These men are shown carrying out their duties at a camp in Addington where recruits were trained before leaving for the South African (Boer) War (1899-1902). They are riding on a wagon owned by J.M. Heywood & Co. who were general cartage contractors of Christchurch and Lyttelton.
Do you have any photographs of Canterbury’s involvement in the South African War? If so, feel free to contribute to our collection.
Kete Christchurch is a collection of photographs and stories about Christchurch and Canterbury, past and present. Anyone can join and contribute.
Pop! Bang! That’s what happened – literally – when a group of New Zealand children’s authors and illustrators presented inspiring talks to hundreds of Canterbury school children, just ahead of the announcement of the 2017 winners of the New Zealand Book Awards for Children and Young Adults.
Several of the nominated authors and illustrators toured the country speaking to school children about their work and craft. Hosted in conjunction with WORD Christchurch, they addressed primary and intermediate students who came from across Canterbury to hear them speak at St. Margaret’s College. They talked about what it takes to be a writer and/or illustrator and what keeps them inspired and shared their working processes, all with the aim of sparking readers and the next generation of writers and illustrators. We share some of the highlights here.
Session One: Tania Roxborogh, Leonie Agnew and David Elliot
“Any change for good is powered by fury and passion to make the world a better place” says Tania Roxborogh, and this idea is a driving force behind the story in her book about the Bastion Point occupation for Scholastic’s My New Zealand Story series, told from a child’s point of view.
Through the process of researching and writing this book, Roxborogh was reminded that: “Retelling history is never straightforward” because “people lie, self-edit, and mis-remember” and that “people remember different things.” She added that there is also the problem of bias in New Zealand media – from the right wing as well as the left wing – which she had to take into consideration when researching for this book.
When Roxborogh visited Bastion Point to help her find her point of view for the story, she found herself humbled, prompting her to ask: “What right do I even have to tell this story?” She realised, however, that regardless of who she was, the story of the protesters was a story worth telling.
Roxborogh teaches English and Drama at a Canterbury high school and has written over 50 books.
Snark – Being a true history of the expedition that discovered the Snark and the Jabberwock … and its tragic aftermath.
Elliot’s illustrated book was inspired by Lewis Carroll’s The Hunting of the Snark, and the Jabberwock and his presentation of museum-like artefacts and the stories he told about them would have had some in the audience wondering if his tale of the mission to discover the snark was true or not.
Elliot says he spent time living in a cottage inside Edinburgh Zoo and you have to wonder if this influenced his work illustrating weird and wonderous creatures.
For The Impossible Boy, Agnew asked: “What if a kid believes in something so much that his faith in it makes it real?” like Peter Pan’s belief in fairies, and on the flipside, “if you were an imaginary friend, what if you discovered you weren’t real?”
Agnew recommended using a little bit of non-fiction to make your fiction more real. In this case, she used the war-torn streets of Beirut in Lebanon as the inspiration for her setting of the story.
Various authors at the event talked about the hard parts of writing, when you feel like quitting or at least taking a break. Writing can take time! Agnew wrote 100 drafts of her book over 6 to 8 years. She says if you’re stuck, consider what Einstein said: You don’t solve a problem by looking at it in the same way, try looking at things from a new angle.
Agnew fits writing into her job as a primary school teacher by getting up at 5:30am to write before the school day starts. What inspired her to become a writer? Agnew “grew up in a house full of books” and her dad was a journalist who writes non-fiction, but really, she says, she “just wanted to do it.”
In the first session with Tania Roxborogh, Leonie Agnew and David Elliot I felt an overall theme of the elusive – of capturing the elusive writing spark, capturing the Snark, and elusive invisible friends. Another theme that came through for me was the theme of imagination: imagine if someone was trying to take your land, imagine wondrous creatures and lands, imagine how an imaginary friend would feel if they discovered they weren’t real. Imagine.
Session Two: Des Hunt, Jenny Cooper and Simon Pollard
Des Hunt has a love of adventure stories, science, New Zealand animals and he combines all of these into his stories. Sunken Forest was inspired by a real life summer camp he went on when he was 15 at Lake Waikaremoana, a trip that was memorable partly for sparking his interest in geology. The lake was formed during an earthquake landslide that drowned the forest. Standing tree trunks eerily remain there underwater today. Also trapped there are eels which can’t make their way back to sea to migrate to the Pacific islands to lay eggs. Unable to leave, they grow exponentially large.
In Sunken Forest, one such eel befriends Matt, who is sent to boot camp after his father, a boy racer, is sentenced to prison. At camp, Matt has to deal with bullies and getting the blame for things he didn’t do.
In his talk, Des Hunt totally engaged his audience from beginning to end, by which time he had them on the edge of their seats. He cleverly demonstrated the idea of building tension in a story by blowing up a balloon… about to burst at any moment. How do you really build tension in a story? He says: Add conflict and injustice, a disaster and… Pop!… an explosive climax.
