David Walliams came into the Christchurch Boys High auditorium through the crowd – a real rock star entrance. And in kid books circles (and tv entertainment ones) he really is that level of famous. There were about 700 kids and 400 adults here to see Mr Walliams.
Rachael King, WORD Christchurch literary director asked him about the 20 million books he has sold – “All bought and burnt by Simon Cowell”, he said. David had the audience in the palm of his hand from the get go, with stories, heaps of audience participation, and his trademark naughty wit. Even the obligatory Australia diss – The World’s Worst Children?:
Well, I’ve just been in Australia and met a lot of the children …
He read us the tragic tale of Windy Mindy whose farting into wind instruments leads to a galactic end.
The kids in the audience served up stories about why their siblings are so bad. One answer had the crowd in stitches (beautifully conveyed in this tweet):
WALLIAMS (working the crowd) Now, who's got a Worst Kid in the World in *their* family?
WALLIAMS Just yell it out!
KID (yelling) MY BROTHER WAS BORN AND TOOK ALL THE ATTENTION.
Bad Dad is his latest bestseller, and tells the story of Frank, whose Dad is a banger driver who ends up in jail after being a getaway driver. David read for us a rather splendid excerpt about how one might get the dreadful medical condition Bottom Freeze (including cryogenically freezing your bottom for posterity).
David’s favourite of his own books is Gangsta Granny (my kid’s fave too), and it came from listening to his own Gran’s stories about the Blitz:
Every old person has a story to tell.
He read Gangsta Granny’s famous naked yoga scene (and see Tony Ross’s brilliant illustration came up on the big screen). David gave a big shoutout to his illustrators Tony Ross and Quentin Blake – both in their 80s.
Walliams explained a bit about why he loves a villain:
Without Voldemort, Harry Potter would just be having a lovely day at school.
Burt, the Ratburger villain, was inspired by a contestant in Britain’s got talent who ate cockroaches. Ergh. Miss Trunchbull (from Roald Dahl’s Matilda) is one of his fave villains. It’s that combo of funny and evil, and who wouldn’t want to be a villain (for a day).
We got to see sneak preview clips of Ratburger (Walliams himself is unrecognisable as the grotty villain), and Grandpa’s Great Escape (Jennifer Saunders is the Matron in that, and veteran actor Tom Courtenay is Grandpa.) He is that rarest of beasts – an author who gets to see his creations come to life first hand, because he stars in the adaptations.
David admits he was a reluctant reader. He went to the library with his family every couple of weeks, and would pick books on the solar system, space travel, and dinosaurs. And then he discovered Charlie and the Chocolate Factory. It got him into reading, and to writing.
Roald Dahl is his “gold standard”. When he visited Dahl’s Gypsy Cottage and met his widow, she said kids still ring the doorbell and ask to meet the author. David has visited the Roald Dahl Story Museum and looked at the handwritten manuscripts. He clearly loved the writing set up of Roald Dahl – sitting in armchair, a picture of his much-missed daughter nearby, with a big ball of rolled up choccie wrappers to add to, and a telephone (to put a sly bet on the gee gees).
And David loves his fan mail, and who wouldn’t when kids are so honest:
Little Britain fans – he thinks the funniest thing he’s ever written is this:
10 lucky kids got to ask a question, and got a fab box set of Walliams’ books. A ripper of a prize I reckon. Thanks to David Walliams, WORD Christchurch, HarperCollins New Zealand, Merivale Paper Plus, and the crew involved in the event – and to everyone who came along, you rocked and made it a fun whānau night. It was especially awesome to get to get your book signed and a picture taken. Ka rawe!
Storyland is set in an ‘up ended’ land that’s evergreen, with birds that fly at night and the unimaginable around every river bend. This is a tapestry of five different groups, in five different times across 237 years of Lake Illawarra’s existence. A mere drop in time for this ancient Australian landscape, but with monumental consequences for both the land and its people.
