Dan recommends: The best of fiction

Another year is coming to a close and it gives me pause to think about what an amazing year it has been for fiction! We’ve been bestowed with such a wealth of quality new releases, from longstanding authors continuing to deliver, debuts of such genius it boggles the mind, sequels that have been waiting more than a century, and a bold author new takes on an old classic.

Catalogue link to Flames by Robbie ArnottMy highlights for this year start with not only the best book I’ve read this year but possibly the best I will ever read, ever!

I’m talking it up, I know but here’s some of the reasons why… Flames is a tribute to nature, the environment, our place in it, the unseen elements, the powers that rule, and the lives of all things. It weaves myths and small gods into the fabric of the environment, masters of unseen systems which shape lives unbeknownst to the humans inhabiting their land. This is an astonishingly good book. It’s elemental, blurs the lines between reality and mythology, sweeps you up in atmosphere and the sense of place, and the use of language is sublime. The story is set in Tasmania and centres around a family with deep connections to the land and environment. A young woman sets out south, alone to the wilderness of ancient Tasmania, while her brother sets out to build her a coffin and sends a private detective to track down his sister and bring her home.Through the course we discover an ageless world, gods of nature, young people coming of age, and what it is to engage with your world. Superb effort and the best thing I’ve read this year – quite an effort given the next titles I’ll share with you!

Catalogue link to Macbeth by Jo NesboWhen Hogarth Shakespeare set out to create modern retellings of the great works of Shakespeare, they were inspired by their choice of Jo Nesbo to retell Macbeth. Macbeth The master of noir violence and mystery has done an absolutely brilliant job of turning Macbeth (the man) into a Scottish police officer, wracked with guilt of the past, plagued with addiction, and hungry for power. It’s so obvious to me now that Macbeth was MADE for the Scandi-Noir genre treatment. It’s gritty, dark, violent. Full of power, betrayal, and characters walking the fine line between sanity and madness. For this story Macbeth is head of SWAT in a dangerous and corrupt town and together with his mistress, Lady, the rags-to-riches casino entrepreneur, they embark on a powerplay to seize control of the city. But Macbeth has a sketchy past full of drug abuse and violence and as he relapses things get out of control, people get killed, lines get blurred… A great read and a must if you like Scandi Crime!

Catalogue record for The shepherd's hut by Tim WintonThe next two I’d like to share are by two of the most important authors of our contemporary world right now – in my humble opinion. The first is the Australian writer Tim Winton and his newest book The Shepherd’s Hut. It’s the very colourful and memorable account of a young man forced by circumstance to take to the outback roads of rural Western Australia. Such brilliant descriptive writing will have you smelling the eucalyptus in the air, and hearing the crispy arid saltlands crunching underfoot. Jaxie is running and he’s got a vague destination in mind – north. And he’s got to survive the perils of rural Australia, criminals, and the very land that seems to want to kill him from heat, thirst or animal attack. An outstanding book from a great Australian author and written in vernacular language too, strengthening characters and adding some lightness!

Catalogue record for Don't skip out on me by Willy VlautinThe other amazing offering comes from an American author; Don’t Skip Out on Me

Willy Vlautin is one of my favourite authors writing today and his works just keep getting better and better. He writes of contemporary everyday life and he tells the stories of working class Americans and the very real struggles faced by ordinary people in the America of today. This one is concerning a young American Indian man who passionately desires to be a champion boxer. He begins his journey on a ranch in Nevada where an ageing couple has adopted him, and follows him to Arizona as he sets his mind to a life of pugilism. Beautifully written and full of the heart and pathos that Willy Vlautin is famous for. A stellar effort and worthy of much praise.

Catalogue record for Only killers and thieves by Paul HowarthAnd now for the fans of gritty Historical Fiction and WesternsOnly Killers and Thieves

Another great debut from Australia that really captures the Australian Gothic story. It’s the story of two young men, not boys but barely men, after a traumatic family event that sees them on a journey not of their choosing. The book describes the brutality of life in 1800’s Australia, the treatment of the indigenous population, and the rigourous adherence to the ‘old ways’ in this vastly alien and seemingly lawless world. If you like your reading to be vivid, violent, confronting, and troublesome then you’ll sure like this one!

