Do you find that appealing offerings on TV are rather meagre these days? If so, why not check out Access Video?
Access Video is one of our many eResources. It gives you access to thousands of streaming world-class documentaries, award-winning educational films, and helpful instructional videos on every known subject. The videos can be watched as a whole or just in segments. Some titles even have transcripts so you can read along if your hearing is impaired.
The library has recently added over 100 new titles to this collection. Although most are about some aspect of American life, there are many of interest to those of us Down Under.
They include a group about dance theatre, mainly set in New York, e.g.:
Sosua: Make a Better World, which tells the story of Jewish and Dominican teenagers in New York City’s Washington Heights, who together with the legendary theatre director, Liz Swados, put on a musical about the Dominican rescue of 800 Jews from Hitler’s Germany.
There are also many on important social issues, such as
Loose Change, which challenges the official record of September 11, 2001
Reflections on Media Ethics, which includes in-depth discussions with renowned filmmakers, journalists and academics, and interviews with Noam Chomsky, Albert Maysles, George Stoney, Amy Goodman, Jon Alpert and Mary Warnock
And for the Shakespeare fans or newbies, there is The Tempest (S1), presenting the Bard’s work as an animated masterpiece.
So instead of shaking your head in dismay at what’s on the box, try out Access Video – all you need to access it is your library card number and PIN/password.
I have been a fan of Star Wars for as long as I can remember and a large part of that reason was Princess Leia. Growing up in the 70s and 80s she was, along with Charlies’ Angels, the kind of cute but fearless hero that I longed to be like.
Later in life I came to appreciate Carrie Fisher for her other roles in films like When Harry met Sally, and more recently her brilliantly comic turn as the mother-in-law from Hell in sitcom Catastrophe, but most especially for her writing.
Having been equal parts amused and horrified by her earlier memoir Wishful Drinking*, late last year I placed a hold on her most recent effort, The Princess Diarist. I couldn’t possibly have imagined that by the time the book became available that she would be dead. How could I have? And even worse, that her family would suffer a double tragedy when her mother, Debbie Reynolds, would follow just a couple of days later. I wept unapologetically and over the Christmas period I watched song and dance numbers from Singin’ in the rain on YouTube and moped.
So it was with a somewhat heavy heart that I finally picked up The Princess Diarist and, after steeling myself and making sure a box of tissues was handy, started to read it.
But I barely needed them because, and this is the magic of writing and the author’s voice, Carrie Fisher was alive again on every page. Dripping with acerbic, self-deprecating wit and wordplay, The Princess Diarist was this amazingly comforting fan experience for me.
In case you didn’t know, the book is based on Fisher’s diaries from 1976 during the making of the first Star Wars film. The book is a mix of explanatory set-up of how she came to even been in the movie (or showbiz for that matter) and her observations on that time from a distance of some 40 years, as well as some really fascinating musings on the nature of fame, or at least her very specific version of it. And throughout runs her brutally honest humour and no BS attitude. The main revelation of the book is her on set affair, at the age of nineteen, with her married-with-kids co-star Harrison Ford. She dedicates a whole chapter to it which is, rather delightfully, titled “Carrison”.
You have the eyes of a doe and the balls of a samurai.
(Harrison Ford “breaking character” by saying something heartfelt to Fisher, as they parted company)
The book also includes a section of verbatim entries from the aforementioned diary. In some ways this was my least favourite part, only because it’s written by a rather tortured teenager about her less than satisfying love life and I have unfond memories of writing similarly tortured diary entries when I was the same age. I can immediately understand why it took her 40 years to publish any of it (There is poetry. About Harrison Ford being distant. It’s wonderful/terrible).
Having said that, Fisher’s diaries are much better written than those of the average teenager. She admits to having been rather precocious and the sly humour and clever use of language would read as being written but someone much older… if not for the This Is So Very Important And Deep style of diarying that teenagers of a certain sort are prone to.
So skim through that section, casting grains of salt as you go, would be my advice. But the rest of it is great – an absolute must-read for Princess Leia fans, or just fans of Fisher’s signature snappy rejoinders.
Having got through pretty much the whole book with nary more than a slight moistening of eye, I admit to some small amount of tearfulness upon reading the acknowledgments, primarily due to this passage –
For my mother – for being too stubborn and thoughtful to die. I love you, but that whole emergency, almost dying thing, wasn’t funny. Don’t even THINK about doing it again in any form.