From the moment the small boat Tom Thumb is pushed away from the ship Reliance, we are immersed in the hearts and minds of the people who chose to make this part of Australia home. We begin with a Huck Finn-esque adventure up river following the fates of men with ideals in their heads and claims to stake; where anything is still possible.
As you tumble and sometimes pass gently through time, the common threads of what makes a home; survival, suspicion and competition for resources become apparent. What does the future hold for these characters and most of all our land?
by Catherine McKinnon
Published by HarperCollins New Zealand
Sometimes it’s tough to step out of your comfort zone. We all have out preferred authors, genres and styles and it is very easy to stay in our little bubble and miss out on gems from the genres we avoid. I am very guilty of this. I generally gravitate to small, personal stories and biographies ignoring the genres of fantasy, mystery and science fiction. Especially science fiction, which often strikes me as dry, impersonal, intimidating (I was rubbish at science) and not a lot of fun. However, we all know change is good and really, can a genre be all bad? Thinking it is about time I expanded my horizons, I decided to give New York 2140 by Kim Stanley Robertson a go and I am pleased to say I was not disappointed.
2140 takes place in New York City after climate change has radically altered the face of the planet. Sea levels have risen 50 feet killing millions in the process. 2140 looks at the lives of people living in the city that has been nicknamed “SuperVenice”. Streets have become canals and people travel in skywalks between high rise buildings or ride the streets on boats or jetskis.
2140 weaves together the lives of the residents of Met Life Tower, to bring to life a city that is both post-apocalyptic and rather utopian. The lives of all these characters eventually tell a story that warns the reader of the dangers of environmental and political inaction. Aside from the obvious references to our response (or lack thereof) to climate change the book draws parallels to the world’s recent financial crisis’s and the problems of unchecked capitalism.
The detail in 2140 is extraordinary with the imagined histories of the future New York, its people and its infrastructure exhaustively and lovingly laid out by an anonymous narrator throughout the book. It’s the kind of obsessive detail and back story that is so often found in sci-fi that I often find hard to take and that some readers might find a bit of a slog to get through. In this case, for me, it all added to the realism and drew me further into the story.
2140 is an engaging and thought-provoking book filled with big ideas and big messages. It’s both a dire warning of what might happen if the world does not act quickly to curb climate change and a hopeful vision of humanity adapting and thriving even after the worst has happened. If you are a sci-fi fan you should absolutely read it, if like me you are generally not a sci-fi reader, give it a go. The story is compelling and the characters relatable, relevant and most of all, human. No science degree required.
New York 2140
by Kim Stanley Robinson
Published by Hachette New Zealand
Kate R, a Year 11 student at Riccarton High School – read the new book Slave Power by Christchurch author Raewyn Dawson. Here’s what she thought:
Slave Power by Raewyn Dawson is an exhilarating, exciting and breathtaking book about a young girl named Melo who fights to save the riders of the Wild Horse Tribe from her old rival and fellow rider Mithrida from attacking and destroying their tribe.
Suddenly Melo is kidnapped by the City Slave Traders she finds herself on the Holy Island as a slave. While Melo and the other slaves are being trained as fighting soldiers, they make friends with each other and try figure out a plan to escape being slaves when they get back to the mainland.
On the Holy Island, Sofia, a young priestess in training, wonders why strangers have landed suddenly on their small island. As she tries to find out , she becomes friends with Melo and the other Slaves and tries to help them connect with the Black Rock and overpower their kidnappers.
Back in the Wild Horse Tribe, Mithrida has destroyed the plains and has forced the Wild Horse Tribe and their fellow Eagle Tribe to join forces and try to take Mithrida down forever.
In the end, the slaves make it back safely to the mainland but have sadly lost Lady Tutea (leader of the Eagle Tribe who joined them in battle ), and finally found Mithrida and sentenced her to execution.
Slave Power is an amazing book with good descriptions but there are some quite sad and descriptive parts in this book that may be disturbing for children to read. The age this should be recomended for is between 14 and above.