Catalogue record for Dracul by Dacre Stoker and J. D. BarkerI was originally going to keep this list of highlights to five titles but there’s another one that came to my attention recently. It’s the sequel (a prequel to be more precise) that’s taken over a century to come into existence. Dracul

The official prequel to the great work, this one penned by none other than Bram Stoker’s great-grandnephew and authorised by his estate. It’s told in the familiar form of diary entries and personal notes, and tells the story of Bram himself who along with his siblings encounter some serious evil and a creature so powerful and unknowable that it threatens their very souls. So well written and very readable, good pace (bit of a page turner), and language that would please the original author. A great read for fans of horror, mystery/suspense, or the classics. Definitely one of my best picks for 2018 and a worthy inclusion to this highlights package (and my colleague Fee loved it too)!

Now I look at the titles that missed out on inclusion to this list with some sadness – like I say, it was a remarkable year for quality fiction! Here at least you have a selection for your holiday reading this summer. Grab one at your local library, settle in with a cup o’tea (or something else), and get some amazing stories in for the hols.

Happy reading,

^DevilStateDan

New Regent Street Pop-up Festival: WORD Christchurch Festival 2018

The New Regent Street Pop-up Festival is like the whole of WORD Christchurch distilled into an hour and twenty minutes, and if that sounds intense well, yes, that would be an accurate assessment.

In some ways it’s like trying to pick something off a menu – how do you know what you’ll like the best? What if you choose and don’t enjoy your choice? And just to extend the dining out metaphor, the pop-up festival offers three “sets” of readings in much the same manner as restaurant courses, allowing you to mix and match.

For my pop-up dinner I chose the following:

Entrée: Gory Bits at Crate Escape

Main: Science Fiction Triple Feature at Rollickin’ Gelato

Dessert: FIKA and Friends at Fiksate Gallery

So how did I do choosing a great meal?

Entrée

Robin Robertson reads at Gory Bits
Robin Robertson about to make everyone feel uneasy. Crate Escape. New Regent Street Pop Up Festival. WORD Christchurch Festival 2018. Thursday 30 August 2018. File reference: 2018-08-30-IMG_0109

Meaty, blood-soaked and best served cold, this was a very enjoyable way to start. True, it’s rather a full-bodied choice for an entree, but if you’re going to have tales of death and fear read to you in the confines of a strange, wooden Antarctic hut fashioned from a shipping container you may as well do it early so it’s still daylight when you leave.

WORD Christchurch Festival director, Rachael King read a suitably gothic, Wuthering Heights inspired passage from her book Magpie Hall, and Brindi Joy’s flash fiction story of the dead that don’t necessarily stay buried had a pleasing rhythm and exotic (for Christchurch) US locale.

But certainly the standout of this “course” was Robin Robertson‘s readings of gruesome death and murder, his voice dragging on certain words, and fairly growling others – at one point his hands held out in the pose of a man strangling his beloved and… well, lovely man though I’m sure he is, should I bump into him in a dark alley while he’s here in Christchurch I’ll probably squeal and run the other way, so affecting was his performance. And I fancied as I left, to the screams of children playing at the Margaret Mahy Playground across the road, that they might not all be squeals of delight…

Mains

After that kind of darkness what you need is something different, distracting and refreshing. Science Fiction Triple Feature offered a trio of writers of different flavours reading stories and excerpts.

A. J. Fitzwater, a local writer of Spec-Fic (Speculative Fiction) opened with a really interesting take on post-apocalyptic tales, telling the story of a trans vlogger and traveller making their way across Europe in the wake of some catastrophic outbreak. They are on the hunt for… tampons. Which is an amusing twist on the usual dystopian scavenging one usually expects from tales like this, and one that I have always wondered about myself. Sure, the characters in The Walking Dead always look sufficiently unwashed and grimey… but they still seem to be able to find their colour of hair dye and everyone’s top lip is still getting waxed so how post-apocalyptic is it really? Yes, I do have tampons in my emergency kit, and yes, so should you.

Another local sci-fi/fantasy writer, Karen Healey then took the mic (in a Thor-themed dress that I am most covetous of) and read from her version of Beauty and the Beast in which Beauty’s quest involves dark, spooky creatures who have possessed her beloved father, a malady that only a strapping magical beast might be able to cure. And American author Ted Chiang read a strange and perplexing story of science used to support fiction – a comment on the nature of faith and truth, perhaps.

Ted Chiang - Science Fiction Triple Feature
Ted Chiang with A. J Fitzwater and Karen Healey. New Regent Street Pop-up Festival. WORD Christchurch Festival 2018. Thursday 30 August 2018. File reference: 2018-08-30-IMG_0119

Dessert

A small sorbet of something completely different was on offer at Fiksate Gallery (a place that I would very much like to go back to) in the form of touching, poignant poetry. Personal tales of a loved one’s dementia, or legendary tales of some guy called “Maui”. Short and bittersweet. The perfect ending course to this pop-up adventure.

