Have you ever seen a book and known you just had to read it–not because you thought you would actually like it necessarily, but because not reading it was just–inconceivable? Well, that’s how I felt when I saw Star Trek, Green Lantern: The Spectrum War.
I’ve never really gotten into reading graphic novels, unless you count the Asterix and Tintin books I used to read when I was a kid. And I don’t know much about the Green Lantern, except that he’s, uh, green, and he, well, carries a lantern. But I am a Trekkie!* And even though I’ve never really felt the need to read much Trek fiction, I just had to read this! Resistance was futile!
And you know what? I loved it! The artwork beautifully captures the rebooted Star Trek characters, and as I read, I could literally hear Chekov, Spock, and Bones talking in my head. What’s not to love about a book that does that?
I mean, OK, the Superhero-Trek mash-up was a little goofy, but reading it put a smile on my face, and sometimes that’s just what you want a book to do.
And while we’re talking about Star Trek, last weekend Mr K had the brilliant idea of sending the kids to see Finding Dory while we went to see Star Trek Beyond, and I have to say I had a fantastic time! It was funny, exciting, and even touching. Bones and Spock were hilariously paired up, Kirk was his usual arrogant self, and new-girl Jaylah kicked butt, which was awesome. In the August issue of Empire, director Justin Lin said:
In making Star Trek Beyond, I wanted to embrace the essence of Trek
And that is exactly what he did. It’s Trek as it should be!
And well, from there it was cookbooks all the way down. And being that it’s winter and nobody really wants to go out much, I wonder if putting on a bit of a shindig with themed eating might not be the way to go? If that tickles your gastronomic fancy, then have I got the reading list for you!
First off, Dinner with Mr Darcy is not the only option for Austen fans as Cooking With Jane Austen covers similar Regency fare. Complete with food-related quotes from Austen’s work and with over 200 recipes there’s sure to be something to tempt even the most proud and prejudicial of guests.
Those looking for something a little more adult might like Fifty Shades of Chicken: A Parody in A Cookbook. I only hope is that none of the shades is “pink”. I also suspect the name of the author “F L Fowler” is a nomme de (poultry) plume.
It’s comforting to know I’m not the only person to ever ask the “what books could I eat?” question either, in fact a book by a former pastry chef turned butcher asks just this…and what’s more provides some recipes in answer which can be found in Voracious: A Hungry Reader Cooks Her Way Through Great Books.
Meanwhile, there are certain dishes or kinds of food that are, in my mind, inseparable from the fictional characters for whom they were favourites. I often think of the Famous Five when I enjoy a ginger beer, and should I ever find myself in possession of a rock cake I’m sure I’ll make the same association.
I’ve studied a few languages over the years including te reo Māori and one thing my teachers always encouraged was watching films in the language as it helped develop an ear for what native speakers sound like, as well as helping with vocabulary and grammar. In fact, this is how I first discovered Jackie Chan movies when I was learning Chinese.
Learners of te reo Māori are lucky enough to have Māori Television as a resource for hearing te reo Māori spoken, even if no one else in their household, school or place of work is fluent. But in terms of Saturday night movies on DVD, there’s very little to choose from.
t’s not difficult to find movies with a sprinkling of te reo Māori, here and there – films like Whale rider, Boy, The Piano and a few others. But a movie where the only English language you’ll find is in the subtitles? Now, that is a rarity – but that’s exactly what you get with 2014 action movie, The Dead Lands.
With impressively gory deaths and terrific fight choreography The Dead Lands is sort of a cross between Apocalypto, (Mel Gibson’s brutal Meso-American set action film), a Bruce Lee movie, and a mafia revenge drama. It’s closest cinematic equivalent in New Zealand terms might be the Geoff Murphy directed classic, Utu.
Director Toa Fraser, was good enough to answer a few questions for me about the te reo Māori aspect of the film.
Why was the decision made to have the dialogue in te reo, rather than in English? How do you think it added to the film?
Honestly, we just thought it would be much cooler to do it in te reo. Glenn Standring always wrote it to be translated. Te Manahau Morrison wrote a beautiful translation, very heightened and theatrical that the cast found thrilling and challenging. It suited the fact that we were making an indigenous martial arts movie that looked to Hollywood but also to Asia for inspiration. Kurosawa was a particular inspiration.
Did this require the actors, or you, to learn more te reo?
The cast had a very varied level of confidence in te reo. We did cast it in such a way that people like Te Kohe Tuhaka and Raukura Turei could lead within the group, and guide the others who were less confident. For me I don’t speak te reo so of course it was very challenging but I had great support from Tainui Stephens and Jamus Webster.
