Photography students from the School of Fine Arts are photographing the people and the physical environment of Bishopdale from March through to August this year with the goal of building an archive of contemporary documentary images.
The photographers are: Thomas Herman; Robert Earl; Liam Lyons; Elise Williams; Janneth Gil; Lucas Perelini.
If you or your group would like to be photographed for this project, please contact the library on 941 7923 or at firstname.lastname@example.org
The queue had started long before the official opening at 8pm and while they waited the crowd was entertained by musical selections from the Lyttelton Marine Band. The Deputy Mayor, J.T. Morton, started the official proceedings, apologising for the absence of the Mayor, Mr Radcliffe, who had been unable to be present due to illness. Mr O.T.J Alpers on behalf of the directors, spoke next, remarking on moving pictures being a great source of education, especially in war-time.
And then the films began rolling…a wild life film, followed by a humorous study entitled “When in Rome” and then the main attraction, a drama, “The Deep Purple”.
So began the life of the Harbour Lights Picture Theatre when it was officially opened on 20th March 1917.
Situated at 24 London Street it was built in 1916, reputedly designed by John and Maurice Guthrie. Arthur William Lane had purchased the land in June 1916, transferring the title to Lyttelton Pictures Ltd in September. Mr Lane would be the theatre’s first manager.
Two storeys high, with a mezzanine floor, the theatre could seat 550 people in both stalls and circle. Initially just films were screened but in 1920 the building was extended and a stage erected to accommodate theatre performances, the first one “The N.Z. Diggers” opening on the 4th December. The theatre was now able to be used for performances, concerts, public talks and other social events as well as screening films.
Over the years the Harbour Lights went through a number of changes including building damage when the clay bank at the rear of the theatre collapsed into the stage extension in 1925. The main building escaped unscathed so film screenings continued but the stage was out of action for some time. Talking pictures arrived in April 1930, and attendance at the theatre continued to be a regular social activity for the townspeople. In the 1940s the theatre was advertised for sale or lease but ownership only changed in the 1960s when Lang Masters took over running the cinema and again in 1972 when Leo Quinlivan took over the building and after a major refurbishment reopened it as a theatre. In 1980 it was once again a cinema when Frederick E. Read, a film librarian, took over ownership.
The 1980s saw a squash court added, the auditorium stripped, the building turned into a restaurant, and then a night club. By 1992 it had evolved into a licensed entertainment and function venue and it continued to operate as such until the earthquake in February 2011.
In April 2011 the Harbour Light Theatre was demolished.
A picture is worth a thousand words and there are few things more mesmerising than that tradition of perusing old photograph albums.
As Hal Boyle (1971) put it:
Memory is more than a dustbin of time, stuffed with yesterday’s trash. Rather, memory is a glorious grab at the past from which one can at leisure pluck bittersweet experiences of times gone by and relive them.
Christchurch City Libraries has a wealth of digitised photography, and who doesn’t like a good trip down memory lane?
New Zealanders have been celebrating Christmas in style and with flair for many moons, so in the spirit of the season, here are some highlights from our Christmas Images collection:
Father Christmas delights Cantabrians whether arriving in his old fashioned automobile or in his blow up dinghy:
The fashion phenomenon of the onesie goes way back:
We received some outstanding entries – images of street scenes, family occasions, old buildings and homes, and Cantabrians living everyday life. Submitted photographs covered a range of eras from the 19th century all the way up to post-quake Christchurch. These are now available for all to enjoy as part of Kete Christchurch.
The Judges, local photographer Doc Ross and Tim Veling Senior Lecturer in Photography at the School of Fine Arts, University of Canterbury, have chosen the winners in three categories ‘Your People – How we lived’, ‘Places – Your landmarks in time’ and an overall winner. They also selected several entries as Highly commended. The prize for overall winner is a Samsung tablet. The People and Places winners each receive a Kobo eReader.
Library staff from the Digital Content team also selected two Staff Pick winners.
Both judges, in selecting the winners, reflected on the poignancy that older photos of Christchurch now carry, as Doc Ross explains, “Looking through the photographs and knowing from first-hand experience that the city has to a great degree disappeared the photographs were a pleasing reminder that whilst a physical city may change the social city always remains. Looking at a series of photographs like those entered into the competition reminds us how important documenting society and our personal history is. As is the case now in Christchurch with much of the city gone it is only retrospectively that we realise this.”
Tim Veling also found much that was recognisable in the submitted photos – “…looking through the entries of the Photo Hunt competition I saw aspects of myself reflected back at me. The photographs submitted depicted people I didn’t know personally and places I might not have had the privilege of seeing with my own eyes, but they all looked familiar. I guess it was a moment of recognition that we are all shaped by the culture and community that surrounds us. In a broad sense, we are all family.”