Bow-wowie! Who let the dogs out? The second in the Dog Man series Dog Man Unleashed has just been um, unleashed, and Dog Man is on tour across Christchurch City Libraries.
Dog Man is the newest hero from the creator of Captain Underpants, Dav Pilkey. There’s something fishy in Dog Man Unleashed when Dog Man gets his boss, the Chief of Police, a freaky fish who accidentally ingests ‘supa brain dots’ instead of fish food and masterminds a treasure chests heist. The chief suspect however is Dog Man’s nemesis Petey the criminal cat, who gets taken to jail but manages to slip away by making himself as flat as paper and unfolding some origami outmaneuvers. Things turn a bit keystone cops and the puns are lots of fun (the fish costs “five bucks plus tacks”). And when Petey uses a phone booth, mailbox, newspaper, fax machine and a VCR player as weapons, on-looking kids have no idea what these things even are! Watch out for the Obey Spray and the Love Ray whose powers go awry and things turn a bit Jurassic Bark when Dog Man gets thrown the biggest bone ever. Speaking of paper tricks, Pilkey’s famous Flip-o-rama animated action is back too. (And don’t worry if you haven’t read the previous related books – there’s a quick recap of Dog Man’s genesis at the start).
Parents be warned, as the Chief sums up at the end of the story: “nobody learned anything… there was no atonement… no rebirth… no revelations… and not an ounce of character development or personal growth… it was all just a buncha mindless action and dumb luck” …Perfect! The kids will love it. The silliness in Pilkey’s books is so appealing to young children and his comics make a great ‘gateway’ to reading for kids who struggle with reading. (My son was so taken by Pilkeys ‘Hairy Potty’ character in Captain Underpants that one day he cut out menacing eyes and teeth from paper and taped them onto our toilet seat which gave us all a shock when we went to use the loo).
When Dog Man and Captain Underpants author Dav Pilkey last came to Christchurch a year and half ago, he delivered an inspiring presentation focusing on you can achieve despite learning and behavioural issues such as ADHD and dyslexia, like he had growing up. Dav was keen to point out that learning difficulties are no barrier to being creative or successful. When it was suggested to Dav as a child that he’d have to grow up and couldn’t write silly books the rest of his life, he proved them wrong. In fact, he mentioned many other notable dyslexics from Einstein and Beethoven through to Keira Knightley and Jamie Oliver. Dav’s slogan is: “Reading gives you Superpowers.”
Get into the libraries a grab a selfie with Dog Man himself.
Author of Captain Underpants, Superdiaper Baby and Ook & Gluk
I’m English and grew up on this one. If you enjoyed The Beano in your younger years, or are young now, you’ll get a laugh out of this annual. Many of the classic characters are still there – such as Dennis the Menace (and his dog Gnasher), The Bash Street Kids, Bananaman, Roger the Dodger and Minnie the Minx.
The old favourites look ever so slightly different, as some have been drawn by new artists. The stories are up to date with modern technology, media and language, but the essence of the old Beano remains.
Christchurch City Libraries also hold a really interesting History of The Beano which tells how Gnasher first arrived (then mysteriously disappears) in Beanotown. A must for purists.
And did you know, you can also view the latest weekly issues of The Beano on PressReader? The last three months are available – just sign in with your library card number and password.
South African born comedian Trevor Noah is a terrific talker – let there be no doubt about that. But can he write? Well here’s our chance to find out with his hot-off-the press biography Born a Crime.
Not the first sentence in the book, but right near the start of Chapter 1, is the following sentence:
I was nine years old when my mother threw me out of a moving car.
And the book careens onward from there. It is hilarious, heart-warming, revealing, educational, embarrassing (if you were born white in South Africa when I was), and yes, it is extremely well written.
Trevor Noah is worshipped in South Africa and by South Africans worldwide (I attended one of his shows in Christchurch a couple of years ago). On my recent SA holiday, all over Cape Town and Durban I saw people of all shapes, sizes, ages, colours and genders wearing Trevor Noah Born a Crime Tees. There were even a smattering of Trevor Noah for President shirts – and it is my one holiday regret that I did not buy one!
But he is also internationally known as the host of the award winning Daily Show, and now has his home in New York. If you are one of the few souls yet to hear him at his best, have a listen to this clip on airport announcements. Straight after that you might like to make a list of all the people who would love to find this book in their Christmas stocking, here’s mine:
Mothers and sons – Noah is at his best when he is on this topic;
People who love biographies of the Poor Boy Makes Good ilk;
People who thought they understood South African politics (pause here for hysterical laughter);
South Africans everywhere;
People who like a good laugh – and that’s pretty much all of us.
