A bestselling story for young adults that appeals to a wide audience, Miss Peregrine’s Home for Peculiar Children is based on a fantastical collection of sepia photographs, of children with strange abilities.
Following clues left from his Grandfather’s violent death, Jake becomes linked with the fate of the original and colourful characters that fill a slip of time, hidden on an island. The reader becomes drawn in too, unable to stop reading late into the night. That’s always the sign of a great book.
Leaving room for a couple of sequels in the series, which is up to book 3: The Library of Souls, this first story begins an epic journey of self-discovery and adventure for Jacob and his new friends as they try to escape those who would expose them.
Are ghosts a photograph of time? What is really behind the spooky photographs that are sprinkled through the pages? The really scary thing about this book is that images in the antique pictures seem REAL.
The very exciting news is that Miss Peregrine’s Home for Peculiar Children is making the transition to the big screen! It will be in cinemas this week, with a star studded lineup which includes Dame Judi Dench as Miss Avocet.
Before you see it, I urge you to read the book.
If anyone can do this book justice, Tim Burton can? I have high hopes…
I remember it quite clearly. It was 1989*, I was 14, and TV had just got a third channel. My sister and I were watching the box when an ad for a new show came on. There was this guy with what looked like a gold banana clip wrapped round his face. We turned and looked at each other and burst out laughing!
That was the first I ever saw of Star Trek: the Next Generation. Not that I actually watched it. Oh no! It obviously was a show for total dorks. Not a girl like me trying desperately to be cool.
What would 14 year old me think of 41 year old me? Between then and now, I have to admit, I turned into a Trekkie. I like to think I’m not one of those super crazy Trekkies who wear Starfleet uniforms in public and know how to speak Klingon, but…. When Miss Missy was a baby and said “qapla” (that means “success” in Klingon, you know) I claimed that as an actual factual word, and even said it back to her whenever she did something clever.
I’ve planned family holidays to Wellington and Las Vegas around Star Trek exhibits and experiences. I own every available Trek movie and series from Enterprise to the Kelvin timeline reboot. I’ve even got Star Trek The Animated Series – but not the original series (that could be because I’m not a big fan of Captain Kirk, but actually it’s because I’ve never seen it for sale). And I do wear my Starfleet T-shirt in public.
See, the thing is, when I actually watched Star Trek a few years later, I discovered a show that is not only exciting sci-fi, but also funny, poignant, and thought provoking. My first exploration of the final frontier was Star Trek IV, The Voyage Home**, otherwise known as “The Whale Movie”. Funnily enough, this is the movie that doesn’t feature the Starship Enterprise, isn’t set in space, or the future, and doesn’t have Spock’s iconic pointy ears (as he spends most of the movie with a bandana round his head). What it is, is a lovable, funny, conservation parable, where the crew of the Enterprise (in a stolen Klingon Bird-of-prey) go back in time — to what was the present, but is now 30 years in the past (that’s as far back as Marty McFly goes in Back to the Future, you know!) — to rescue some whales in order to save the world, and the future.
It’s full of wonderful scenes like Chekov wondering round 1980s San Francisco looking for “nuclear wessels” with his Russian accent; Scotty trying to talk to a (now very old school) computer; Kirk getting the girl (as usual) and excusing Spock’s odd behaviour by mistakenly claiming that he had a bit too much “LDS” back in the ’60s. I recently watched it again, with The Young Lad, and enjoyed it just as much as I had when I first saw it on TV when I was 17.
After seeing the Voyage Home, I started watching The Next Generation now and then — until I became hooked when Jean Luc Picard (aka Patrick Stewart) was captured by the Borg. It turns out that resistance reallyis futile. Becoming a Trekkie was inevitable. Although I must say, you can call that thing Geordi La Forge wears a Visual Instrument and Sensory Organ Replacement (or VISOR) all you like, it still looks just like a banana clip to me!
Of course, my first contact with Star Trek in 1989 was nowhere near the beginning of the story. Before my generation of Trekkies, there were those who were captivated by The Original Series which first aired 50 years ago today on 8 September 1966.
The show had a hard time getting on air, with the first pilot being rejected because it was too cerebral, had a female character as second in command, and because Spock looked too demonic with his pointy ears and slanty eyebrows. Roddenberry wrote a new pilot (with a fist fight at the end) and recast Majel Barrett as Nurse Christine Chapel instead of Number One — but he refused to get rid of Spock. And thank goodness! Imagine what Star Trek (and pop-culture) would be like without Spock! No “Live long and prosper,” no Vulcan hand salute, no “The good of the many outweighs the good of the few.” Were those network executives out of their (non-Vulcan) minds?
