Yesterday I happened to be in Cathedral Square, walking past An Origin Story‘s lovely hoardings around the convention centre site. As you can see in the image, from one angle the panel which states that ‘the future is just around the corner’ points right to Tūranga – the future of Ōtautahi is appearing right in front of our eyes. We cannot wait to share our new facility with you!
And yet, I’ve been thinking, the future is so terribly fragile, quickly becoming the present – for a flash – and then the past. The present of Tūranga still feels a long way off, but how long before it becomes a familiar, comforting and challenging place that we know and love and feel as if it has always been there?
Everything becomes superseded. This point has been brought home to me recently, when reading Ben Shephard‘s Headhunters: the search for a science of the mind. It looks at the lives and careers of four men (quelle surprise) who worked across the fields of medicine, psychology, psychiatry, anthropology and neurology in the late nineteenth and early twentieth centuries. At that time, many of these scientific disciplines were new and emerging with exciting ideas being developed, tested and sometimes lauded. Looking back, we can see that some of those ideas were offensively racist.
They championed field work in anthropology and lead the way in defining and treating shell shocked and mentally wounded service personnel in the First World War. And yet and generation or two – or even less – of their deaths many of their theories and work was disproved or supplanted. What was once cutting edge is now old hat.
But that’s what happens, doesn’t it? We are all part of a continuing development and dialogue, and improved theories and ideas grow out of older ones. That’s one of the many exciting things about Tūranga – how many ideas and thoughts etc etc will be developed and created there using exciting collections, programmes and other resources, before it too is superseded?
Love reading and taking photos? Bring along your own device and take pics of yourself in our summer-themed photo booth. All ages welcome. Find out where and when these sessions are on: Summer Reading Photo Booth
Use a special quilling tool and lots of bright craft materials to create your own super cute lion note holder. Library staff will help you with your creation. All craft material sourced from the MAKE Company. Free, but bookings are essential – phone 9417923. For ages 5 to 12 years. Find out where and when these sessions are on: Create a Lion Note Holder
Come along to a taonga (treasure) themed school holiday session and discover what cool things are hidden in your library. Enjoy storytelling, go on a scavenger hunt to discover treasuers, and then get crafty and make a treasure box to take home. Free, but bookings are essential – phone 9417923. For ages 5 to 12 years. Find out where and when these sessions are on: Treasure in the Libraries
Janneth Gil, Liam Lyons, Elise Williams, Lucas Perelini and Thomas Herman photographed the people and physical environment of Bishopdale between March and September this year, building a collection of over 350 images that capture both the history of the area and the often overlooked moments of community life. The gathering at the fishing and casting club meetings; new mums learning baby massage at the Plunket rooms; a father and teenage son watching the All Blacks over a pint, a Coke and a bowl of chips — for the photographers, these were some of the moments that conveyed the deep connections people had in Bishopdale, to each other, and to the place.
“Going to a community like that and noticing that there are so many things going on and people getting together – it opens doors and gives the feeling like you can belong to a place,” Janneth Gil reflected after completing the project. Like Janneth, all of the photographers discovered a vibrant and inclusive community in Bishopdale, and were humbled by the generosity people showed as they were invited into their homes, workplaces and clubs.
For Lucas Perelini whose only experience of Bishopdale before this project was Saturday morning rugby at Nunweek Park, he was inspired by the richness of life that exists in suburban Christchurch if you only pause to look: “Sometimes you can walk around a place and it doesn’t seem like there’s a whole lot going on – but there really is. There’s so much going on that you can’t always see at first glance.”
The Christchurch Documentary Project is a collaboration between Christchurch City Libraries and the University of Canterbury, School of Fine Arts that began in 2015. Internship positions are offered to photography students in their 3rd or 4th year of study with the brief to create a documentary photographic record of a Christchurch community. The photographs are then included in the Christchurch City Libraries Digital Heritage Collection, acting as an important social record for generations to come.
