eMagazines for your weekend – RBDigital Magazines

Here are a dozen fresh eMagazines hot off the press from RBDigital Magazines. Perfect for a spot of weekend reading – on your laptop, desktop, phone, tablet …

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  1. British Vogue (includes great interview with Salman Rushdie – apparently he was great buddies with Carrie Fisher)
  2. Vanity Fair
  3. New Zealand Listener
  4. Woman’s Day
  5. Hello!
  6. Grazia
  7. Nadia
  8. All about history
  9. All about space
  10. The Economist [U.S. edition]
  11. Home
  12. F1 Racing

eMagazines for your weekend – RBDigital Magazines

Here is a baker’s dozen of titles hot off the press from RBDigital Magazines. Perfect for a spot of weekend reading – on your laptop, desktop, phone, tablet …:

Cover Cover Cover Cover Cover Cover Cover Cover Cover Cover Cover

 

  1. Apple Magazine
  2. Vanity Fair
  3. Big League
  4. Evo
  5. Bon Appetit
  6. British Vogue
  7. New Zealand Listener
  8. Woman’s Day
  9. North and South
  10. Q
  11. Hello!
  12. Grazia
  13. Philosophy now

Podcast – Art and social responsibility

Speak Up Kōrerotia logoChristchurch City Libraries blog hosts a series of regular podcasts from specialist human rights radio show Speak up – Kōrerotia. This show is created by Sally Carlton.

The role of art and artists in raising awareness of social and political issues – show recorded live at Christchurch’s CoCA (Centre of Contemporary Art) with artist Ruth Watson (whose exhibition Geophagy prompted the topic), art curator Jennifer Shields, socialist feminist Sionainn Byrnes and environmental activist Alice Ridley of Saikuru.

Topics covered include:

  • Setting the scene: The Geophagy exhibition
  • What is and who holds social responsibility?
  • Limits to the influence of art – art within the gallery or in the public sphere
  • Corporations and sponsoring art
  • How can art encourage social responsibility?

Transcript – Art and social responsibility

Find out more in our collection

Cover of The conscience economy: How A Mass Movement for Good Is Great for Business Cover of The responsibility revolution: How the Next Generation of Businesses Will Win Cover of Slow fashion: Aesthetics Meets Ethics Cover of Ethics and the Consumer Cover of Clothing poverty Cover of Dying for a bargain Ecopreneuring Cover of Sustainability made simple

More about Speak up – Kōrerotia

The show is also available on the following platforms:

Charles Nicholas Oates and his motor-car: Picturing Canterbury

Charles Nicholas Oates (1853?-1938) and his motor-car. File Reference CCL Photo Collection 22, Img00797.

Charles Nicholas Oates (1853?-1938) and his motor-car [1901].

“The passengers are Mr P Denton, Mr N. Oates and two of his children”. Mr Oates owned Zealandia Cycle Works, which later became Oates & Lowry & Co. He imported this car into New Zealand. It was a “small-type, fitted with solid tyres, and driven by the Benz system”, The Canterbury Times, 5 June 1901, p. 24-25 (see our newspaper holdings page for information on where to access this issue). This article also lists the seven motor vehicles in Canterbury in 1901. See also The veteran years of New Zealand motoring by Pam MacLean & Brian Joyce.

Do you have any photographs of historic transport in Christchurch and Canterbury? If so, feel free to contribute to our collection.

Kete Christchurch is a collection of photographs and stories about Christchurch and Canterbury, past and present. Anyone can join and contribute.

Mutton chops and door knockers, face fungus and designer stubble – Lucinda Hawksley at the Christchurch Art Gallery, WORD Christchurch

Having sported a beard of varying bushiness for many years, I have a longstanding interest in facial hair, so I was delighted to discover that this was the topic of a talk by Lucinda Hawksley at the Christchurch Art Gallery on Sunday, presented by WORD Christchurch. On a rainy Canterbury afternoon an audience of bearded and un-bearded alike almost filled the Art Gallery’s auditorium to hear all about the fascinating history of facial hair from ancient Mesopotamia to the modern hipster, and all points in between.

Using pictures mostly taken from the National Portrait Gallery, Lucinda’s fascinating talk focused mostly on European examples, but we also heard about how dangerous and painful it must have been to have your face shaved in ancient Egypt (apparently they used sharp flints and mussel shells, risking nasty cuts and blood poisoning), and how the ancient Egyptians liked to be buried wearing false beards (women and babies included!). Since then beards have fallen, periodically, in and out of fashion. Initially popular in Ancient Greece (where they implied high status and masculine beauty), but less so in Ancient Rome, they lost favour after Alexander The Great insisted that his soldiers should be clean shaven. Throughout history, beards have been associated with barbarians, although the often cited etymological link between them appears to be less clear cut. In medieval times, suits of armour were often designed to accommodate the long and luxuriously flowing facial hair that was common at the time.