Are there specific challenges with making a movie completely in te reo Maori or is it pretty much the same as making one in English?
It was a joy to make a movie that embraced tikanga Māori as a paramount part of the process. We said karakia everyday, used Māori terms onset (e.g. tīmata/kōkiri for action, kāti for cut).
I still say “kāti” on set. I directed an episode of Penny Dreadful in Ireland last year with Eva Green and Rory Kinnear. Rory said, “We just keep going until you say kāti.”
What are your thoughts on the use of te reo Māori, generally?
I look forward to the day when we are all comfortable in New Zealand/Aotearoa speaking English and Māori as much as we can, and all schools are equally well-resourced for English and Māori language education. I think it is ridiculous that, for instance, a very well-resourced central Auckland school has some 15, 000 books in English, a few in Japanese, one French and erm, some in Māori. What’s that about?
The most lauded Australian drama of the last year, this bold, superbly acted debut from acclaimed theatre director Simon Stone reimagines Ibsen’s The Wild Duck in a contemporary small town.
Based on Welsh novelist Sarah Waters’ Fingersmith, this outrageous and lusciously erotic thriller from the director of Oldboy transposes a Victorian tale of sex, duplicity and madness to 1930s Japanese-occupied Korea.
A plane crash, government corruption and nuclear warheads are just some of the ingredients for this taut Danish docu-drama, set in the aftermath of the Cold War. Based on a book by the award-winning journalist Poul Brink.
This incredibly moving and fascinating doco takes us into the interior life of autistic Owen Suskind, and explores how his love of Disney animated features gave him the tools as a child to communicate with the world. Based on the book by Ron Suskind.
Not your conventional biopic, this enthralling dramatic exploration of the legacy of Chilean poet Pablo Neruda conjures up a fiction in which he is pursued into political exile by an incompetent detective played by Gael García Bernal.
Vanessa Gould’s fond and fascinating documentary introduces us to the unseen women and men responsible for crafting the obituaries of the New York Times.
A Quiet Passion
Cynthia Nixon, Jennifer Ehle and Keith Carradine star in Terence Davies’ lively, witty and ultimately intensely moving dramatisation of the sheltered life of 19th-century New England poet Emily Dickinson.
In Alison Maclean’s vibrant screen adaptation of Eleanor Catton’s debut novel, a first-year acting student (James Rolleston) channels the real-life experience of his girlfriend’s family into art and sets off a moral minefield.
“Terence Davies’s Sunset Song is a movie with a catch or sob in its singing voice: a beautifully made and deeply felt adaptation of Lewis Grassic Gibbon’s 1932 novel of rural Scotland.” — Peter Bradshaw, The Guardian
I discovered at the weekend with a rapidly beating heart, that one of my all time favourite writers, Annie Proulx, has released a new novel.
Thirteen years since her last novel, Barkskins is, by all accounts, a rip snorter. According to what I can glean from good old Mr Google, it is 736 pages long, spanning 3 centuries, and tells the story of two French immigrants in the new land of America. They are bound to a feudal lord for three years and are sent to work in the dense and remote forests of the New World in exchange for a promise of land. The book follows them and their descendants from 1693 through to the 21st century and various family members travel all over the world, including to little old New Zealand.
Annie Proulx first caught my eye when I read The Shipping News, another great story of families, set in Newfoundland. I have never forgotten the ways she described snow and ice and barren landscapes and the families and eccentrics who lived amongst it.
Accordion Crimes was also a favourite, charting the lives of immigrants settling in America through the life of an accordion that is handed down through families; Jewish, Irish, Italian and many others.
Both The Shipping News and Brokeback Mountain (a short story originally), were also made into movies, both well worth watching.
Ms Proulx, now in her eighties, was a bit of a late bloomer, with her first short stories published in her 50s and her first novel in 1992. She has gone onto to publish 13 works and win over twenty literary prizes, including a Pulitzer prize for The Shipping News.
Her novels and short storys are filled with hard bitten complex characters and landscapes that are wonderful described, I find I get immersed in her stories and I think this is because she herself has led a full and intense life, always on her own terms. She has been married and divorced three times and has raised three sons alone. She worked as postal worker and a waitress, and early on a writer of magazine articles on everything from chilli growers to canoeing.