New Regent Street Pop Up Festival
New Regent Street Pop Up Festival, WORD Christchurch Festival 2018. Thursday 30 August 2018. File reference: 2018-08-30-IMG_0096

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Saving the Future: Interview with Ant Sang

Ant Sang, self portrait.Ant Sang is one of New Zealand’s most acclaimed cartoonists and graphic novelists.

His best-selling graphic novel, Shaolin Burning, won an Honour Award at the 2012 New Zealand Post Children’s Book Awards. He’ll be appearing in Ant Sang: Dharma Punk with Tracy Farr, Saturday 1 September, as part of WORD Christchurch Festival 2018.

Welcome to Christchurch, Ant!

Graphic novels are very popular here across all age groups, as are animated series and films. New Zealand artists compete well in this genre. Can you say why you think the comic strip and cartoon has remained a popular genre?

I think cartoons are naturally appealing to people, from a young age.

And with the breadth of work being produced in the comic form there really is something for everyone; from easy-to-read comics for younger readers, experimental ‘alternative’ comics, Japanese horror and romance manga, superheroes and so much more.

As a kid I read Monster Fun, The Beano and Judge Dredd. What early cartoonists and artists appealed to you as a young person?

I read so many comics when I was young. Asterix, Tintin, Footrot Flats, Beano, Tarzan, Uncle Scrooge, Richie Rich; anything i could get my hands on really!

Cover of Shaolin Burning by Ant SangI enjoyed the clear black and white plates of Shaolin Burning, not to mention the great plot and strong characters. It appeals to those (like me) who don’t like too much text, or are reading graphic novels for the first time.

Was Shaolin Burning your interpretation of a folktale, or a myth of your own creation?

Thanks. Shaolin Burning was a retelling of kung fu myths and Chinese history, interwoven with my own original characters. I really liked the idea of creating characters who were written out of history, but who might have interacted with famous kung fu personalities such as Wing Chun.

Helen and the Go-Go Ninjas is a standout as your first foray in colour comics. How did you make this transition and how did you find it as a medium?

I loved working in colour for Helen and the Go-Go Ninjas. I’ve worked with colour previously in my illustration and comic projects, but never on the scale of this book. To make it visually interesting I wanted to use different colour palettes for different locations and times of day so that there was a sense of a varied landscape and a long passage of time throughout the book.

The Dharma Punks, Shaolin Burning and Helen and the Go-Go Ninjas feature strong female characters. How did you develop Helen’s character?

Helen was created by my co-author Michael Bennett, who originally wrote the story as film script. As we developed the graphic novel, Helen did evolve; for instance in the original script she was married, and a few years older. But at the heart of it, it’s always been a story about a young woman finding herself and her place (or time) in the world.

Not just action-adventure, your comics address strong themes. In Helen we touch on disability, environmental destruction, state control and domestic violence, to name a few. Were these issues part of Michael Bennett’s original script idea, or did they develop as you responded to it?

A lot of these were very much a part of Michael’s script, though we did emphasise the environmental issue as we developed the script into comic form. Originally the collapse of civilisation was more mysterious and wasn’t fully explained, and Helen wasn’t an environmental activist.

These things became clearer as we collaborated on the comic and dug deeper as to Helen’s motivations and character. That’s something I really love about collaborating with other creatives; the process of pushing our work into new and undiscovered directions.

How do you think zine culture and comic strip writing could be better nurtured and preserved in New Zealand?

I think there’s already so much great work being produced here in New Zealand. Back when I started, it was all about using photocopiers to make and self-publish mini-comics, but now there’s a huge amount of great work being produced as webcomics.

Do you have any advice tor people planning to run a comic or ‘zine workshop?

I’ve been teaching comics at MIT here in Auckland for the last two years, and I think it’s a good idea to give participants an environment where they can create in a hands-on way. For short workshops, I like to focus on one topic and let participants get into it.

Lastly, we all loved Bro’ Town. Can we hope to see more of your series animated? (Helen and the Go-Go Ninjas would make a great film!)

The Naked Samoans have been busy writing a bro’Town feature script, and I really hope it goes into development. It’d be great to get together with the bro’Town crew again. As for my other projects, I’d love to see them all adapted into films. I’m currently making an animated kung fu short film about the young woman Wing Chun, so that’s a start.