Ngāi Tahu artists have transformed CoCA Gallery. On a recent visit I was captivated by the rock art images drawn on the walls. The drawings, by Ross Hemera, are inspired by ancient rock art. Fascinating pieces of sculpture and projections also rim the gallery walls and interior.
Ngāi Tahu artists from Aotearoa and around the world have come together to create the exhibition Paemanu: Ka Nohoaka Toi.
Curated by senior Paemanu artists, the exhibition takes the form of a nohoaka, a seasonal site for gathering food and other natural resources. There are 72 nohoaka (or nohoanga) within Te Waipounamu. Rights to the nohoanga are part of the Ngāi Tahu Claim settlement.
What’s Your Bias? The surprising science of why we vote the way we do Lee De-Wit
This is a timely book considering some of the surprising election results of recent years. We may take for granted that people vote the same way as their parents, but it turns out that this is not so much to do with upbringing, but because of our genetic similarities. However there is so much more that influences the way we vote – or indeed if we vote! With chapter headings such as “Why do you always think you are right”, “What’s in a face” and “Faking it”, De-Wit offers an easy to read and fascinating look at the psychology behind our political preferences.
Children’s Garden: Loads of things to make and grow Matthew Appleby
Many of us want our children to get off the computer and enjoy the outdoors. The beauty of this book is there is no need to travel to the high country, you can introduce your children via your own garden, however big or small. The book is divided by the seasons and includes craft projects, cooking your produce, games, keeping animals etc. It shows that a garden can be full of creativity and fun, whatever the season.
Vitamin C: Clay + ceramic in contemporary art
Ceramics have left behind their image of rather nasty shaped pots created in night-school, and have now been accepted into the hallowed folds of “Art”. Each page has full colour plates ranging from the small and delicate to large monstrosities and installations. There is colour, detail, a dash of ‘goodness my three year old could have made that’, and plenty to be challenged by.
Have you ever come across an activity or hobby that surprises you by the extent of the passion felt by those who are involved, and by the global reach and organisation behind the hobby? I’m not talking about Star Trek conventions or Cosplay in general, but rather the world of Bonsai. A gathering of Bonsai enthusiasts matches anything Star Trek fans can generate in terms of excitement and passion, but without the funny uniforms or prosthetics.
I was lucky enough to be able to organise a few days off from my library duties and attend the recent National Bonsai Show and Convention in Dunedin on 7th and 8th October.
Perhaps you’re surprised that there is a National Bonsai show? There’s even a New Zealand Bonsai Association to oversee all things bonsai. This is not Japan, it’s true, but there are still plenty of people in New Zealand who would travel significant distances for such a gathering. And what a mixed lot they were! The Bonsai bug bites all equally – that gathering had everyone from a retired professor of agricultural systems to a carpenter, and, of course, a librarian. All were united by a passion for bonsai, regardless of background.
The convention had two main attractions for most, the national show itself, and the demonstrations and workshops with the famous (in the bonsai world anyway) bonsai professional Bjorn Bjorholm the first non-Japanese bonsai professional to work in Japan. Now based in the United States, Bjorn travels extensively to different parts of the world giving talks and demonstrations, so a chance to sit in with an acknowledged master was not to be missed.
Curious about the bonsai thing? The library can be your friend. There are a good range of books in the library covering the history, the aesthetic principles and the hands-on techniques. The library also offers access to articles from the best known English language Bonsai magazine, the Bonsai Journal.
And if you fancied finding out a bit more and maybe getting some hands on time with trees in the company of like-minded mini tree enthusiasts, why not go along to a local Bonsai club meeting? There are two clubs in Christchurch, both listed in the CINCH (Community Information Christchurch) database. See you there!
Love it or hate it, Halloween is upon us once again. Today it is a vastly different experience than the one that the Celts traditionally celebrated. For them it marked the reaping of the harvest, the end of summer and an opportunity for the dead to cross over to the living world and scare the daylights out of everyone. Sounds like great fun so far!