While many of those who spoke at the event started writing or drawing as early as their primary school years, surprisingly Des only published his first fiction book when he was about 50 years old but has since written heaps of books. His passion for writing is now so strong that he can’t imagine doing anything else and he hopes to be an author until he dies. This is good news for my young son who was so inspired by Des Hunt’s presentation he immediately went and read Sunken Forest, despite never having independently read a chapter book without pictures in it before. Des certainly inspired him reader to take his reading engagement to a higher level.
It was fantastic to see instant booktalking success in action! Des tours schools doing writing workshops so see if your school can be added to his schedule.
She especially does a lot of research for illustrating the war stories, hiring models and WWI artefacts and taking hundreds of photos to draw from so she could get the details correct. The war stories she works on are “hard to illustrate because they are so sad” but equally she says, they are “really satisfying.” She added: “Sometimes the hardest and most challenging things you work on were the most rewarding.”
This was a sentiment shared by several of the speakers. Getting to a finished product takes times and many drafts! She tries 6 – 10 layouts before she has a rough drawing and after that, a finished painting may take up to 6 hours.
Pollard is a spider expert, lecturing as an adjunct professor at the University of Canterbury and he has been working with spiders for 30 to 40 years. He is interested in telling stories about what spiders get up to and recently worked with WETA Workshop on the impressive display of oversized bugs for the Bug Lab show at Te Papa Museum.
Pollard is an engaging speaker and really brings bugs to life. He told stories (complete with eek-inducing pictures) about the jewel wasp that immobilises and enslaves a cockroach so it can use it as a living nursery, laying its eggs in it to hatch. Ingenious, but gross. We also heard about the clever Japanese honey bees that kill their enemy, the Japanese hornet, by gathering together in a ball around one and quivering – the heat of their buzzing wings stops the wasp from secreting their signal for more wasps to attack them.
Then there’s the insect that looks like a spider, but isn’t, just to scare off predators. After learning all these fun facts, we were left marvelling at the magic of the natural world.
Primary and intermediate students from all over Christchurch lined up to ask lots of questions of the authors and illustrators after they spoke. Here are their inquisitive questions, and answers aimed at inspiring young readers, writers and artists.
What were some of your favourite books (growing up and now) and what writers would you recommend?
An integral part of the New Zealand Book Awards for Children and Young Adults is the HELL Reading Challenge, now in its fourth year. It has been hugely successful in getting kids reading and enjoying the pleasure of stories (and pizza). Kids can pick up their reading challenge cards at Christchurch City Libraries (until December 2017).
The idea of venturing into a cave leaves me with clammy hands, thankfully I can now enjoy the beauty and danger of caving without having to get my feet wet.
This book takes readers on a journey into New Zealand’s longest and deepest caves, through one of the world’s most dangerous cave dives, and prospecting for a totally new kind of cave on a South Island glacier
If you love pink and love food then you will love this book! Any food that is not naturally pink — i.e. chocolate — is bound to be decorated with a pink flower, at the very least.
Australian Caroline Khoo, of Nectar and Stone, has a large Instagram following. She recently posted a photo after coming home to a birthday cake made for her by her husband (only his 2nd cake ever) using this cookbook.
A Lounge of Lizards, a Parliament of Owls, A Gaze of Raccoons…we may well have heard of these collective nouns before but Matt Sewell’s beautifully rendered drawings bring the animals and their nouns alive. The author is an avid ornithologist and best-selling author so his words add a richness to the pictures. This is a book that would also work well with animal loving children.
The book that chronicles an exhibition at the Fine Arts Museum of San Francisco that in turn chronicles the 1960s counterculture. Summer of Love covers all aspects of this heady time in a beautifully exuberant book, full of colour, fashion, politics, music and psychedelia. Not just for children of the 60s, this will appeal to a wide range of ages and interests.
Joel Sartore had worked for 25 years as a photographer for National Geographic, leaving home for months at a time and becoming increasingly aware of the plight of species around the world. When his wife became ill he knew he had to stay closer to home, yet his desire to photograph and somehow make a difference to these endangered animals compelled him to seek out animals in captivity, starting at his local zoo.
His goal is to document every one of the world’s 12,000 plus captive species. All the animals have been photographed in front of a black or white background. The images are beautiful, uncluttered and affecting. The story behind the project and the people involved is fascinating and I look forward to hearing more from this author.
I was so glad I got the chance to read Finding Gobi as I have been following Dion and Gobi’s story via the news and social media for some time.
Written in the third person, the story almost has a fiction feel, even though you know it is true. It is a light and easy read, suitable for young and old.
It tells the story of Dion, an ultramarathon runner, who is competing in a gruelling 155 mile race across the unforgiving Gobi Desert. A stray dog chooses Dion as her owner, even though Dion didn’t realise it at the time. After the first day of running beside Dion, crossing rivers, sharing his food and bed, It didn’t take long for the determined little yet to be named “Gobi” to melt his heart.
There really isn’t a lot to say, other than if you love heart-warming stories about, dogs, determination, resilience, love, and friendship, this book is for you. A truly heart-warming story for all dog lovers.
It is with great sadness that I write a tribute to one of New Zealand’s best cartoonists.