Well, the show did make it to air, but it struggled to survive. It managed three seasons mainly thanks to a million-letter-strong writing campaign by the ever loyal fans. But then, even though it was cancelled, the world just refused to say goodbye to Star Trek. Because whatever the network execs said, the audience found it inspirational.
When I was nine years old Star Trek came on. I looked at it and I went screaming through the house, ‘Come here, mum, everybody, come quick, come quick, there’s a black lady on television and she ain’t no maid!’ I knew right then and there I could be anything I wanted to be.
And so here we are, fifty years later, celebrating the anniversary of a franchise that totals (to date) six TV series and 13 movies, and all manner of spinoffs.
Now I can’t bring you anything as exciting as a make-up collection, or a collectors edition Barbie doll. Or something as weird as an inflight Spock bag. But I wanted to do something special to mark the occasion. I made a Star Trek book list not that long ago, so this time I decided to trawl through all our Sci-fi and movie magazines for all the best Trek bits on offer. Well, I’m not usually much of a magazine junkie, but I’ve thoroughly enjoyed discovering the wonders of PressReader and Zinio, which can bring you magazines on the go on your smart phone or tablet — the PressReader app will even tell you when the latest issue of your favourite mags are available. And I’ve realised just how easy it is to place a hold on the right issue of a magazine. And so, without further ado, I present to you:
Missbeecrafty’s Star Trek Magazine Round-up
SciFi Now Timewarp Collection, Volume One: A guide to the first six Trek movies, with some interesting ‘did you knows’ and a guide to The Next Generation. Interestingly, only one of my favourite episodes made it onto their Best list (Chain of Command), and another favourite (I, Borg) is on their Worst list. I would definitely add Measure of a Man and The Outcast to the Best list!
SFX, Issue 270, March 2016: The anniversary issue, sporting a fetching but anachronistic red cover and command emblem. Interviews with William Shatner (James Kirk), Jonathan Frakes (Will Riker), Robert Picardo (The Doctor), and Brannan Braga (writer and producer). Also a 52 year, logical temporal anomaly of a 50 year timeline.
SFX, Issue 275, Summer 2016: An interview with Brent Spiner, which is actually about Independence Day, but I did like his idea of Tilda Swinton playing a Soong-type android.
Empire, Issue 326, August 2016: Another anniversary edition. This one is a 58 page mag-within-a mag ram-packed with Trek-ness. Some wonderful photos from the CBS archives; my favourite is Anson Williams (aka Potsie from Happy Days) chatting with Seven of Nine. I never knew he grew up to be a director! Did you know Christian Slater, Famke Janssen and Kirsten Dunst all starred in Star Trek? Check out Before They Were Famous to find out who else! Celebrate Redshirts, and finally, test your knowledge with the 50 years, 50 points quiz.
SciFiNow, Issue 105 2015: A touching tribute to Leonard Nimoy
SciFiNow, Issue 119 2016: Part 1 of a timeline which includes info about voyages that never made it to the screen. (Sorry, I didn’t manage to track down part 2 in time to include it in this list).
Total Film, Issue 248, August 2016: The making of Star Trek Beyond and another timeline. This one is worth mentioning because it includes Galaxy Quest (“the greatest Star Trek film that isn’t”). It’s wonderful to know that Patrick Stewart loved it, and laughed longer and louder than anyone in the cinema!
And there you have it folks. Live long, and prosper!
*The nitpickers among you may know that Star Trek: the Next Generation originally aired in 1987, but that was in America of course, and this was a loooooong time before anyone invented “same week as the US” TV!
Have you ever seen a book and known you just had to read it–not because you thought you would actually like it necessarily, but because not reading it was just–inconceivable? Well, that’s how I felt when I saw Star Trek, Green Lantern: The Spectrum War.
I’ve never really gotten into reading graphic novels, unless you count the Asterix and Tintin books I used to read when I was a kid. And I don’t know much about the Green Lantern, except that he’s, uh, green, and he, well, carries a lantern. But I am a Trekkie!* And even though I’ve never really felt the need to read much Trek fiction, I just had to read this! Resistance was futile!