For us however, Halloween has become an attempt at recreating what is largely a Northern Hemisphere celebration – with Southern Hemisphere seasons, beliefs and inclination. And more often than not, if we try to emulate what we see on TV we are destined for disaster. So here is a cautionary tale of ‘How not to Halloween’. Sadly parts of this aren’t as fictional as I would like them to be.
Let us think for a moment… the pumpkins will have only just been planted and won’t be ready until around Easter next year. So now we will have to attempt to carve something sourced from the local supermarket. We pick out a nice Crown pumpkin and overlook the insipid grey colour and lack of grandeur. Beggars can’t be choosers. All it needs is a scary face carved in it and a candle to highlight your excellent pumpkin cutting skills. You take your sharpest knife and start to cut the top off what is arguably the toughest skin on any vegetable available*.
After you get back from the doctor, you decide that it is probably wise to do away with the carved pumpkin as you can’t afford to lose the use of your other hand. You may still be able to salvage it as a Halloween decoration however, as it is now rather realistically covered in blood.
Meanwhile, your kids are dressed up in the scariest costumes you could find at the local Opportunity Shop and are already dreaming about the sheer weight of the lollies that they hope to get. They wonder momentarily if that pillowcase is going to be big enough.
Leaving Hubby home in charge of the lollies; you venture forth into the bright sunlight with a handful of ghosts and witches in tow for the trek around what you thought was a friendly neighbourhood. How wrong you were. You find yourself greeted by grouchy people who can’t even fake being nice for the kids. They love to point out the error of your ways for daring to try and experience what is largely an American custom. Others will wander openly around their living room while your kids knock on a door that will never open. Some will go to the trouble of putting out ‘No trick or treaters’ signs to save you the energy of knocking. I like these people. We each know where the other stands.
Of course it isn’t all doom and gloom. There is the occasional legend that will gush over the kids costumes and hand over a lolly or two. But after an hour and a half of what amounted to a crushing failure; we head home defeated. I console the kids with the fact that if we’re lucky, their dad won’t have eaten his way through the entire bowl of lollies at home. It has been a rather disappointing experience. The kids don’t understand why their Halloween bears little to no resemblance of the ones that they have seen on TV. Let’s be honest – it’s still won’t be dark for another hour or more.
When we get home we find that the only other people that have come around trick or treating were teenagers who didn’t bother to dress up. And when my daughter finds out that they made off with her plastic skeleton that I’d propped next to the ‘bloody’ pumpkin; she probably won’t forgive me.
I know that there are houses somewhere that are re-enacting their version of Halloween – I’ve seen the lollies disappearing from the shops. Maybe next year I’ll save myself some time and heartache and just ask them where they live. At least then we can be assured of a guaranteed result!
So if your kids are begging you to join into Halloween this year, you think you can avoid these amateur mistakes and you are looking to earn some easy brownie points; here are some books to help you achieve this.
Pop! Bang! That’s what happened – literally – when a group of New Zealand children’s authors and illustrators presented inspiring talks to hundreds of Canterbury school children, just ahead of the announcement of the 2017 winners of the New Zealand Book Awards for Children and Young Adults.
Several of the nominated authors and illustrators toured the country speaking to school children about their work and craft. Hosted in conjunction with WORD Christchurch, they addressed primary and intermediate students who came from across Canterbury to hear them speak at St. Margaret’s College. They talked about what it takes to be a writer and/or illustrator and what keeps them inspired and shared their working processes, all with the aim of sparking readers and the next generation of writers and illustrators. We share some of the highlights here.
Session One: Tania Roxborogh, Leonie Agnew and David Elliot
“Any change for good is powered by fury and passion to make the world a better place” says Tania Roxborogh, and this idea is a driving force behind the story in her book about the Bastion Point occupation for Scholastic’s My New Zealand Story series, told from a child’s point of view.
Through the process of researching and writing this book, Roxborogh was reminded that: “Retelling history is never straightforward” because “people lie, self-edit, and mis-remember” and that “people remember different things.” She added that there is also the problem of bias in New Zealand media – from the right wing as well as the left wing – which she had to take into consideration when researching for this book.