Find out more

More about WORD Christchurch Festival

The City of Brass: A complex but fun epic fantasy

The City of Brass by S. A. Chakraborty is first in the Daevabad trilogy, set partly in 18th century Egypt. It comprises of two storylines, one featuring Nahri (orphaned Cairo con woman and thief) who accidentally calls down a warrior djinn named Dara and a whole lot of danger; the other featuring devout Ali, prince of the djinn city of Daevabad, who has been inadvertently been funding a potential rebellion against his own ruling family.

Cover of City of Brass

Part of this story is magic and flying carpets and fiery swords, and part is a more nuanced look at what happens when the people of one religion and culture take over the city of another, and how they deal with that over the generations. It’s not an uncommon scenario to be in — the aggrieved Daeva are still seeking reparations for the loss of their sovereignty, and the other djinn are all resentful of what they perceive to be the special treatment given to the Daeva (sound familiar?). At the bottom of the heap are the half-blood djinn, the shafit, resented and mistreated by everybody.

Then there’s Nahri, dealing with the discovery that she has some djinn blood as well as the appearance of a temperamental Daeva who’s determined to carry her off to Daevabad. Oh, and if they stay too long in one place the undead rise up and come after them, so there’s that. Much of the book (possibly a bit too much) is spent on their journey and a slow reveal of Daevabad’s history and Nahri’s lost family connections, plus a hint of a developing romance between Nahri and Dara. I preferred the conflict of their eventual arrival in Daevabad, where religious and racial tensions rise to a peak and Ali has to finally choose between his morals and his family loyalty.

My only spoiler-free criticisms are that the book is a little slow to get going, and that the many names and relationships between the different types of djinn could be confusing to some readers. Neither of these put me off anticipating the next book in the series (The Kingdom of Copper, hopefully published next year). If you enjoy complex but fun epic fantasy then I would encourage you to give this series a try.

The City of Brass
by S. A. Chakraborty
Published by HarperCollins New Zealand
ISBN: 9780008239404

2018 Hugo Award Winners: A great year for women in science fiction and fantasy

Hugo Award logoThe World Science Fiction Convention* that was hosting the Hugo Award ceremony has finished, the results are in and this year’s Hugo Award winners have been announced.

Women dominated this year’s Hugo Awards in what has turned out to be a great year

for women in science fiction and fantasy; a genre, that it is fair to say, has been dominated historically by men.

So without further ado, here are the winners of this year’s Hugo Awards.

Cover of The stone skyBest Novel: The Stone Sky, by N.K. Jemisin

This year’s Hugo Award for best novel goes to Book three of The Broken Earth Trilogy by N.K. Jemisin. Books one and two, The Fifth Season and The Obelisk Gate respectively, are both previous winners of the award. This also makes N.K. Jemisin the first author to win three Hugo Awards for best novel in a row as well as making The Broken Earth the only trilogy in which all three novels are best novel winners (the closest to doing so previously was Kim Stanley Robinson‘s Mars Trilogy with two wins and a finalist position).

Cover of No time to spareBest Related Work: No Time to Spare, By Ursula Le Guin.

Essentially, this is the reward for best piece of non-fiction related to the world of science fiction and fantasy and understandably, recently deceased Ursula Le Guin, now six time winner of the Hugo Award and Science Fiction royalty, is the winner of this category. ‘No Time to Spare’ is a collection of Le Guin’s musings on various subjects from the mundane to the philosophical.

Cover of Monstress vol. 2Best Graphic Story: Monstress, by Marjorie Liu and Sana Takeda

The best graphic novel of the year is the sequel to 2017’s winner: ‘Monstress Vol. 2’. Monstress is an apocalyptic steampunk fable notable for its exceptional artwork (with artist Sana Takeda also winning this year’s award for Best Professional Artist) and interesting world building.

Best Dramatic Presentation, Long Form: Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers).

What essentially amounts to the award for best film, Wonder Woman takes the cake for its adaptation of the DC Comic hero in a film that captures the essence of this year’s Hugo Awards winners.