From Bridget Williams Books, we have a collection of New Zealand women’s history and publishing. It has a selection of great titles including
A History of New Zealand Women by Barbara Brookes
A comprehensive history of New Zealand seen through a female lens. Brookes argues that while European men erected the political scaffolding to create a small nation, women created the infrastructure necessary for colonial society to succeed.
The Women’s Suffrage Petition,Te Petihana Whakamana Pōti Wahine, 1893
In 1893 New Zealand became the first country in the world with universal suffrage: all New Zealand women now had the right to vote. This achievement owed much to an extraordinary document: the 1893 Women’s Suffrage Petition.This book tells the story of the Women’s Suffrage Petition through the lives of over 150 women who signed; alongside is the narrative of the campaign for women’s suffrage.
Strong, Beautiful and Modern: National Fitness in Britain, New Zealand, Australia and Canada, 1935–1960 by Charlotte Macdonald In the late 1930s and early 1940s, a wave of state-sponsored national fitness programmes swept Britain and its former colonies. Following revelations of the Nazi enthusiasm for government-backed sports and the organisation of mass leisure, the programmes quickly foundered. They probably laid, however, the foundations for the twentieth century’s obsession with fitness, a key facet of modern life.
A collection of primary source material that captures the foundation of women’s movements, struggles and triumphs. This archive has 15 collections ranging from newspaper and periodical collections to conference papers and photographs. Here are some examples of collections:
European Women’s Periodicals This collection of European women’s periodicals contains publications from Austria, Belgium, France, Germany, the Netherlands, Switzerland, and Dutch Indonesia, from 1830-1940. At the time of their original publication the periodicals in this collection informed readers and allowed them to express their views on a wide range of topics, including literature and the arts, women’s suffrage, birth control, education, and homemaking.
Herstory The Herstory Collection comprises full texts of journals, newspapers, and newsletters tracing the evolution of women’s rights movements in the United States and abroad from 1956 to 1974. The collection includes documents from the National Organization of Women (NOW), Daughters of Bilitis (DOB), Women’s International League for Peace and Freedom (WILPF), Women Strike for Peace (WSP), and many other groups.
Women’s Labour League: Conference Reports and Journals, 1906-1977
This collection consists of the conference proceedings, annual reports, and publications from the Women’s Labour League and the Labour Party Women’s Organization. The Women’s Labour League (WLL) was a UK-based feminist-driven organization aimed at increasing women’s involvement in Parliament and other significant political forums.
Canterbury and New Zealand lost a well-known and much-loved son with the recent death of notable historian Gordon Ogilvie. Author, biographer, teacher and one of nature’s gentlemen, he was a man who wore his learning lightly. The deep knowledge of our part of New Zealand displayed in his books helped many of us with our school projects, settled arguments over the origins of place names and provided hours of browsing pleasure.
Ogilvie’s last book, Place Names of Banks Peninsula and the Port Hills, was launched in August when he was very ill but able to be present as family and friends gathered to pay tribute to his life-long dedication to telling the stories of the land we look at and walk on every day.
The room was full of love and respect for a man who said “My life’s ambition has been to write on the hills and peninsula because I love them so much and wanted to share the love and knowledge with others. I’ve done that now and hope readers take what I took from it – the excitement of discovery.”
The books and the awards are achievements enough but there was so much more to Gordon Ogilvie’s career. His research skills and historical knowledge, his energy and boundless enthusiasm and above all his great writing connect us with the people who were here before us.
By reading the books by the boy from the Horotane Valley who loved to walk the land of Banks Peninsula, Lyttelton Harbour and the Port Hills we can remember and honour his work and his legacy and feel the ‘excitement of discovery’ for ourselves.
The Lyttelton rail tunnel officially opened on 9 December 1867. The trip through the hill secion took less than seven minutes. This was New Zealand’s first rail tunnel, and for many years it was also the country’s longest. The Lyttelton rail tunnel was the first in the world that was driven through the side of an extinct volcano.
No dry reading here! David loves a good social history so has concentrated on the real characters in the saga of constructing a tunnel through a volcanic caldera. In his talk he brought to life well-known early pioneer names such as Fitzgerald, Moorhouse, and Dobson in snippets of stories included in the book.