She has two history degrees, drifted the countryside in her pickup truck, can fly fish, fiddle, and hunt game birds. But for all her life experience, she has said that she likes to write about what she doesn’t know, rather than draw on what she has already experienced. If you haven’t read her books, I strongly recommend them.
So, I’m on the library waiting list, hoping the book arrives quickly so I can again revel in her wondrous prose!
On 16 June 1816, trapped inside a villa by insatiable thunderstorms erupting across Lake Geneva in Switzerland, Lord Byron challenged his party of young bohemians to a ghost story competition.
That night, Byron’s challenge gave birth to Mary Shelley’s Frankenstein, and Polidori’s The Vampyre, the first great vampire novel. Combining drama and a stellar cast of popular writers, including Neil Gaiman and Margaret Atwood, this documentary explores one of the most significant moments in gothic history and its lasting effect on modern literature.
I was a big fan of the Goosebumps books by R.L. Stine when I was a kid. There weren’t a lot of scary, horror stories for kids around at that stage so Goosebumps were the go-to books if you wanted to scare yourself a little. There were always plenty to choose from and they were pretty quick reads. A search of the library catalogue tells me that we have 97 Goosebumps items in our libraries, which includes paper books, eBooks, and DVDs. That’s enough Goosebumps to keep you going for quite some time!
Earlier this year there was a Goosebumps movie released in cinemas which looked really good. My family and I didn’t get a chance to see it then but I hoped that we might get it in the library eventually. While perusing the catalogue last week I discovered we did have it on order and promptly reserved it. In our house, every Saturday night is Family Movie Night, where we choose a movie that we can all enjoy. Last week it was the Goosebumps movie and it was excellent!
The movie follows a kid called Zach who moves to a small town and moves in next door to R.L. Stine, the author of the Goosebumps books, and his daughter Hannah. When Zach hears screaming coming from next door one night he thinks that something horrible has happened to Hannah. He breaks in to try and rescue her but unwittingly unleashes the creatures from the Goosebumps books. The monsters that R.L. Stine made famous are real, and he protects his readers by keeping them locked in their manuscripts. One of R.L. Stine’s most evil creations, Slappy, releases the monsters one by one, and now it’s up to Zach and his friends to trap them back in their books where they belong. Jack Black plays R.L. Stine which is a perfect role for him as he’s a mix of manic and slightly crazy. The movie is the perfect mixture of funny and creepy so it’s ideal for both young and old Goosebumps fans.
Love Italy? The scenery, the language, the culture? If so, rejoice, for the first ever Cinema Italiano Festival NZ is coming our way, bearing an exciting selection of almost 20 Italian features, as well as 2 New Zealand films with an Italian connection.
It’s a heartwarming turnaround for Kiwi Italophiles, who just last year were mourning the demise of the Italian Film Festival, after a 19-year-run.
Enter Paolo Rotondo to the rescue. It is in fact thanks to the considerable efforts of the Kiwi-Italian actor, director and playwright that this new celebration of Italian cinema is gracing silver screens throughout the country.
Christchurch will host the Cinema Italiano Festival from 15 to 25 June and we are very lucky to have two double passes to give away to our readers for any screening following the opening night. There is something guaranteed to please all tastes, with features spanning from drama to rom-com to documentary.
My personal, rather uninformed, picks?
Wondrous Boccaccio, because it promises a stunning setting – castles, towers and medieval ruins in Tuscany and Lazio – while serving up a dose of historical comic drama. Plus you get Literature with a capital L: the film is based on Boccaccio’s The Decameron, which is one of the classic masterpieces of Italian literature. (Boccaccio has arguably been described as the Italian Chaucer, though it would be more accurate to describe Chaucer as the English Boccaccio).
The Wonders: the synopsis says it all. “Winner of the Grand Prix Award at Cannes, Le Meraviglie / The Wonders is a poignant semi-autobiographical coming of age story set in the countryside of Umbria. An ecological film where a back-to-nature lifestyle wins out over the world of reality TV. A film charged by intimate performances, female camaraderie and stunning cinematography.”
Zoran, My Nephew The Idiot, because it’s set in Friuli, on the border with Slovenia, a very different location from the stereotypical image of Italy.
Orphans & Kingdoms: Paolo Rotondo’s directorial debut feature of worlds colliding on Waiheke Island has received great reviews and strikes close to home, while retaining Italian touches such as the musical score which was composed in Rome.
Entering the competition is easy but you have got to be quick to be in! Email firstname.lastname@example.org with the subject line “Cinema Italiano Festival competition” by 12pm on Friday 10 June. (Sorry, staff of Christchurch City Libraries and Christchurch City Council are not eligible to enter).