As Lucinda’s talk entered the early modern era, the focus switched to British beards, and we discovered the astonishing fact that periods when beards were in highest fashion seem to coincide with female monarchs. The reigns of Queens Elizabeth I, Victoria, and Elizabeth II were all times when beards flourished, and in the first two cases, the subsequent ascension of a King to the throne resulted in an immediate and rapid decline in facial hair. Interestingly, more recently, men have grown longer beards at times when women’s rights movements have been particularly strong (e.g. women’s suffrage in the late Victorian period, women’s lib in the 1960s, etc.).

Lucinda’s talk was richly illustrated with portraits of famously bearded men from the extremely fashionable, and much emulated, pencil-thin moustache of Lord Byron, (which would appear again in the 20th century as the Hollywood moustache of Clark Gable, Erroll Flynn, and others), to the sumptuous sideburns of Charles James Napier, the extraordinary neck-beard of Robert Browning, and the familiar “door knocker” beard of Charles Dickens (Lucinda’s great-great-great-grandfather, who started his foray into facial hair by entering a moustache-growing competition and then got hooked, despite his family’s protestations). We are also shown the glorious mutton chops of Dickens’s illustrator, George Cruikshank. (Apparently Charles Darwin replaced Dickens on the British £10 note because his beard is more difficult to forge.) We also learned the different outcomes that being a bearded women can bring, depending on the times, from ruthless exploitation as a freak (Barbara Urselin), to admiration as an unusual sex symbol (Annie Jones).

The greatest flourishing of the beard came in the late Victorian period after soldiers returned from the Crimean War with large beards necessitated by the extreme cold and lack of shaving facilities, making beards a mark of the hero. Coinciding with the women’s suffrage movement, this beard craze affected all levels of society, and for the first time facial hair was no longer a signifier of class. (Prior to the invention of the safety razor, regular shaves were largely the preserve of the well-heeled). During this era, barbers had a hard time of it and had to come up with inventive ways of making a living, with aggressive marketing of hair dyes and oils, leading to advent of the antimacassar.

By Edwardian times the beard had all but gone, with the novelist Frank Richardson labelling it “face fungus”, and the final death knell came with World War I and the need for close-fitting gas masks. Despite some notable exceptions, e.g. Salvador Dali (“the most famous moustache in history”), and the Handlebar Club (founded in 1947 and still going strong, requiring the growth of a moustache with “graspable extremities”), facial hair was largely gone until the 1960s when it reappeared with the hippy movement and again, as history repeated itself one more time, was correlated with a period of women’s lib. We were finally brought up to date via Tom Selleck’s moustache, and the designer stubble of the 1980s, to the recent hipster beard and the controversy surrounding Conchita Wurst. The audience were captivated by these tales of the hirsute, and the hour seemed to fly by. Lucinda has a real gift for storytelling and there is so much more to learn about the history of facial hair in her recent book “Moustaches, Whiskers & Beards”, on which her talk was based.

CoverMoustaches, Whiskers & Beards

(Not that’s not Rasputin on the cover, in fact it’s a young George Bernard Shaw, someone we’re more used to seeing depicted in old age.)

If facial hair isn’t your thing (perhaps you have pogonophobia?), Lucinda has written many other books on an impressively wide range of other topics.

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For more fun with beards, the library has all sorts of great stuff including a graphic novel about a “Gigantic Beard That Was Evil”, manuals on how to grow a handsome beard, and even a couple of children’s books.

See also:

The many confusions of a new year

At the start of every new year I feel a certain sense of confusion. How will this year be for me? How will I be for this year? I feel very receptive to signs and portents at this time. Here’s what I’ve garnered so far:

Breakfast is a Dangerous MealWhat will I eat? Not breakfast as it turns out! The very latest foodsy trend knocks on the head the old notion that brekkie is the most important meal of the day, and does so with one of the cleverest cover designs so far this year! Terence Kealey’s Breakfast is a Dangerous Meal is a very well researched diatribe against early morning eating for diabetics, the overweight and those with blood pressure problems. How does he cope? “On waking I resort to a strong cup of black coffee; then I go for a run, a swim or a cycle ride. It helps that I have a job that I love.” Oh and Kay.

Goodbye ThingsWhat will I do? More tidying I’m afraid. Goodbye Things by Fumio Sasaki (who is quick to point out that he is no Marie Kondo) is just a regular messy guy who changed his life by getting rid of absolutely everything he did not need. The effects were remarkable: “Sasaki gained true freedom, new focus, and a real sense of gratitude for everything around him.” Sounds good – and there is no folding of clothing required.  If you can’t handle that, try Bohemian Residence instead which bills itself as being witty with: “lavish possibilities for contemporary city living”. There’s something about that word “lavish” that fairly screams “Bring Me My Eggs Benedict Now!”