But, it’s not really a book review if you just love everything, so I have to confide that I hate the title Born A Crime which I don’t believe does the book any favours. Even though Noah references the title on page 26, it just doesn’t work for me.
So, in answer to the question “Can Trevor Noah write?” The answer is a resounding “Yes”. Trevor Noah can indeed walk the talk!
Born a Crime
by Trevor Noah
Published by Hachette New Zealand
As touted on the cover of Spontaneous, this is “A novel about growing up… and blowing up” – and it didn’t disappoint. I love a good YA read and this one caught my attention from the outset as I pondered the outrageous thought of teenagers spontaneously blowing up in front of their classmates.
Initially I felt a bit like I was peeking into a world that wasn’t my own. It was something akin to looking at my daughter’s Facebook or Twitter account and reading things I either didn’t know – or didn’t want to know – about her life. So I take my hat off to Aaron Starmer for realistically getting inside a teenage girl’s head. I might also add that at this point I am fervently hoping that my 15 going on 16 year old daughter’s life bears little resemblance to Mara’s. Hey! – I can live in my happy naïve little world – it’s fun here!
Thankfully this feeling didn’t last and I was pulled in by my need to know ‘why’. Now I won’t say that why kids were blowing up was answered to my satisfaction as the ‘why’ became more of a side story to the ‘how we live with this and don’t let it define us’ one.
Spontaneous takes the reader on a quite personal journey with Mara Carlyle as her classmates start blowing up randomly and her life changes as they all become the centre of much speculation and trepidation from the community and country at large. But what happens when this anomaly doesn’t differentiate between friend or enemy? And how do you stay sane when you don’t know who is going to be next or if you will have to suffer the horror of witnessing yet another classmate spontaneously exploding? This is the challenge that Mara and her graduating class have to work through while trying to hang on to even the smallest amount of normality to keep them grounded.
Now despite the obvious serious aspect of Spontaneous, it is written in quite a light-hearted way. My favourite bit of levity would have to be the ‘hang in there, we’re with you’ pep talk from the President of the United States – I’m still chuckling just thinking about it, so watch out for this one!
I did end up quite enjoying this book but I also think that any teenager will find it infinitely more relateable than I did. There’s plenty of swearing, raging hormones and a distinct lack of need for adult supervision. A teenager’s dream come true, really.
by Aaron Starmer
Published by HarperCollins New Zealand
Who’d have thought the popular award-winning Canadian novelist, poet and short story writer would put out a comic book. I’m amazed.
And Angel Catbird is amazing! Harking back to early comics of the 1940s, this entertaining story has all the elements of the genre. Surviving a near fatal collision with a car, his beloved cat Ding, an owl and a DNA changing serum, our Hero Strig Feleedus is transformed into Angel Catbird. The once-quiet scientist now has a six-pack, owl wings and a cat’s tail and must come to terms with his new abilities. There are some funny scenes as he learns to supress his baser instincts.
Evil villain Dr Muroid; part human, part rat, commands an army of rats he intends to humanise, feminise (eewww), and take over the World! If only he can get his clawed little hands on the formula. Meanwhile, down at Club Catastrophe, Cate Leone prepares for war … Part Femme Fatale and half cat, Margaret wanted Catbird’s a love interest drawn sexy but not gratuitously, as befits a feminist author.
In her introduction Atwood explains that even though she is “a nice literary old lady”, she drew comic book characters as a child and has never stopped; influenced by early comics such as Little Lulu, Mickey Mouse, Rip Kirby, Mary Worth, Marvel and Dick Tracy, and the later political satire of Walt Kelly’s Pogo.
Nature Canada, a cause close to Margaret’s heart, has added the odd footnote to the story – suggestions on how to protect both cats and the environment. The statistics are interesting without lecturing.
I’m hooked and can’t wait for Volume 2 – due out in February 2017.
The lucky winner was Jorja who came along with Casey, Zac (librarian at Halswell School), and me. Jorja also scored a signed copy of Andy’s newest book The 78-storey treehouse (Kia ora Macmillan!)
Jorja’s question was:
What was your inspiration to start writing books?
Andy talked about his time as an English teacher. His students didn’t like books much, so they started making up stories, then photocopying copies and leaving them in other classrooms and the library. Even earlier, as a schoolkid, he drew cartoons for all his friends.