I recently went to a From Poetry to Prose book talk featuring Tusiata Avia at the WEA here in Christchurch, as part of their October Writing Workshops.
She talked about how she has gone about making the transition from poet to novelist. Ashamed to admit I wasn’t familiar with her work, I was inspired by her forceful writing combined with a very relaxed attitude to life.
She read from her upcoming first novel and from a poem in Wild Dogs Under My Skirt which have the same characters and the same domestic abusive dynamic. Wonderfully engaging, she performs the characters voices so well that I found myself lost in the story.
Tusiata Avia is Christchurch born, of Samoan descent. An acclaimed performance poet and children’s author, her work has also been published in various literary journals. Her first collection of poetry, Wild Dogs Under My Skirt, was published in 2004 then taken to the world as a one-woman poetry show between 2002 and 2008.
Pacific female authors are so lacking in long fiction which makes the wait for her novel that much more anticipated!
Lawrie Metcalf had a long association with the Christchurch Botanic Gardens as the Assistant Curator from 1955 – 68 and the Assistant Director from 1968 -1977. It was important to him to demonstrate how gardeners could incorporate natives into their garden and create a garden that truly reflected New Zealand, something uniquely our own.
We can thank Lawrie for the native plant display in the Botanic Garden which was created to showcase what can be done with our native plants. Just like walking through a piece of bush this garden is the ideal place to take tourists to see native plants in a natural setting and an is an inspiration for the home gardener wanting to incorporate natives into their garden. He created displays that not only looked magnificent but also educated the visitor, placing the gardens on a solid scientific footing he also collected plants from throughout the country.
As the botanist with the Canterbury Museum he collected live plants and herbarium specimens on expeditions to alpine areas in the South Island expanding scientific understanding of what grew there. Lawrie expanded the international seed exchange programme to send native plant seeds to hundreds of botanic gardens, receiving seeds from around the world to trial at the botanic gardens. Later moving to Invercargill, as Director of Parks and Recreation for the Invercargill City Council, he continued his work establishing a sub-antarctic collection at Queens Park.
Lawrie was born in Christchurch and while at school Dr L.W. McCaskill (1900–1985) got him interested in growing native plants. He undertook his horticultural training and has gone on to greatly inspire young horticulturalists many of whom went on to hold senior positions. In his semi-retirement he ran a nursery in Nelson with his wife Lena and continued to publish books.
He was president of the Canterbury Botanical Society and was awarded the Cockayne Gold Medal, The Loder Cup, Ian Galloway Outstanding Achievement Award, Veitch Memorial Medal and the Companion of the Queen’s Service Order (QSO) for services to horticulture and conservation. In addition his work was acknowledged earlier this year with the naming of the herbarium at the Botanic Gardens the Lawrie Metcalf Herbarium by the Christchurch City Council.
Lawrie used his love of photography in his many books the most well-known of which is The cultivation of New Zealand trees and shrubs, originally published in 1972. This book gave Kiwis the knowledge of how to identify, grow and care for natives with confidence and was written in a way anyone could understand.
The landscaping trend towards natives shows no sign of abating and Metcalf’s books on native plants, trees and shrubs, alpines, grasses, ground covers, ferns and hebes, all written in a practical style and imparting a wealth of scientific knowledge, will continue to inspire New Zealand gardeners and horticulturalists for years to come.
Craig Sisterson is a writer and reviewer, and a fan of great crime writing. He’s the force behind the Ngaio Marsh Awards celebrating New Zealand crime writing, starting the Awards in 2010 and now serving as the judging convenor for the prizes.
Read our interview with Craig where he talks Kiwi crime, #yeahnoir, the Ngaio Marsh Awards, and libraries.