Winners of all categories are as follows:

Best Novella: All Systems Red, by Martha Wells

Best Novelette: The Secret Life of Bots, by Suzanne Palmer

Best Short Story: Welcome to your Authentic Indian Experience™, by Rebecca Roanhorse

Best Series: World of the Five Gods, by Lois McMaster Bujold

Best Dramatic Presentation, Short Form: The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland

Best Editor, Short Form: Lynne M. Thomas & Michael Damian Thomas

Best Editor, Long Form: Sheila E. Gilbert

Best Professional Artist: Sana Takeda

Best Semiprozine: Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine: File 770, edited by Mike Glyer

Best Fancast: Ditch Diggers, presented by Mur Lafferty and Matt Wallace

Best Fan Writer: Sarah Gailey

Best Fan Artist: Geneva Benton

Don’t forget to check out previous year’s winners for best novel, best related work, graphic story, novella, and short story.

*Worldcon comes to New Zealand in 2020, with Wellington having hosting duties.

Of humans and gods elemental

I’m a committed reader and I do read fairly widely and there’s one particular thing that I love when it comes to fiction; I love stories that blend and blur the lines between reality and mythology. The kind of thing where the lives of men and meddling gods coexist and the environment holds some physical form.

There’s loads of examples of this throughout literature – the Greeks and Romans loved to tell these types of stories, and those stories continue to be told in our own time – think of John Banville’s ‘The Infinities’ and ‘Fifteen Dogs’ by Andre Alexis . In both books the Classical Gods get involved in the modern life of humanity (and canines). And more recently there’s been ‘American Gods’ by Neil Gaiman, and ‘Good Omens’ a joint effort between Gaiman and the late Terry Pratchett. Both of which will be getting the screen treatment very soon!

Cover of The infinites Cover of Fifteen dogsCover of American GodsCover of Good omens

But what about the more elemental gods, the older gods, gods of the earth, environment, and the supernatural world…?

Cover of FlamesI’ve just finished reading ‘Flames’ by Robbie Arnott – a young Tasmanian author with some serious talent! He’s been writing for some years now and has a string of awards following in his wake, and he’s a very welcome addition to the burgeoning Tasmanian writers scene, a scene which includes the rural romances of Rachael Treasure, the gritty historic fiction of Rohan Wilson, and the Booker Prize winner Richard Flanagan. I’m a Tasmanian myself so I do enjoy keeping up with what’s coming out of the beautiful isle, but I wasn’t really prepared for how good ‘Flames’ was going to be! It feels as you read it as if the land of lutruwita (the indigenous name for Tasmania) is itself telling the story and we are the privileged few who get to gain some insider knowledge.

It centres on two young people just after the death of their mother, which itself acts as a catalyst for all that follows. The brother is steadfast and pragmatic and wants to protect his sister so decides to build her a coffin, to which her response is to flee into the wilderness of the South West where she discovers a supernatural aspect to the world around her, and to herself and also to her family. Meanwhile the brother mounts a search to find his sister. On the journey we meet characters that are both at one with the natural world and still finding and settling into their place in it. We meet their father, we learn more about the family’s background, and other characters each of who are portrayed perfectly to outline their purpose in the narrative.

Robbie Arnott’s use of language is poetic and evocative of times past, of the smell of earth, the feel of wind, and the heat of fire. The narrative moves organically from one character to the next, shifting perspectives and fleshing out the magic of the story as it progresses. His descriptions of Tasmania (and you can rely on this ex-pat to confirm) are stunningly accurate and establish a very strong sense of place – you can smell eucalyptus burning, hear the rush of the waves onto the rocks, and you can feel the semi-decayed earth under your feet as you negotiate the wombat burrows.

So; beautiful language, strong sense of place, great characters with depth and purpose, and an engrossing story line – it’s ticked all the boxes for me!

Cover of The buried giantAnd ‘Flames’ is not the only book to achieve this balance between the real, the myth, the supernatural. ‘The Buried Giant’ by Kazuo Ishaguro is the tale of an ageing couple on a medieval pilgrimage with their purpose obscured by a think fog affecting memories, or there’s the outstanding series ‘The Tale of Shikanoko’ by Lian Hearn where we follow a journey of growth within a fantastical Edo-era Japan that has such imagination and rooted in strong mythology and where the everyday is touched with magic both light and dark. As is fellow Tasmanian Richard Flanagan’s great piece of surrealist historical fiction ‘Gould’s Book of Fish – a novel in twelve fish’ which I’m sure was both inspiration and license for Robbie Arnott to create this work, ‘Flames’.

And if you like this particular sub-genre then there’s plenty of films and tele series’ that are similar. You could have a look at ‘The Kettering Incident’, Tasmania’s own supernatural, David-Lynch-esque, tele series. It’s brilliant, dark, a bit creepy, and it’ll show you some places and environments very like those Robbie Arnott has depicted in ‘Flames’.