And you know what? I loved it! The artwork beautifully captures the rebooted Star Trek characters, and as I read, I could literally hear Chekov, Spock, and Bones talking in my head. What’s not to love about a book that does that?
I mean, OK, the Superhero-Trek mash-up was a little goofy, but reading it put a smile on my face, and sometimes that’s just what you want a book to do.
And while we’re talking about Star Trek, last weekend Mr K had the brilliant idea of sending the kids to see Finding Dory while we went to see Star Trek Beyond, and I have to say I had a fantastic time! It was funny, exciting, and even touching. Bones and Spock were hilariously paired up, Kirk was his usual arrogant self, and new-girl Jaylah kicked butt, which was awesome. In the August issue of Empire, director Justin Lin said:
In making Star Trek Beyond, I wanted to embrace the essence of Trek
And that is exactly what he did. It’s Trek as it should be!
And well, from there it was cookbooks all the way down. And being that it’s winter and nobody really wants to go out much, I wonder if putting on a bit of a shindig with themed eating might not be the way to go? If that tickles your gastronomic fancy, then have I got the reading list for you!
First off, Dinner with Mr Darcy is not the only option for Austen fans as Cooking With Jane Austen covers similar Regency fare. Complete with food-related quotes from Austen’s work and with over 200 recipes there’s sure to be something to tempt even the most proud and prejudicial of guests.
Those looking for something a little more adult might like Fifty Shades of Chicken: A Parody in A Cookbook. I only hope is that none of the shades is “pink”. I also suspect the name of the author “F L Fowler” is a nomme de (poultry) plume.
It’s comforting to know I’m not the only person to ever ask the “what books could I eat?” question either, in fact a book by a former pastry chef turned butcher asks just this…and what’s more provides some recipes in answer which can be found in Voracious: A Hungry Reader Cooks Her Way Through Great Books.
Meanwhile, there are certain dishes or kinds of food that are, in my mind, inseparable from the fictional characters for whom they were favourites. I often think of the Famous Five when I enjoy a ginger beer, and should I ever find myself in possession of a rock cake I’m sure I’ll make the same association.
I’ve studied a few languages over the years including te reo Māori and one thing my teachers always encouraged was watching films in the language as it helped develop an ear for what native speakers sound like, as well as helping with vocabulary and grammar. In fact, this is how I first discovered Jackie Chan movies when I was learning Chinese.
Learners of te reo Māori are lucky enough to have Māori Television as a resource for hearing te reo Māori spoken, even if no one else in their household, school or place of work is fluent. But in terms of Saturday night movies on DVD, there’s very little to choose from.
t’s not difficult to find movies with a sprinkling of te reo Māori, here and there – films like Whale rider, Boy, The Piano and a few others. But a movie where the only English language you’ll find is in the subtitles? Now, that is a rarity – but that’s exactly what you get with 2014 action movie, The Dead Lands.
With impressively gory deaths and terrific fight choreography The Dead Lands is sort of a cross between Apocalypto, (Mel Gibson’s brutal Meso-American set action film), a Bruce Lee movie, and a mafia revenge drama. It’s closest cinematic equivalent in New Zealand terms might be the Geoff Murphy directed classic, Utu.
Director Toa Fraser, was good enough to answer a few questions for me about the te reo Māori aspect of the film.
Why was the decision made to have the dialogue in te reo, rather than in English? How do you think it added to the film?
Honestly, we just thought it would be much cooler to do it in te reo. Glenn Standring always wrote it to be translated. Te Manahau Morrison wrote a beautiful translation, very heightened and theatrical that the cast found thrilling and challenging. It suited the fact that we were making an indigenous martial arts movie that looked to Hollywood but also to Asia for inspiration. Kurosawa was a particular inspiration.
Did this require the actors, or you, to learn more te reo?
The cast had a very varied level of confidence in te reo. We did cast it in such a way that people like Te Kohe Tuhaka and Raukura Turei could lead within the group, and guide the others who were less confident. For me I don’t speak te reo so of course it was very challenging but I had great support from Tainui Stephens and Jamus Webster.
Are there specific challenges with making a movie completely in te reo Maori or is it pretty much the same as making one in English?
It was a joy to make a movie that embraced tikanga Māori as a paramount part of the process. We said karakia everyday, used Māori terms onset (e.g. tīmata/kōkiri for action, kāti for cut).