This year, you can join in as Scorpio Books and WORD Christchurch present The Great Lit Quiz & Ngaio Marsh Awards! To celebrate NZ Bookshop Day, put together a team of book enthusiasts for a quiz of crime novels and other genres! All tickets gain entry to the invitation-only Ngaio Marsh Awards cocktail party, where the winners will be announced. Hosted by crime writers Paul Cleave and Vanda Symon.
The Bone Line wine and nibbles provided. Saturday, 28 October, 5.30pm Ngaio Marsh Awards; 7pm Great Lit Quiz
$80 per table (up to 5 players) by emailing firstname.lastname@example.org
How did the idea for the Ngaio Marsh Awards come to you?
It was a culmination of a lot of little things. I’d started reading a lot while backpacking through Latin America for six months, picking up dozens of novels from hostel book exchanges and the like to pass the time on 24-hour bus rides in Argentina and Chile. The hostels tended to have plenty of ‘popular fiction’ (crime, romance, sci-fi, action thrillers etc), and I gravitated towards the crime novels, having loved mystery tales since I was a kid devouring The Hardy Boys adventures when I was at Richmond Primary School in Nelson.
Then when I was in Canada I went along to an Arthur Ellis Awards event at the Vancouver Public Library (a crime author panel where the finalists for their national crime writing awards were also announced). I met some really cool Canadian crime writers, including the great William Deverell, and had a really good chat with him afterwards about recognising and celebrating quality writing, and how the crime genre was much deeper nowadays than the stereotype of old-fashioned mysteries, potboilers, and airport thrillers.
As an aside, I spoke with the Canadians about the state of New Zealand crime writing (they were curious), and even lamented that other than Dame Ngaio and Paul Thomas’s series, and one-offs from the likes of Simon Snow, Nigel Latta, and Michael Laws, we didn’t seem to have as many crime writers as you’d expect for a country that has some really great writers (Oscar-nominated screenwriters, Man Booker listees, fabulous children’s authors, great longform journalists, etc). Or at least we didn’t have many ongoing series or crime writers putting out multiple books. It’s embarrassing to look back on that discussion now, because NZ does have a greater crime writing history than I knew about at that time, but perhaps the fact I was a keen reader who still wasn’t aware of that was telling too?
When I returned to New Zealand in October 2008, I popped into the Papatoetoe Library my first weekend to keep feeding my reading habit. By chance, a couple of crime novels on the recently returned shelf caught my eye. I picked them up, was taken by the backcover blurbs, and was surprised to read they were set in New Zealand: Cemetery Lake by Paul Cleave and The Ringmaster by Vanda Symon. Not only were they modern NZ crime novels, but each was from an author who’d published more than one novel!
I read them both that weekend, before I started my new job at a legal magazine (I was a lawyer before my overseas adventures). Both were terrific, really top quality stuff. Great characters and writing, coupled with page-turning action and suspense. And both books were as good if not better than many of big-name international bestsellers I’d been reading on my Latin American journey.
So my thoughts about the state of NZ crime writing began to shift. Then my new boss asked if I’d read any good books lately, as a review for our magazine hadn’t come in before deadline. So I wrote reviews of Cleave and Symon’s books, and took off from there. Soon afterwards I was reviewing crime fiction for Australian magazine Good Reading, as well as some other publications. I reviewed a few dozen crime novels for them over the next year, including Kiwi authors like Cleave, Symon, Lindy Kelly, Neil Cross, and Paddy Richardson. The Kiwi crime novels stood up really well against the well-known international stuff, and I started thinking ‘why aren’t we talking about our crime writers more?’ On top of that, I realised that while Canada, Australia, the UK, the USA, and many other countries had crime writing awards, New Zealand didn’t. Our popular fiction writers were unlikely to be listed for the NZ Book Awards, but at least our romance, sci-fi and fantasy authors had their own associations and awards. So did our children’s authors.
Our crime writers did not. That kept niggling at me the more reviews and features I wrote about the genre, and when I raised the possibility of a New Zealand crime writing award with authors, publishers, reviewers, and others in the book industry, pretty much everyone thought it was a great idea in principle. There was a gap between principle and putting it into practice though. And in the end I just got to the ‘ah bugger it, I’ll just start them myself then’ stage. By then I had lots of contacts in New Zealand and overseas, and called on various people for advice. Crime Writers Canada and the Australian Crime Writers Association were very generous and shared with me how their awards started, evolved, and were run. I cherry-picked various things to create our own awards.