Enjoy your reading,

^DevilStateDan

200 years of the Modern Prometheus

Mary Shelley, by Richard Rothwell, 1840. Wikimedia Commons.
Mary Shelley, by Richard Rothwell, 1840. Wikimedia Commons.

Mary Shelley was just 18 years old when she began writing the English language’s most successful gothic horror tale, Frankenstein, which was first published  200 years ago. So after all these years what do we know about her, the story, and the circumstances that led to the creation of Frank Jnr.?

  • She did indeed write the story when she was 18, although it was not published until she was 21.
  • It was written as the result of a challenge laid down by Lord Byron (romantic poet extraodinaire), who along with young Mary, her husband Percy, and Byron’s “personal physician” John Polidori was staying in a spooky country house. On a stormy night telling ghost stories to each other, Byron thought it would be a good challenge for the group to see who could write the best ghost/horror story!
  • That session also led to Polidori writing the story ‘Vampyre’ which was influential on Bram Stoker for his work, ‘Dracula’.
  • ‘Frankenstein’ was first published anonymously on a short run of 500 using extremely budget materials by publisher Lackington’s, who are still operating today
  • In 1910 Thomas Edison created a 15min film based on the story – I love the music accompaniment on it!
  • The monster has no name but is referred to in the book by the names in my first sentence. For many years I believed the monster’s name was Adam, but I must’ve dreamed that!
  • The story was initially published anonymously with many readers assuming the author to be Mary’s husband Percy. Even after its reprinting in 1831 with Mary’s name on it many still thought Percy’s hand was involved. In truth it is now believed that Percy contributed a measly 6% of the text (4,000 of 72,000 words) with many readers considering that his contributions only detracted from the story, were over complicated and over described, making the whole thing harder to digest.
  • During her life Mary also wrote, seven novels, three books for kids, over a dozen short stories, and numerous biographies, articles, and poems.

The story of Frankenstein is now so embedded into our popular culture that there have been countless depictions and references all through the history of film and television; think Hermann Munster, the film Young Frankenstein, British tele series The Frankenstein Chronicles, and even with the fantastic kids film Tim Burton, Frankenweenie ,we see that this story of horror has even entered into the realms of children’s literature and culture.

But have we stayed true to Mary’s idea?? Does the monster still serve the same purpose as she intended; a lesson in mortality, human desire for control and intolerance for the different, perhaps even describing the perils of parental abandonment…? This series of charts from the Guardian suggests there have been some major deviations.

So how will you celebrate the outstanding achievement of Mary Shelley? Perhaps by reading some classic gothic/horror/monster literature, there’s plenty out there and I’ve created a short list of titles for you, all available through the Christchurch City Libraries catalogue and across many formats; books, audiobooks, ebooks, and graphic novels…

Classic Gothic/Horror/Monster stories

List created by DevilStateDan

Some spooky, dark, and unnerving tales, classic titles from famous names…

View Full List

Happy and spooky reading to you….

Staff picks for the Winter Reading Challenge (for ages 13 to 18)

How are you going with the Winter Reading Challenge? We have highlighted some of the fab books picked by teens, now here are some staff picks to help you tick off some challenges:

The first book in a series

Truly Devious Maureen Johnson
Unsolved mysteries, kidnapping, murder, and super smart teenagers at an isolated boarding school in Vermont. Alina

The Raven Boys Maggie Stiefvater
The story of Blue, the only non-psychic in her family of fantastic women, and the Raven Boys – four boys from a private school on a quest for a dead Welsh King. Full of humour, teen angst, almost-kisses and magic. (Also available as an audiobook.) Alina

Chaos Walking trilogy Patrick Ness
Todd Hewitt is the last man on the planet. All the females are gone, you can read everyone’s thoughts, and nothing is quite as it seems. A brilliant series, fantastic as an audiobook, and coming out as a movie in 2019. Kate

Find more:

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A book that was made into a movie

The Hate U Give Angie Thomas
When Starr witnesses the death of her childhood friend at the hands of a police officer, she struggles to decide what to do — speak up against injustice, or keep her family safe? (Read it before the movie comes out in October!) Alina

Everything Everything Nicola Yoon
What do you do when you literally can’t leave the house, and the thing you want most in the world is just outside the front door? Kate

Every Day David Levithan (picked by Saskia, Cashmere High Library)

The Book Thief Markus Zuzak (picked by Saskia, Cashmere High Library)

The Maze Runner James Dashner

The Fifth Wave Rick Yancey

Ready Player One Ernest Cline

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A book with non-human characters