I still say “kāti” on set. I directed an episode of Penny Dreadful in Ireland last year with Eva Green and Rory Kinnear. Rory said, “We just keep going until you say kāti.”
What are your thoughts on the use of te reo Māori, generally?
I look forward to the day when we are all comfortable in New Zealand/Aotearoa speaking English and Māori as much as we can, and all schools are equally well-resourced for English and Māori language education. I think it is ridiculous that, for instance, a very well-resourced central Auckland school has some 15, 000 books in English, a few in Japanese, one French and erm, some in Māori. What’s that about?
The most lauded Australian drama of the last year, this bold, superbly acted debut from acclaimed theatre director Simon Stone reimagines Ibsen’s The Wild Duck in a contemporary small town.
Based on Welsh novelist Sarah Waters’ Fingersmith, this outrageous and lusciously erotic thriller from the director of Oldboy transposes a Victorian tale of sex, duplicity and madness to 1930s Japanese-occupied Korea.
A plane crash, government corruption and nuclear warheads are just some of the ingredients for this taut Danish docu-drama, set in the aftermath of the Cold War. Based on a book by the award-winning journalist Poul Brink.
This incredibly moving and fascinating doco takes us into the interior life of autistic Owen Suskind, and explores how his love of Disney animated features gave him the tools as a child to communicate with the world. Based on the book by Ron Suskind.
Not your conventional biopic, this enthralling dramatic exploration of the legacy of Chilean poet Pablo Neruda conjures up a fiction in which he is pursued into political exile by an incompetent detective played by Gael García Bernal.
Vanessa Gould’s fond and fascinating documentary introduces us to the unseen women and men responsible for crafting the obituaries of the New York Times.
A Quiet Passion
Cynthia Nixon, Jennifer Ehle and Keith Carradine star in Terence Davies’ lively, witty and ultimately intensely moving dramatisation of the sheltered life of 19th-century New England poet Emily Dickinson.
In Alison Maclean’s vibrant screen adaptation of Eleanor Catton’s debut novel, a first-year acting student (James Rolleston) channels the real-life experience of his girlfriend’s family into art and sets off a moral minefield.
“Terence Davies’s Sunset Song is a movie with a catch or sob in its singing voice: a beautifully made and deeply felt adaptation of Lewis Grassic Gibbon’s 1932 novel of rural Scotland.” — Peter Bradshaw, The Guardian
I discovered at the weekend with a rapidly beating heart, that one of my all time favourite writers, Annie Proulx, has released a new novel.
Thirteen years since her last novel, Barkskins is, by all accounts, a rip snorter. According to what I can glean from good old Mr Google, it is 736 pages long, spanning 3 centuries, and tells the story of two French immigrants in the new land of America. They are bound to a feudal lord for three years and are sent to work in the dense and remote forests of the New World in exchange for a promise of land. The book follows them and their descendants from 1693 through to the 21st century and various family members travel all over the world, including to little old New Zealand.
Annie Proulx first caught my eye when I read The Shipping News, another great story of families, set in Newfoundland. I have never forgotten the ways she described snow and ice and barren landscapes and the families and eccentrics who lived amongst it.
Accordion Crimes was also a favourite, charting the lives of immigrants settling in America through the life of an accordion that is handed down through families; Jewish, Irish, Italian and many others.
Both The Shipping News and Brokeback Mountain (a short story originally), were also made into movies, both well worth watching.
Ms Proulx, now in her eighties, was a bit of a late bloomer, with her first short stories published in her 50s and her first novel in 1992. She has gone onto to publish 13 works and win over twenty literary prizes, including a Pulitzer prize for The Shipping News.
Her novels and short storys are filled with hard bitten complex characters and landscapes that are wonderful described, I find I get immersed in her stories and I think this is because she herself has led a full and intense life, always on her own terms. She has been married and divorced three times and has raised three sons alone. She worked as postal worker and a waitress, and early on a writer of magazine articles on everything from chilli growers to canoeing.
She has two history degrees, drifted the countryside in her pickup truck, can fly fish, fiddle, and hunt game birds. But for all her life experience, she has said that she likes to write about what she doesn’t know, rather than draw on what she has already experienced. If you haven’t read her books, I strongly recommend them.
So, I’m on the library waiting list, hoping the book arrives quickly so I can again revel in her wondrous prose!