One of the books that inspired him was at his Nana’s place. Heinrich Hoffmann’s Der Struwwelpeter featured scary stories like a girl setting her dress on fire by playing with matches. The stories were funny and totally over the top. His Very Bad Book is based on that book and in it kids do really dangerous things, and their parents give permission … Baaaad parents!
At first the stories did seem weird – but people didn’t realise how weird their senses of humour are! Andy writes with the philosophy “I think this is funny – hopefully lots of people agree with me”.
I am interested in unusual ways of looking at things.
Advice for young writers
I’ve never personally eaten a dead fly.
But someone’s dog did just that during a piano lesson, so it slipped into one of Andy’s stories. “Little details are really fun”.
His top tips for aspiring writers:
Read a lot of books.
Get your own notebook and write in each day. 3 to 4 minutes, then build up to hours. It’s the same as training for a sport. Practice!
Write out chapters of books that you love. This will give you insight into how a story is made. Imitate – get better at making it up.
Learn to touch type.
Andy has a collection of first lines and reckons a lot of work goes into the first line. Except in the Treehouse, where it’s always Andy addressing the audience. A bit like Roald Dahl and Enid Blyton.
Andy’s a fan of Tristam Shandy by Laurence Sterne – a black page, a white page, a marbled page … and as Jorja found out – a BLAM! and a KABLAM! page.
Thanks to all of you who entered, and all the Mums, Dads, caregivers and teachers who helped. There were so many great entries – here are some questions you had for Andy Griffiths:
Did you have a tree house when you were a kid?
What is the most important piece of advice you would give to an 8 year old boy that loves to write?
Hello, my son Thomas would ask Andy Griffith if he could tell us about any tree house stories there will be in the 91 storey tree house. His idea is to have a bungy jumping level at the top of the tree : )
My seven year old daughter would ask how old he is. I would ask if he liked to write stories at school and what did the teachers think of them?
My son Freddie would ask why is your sense of Humour so weird? Lol I would ask him at what age did he realise he wanted to be an author or at least thought about it and what a fab movie his books would makes.
My question for Andy would be: if you hadn’t become an author, what other career would you have chosen?
“will there be a 91-Storey Treehouse?”
(He pestered the book store daily while waiting for the 78-Storey Treehouse to arrive!) Mac
I have read all your bad and treehouse books! You are very naughty, but I do have a question! Why do you always use the number 13 in your treehouse books?
How come you involve Jill Griffiths but not your daughters? (:
with great respect, osher
My question is Have you ever actually made a treehouse, and if you have what was in it?
I would ask Andy if he would add a slide to his treehouse that could take you to different countries.
I would ask Andy if he would extend his treehouse to have a level to attract aliens so we could study them and have marshmallow eating competitions.
To Mr Andy Griffiths:
You write great stories but are you any good at drawing?
aNdy, is all your stuff in your books real? tHomas aged 10
tHis is the best I could get out of Thomas, he is reading so his nose is in his pile of books. mUm and Dad have the tv muted, peace and quiet. his friend Alex has your latest book.
Elsie (8 years old-budding author)…..wants to know” What is it like to be an author?”
It seems apt to be writing about American cartoonist Raina Telgemeier’s latest graphic novel Ghosts (released September 2016) after a night or two of ‘dark and stormy’ wild weather across the country. I lay in bed snuggled up with my children to keep warm, making up spooky stories to tell them as the wind lashed the trees. It was the kind of weather that gets one imagining something eerie in the air… like ghosts, perhaps.
Ghosts is a little bit different from Raina’s previous, award-winning, autobiographical graphic novels Smile (2010) and Sisters (2014). For fans expecting another story from her real life, she points out this is her first true fiction story “not at all based on real stuff.”
However it does similarly revolve around two sisters:
Eleven-year-old Catrina and her family are moving to the small coastal town of Bahía de la Luna because her younger sister, Maya, is sick. Cat isn’t happy about leaving her friends, but she tries not to complain because she knows Maya will benefit from the clean, cool air that blows in from the sea. As the girls settle in, they learn there’s something a little spooky about their new town…
Have a peek at an excerpt of Ghosts set in the missions of foggy northern California and during the Day of the Dead (Día de los Muertos).