How hard was it to set up a literary prize?
How long is a piece of string?, as my mother would say. It’s really hard to answer your question. Looking back it all seemed to go quite smoothly, though that could be my rose-tinted glasses! At the time there were plenty of bumps in the road, for sure, but we just rolled with the punches, adapted, and kept on going (how many cliches can I fit in a paragraph?). We were creating something new, so there was no blueprint (other than advice from overseas peers), so if something wasn’t working or went wrong, I just changed it.
My core concern was to make sure that the awards had a good level of credibility, even if we weren’t offering the winner a big amount of prize money. I just really wanted the awards to be sustainable, not a one-off, and to have some ‘heft’, for want of a better term.
That was achieved (I think) thanks to the really top-notch judges we’ve had from the beginning, and the support of WORD Christchurch. We have a large judging panel for the Best Crime Novel prize; seven judges from New Zealand and overseas. All are crime fiction experts, so we had people who were connoisseurs of the genre and read an awful lot, weighing up the quality of our local crime tales. In the first years we had the likes of legendary British reviewer Mike Ripley (who was the Daily Telegraph’s crime reviewer for 17 years), Vice President of Crime Writers Canada Lou Allin, and doyen of the Kiwi books scene Graham Beattie on the panel.
More recently Janet Rudolph (editor of Mystery Readers International), J Kingston Pierce of Kirkus reviews, top Australian crime reviewer Karen Chisholm, and award-winning Icelandic crime writer Yrsa Sigurdardottir have served on the judging panel.
These people may not be household names, but they are extremely highly regarded within the global crime writing world, and their involvement has given the Ngaios a lot of credibility on the global stage. They read a massive amount of crime fiction, from the biggest names to new authors and many in between, and when they say our Kiwi authors are world class, that carries a lot of weight.
The other main pillar of the Ngaios from the beginning was the involvement of what is now WORD Christchurch. I wanted a cool event for our first ever Ngaio Marsh Awards presentation in 2010, and Ruth Todd and Morrin Rout of the Christchurch Writers and Readers Festival really came to the party. They were so supportive, and planned a terrific event for the Saturday night of their festival, which even included the Court Jesters doing an improv murder mystery, before the inaugural winner would be announced. The festival also put up some prize money for the winner (adding to the handcrafted trophy created by sculptor Gina Ferguson and selection of Ngaio Marsh books donated by HarperCollins, Dame Ngaio’s publisher). As Dame Ngaio was a Cantabrian herself, it was a perfect fit.
Then the September earthquakes struck, the festival was cancelled, and our event postponed. Not the greatest start! But Ruth and Morrin continued to be so supportive, even as they were dealing with all the property damage and other concerns. We had offers from other festivals to hold an event in other cities, but stuck with Christchurch. We had a cool one-off event in a temporary venue that November, where the pseudonymous Alix Bosco won the inaugural prize for Cut and Run (fittingly, an author whose identity was then a mystery won our first-ever Kiwi mystery writing prize).
I get a lot of credit for starting the awards, but in truth there have been so many people involved, and it is the mana of those people that have made the awards what it is. Along with our authors, judges, and the libraries who’ve come on board with our Murder in the Library series that started in 2015, I’d like to give a nod to Marianne Hargreaves and Rachael King of WORD Christchurch, who’ve done amazing things and had to deal with me flitting about all over the world and not being the easiest to work with. Because of all those great people it hasn’t seemed all that difficult to set up and run a literary prize, even if there have been difficult moments.
What is it about Aotearoa that make us bat above our weight in the crime writing stakes?
Hmm… I think we have some great writers, across all different styles of storytelling. So our talented crime writers are just part of that wider group of great authors. (Seriously, whatever type of stories take your fancy, you can find great Kiwi books; compelling, page-turning, thought-provoking tales. Give some of our authors a go, whatever genre you love.)