When Roxborogh visited Bastion Point to help her find her point of view for the story, she found herself humbled, prompting her to ask: “What right do I even have to tell this story?” She realised, however, that regardless of who she was, the story of the protesters was a story worth telling.
Roxborogh teaches English and Drama at a Canterbury high school and has written over 50 books.
Snark – Being a true history of the expedition that discovered the Snark and the Jabberwock … and its tragic aftermath.
Elliot’s illustrated book was inspired by Lewis Carroll’s The Hunting of the Snark, and the Jabberwock and his presentation of museum-like artefacts and the stories he told about them would have had some in the audience wondering if his tale of the mission to discover the snark was true or not.
Elliot says he spent time living in a cottage inside Edinburgh Zoo and you have to wonder if this influenced his work illustrating weird and wonderous creatures.
For The Impossible Boy, Agnew asked: “What if a kid believes in something so much that his faith in it makes it real?” like Peter Pan’s belief in fairies, and on the flipside, “if you were an imaginary friend, what if you discovered you weren’t real?”
Agnew recommended using a little bit of non-fiction to make your fiction more real. In this case, she used the war-torn streets of Beirut in Lebanon as the inspiration for her setting of the story.
Various authors at the event talked about the hard parts of writing, when you feel like quitting or at least taking a break. Writing can take time! Agnew wrote 100 drafts of her book over 6 to 8 years. She says if you’re stuck, consider what Einstein said: You don’t solve a problem by looking at it in the same way, try looking at things from a new angle.
Agnew fits writing into her job as a primary school teacher by getting up at 5:30am to write before the school day starts. What inspired her to become a writer? Agnew “grew up in a house full of books” and her dad was a journalist who writes non-fiction, but really, she says, she “just wanted to do it.”
In the first session with Tania Roxborogh, Leonie Agnew and David Elliot I felt an overall theme of the elusive – of capturing the elusive writing spark, capturing the Snark, and elusive invisible friends. Another theme that came through for me was the theme of imagination: imagine if someone was trying to take your land, imagine wondrous creatures and lands, imagine how an imaginary friend would feel if they discovered they weren’t real. Imagine.
Session Two: Des Hunt, Jenny Cooper and Simon Pollard
Des Hunt has a love of adventure stories, science, New Zealand animals and he combines all of these into his stories. Sunken Forest was inspired by a real life summer camp he went on when he was 15 at Lake Waikaremoana, a trip that was memorable partly for sparking his interest in geology. The lake was formed during an earthquake landslide that drowned the forest. Standing tree trunks eerily remain there underwater today. Also trapped there are eels which can’t make their way back to sea to migrate to the Pacific islands to lay eggs. Unable to leave, they grow exponentially large.
In Sunken Forest, one such eel befriends Matt, who is sent to boot camp after his father, a boy racer, is sentenced to prison. At camp, Matt has to deal with bullies and getting the blame for things he didn’t do.
In his talk, Des Hunt totally engaged his audience from beginning to end, by which time he had them on the edge of their seats. He cleverly demonstrated the idea of building tension in a story by blowing up a balloon… about to burst at any moment. How do you really build tension in a story? He says: Add conflict and injustice, a disaster and… Pop!… an explosive climax.
While many of those who spoke at the event started writing or drawing as early as their primary school years, surprisingly Des only published his first fiction book when he was about 50 years old but has since written heaps of books. His passion for writing is now so strong that he can’t imagine doing anything else and he hopes to be an author until he dies. This is good news for my young son who was so inspired by Des Hunt’s presentation he immediately went and read Sunken Forest, despite never having independently read a chapter book without pictures in it before. Des certainly inspired him reader to take his reading engagement to a higher level.
It was fantastic to see instant booktalking success in action! Des tours schools doing writing workshops so see if your school can be added to his schedule.