Raina’s illustrated stories of her life growing up appeal to 7, 17 and 37 year-olds alike. I thought it was curious that my copy of Raina’s book Smile had gone missing from my bedside table one night and when I went to check on my young son, supposedly asleep in bed, I found he had taken it and was totally absorbed and asking for more – I suspect it was the smiley face on the cover that attracted him. He quickly became a big fan of Raina’s despite the content of her books being from a female perspective and about sisterhood and female friendships. This is a great reminder not to gender stereotype readers’ interests.
Moreover, graphic novels are a great hook for reluctant readers. I like to think of Raina’s comics as ‘gateway graphic novels’ and wanted to meet Raina partly just to thank her for really igniting my son’s reading. I also blame Raina for my son wanting a pet fish (her fish poo scene had him in hysterics) as well as his first iPod for his birthday (just like her character in Sisters, although in her case it was a cassette player, being the 1980s). Happy Birthday son – you’re also getting Ghosts for your birthday too!
Raina’s talk at the IBBY Congress My life as a Comic and Comics are my life
The title of Raina’s talk at the IBBY Congress My Life as a Comic and Comics are My Life highlights how interchangeable these two aspects are for her. Indira Neville, from the National Library of New Zealand in Auckland – and a cartoonist in her own right – introduced Raina by acknowledging her impact on making a greater space for women in comics. Raina then talked about her influences on her comic-making as a child.
Raina shared her early influences and inspirations as a child growing up in the 1980s in America (like me) such as the Care Bears, the Smurfs, Strawberry Shortcake and Scooby Doo cartoons. Perhaps a reminder not to write off children’s seemingly vacuous television viewing. She was talking about my childhood too! She also highly rates the comic series Calvin & Hobbes by Bill Waterson and Bone by Jeff Smith as both being important in her becoming a cartoonist.
Raina was also a huge fan of realistic fiction such as that of Judy Blume and of Beverly Cleary and her stories of sisters Beezus and Ramona. Raina was interested in what kids her age were doing and was enamoured with For Better and for Worse by Lynn Johnston – in this comic strip the characters grew up every year alongside her and her family in real life so they felt like friends or neighbours to Raina and for her, lives blurred between reality and comics – much like her own work does.
A seminal comic she received was from her father, Barefoot Gen by Keiji Nakazawa, which ends with the atomic bombing of Hiroshima. She said she cried for two days after the ending and was fascinated with how “comics can make you feel a huge emotional response” – this resonated with her from a young age. She credits Barefoot Gen with waking her up to the power of storytelling.
“Comics can make you feel a huge emotional response.”
Another spark was a 1st grade teacher who set a year long assignment of diary writing where the teacher would write back and forth to the students in diaries they were keeping. Raina helped illustrate her school annuals and yearbooks and she kept an illustrated journal all through school and college, drawing her day in a visual diary. She still keeps a weekly comic diary. She says “all my influences get chucked into a blender and what comes out is my own original work.”
Raised in San Francisco, Raina went to the School of Visual Arts in New York, “having been enamoured with the city due to shows like Sesame Street”, and there she studied illustration and comic-making. She made mini-comics “back in the pre-internet days” and distributed about 7,000 copies of her her mini-comic ‘Take-out’ (7 issues, 12-pages black and white). She sold them for a whopping $1 a piece and would be thrilled when she received a cheque for $2.50 for selling a few comics. Her advice at the conference on how to get good at drawing comics? “Trace and copy is a great way to learn how to make shapes.” Simple as that.
Raina frequented comic conventions to promote her work and was approached at one by Scholastic Book Group, who were kicking off Graphix – an imprint of Scholastic. Raina had only done short comics up to that point so wasn’t sure what to do for a larger book so they asked her what she really liked reading herself as a kid. Answer: The Baby-Sitters Club by Ann M. Martin, which just happened to be in Scholastic stable of books and wow, two weeks later she had a book contract to illustrate the beloved series. She lifts the dialogue straight from the books and each of the four books took a year to make. Initially in black and white they have been reprinted in colour and since then have been on the New York Times Best Sellers list (colour sells!) She says she can see herself across several characters in The Baby-Sitter’s Club but Kristy is her favourite and of course the character in her comics she can relate to the most is herself… She went on to write and illustrate several graphic novels about her experiences growing up, also published by Scholastic.
Warning: Contains graphic content (of a dental nature) Smile (2010) depicts the aftermath of an incident that led to Raina having her teeth reconstructed between the ages of 11-15, after falling over and damaging her permanent front teeth. This was a very self-conscious time of life and her graphic novel lays bare these awkward years and the accompanying bullying as well. There is something innocent and wholesome about Raina’s stories and she comes across as cheerful but there were certainly no smiles when she presented a photo in her talk of her gruesome dental files from this time period. Set in the time covering the 1989 Loma Prieta earthquake in San Francisco, Raina says in Smile: “I survived a major earthquake. I guess in the grand scheme of things losing a couple of teeth isn’t the end of the world.”