I actually Wore ThisWhat shall I wear? Years ago I loved Trinnie and Susannah because they helped us work out what to wear by ruthlessly telling us what not to wear (everything we had in our wardrobes, as it turned out). I Actually Wore This (Clothes We Can’t Believe We Bought) is a happy reminder of that time in my life. Arty types and fashionistas reveal those items they bought and then never wore (or hardly ever). It is comforting to realise that we have all done this – bought an item for a New Year’s do, worn it once, then only dragged it out again as a kind of fancy dress item for Halloween. This book is visually pleasing and very wittily written. I now know that I must NEVER AGAIN be tempted by ethnic clothing while on vacation to exotic shores.

So there you have it: the all new, possibly snappy (no brekkie) 2018 Roberta. Neat and tidy, but whatever is that she is wearing?

Happy New Year!

Bathing beauties at Corsair Bay about 1920: Christchurch Photo Hunt 2017

Photo Hunt 2017: Plains, Port Hills & Peninsula – Finding our way

This year the theme for Photo Hunt is Plains, Port Hills & Peninsula – Finding our way. However, the photos you submit are not limited to this theme. We invite you to share any of your photos and help grow the city’s photographic archive. All entries must be received by 31 October.

Christchurch City Libraries has produced a set of four postcards promoting the competition which are available from your local library. Each week during October we’ll be featuring one of the postcard images on our blog.

Bathing beauties at Corsair Bay about 1920. Kete Christchurch. PH13-127. Entry in the 2013 Christchurch City Libraries Photo Hunt. Licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 New Zealand License.

Bathing beauties at Corsair Bay about 1920. Neck to knee bathing costumes and what looks like a shower cap for a bathing cap. Mother and daughter Alice and Venis with two cousins.

Entry in the 2013 Christchurch City Libraries Photo Hunt.

About Kete Christchurch

Kete Christchurch is a collection of photographs and stories about Christchurch and Canterbury, past and present. Anyone can join and contribute.

The interior of a clothing factory: Picturing Canterbury

The interior of a clothing factory [1909]. File Reference CCL PhotoCD 9, IMG0012.
The interior of a clothing factory. The people standing at the end of the middle tables are operating irons.

Date: 1909.

Do you have any photographs of factories in Canterbury? If so, feel free to contribute to our collection.

Kete Christchurch is a collection of photographs and stories about Christchurch and Canterbury, past and present. Anyone can join and contribute.

Kōrerorero mai – Join the conversation

Two Young Women: Picturing Canterbury

Two Young Women. Kete Christchurch. PH14-097. Entry in the 2014 Christchurch City Libraries Photo Hunt by Glyn Williams. Licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 New Zealand License.

Unknown subjects. Photo reproduced from a glass negative by Glyn Williams.

Date: 1910s

Entry in the 2014 Christchurch City Libraries Photo Hunt by Glyn Williams.

Kete Christchurch is a collection of photographs and stories about Christchurch and Canterbury, past and present. Anyone can join and contribute.

Do you know who these two subjects might be? If so, feel free to contribute by letting us know.

Podcast – Ethical supply chains

Speak Up Kōrerotia logoChristchurch City Libraries blog hosts a series of regular podcasts from specialist human rights radio show Speak up – Kōrerotia. This show is created by Sally Carlton.

Ethical supply chains is an important issue in today’s consumption-driven world (and related to the last episode Human Trafficking). To debate the issue, Sally is joined in the studio by Jeff Ward (Liminal Apparel​) and Natalie Baird (Christchurch Trade Aid and University of Canterbury​) with David Capperauld (Child Labor Free) on the phone. Talking points include –

  • consumer responsibility
  • corporate responsibility
  • consumer habits in today’s society (people want things cheap and fast)
  • fair trade
  • Fairtrade Fortnight (4-17 Aug)
  • mechanisms for ‘verifying’ or auditing ethical supply chains
  • benefits to producers and their communities, to businesses, and to consumers, of buying from ethical companies

Transcript – Ethical supply chains

Find out more in our collection

Cover of Ethics and the Consumer Cover of Fighting the banana wars Cover of The No-nonsense Guide to Fair Trade Cover of The fair trade revolution Cover of Unfair trade Cover of Slow fashion: Aesthetics Meets Ethics Cover of Invisible Hands Voices From the Global Economy Cover of Working Ethically-- on A Shoestring Creating A Sustainable Business Without Breaking the Bank Cover of Consumer republic Cover of Megatrends 2010 The Rise of Conscious Capitalism Cover of The conscience economy: How A Mass Movement for Good Is Great for Business Cover of The responsibility revolution: How the Next Generation of Businesses Will Win

More about Speak up – Kōrerotia

The show is also available on the following platforms: