people worldwide who lost their lives in the First World War, and remember how horrible this event was — in the hope that such large-scale war never happens again.
World War One was the first modern war that made use of modern advancements in technology and machinery. This led to wholesale destruction across greater Europe, Northern Africa, and areas of the Middle East that would sow the seeds for not only World War Two, but the years of conflict in various parts of the world to come. Working class people from all around the world were conscripted to fight in World War One, in what was almost certainly an invitation to go die on foreign soil for an empire. In remembering the 100th anniversary of the end of The Great War, let’s remember the human cost of war, not just for the soldiers involved, but for entire communities, cities, and the generations that came after.
So at 11 a.m., on the 11th day, 11th month, let’s not glorify this tragedy, but remember the lives and generations lost to it.
Get involved with these events across Christchurch and Canterbury
At the Field of Remembrance in Cranmer Square, a field of white crosses marks the centenary of the Great War. 4389 crosses and one Star of David depict the heavy losses suffered by Canterbury families.
Britannica Online and interactive version of Encyclopædia Britannica. All branches of knowledge are covered in this resource aimed at older students and adults. You will require a library membership to access:
Remembrance Day: An Article on Remembrance Day, the British Public Holiday that has its origins in the original Armistice Day celebration in 1919.
World War 1: The Britannica online article on World War 1
Canterbury Museum has launched an online version Canterbury and World War One: Lives Lost, Lives Changed.Canterbury Museum Acting Director Jennifer Storer says this will give visitors ongoing digital access to content and stories after the physical exhibition closes on Armistice Day, 11 November.
WW100 Infographic on World War 1
This is an interesting and easy to understand infographic that aims to prevent key information about WW1 in regards to its effect on New Zealand.
Kaveh Akbar is more of a shepherd than a wolf. The internationally acclaimed Iranian-American poet not only produces amazing thought-provoking poetry, but nurtures other poets to achieve their full potential too. So it was a perfect date for us to be hosting him at Tūranga, the flagship of the future. We are all about helping our citizens to access all they need to reach for the top.
Mr Akbar is a really nice guy. Humble and quietly spoken (though this changes when he reads) Kaveh kept thanking us for coming. When reading, Kaveh is animated, moving with the lilting rhythm of his words, his voice rising with the swell of emotion and experience.
An Iranian-American, he sees his poetry as:
“the membrane between myself and the divine…a new idiom for ancient binaries.”
Binaries such as solitude and community, decay and rebirth, literature and culture.
Kaveh has been posting interviews with poets making waves on DiveDapper; a website he created as a platform for exposure, promotion and connection. It has become a community, bringing poets and enthusiasts together worldwide. The list of poets on this website is impressive! Akbar sees this as a way to “push (his gratitude) outwards.” He further demonstrated this by reading two poems by New Zealand poet Helen Heath.
Kaveh’s book of poetry Calling a Wolf a Wolf was released to much acclaim this year. In it, Kaveh addresses difficult themes from addiction to desire; his poetry refreshing in a way that feels uplifting rather than downbeat.
Akbar’s work shares a sense of lessons learned and experience shared, as opposed to a self-indulgent train wreck. In all, there is a theme of hunger: for the physical sensation of being alive. Akbar’s poems grabbed me at first taste. Alliteration, onomatopoeia and themes of life, death and longing fill his poems. Addiction is portrayed as a kind of death; “a void to fill in wellness”. The poetry came from a need to fill the gap left after he became sober: “my entire life up to that point was predicated on the pursuit of this or that narcotic experience.” All this brings to mind a Persian poet who celebrated the wine and song of life, yet without the cautionary tale: Omar Khayyam.
In the light of current politics, Kaveh asserts that the ‘utility’ of poetry ‘forces us to slow down our metabolism of language’. A useful antidote to doublespeak, perhaps. He makes it sound like a science. And in fact it is.
Although he now only speaks a few words of Farsi these days, Akbar sees feeling as a ‘universal language,’ one that we all understand. The purpose of poetry, he says, is as Homer put it – to ‘delight and instruct.’ So often, we leave out the delight, loving to lecture others on the way of things. Pre-sobriety, Akbar the poet painted himself as the hero of his works; a ‘gloriously misunderstood scumbag.’ A way of being, he says, that’s insufferable (I’ve dated guys like that).
‘So you’re the sobriquet of the School of Delight?’ quips Eric Kennedy. Sobriquet. Oh clever. Thus begins a new Golden Age in Poetry. The interview website DiveDapper came from Kaveh’s hunger for dialogue with other poets while going through recovery. It’s a way to share experience with others – ‘a vast expanse of empathetic resources.’
The internet has meant that ‘the age of coy diminishment of one’s passions is over’…it is now an age of ‘unabashed zeal.’ Eric: Zeal Land!”
Kaveh read a number of wonderful poems from Calling a Wolf a Wolf. I love the titles – so real but imaginative. He really does have a way with words:
Kaveh has won awards, and his poems have appeared in heaps of prestigious publications like The New Yorker, The New York Times, Best American Poetry 2018, and The Guardian.