Sisters (2014) was based on one panel in Smile about a family road trip and delves into the relationship with her younger sister Amara and wider family dynamics many readers will relate to.
Raina can’t wait to be a big sister. But once Amara is born, things aren’t quite how she expected them to be. Amara is cute, but she’s also a cranky, grouchy baby, and mostly prefers to play by herself. Their relationship doesn’t improve much over the years, but when a baby brother enters the picture and later, when something doesn’t seem right between their parents, they realize they must figure out how to get along. They are sisters, after all…
Present-day narrative and perfectly placed flashbacks tell the story of her relationship with her sister, which unfolds during the course of a road trip from their home in San Francisco to a family reunion in Colorado.
What’s the drama with Drama?
After the dramas in Smile came the real Drama (2012). Set in middle school years, partly Raina’s intent with Drama was to honour the technical people who do the work behind the scenes in school drama and stage productions (as opposed to the select few who make it on stage). Drama is a homage to these friendships and the camaraderie that occurs between them. In the story are twin boys who are gay, just like her best friends were at school. On the controversy of having young gay students depicted in Drama, she says she is pleased Scholastic backed her and notes her based-on-a-true story graphic novel is actually indicative of the real world compared to fantasy-driven comics which get less questioned. Moreover she says:
“I hear from kids thanking me for validating their existence.”
This I think is the essence of what makes her work so popular among readers young and old alike – they can find themselves in her stories: in the sibling spats, in the humiliating experiences, negotiating friendships and in the minutiae of school and home life.
What other comics and books does Raina recommend for readers who love her graphic novels?
She gave special mention in her presentation to: El Deafo (2014) by Cece Bell Raina rates it as: “The best middle grade memoir about hearing loss you will ever read.” Okay, it may be the only one. Roller Girl (2015) by Victoria Jamieson. A graphic novel adventure about a girl who discovers roller derby right as she and her best friend are growing apart. Sunny Side Up (2015) by Jennifer L. Holm & Matthew Holm. From the brother-and-sister creators of Babymouse, Sunny Side Up follows the lives of kids whose older brother’s delinquent behaviour has thrown their family into chaos.
Can Kiwi writers do comedy? New Zealand writers are repeatedly told that their work is too dark, too serious. Is this true? Three local writers got together at this event to tickle this topic. Here’s what emerged:
Damien read from his novel Dad Art – in his words ‘a mid-life crisis book about a basically contented life with a pulsing vein of anxiety’ – and it was funny. Not in a here’s-a-funny-joke way, but in subtle observations that make you think ‘I know someone exactly like that’ (and it may even be me). His excerpt was an account of a motley crew in a Te Reo class. Think I recognised myself there! Damien feels that one of the ways that comedy works in fiction is through structure, that is repeated references within the story. A sort of insider knowledge type of humour, one in which he has ‘created echoes’.
Danyl read from his novel Mysterious Mysteries of the Aro Valley. Set in the Aro valley near Wellington, Danyl researches his novels very carefully – after all he knows people who live there. When asked if readers take offence at some of his observations, he replied that what seemed to offend them most was if he altered the geography in any way! He’s a big believer in writing funny stuff in, thinking it is fantastic and then removing most of it on the next reading. Definitely a ‘less is more’ approach to comedy in writing. He also likes to make fun of conventional wisdom but feels that makes his humour unpalatable to the ‘cultural gatekeepers’.
Robert (call me Bob) was all set to read from his latest work Please Do Not Disturb, but had brought the wrong book. By this stage we were nicely warmed up so we all thought that was hilarious. Instead he read from Terms and Conditions – his novel on being a Corporate Lawyer. In this book the devil is in the detail. He calls himself ‘the devil’s ghost writer’. His advice to readers is – always read the small print! He loves the act of writing but says that self-editing ‘is like performing an autopsy on yourself’. Bob finds tackling topics from weird angles can be funny. He also writes what he likes. You are always going to offend someone in his opinion. If that’s a worry to you, you’re in the wrong job.
They all hated the title given to this festival event – Tickled Fiction, finding it childish, shallow and borderline pervy. Put on the spot in question time Bob said he liked ‘You Write Funny’ as an alternative.