Entry by Isabel Tweedy – Victoria Square by Night, 1959.
Judge’s comments: “…photographically it was well seen and composed, an aesthetically pleasing picture to look at, but when seen now many years later it becomes a stark reminder of what we once had and perhaps also an indicator of where we can go. Seeing what is now vacant land as it once was, vibrant and life filled, that will eventually be a convention centre, should remind us how important the decisions we make now are. Obviously this was not in the mind of the photographer at the time but this is the ongoing often unrecognised power of the photograph.” Doc Ross
“…I couldn’t help but think of how much has changed in Christchurch since the quakes; what is still changing and the public backlash against a proposed redevelopment of the square gardens and convention centre.” Tim Veling
Entry by Jill Hodgkinson, Holt family Home, 48 Horotane Valley.
Judges’ comment: “photographs of the Holt Family Home…had me dreaming of summers spent by the pool in my original home of Blenheim, sunbathing and family trips to the beach. As I write this now in the middle of November, rain is pelting down outside and not even a good cup of coffee could warm me up, but looking at these photographs I see some hope for a magical shift in the weather.” Tim Veling
Name withheld, Decorated bikes (1962-1963)
Judges’ comment: “The photograph of children dressed up in costume on the way to a school play – lace curtains carefully tied up in the window behind them – made me think about my own childhood dressing up with my mother and our performing in school plays together.” Tim Veling
Judges’ comment: “A young, newly wed soldier and wife standing on a beach had me thinking about the extraordinary sacrifices ordinary men and women made for the sake of our freedoms, and how these sacrifices continued to shape people’s lives, long after people returned home from war to loved ones and family – the physical gap between the couple is almost painful to look at in this regard.” Tim Veling
Judges’ comment: “The views looking South and North from the Christ Church Cathedral lookout resonated with me for several reasons. For one, each view depicts a Christchurch that I never knew (I moved here in 1991, age 11,) but also because it is a taken from a vantage point that no longer exists, but that rests in the consciousness of all who appreciate Christchurch’s architectural heritage and spiritual heart.”
Staff comments: “There were so many great photographs to choose from this year and we all had our favourites – because the photograph evoked memories of places no longer here, or memories of childhood, or showed people at work and play – great photographs of people on trips, at the beach, at the speedway, sunbathers, good friends, lost homes, family visits, bands and parades.
Our team chose the following images as our Staff Picks because they capture a glimpse of industrial Christchurch in the post war era, and Christchurch was a manufacturing city.”
Name withheld, Beadweld Engineering, 20 Welles Street 
I’m a sucker for Victorian fashion, the sillier the better – and it’s hard to beat the Victorian crinoline for ingenuity, ridiculousness, and sheer presence. So I was pretty excited to get my hands on a shiny new copy of Crinoline: fashion’s most magnificent disaster.
Co-authored by Denis Pellerin and Dr Brian May (yes, that Brian May – no stranger to extreme fashion himself), Crinoline documents the rise and fall (metaphorically!) of this most capacious of undergarments through a rather unexpected record – stereoscopic images. It’s a sumptuous boxed set, containing a richly illustrated history and a stereoscopic viewer (designed by May, patent pending). This nifty little fold-up apparatus allows you to see the images in the book in 3D, as they should be viewed.
The second work by the pair on this subject, the book is meticulously researched and very readable. Through 3D images and other documentary history, we get a real sense of the outrage, amusement, and titillation the undergarment caused in Victorian “social media” – cartoons, pamphlets, periodicals, and that hugely popular parlour entertainment, the stereoscopic viewer.
The crinoline was actually a huge (sorry!) improvement on previous womenswear fashions, replacing the layers of heavy petticoats needed to achieve fashionably bell-shaped skirts. Its lightness and ease of movement was a liberation (and also an excellent personal space generator – I can attest to this, having worn a couple to fancy dress events). However it also had its hazards: there were many cases of women being horrifically injured, or even killed, when their crinolines caught fire, became caught in trams, or suffered other wince-inducing vehicular mishaps.
When I first came across mention of Crinoline, I thought the combination of topics could be a little forced or gimmicky, but this really isn’t the case. Pellerin and May have actually hit upon a very real convergence of two tremendously popular coexisting technologies that, when looked at together, provide a vivid and altogether fascinating glimpse of Victorian fashion and attitudes.
Photo taken John Abernethy with colour-slide film and printed from a Kodak transparency. The former Avon Cinema is on the left and the Clarendon Hotel, where the Queen and Duke of Edinburgh stayed, on the right on the corner of Worcester Street and Oxford Terrace.
Christchurch City Libraries has been running an annual Photo Hunt in conjunction with the city’s Heritage Week since 2008. The 2016 Photo Hunt is running again from 1 – 31 October. During the month of October we will be posting a series of images from earlier Photo Hunts.