Murray Ball (26 January 1939 – 12 March 2017) was from my home town, Feilding. Stanway I’m pretty sure, or at least Halcombe. Proud as punch they are – because he also made the All Blacks.
Murray Ball was someone who made us laugh, love, dream, and curse the Nor’ Wester. He brought great characters to life in Wal, The Dog, Horse, Cooch, Cheeky Hobson, and many others besides.
I’ve always been into comics. Footrot Flats is a love I share with my Dad. I remember collecting the annuals to add to our collection. We all went to the movie. A friend of mine walked down the aisle to “Slice of Heaven.” Lol.
Murray’s cartoons and characters addressed pivotal moments and issues in our history – the Springbok Tour coming to mind – rugby being very close to Ball’s heart. I still have the clipping from the Manawatu Evening Standard, when the Dog wrote in to say he was hanging up his All Black Jersey.
165 years ago this January, a ship called the Mary arrived in Lyttelton bringing two hives of honey bees from Nelson.
The history of introduced bees in New Zealand is unusually linked with women named Mary. Back in 1839, a woman called Mary Bumby first brought European bees to New Zealand. Miss Bumby, with her appropriately bee-ish name, was the sister of a missionary, and she was bee-autiful:
“A vision of delight. Soft brown hair, worn in ringlets after the fashion of that time, a complexion that entitled her to the name of the ‘Bonny English Rose’ and a smile that lighted up gentle hazel eyes, out of which beaned only loving thoughts.” ‘The Immigrant Bees‘ Peter Barrett (p77).
How she managed to keep a hive of bees alive on a ship for the seven month journey with only loving thoughts in her head, I can only wonder. Mary Bumby and her bees buzzed into Hokianga harbour in March 1839. Before then, we were not entirely bee-reft of bees – New Zealand has 28 species of native bees, but they weren’t great for making commercial honey. And kiwis are sweet on their honey – on average, we eat about 1.5kgs of honey a year – each!
Three years later in 1842, bees arrived the South Island. They were sent over from London by Mrs Mary Anne Allom and sailed into Nelson alive and well. Her reason for sending them over is remarkable:
“My son formed one of the ten cadets who sailed last year for Wellington. After he was gone, I began to reflect upon the many things he would feel at a loss for when he arrived, one among the many, butter; this, I thought might be remedied by substituting honey, when I found there was no bees, at least honeybees, in New Zealand, I accordingly determined that I would send some.” p95, The Immigrant Bees.
Some parents send money to their kids on their OE – Mary Ann Allom sent a colony of bees. You only hope her son (Albert James Allom, who was 16 when he left home and his mother in London) appreciated the effort. The Society for the Encouragement of Arts, Adelphi, London certainly did – and awarded her with the silver Isis medal in 1845 for her successful introduction of the bees.
It could well have been descendants of these bees that were sent down to Canterbury by yet another Mary – this time it was the ship Mary, a schooner from Nelson to Lyttelton that arrived on January the 10th 1852 with two bee hives on board. (See the newspaper article in the Lyttelton Times, 17th January 1852 on PapersPast.)
From there, bees have spread through the rest of New Zealand. Māori were the first commercial beekeepers; by the 1860s they were selling large quantities of honey from bee nests in the bush. William Charles Cotton, dubbed the Grand Beekeper in New Zealand, published many books about beekeeping including one entirely in te reo Māori ‘Ko Nga Pī’ (The bees).
For the buzz on bees:
Comb through our catalogue for books about bees or beekeeping.
GreenFile – a collection of scholarly, governmental and general interest titles which examine the environmental effects of individuals, corporations and local/national governments, and what can be done to minimise these effects.
I was about 20 when I encountered Chinese New Year for the first time. We were holidaying in Hong Kong, which was British in those days and went across the border to The People’s Republic of China.
It was amazing. Bicycles were loaded up with decorations. Everyone was getting readily for New Year. I wished that I was going to be in China for a while longer. I would have loved to have seen it.
During New Year, red is everywhere. It is the colour of luck and happiness. Children receive money wrapped in red paper. Adult exchange poems written on red paper. The Chinese New Year is also an opportunity to remember ancestors, and to wish peace and happiness to friends and family. The lunar new year begins on Saturday 28 January. 2017 is the year of the Red Fire Rooster.
Are you a Rat, a Rooster or one of the other animals? Find out!
The holiday ends with the Festival of Lanterns. In Christchurch, The Lantern Festival will be held on 17-19 February. The best time to see the lanterns is after dark, but if you can’t get there at night, a day time visit is worth while. At night, the lanterns are bright colours in a dark park. During the day, the lanterns are not lit, but are colourful reds and yellows in a green park.
If you are interested in learning Mandarin and Cantonese Chinese, We have a collection of books and language courses to suit all levels. We also have Mango Languages. This is an online learning system that will help you learn many languages. It also has lessons for learning English for speakers of Mandarin, Cantonese, Korean and Japanese speakers. Use at a library or enter your library card & password / PIN.
CINCH is our Community Information Christchurch database. It has a list of a range of religious, arts and cultural organizations that meet the needs of the Chinese community.
See how the libraries have celebrated Lunar New Year in previous years.