On 16 June 1816, trapped inside a villa by insatiable thunderstorms erupting across Lake Geneva in Switzerland, Lord Byron challenged his party of young bohemians to a ghost story competition.
That night, Byron’s challenge gave birth to Mary Shelley’s Frankenstein, and Polidori’s The Vampyre, the first great vampire novel. Combining drama and a stellar cast of popular writers, including Neil Gaiman and Margaret Atwood, this documentary explores one of the most significant moments in gothic history and its lasting effect on modern literature.
I was a big fan of the Goosebumps books by R.L. Stine when I was a kid. There weren’t a lot of scary, horror stories for kids around at that stage so Goosebumps were the go-to books if you wanted to scare yourself a little. There were always plenty to choose from and they were pretty quick reads. A search of the library catalogue tells me that we have 97 Goosebumps items in our libraries, which includes paper books, eBooks, and DVDs. That’s enough Goosebumps to keep you going for quite some time!
Earlier this year there was a Goosebumps movie released in cinemas which looked really good. My family and I didn’t get a chance to see it then but I hoped that we might get it in the library eventually. While perusing the catalogue last week I discovered we did have it on order and promptly reserved it. In our house, every Saturday night is Family Movie Night, where we choose a movie that we can all enjoy. Last week it was the Goosebumps movie and it was excellent!
The movie follows a kid called Zach who moves to a small town and moves in next door to R.L. Stine, the author of the Goosebumps books, and his daughter Hannah. When Zach hears screaming coming from next door one night he thinks that something horrible has happened to Hannah. He breaks in to try and rescue her but unwittingly unleashes the creatures from the Goosebumps books. The monsters that R.L. Stine made famous are real, and he protects his readers by keeping them locked in their manuscripts. One of R.L. Stine’s most evil creations, Slappy, releases the monsters one by one, and now it’s up to Zach and his friends to trap them back in their books where they belong. Jack Black plays R.L. Stine which is a perfect role for him as he’s a mix of manic and slightly crazy. The movie is the perfect mixture of funny and creepy so it’s ideal for both young and old Goosebumps fans.
Love Italy? The scenery, the language, the culture? If so, rejoice, for the first ever Cinema Italiano Festival NZ is coming our way, bearing an exciting selection of almost 20 Italian features, as well as 2 New Zealand films with an Italian connection.
It’s a heartwarming turnaround for Kiwi Italophiles, who just last year were mourning the demise of the Italian Film Festival, after a 19-year-run.
Enter Paolo Rotondo to the rescue. It is in fact thanks to the considerable efforts of the Kiwi-Italian actor, director and playwright that this new celebration of Italian cinema is gracing silver screens throughout the country.
Christchurch will host the Cinema Italiano Festival from 15 to 25 June and we are very lucky to have two double passes to give away to our readers for any screening following the opening night. There is something guaranteed to please all tastes, with features spanning from drama to rom-com to documentary.
My personal, rather uninformed, picks?
Wondrous Boccaccio, because it promises a stunning setting – castles, towers and medieval ruins in Tuscany and Lazio – while serving up a dose of historical comic drama. Plus you get Literature with a capital L: the film is based on Boccaccio’s The Decameron, which is one of the classic masterpieces of Italian literature. (Boccaccio has arguably been described as the Italian Chaucer, though it would be more accurate to describe Chaucer as the English Boccaccio).
The Wonders: the synopsis says it all. “Winner of the Grand Prix Award at Cannes, Le Meraviglie / The Wonders is a poignant semi-autobiographical coming of age story set in the countryside of Umbria. An ecological film where a back-to-nature lifestyle wins out over the world of reality TV. A film charged by intimate performances, female camaraderie and stunning cinematography.”
Zoran, My Nephew The Idiot, because it’s set in Friuli, on the border with Slovenia, a very different location from the stereotypical image of Italy.
Orphans & Kingdoms: Paolo Rotondo’s directorial debut feature of worlds colliding on Waiheke Island has received great reviews and strikes close to home, while retaining Italian touches such as the musical score which was composed in Rome.
Entering the competition is easy but you have got to be quick to be in! Email email@example.com with the subject line “Cinema Italiano Festival competition” by 12pm on Friday 10 June. (Sorry, staff of Christchurch City Libraries and Christchurch City Council are not eligible to enter).
So uncork the spumante: the Italian Film Festival is dead – long live Cinema Italiano Festival NZ!