Check out Kaveh reading Max Ritvo’s “Touching the Floor” and his own poem “Portrait of an Alcoholic Frozen in Block of Ice”:
He founded DiveDapper, a poetry interview site. It is pretty much the poetry equivalent of Jerry Seinfeld’s show ‘Comedians in cars getting coffee’, but in DiveDapper you get two poets on top of their games in conversation. It features a stellar lineup of poets including:
Claudia Rankine, “I’m not investigating race as much as I’m investigating intimacy.”
and slam poet Anis Mojgani (who many of you will remember from his previous visits to Christchurch, slaying us with his potent words).
It makes total sense that Jeevika Verma in NPR refers to him as “poetry’s biggest cheerleader”:
He believes that everyone should be reciting poems as they walk into a coffee shop, as they do the dishes, as they go on with their lives.
“The fact that poems exist is the load-bearing gratitude upon which I have built my life,” he explains. “And what do you do with gratitude when it piles up? You have to push it outwards.”
He says it’s sort of like eating a Snickers bar. “Not sharing your gratitude is like holding a Snickers bar in your mouth for a week. You’d just get cavities,” he laughs. “This is what I want to do with DiveDapper. As far as I’m concerned, poetry is the best thing that exists in the universe.”
The event will be followed by a book signing, with Scorpio Books will be selling copies of Kaveh’s book. There will be food and drink available for sale too.
The nation’s best poets will compete in a literary showdown on Saturday, November 3rd in Christchurch. Poets representing Christchurch, Auckland, Wellington, Hamilton, Hawkes Bay, Dunedin, Nelson and Southern Lakes will perform in a three-round poetry slam as selected members from the audience will judge to determine the winner. Can Christchurch defend their title or will a new city take the crown?
Featuring 2017 National Slam Champion, Christchurch’s own Daisy Lavea-Timo (DaisySpeaks), this is not a night to miss.
What: NZ National Poetry Slam Finals
When: Saturday November 3rd 2018
Time: Doors 7pm, Show 7:30pm
Where: Haeata Community Campus, 240 Breezes Rd.
Cost: $20 general, $15 students
We are happy to announce the winner of the family pass to the Royal New Zealand Ballet production of the Nutcracker at the Isaac Theatre Royal! A huge congratulations to Alexander and Greta. The details on your entry were so well thought out and precisely executed. The moveable curtains on a mini-track and the LED lights along the stage line were an added extra. The detailed illustration on the paintings on the wall, the fireplace, the cut-out windows, tree etc are gorgeous. Thank you again – Enjoy the ballet!
Alexander and Greta’s winning entry (8 and 5 years old)
This was an extraordinarily difficult task to judge! All entries were outstanding, and we thank you all for sending through such special creations.
Highly Commended Entries
One prize was simply not enough, so we have rummaged around to find some extra prizes to gift a few of our Highly Commended entries. Each of these entries will receive a goodie bag.
Another piece of exciting news! See an exhibition of Nutcracker Dioramas
We are excited to be able to display the entries from our Nutcracker Diorama competition at Te Hāpua: Halswell Library from Friday 9 November to Tuesday 27 November. Come along and see these amazing creations including the winner and highly commended entries.
If you entered the competition and would like your artwork back immediately, and would prefer it not be in this exhibition, please contact Clare at LibraryEvents@ccc.govt.nz to organise pick up. We know how much wonderful work and effort went into making your creations – and we want to make sure they are kept safe.
Diwali Indian Festival of Lights in Cathedral Square – Saturday 3 November and Sunday 4 November, 2pm to 9pm
Stage performances start at 5pm
Celebrate the Indian festival of Diwali with fabulous food and fun, in the heart of Christchurch. There will be Indian arts and crafts stalls and colourful classical and modern stage performances. The most popular of all Hindu festivals, Diwali is dedicated to the goddess Kali in Bengal and to Lakshmi, the goddess of wealth, in the rest of India. As with several other festivals, Diwali is associated with one of the stories about the destruction of evil by God in one of his many manifestations. In Jainism, where the festival is also known as Mahavira Nirvana, Diwali celebrates the attainment of Nirvana by Lord Mahavira. Diwali also marks the start of the Hindu New Year; goddess Lakshmi is therefore thanked on this day and everyone prays for a good year ahead. In many parts of India, it is the homecoming of King Rama of Ayodhya after a 14-year exile in the forest. The people of his kingdom welcomed Rama by lighting rows (avali) of lamps (deepa), thus its name, Deepawali, simply shortened to Diwali.
Diwali concert and workshop at Tūranga – Sunday 11 November 11am to 12.30pm
Celebrate Diwali with acclaimed local group Revathi Performing Arts. Enjoy a demonstration of Bharathanatyam, the most popular South Indian Classical Dance, then participate in a workshop. Bharathanatyam originated in the temples of South India thousands of years ago. Started as part of daily worship of the temple deity, this art form has evolved over the years to its current form. Free, no bookings required. TSB Space, Hapori | Community, Level 1, Tūranga
What is Diwali?
Diwali or dīpāvali, the festival of lights, is traditionally celebrated by Hindus, Jains and Sikhs with the rising of the new moon at the end of the month, Ashvin. However, in a country as diverse as India, where people from many different faiths live side by side, the festival is not limited to one particular faith for it represents the victory of light over darkness and the triumph of wisdom over ignorance. Throughout cities and villages the darkness will be symbolically turned back. Clay lamps (diya) will be lit in homes and shops, fireworks will be released into the sky and the streets will be filled with music. Read more in Simon’s blog post about Diwali.