Year of the Griffin Diana Wynne Jones
When Elda, the griffin daughter of the great Wizard Derk, arrives for schooling at the Wizards’ University, she encounters new friends, pirates, assassins, worry, sabotage, bloodshed, and magic misused. Alina

Find books about:

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A graphic novel/comic book

Nimona Noelle Stevenson
Nimona is an impulsive young shapeshifter with a knack for villainy. Lord Ballister Blackheart is a villain with a vendetta. As sidekick and supervillain, Nimona and Lord Blackheart are about to wreak some serious havoc. Alina

Unbeatable Squirrel Girl Ryan North
She’s part squirrel, part girl – she’s Squirrel Girl! Lots of fun, lots of laughs. Kate

One punch man

Spill Zone Scott Westerfeld

Find more:

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A love story

The Only Thing Worse Than Me Is You Lily Anderson
A loose retelling of Much Ado About Nothing featuring fandom, extra-smart teens and a lot of snark. Alina

Autoboyography Christina Lauren
It can be hard enough being a gay teenager when you live somewhere liberal and progressive. It’s even harder in the middle of Mormon Utah. Kate

Eleanor & Park Rainbow Rowell (picked by Kim)

Emergency Contact Mary H.K. Choi (picked by Alina)

Pieces of You Eileen Merriman (picked by Rachel from Scorpio Books) [NEW ZEALAND]

Find more:

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Listen to a podcast or audiobook

Nation Terry Pratchett
Finding himself alone on a desert island when everything and everyone he knows and loved has been washed away in a huge storm, Mau is the last surviving member of his nation. He’s also completely alone – or so he thinks until he finds the ghost girl. Narrated by Tony Robinson (don’t worry, he doesn’t sound like Baldrick from Blackadder in this). Alina

Aristotle and Dante Discover the Secrets of the Universe Benjamin Alire Saenz
Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before. Superbly narrated by Lin-Manuel Miranda. Alina

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A book about identity

Lies We Tell Ourselves Robin Talley
In 1959 Virginia, Sarah, a black student who is one of the first to attend a newly integrated school, forces Linda, a white integration opponent’s daughter, to confront harsh truths when they work together on a school project. Alina

I am Thunder Muhammad Khan
Muzna is a regular British teenager, so how does she end up involved with Islamic radicals? Kate

A quiet kind of thunder Sarah Barnard
Being a teenager is hard. Being a teenager with anxiety is even harder. And being a teenager with anxiety who doesn’t speak is even harder again… especially when love’s involved. Kate

Girl mans up M-E. Girard
Pen doesn’t want to be a boy – she just wants to look like one, and that confuses people. This is her look at frenemies, love, and teen pregnancy. An awesome read – I wish it had been written when I was a teenager! Kate

Juniper Lemon’s Happiness Index Julie Israel (picked by Rachel from Scorpio Books)

Girl Missing Sophie McKenzie (picked by Saskia, Cashmere High Library)

You’re welcome, universe Whitney Gardner

Simon vs The Homo Sapiens Agenda Becky Albertalli

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A dystopian novel

Chaos Walking trilogy Patrick Ness
Todd Hewitt is just one month away from the birthday that will make him a man. But his town has been keeping secrets from him. Secrets that are going to force him to run. (First in a series and also available as an audiobook.) Alina

Little Brother Cory Doctorow
A standalone cyber-thriller packed full of teen hackers, revolution, terrorism, a police state, and an awesome romance. Alina

The Giver Lois Lowry (picked by Julianne)

Replica Lauren Oliver

Flawed Cecelia Ahern

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Inspirational biographies

Hope in a Ballet Shoe Michaela DePrince
Adopted in the United States, a young girl from Sierra Leone dreams of becoming a professional ballet dancer. A great read, even if you’re not a dancer. Kate

In the sea there are crocodiles: The story of Enaiatollah Akbar Fabio Geda
Based on the true story of 10-year-old Enaiatollah’s escape from Afghanistan, and his journey across the mountains and seas to safety in Italy. Kate

In order to live Yeonmi Park (picked by Saskia, Cashmere High Library)

Being Jazz Jazz Jennings

Never fall down Patricia McCormick (a work of fiction based on the true story of a Cambodian child soldier).

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More recommendations

Personal recommended reads from librarians – from classics to new publications!

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Rachel from Scorpio Books recommended these books for teens:

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Saskia from Cashmere High’s library recommendeds the following good reads:

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More reading ideas

Enter the Winter Read Challenge and win prizes!