In terms of crime writing in particular, I think our Kiwi authors often have a willingness to push the boundaries of the genre. Check out Adam Christopher‘s Ray Electromatic series that’s pure 1960s LA noir, just with a robot detective, or some of our literary-crime crossovers like Tanya Moir’s The Legend of Winstone Blackhat and Fiona Sussman’s The last time we spoke, or Paul Cleave’s latest A killer harvest which you’d call magic realism if he was a literary author. And that’s just a few examples.
Our authors certainly don’t feel constrained by the traditional tropes of the crime genre. Many of our Kiwi crime novels also have a great, subversive sense of humour, even the tales that are dark and serious. Many of our authors also have a good touch for landscapes, whether countryside or urban. But in the end, even if many people think of crime fiction as being primarily plot-focused, the best crime fiction often comes down to character – and our Kiwi authors have created some really terrific crime characters!
Can you suggest 3 titles that epitomise #yeahnoir for readers who haven’t tried Kiwi crime?
Instead, I’m going to choose three other books that are really great, and very ‘Kiwi’ crime reads:
Bound Vanda Symon: the fourth tale in a really terrific series starring young Dunedin detective Sam Shephard. A successful businessman is murdered during a brutal home invasion, with his wife tied up and left to watch. Sam’s colleagues zero in on two local crims who’ve been on the police hit list for a while, but she’s not sure it’s so cut-and-dried. Sam is a terrific crime character, and the whole series is great, but I particularly like this instalment. Vanda Symon has a nice balance of plot, character, and setting, creating a page-turner with plenty of character depth. Sam has that maverick, trouble-with-superiors essence of crime fiction top cops like Harry Bosch (Michael Connelly) and John Rebus (Ian Rankin), but as a younger woman she layers in plenty of freshness too. There’s a great sense of humour in these books, and Sam is a fierce southern lass who’s her own woman.
Hunting Blind Paddy Richardson: like her fellow southern crime queen, Richardson has written several really terrific crime novels, but unlike Symon she has focused on standalones rather than series books. Hunting Blind is a great place to start, a chilling thriller which centres on Stephanie, a psychiatrist whose sister vanished from a lakeside picnic seventeen years ago, fracturing the family and community. Then a new patient tells an eerily similar story, causing Stephanie to reexamine her sister’s disappearance, and sending her on a dangerous and emotional journey around the South Island, searching for long-hidden answers. This is a really terrific novel that was a Ngaio’s finalist in 2011 and really wowed our international panel. Richardson is a master at crafting layered characters who resonate with the reader, and delivers a terrific flavour of the south.
The Sound of her voice Nathan Blackwell: a superb tale from a new author who’s recently joined the #yeahnoir ranks (the Twitter hashtag for NZ crime fiction created by Steph Soper of the NZ Book Council). Blackwell is the pseudonym for a former Auckland detective who was involved in covert operations and investigated very serious real-life crimes. Whoever he is, he’s certainly hit the ground running in the crime fiction world, with a belter of a debut. Detective Matt Buchanan is burnt out, worn down by a succession of tough cases, and haunted by the unsolved disappearance of a young girl years before. Some fresh leads give him hope, but also threaten to draw him across lines that shouldn’t be crossed. Blackwell showcases the courage of Kiwi crime writers in tackling tough issues, giving readers a dark, authentic insight into the stresses the police face.
What do you think about libraries?
In short, libraries are bloody awesome!
I was a sports-loving kid growing up in Nelson, but I also loved spending time in my school and local public library. I discovered so many wonderful authors and books thanks to the librarians, and they cemented my lifelong love of reading. Libraries are so vital to communities, providing information and entertainment, cultivating learning, bringing people together. They’re egalitarian and democratic, opening up doors for anyone regardless of your background or means. Yeah, I think they’re pretty cool.
More about Craig, Ngaio Marsh, and the Ngaio Marsh Awards