She especially does a lot of research for illustrating the war stories, hiring models and WWI artefacts and taking hundreds of photos to draw from so she could get the details correct. The war stories she works on are “hard to illustrate because they are so sad” but equally she says, they are “really satisfying.” She added: “Sometimes the hardest and most challenging things you work on were the most rewarding.”
This was a sentiment shared by several of the speakers. Getting to a finished product takes times and many drafts! She tries 6 – 10 layouts before she has a rough drawing and after that, a finished painting may take up to 6 hours.
Pollard is a spider expert, lecturing as an adjunct professor at the University of Canterbury and he has been working with spiders for 30 to 40 years. He is interested in telling stories about what spiders get up to and recently worked with WETA Workshop on the impressive display of oversized bugs for the Bug Lab show at Te Papa Museum.
Pollard is an engaging speaker and really brings bugs to life. He told stories (complete with eek-inducing pictures) about the jewel wasp that immobilises and enslaves a cockroach so it can use it as a living nursery, laying its eggs in it to hatch. Ingenious, but gross. We also heard about the clever Japanese honey bees that kill their enemy, the Japanese hornet, by gathering together in a ball around one and quivering – the heat of their buzzing wings stops the wasp from secreting their signal for more wasps to attack them.
Then there’s the insect that looks like a spider, but isn’t, just to scare off predators. After learning all these fun facts, we were left marvelling at the magic of the natural world.
Primary and intermediate students from all over Christchurch lined up to ask lots of questions of the authors and illustrators after they spoke. Here are their inquisitive questions, and answers aimed at inspiring young readers, writers and artists.
What were some of your favourite books (growing up and now) and what writers would you recommend?
An integral part of the New Zealand Book Awards for Children and Young Adults is the HELL Reading Challenge, now in its fourth year. It has been hugely successful in getting kids reading and enjoying the pleasure of stories (and pizza). Kids can pick up their reading challenge cards at Christchurch City Libraries (until December 2017).
From Saturday 12 August to Saturday 2 September at Te Hāpua: Halswell Centre, Tibetan monks will be constructing a sacred cosmogram grain by grain with crushed marble coloured sand, representing a world in perfect harmony. There will be events including public talks and activities for children.
Balance and Harmony: The Creation of a Sand Mandala will open at Te Hāpua: Halswell Centre with a ceremony on Saturday 12 August at 10.30am when the monks will perform a consecration service and pour the first grains of sand after being welcomed by local iwi.
The monks will slowly build up the mandala, labouring over their work for hours at a time as they place one grain of sand after another to realise an intricate symbolic design in vivid colour.
After painstakingly placing the elements of the cosmogram, the grains will be brushed away, signifying the impermanence of all things. This ancient art form was an integral part of Indian Tantric Buddhism.
Explore all the events related to Balance and Harmony: The Creation of a Sand Mandala:
Compassion, love, and patience
Sunday 13th, 20th, 27th August 11am to 12pm Free to attend, no bookings required. The Geshes (monks) will give talks in the library on how to cultivate compassion, love and patience from their training and perspective. This will cover ways to increase wellbeing and reduce internal emotional conflict. Known as the ‘four noble truths’ this will be discussed for practical everyday use, not from a religious perspective.
Inner Harmony and balance Saturday 19th and 26th August 2pm to 3pm Free to attend, no bookings required.
While the Sand Mandala is being created we will be hosting public talks by the Tibetan Monks. The Geshes will talk from their training and perspective on inner harmony and balance.
Children’s Activity: The Creation of a Sand Mandala
Sunday August 20th and 27th 2pm to 3pm Please contact us to secure a place – phone 9417923 or email firstname.lastname@example.org Here is a unique chance to attend a children’s mandala making programme. The Tibetan Monks will draw a lotus flower and children will have the opportunity to use the proper tools to fill it in with sand. There will also be mandalas to colour and iPad mandala apps with library staff. This activity is not suitable for pre-schoolers – to get the most of this activity children must have the motor skills to manipulate the tools. Children must be accompanied by an adult.