Let’s think about the future

The winners of the Hugo Awards will be announced next month and with the Nebula Award winners having been announced in May (two of the biggest awards in science fiction), let’s take this moment in between to think about the future in literature and what it actually means to write and think about the future.

When we think about fiction and the future, there are two sub-genres that immediately spring to mind: dystopian and utopian. Most people will be familiar with dystopia; arguably the most popular form of science-fiction that there is. From Atwood’s The Handmaid’s Tale, The Walking Dead, or the classics of Nineteen Eighty-Four, Brave New World, and Logan’s Run, the idea of dystopia appear to be firmly entrenched in Western cultures’ collective imaginary. We all have different ideas of what a dystopia might look like, but put simply, it is an imagining of an unpleasant future that could occur through an apocalyptic event, the rise of widespread tyranny, or simply the break down of civil society.

The counterpoint to this bleak storytelling of a world gone to the dogs is utopian fiction. Many people will, as with dystopia, have different ideas of what utopia looks like. So, in this instance I am going to use the pragmatic definition of utopia put forward by Hugo and Nebula award winning author Kim Stanley Robinson: utopia is imagining the best possible outcome given where we are now. What I like about this understanding of utopia is that it doesn’t mystify utopia into religious sentimentality but places it firmly into the realm of possibility.

Cover of New York 2140Take Robinison’s novel New York 2140 (that has been nominated for the 2018 Hugo Award for best novel) for example. Here we experience a New York that as endeavoured to survive and re-create itself in the wake of catastrophic climate change as the innovation of adaptability of humanity leads to a future despite of the crisis it found itself in. Robinson’s Nebula award winning novel 2312 also highlights the redeemable aspects of humankind as they work together to try alleviate humanity’s suffering and begin to recreate Earth into something resembling its former self.

Utopian fiction is not about the absence of conflict – no one would want to read or watch a story with no conflict – but the conflict is about the actions taken to prevent the fall into dystopia. Isaac Asimov‘s Foundation series is a fantastic example of such utopian thinking as the protagonists work to prevent a galaxy wide collapse into unprecedented galactic barbarism. Here, the utopian thinking is about creating a future for humankind that is free of insecurity and suffering.

Other examples of utopian fiction include Ursula Le Guin‘s The Dispossesed and Arthur C. Clarke‘s Childhood’s End.

So take a moment, and read about the future. Not the future in which everything is awful and the only thing humanity can hope for is survival, but a future in which humanity has a chance to thrive and flourish as it overcomes all the obstacles that could limit it from having a meaningful future existence.

And you might want to try the best novel finalists for this year’s Hugo Awards and the winners of this year’s Nebula Awards.

Hot tips for the Winter Read Challenge (for ages 13 to 18)

Winter Read Challenge is ON! Here are some hot reading ideas from teens who have already got their entries in – thanks to you all for your v. cool suggestions.

I love Harry Potter and Divergent! I also loved Shiver because I like the supernatural. Best series ever! Zoe, 13

My favourite read was the Maze Runner trilogy. It was my favourite because I find dystopian novels very interesting. I love seeing how a world impacted by a catastrophic event can affect people in the future. Another read I loved was Warriors. I loved the idea of animals having personalities and reasons to show virtues. Many characters in this series had very strong arcs that I loved to learn about. Treasa, 15

My favourite read was Flawed by Cecelia Ahern which is a dystopian novel. I really enjoyed reading this because of the really creative storyline and all the unexpected plot twists. It is probably my all time favourite book. Another book that I really enjoying reading was actually a graphic novel called Smile by Raina Telgemeier. I normally don’t read many graphic novels but this reading challenging inspired me to give it a go. I really enjoyed Smile – I found it quite funny and the illustrations were superb! Phoebe, 13

A Court of Thorns and Roses series, Six of Crows duology, Leah on the Offbeat, Boy Meets Boy, Carry On, Sweep series, You Know Me Well, Been Here All Along, The Folk of the Air series. Lily, 16

My favourite reads were Me Before You and Still Alice because they both confronted the lives of someone with an illness or a disability. They challenged stereotypes and commonly-held perceptions in witty ways that made me laugh, cry and feel so emotionally connected to the characters. Amazing novels! Ewen, 15

I love to read fantasy books I also love to read romance stories. My favourite author would have to be Marissa Meyer because of the books she has written. Talei, 15

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More reading ideas

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Enter the Winter Read Challenge and win prizes!