So uncork the spumante: the Italian Film Festival is dead – long live Cinema Italiano Festival NZ!
On 23 April 2016 it will be 400 years since William Shakespeare died. He is believed to have been born on 23 April 1564. Certainly in the English language, few writers will have left such a legacy as this most celebrated of playwrights.
As an actor as well as a playwright he performed his own material, and in the four centuries following his death this material has continued to be performed, reinterpreted and reimagined in a huge variety of ways. His language can seem impenetrable, at least at first, but its richness, uncanny relevance, profundity and humour make it all worthwhile.
Some of his plays are performed with great regularity – who hasn’t seen a fluffy version of A Midsummer Night’s Dream performed in some lovely gardens on a pleasant summer evening? (No, MSND is not one of my favourites) Others are far more obscure – King John, anyone?
The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral, scene individable, or poem unlimited.
Hamlet Act 2 Scene 2.
As for my favourite Shakespeare? Hard to say – I find Troilus and Cressida fascinating and wish I could have seen the Te Reo Māori version at the 2012 International Shakespeare Festival in London. I love Richard III – a masterful and still influential piece of Tudor propaganda that works just as well played for comedy as deadly serious. Who cannot love Beatrice in Much Ado About Nothing – a star truly did dance when she was created.
It’s so hard to choose – Macbeth is so fast paced and profound, and as for Hamlet. Hamlet’s soliloquy in Act 4, Scene 4 might just be my favorite piece of his writing – but what about Richard III, Act 1, Scene 2:
Was ever woman in this humour woo’d? Was ever woman in this humour won?
(Note to reader: This post starts with housework but is actually about kids’ DVDs.)
When it comes to housework, I tend to be a bit all or nothing. Weeks and weeks can go by, and I’ll just do the barest minimum, and then I go crazy-mad and clean just about everything in sight. Like, the other day, I walked into the bathroom just intending to give the vanity a quick wipe, and ended up not leaving till I had cleaned the ceiling, scrubbed the floor, and attacked just about everything else in between. And as if that wasn’t enough, I then walked into the living room, took one look at the couch, which looked frighteningly like this couch* —
— and realised I couldn’t live with it a single moment longer and cleaned that too.
It seems I’m a bit the same with blogging…no posts since before Christmas, then all of a sudden, three posts in (almost) as many weeks!
Anyhoo…this post isn’t actually about housework**, it’s about kids DVDs. See, I noticed something the other day while I was popping DVDs back on the shelf… a whole cohort of the TV heroes and heartthrobs of my youth have taken to making — (wait for it… )
— pony movies and shaggy dog tales. Ya huh.
Remember Luke Perry from Beverley Hills 90210? Well, he’s swapped dreamboat for dad inBlack Beauty (a modern retelling of Anna Sewell’s classic story — though Miss Missy and I thought the stories don’t have that much in common apart from the title). I know he was a teen heartthrob and all, but really, Luke Perry makes a better dad anyway — remember Dylan’s prematurely receding hairline and wrinkled brow? Luke Perry also stars in A Fine Step and K9 Adventures.
Does anyone remember Ricky Schroder from Silver Spoons? My big sister had a bit of a crush on him, as I recall. No more spoiled rich kid for Ricky, now he’s playing the rugged cowboy father in Our Wild Hearts.
I was too young to actually watch Miami Vice, but nothing says ’80s TV quite like Don Johnson in a white suite, pastel t-shirt, and shades. Well, he’s dropped the white suit, but he’s still wearing shades in Moondance Alexander. Although it’s a pretty a typical girl-finds-horse-overcomes-odds story, Miss Missy and I did enjoy watching it.
Lastly, even though it’s not a pony story, I have to tell you about A Little Game, which stars Ralph Macchio, otherwise know as The Karate Kid (sorry folks, we don’t have the original at the library, we’ve only got the Jaden Smith and Jackie Chan version). There’s no “wax on, wax off” in this one, but it’s a similar tale of a young protégée and an older mentor, but instead of teaching karate, he’s teaching chess — and of course a few life lessons along the way.
So if the kids are getting bored over the holidays (especially if the rain keeps up!) why not give one of these movies a try? We’ve got plenty of new DVDs for kids, and they’re free to borrow!
*Minus the books propping up the corner. Of course I would never do that, what kind of librarian do you take me for? BTW, if you liked the Crappy Picture, you might enjoy Amber Dusick’s ebooks