Using fascinating art images he regaled the audience with stories of artists’ forced migrations here fleeing from Nazism, communist countries or displacement after the Second World War. Making connections between displacement and creativity he follows the journey of photographers, architects, sculptors, writers, painters and other artists, the places these artists connected with each other, and and their influence on emerging New Zealand artists.
He also discussed the reception they received from general society and the inspiration they were to some local artists such as Colin McCahon. They brought with them modern styles of art unseen here which in turn changed the local art scene forever. We owe a lot to these artists.
Yes, you could shell out over $100 to buy that enormous, spectacularly illustrated coffee-table-worthy publication you saw at Whitcoulls. Alternatively, you could use your free library membership to borrow one of Christchurch City Libraries’ own gorgeous, larger-than-life tomes. What is more, your coffee table can play proud host to a different book each month! Paris this week, Hieronymus Bosch the next…never again will you have to stare at the same photographs of wild bears for years on end because you were a poor student and could only afford the one, heavily discounted, over-sized ‘Spirit of the Bears’ from Borders (RIP).
A thoughtfully selected coffee table book can add that much needed pop of colour to a room. It can also provide an excellent conversation reviver, or swiftly become an effective weapon. There is a coffee table publication for you, whatever your requirements.
Here are some of our biggest and best (click on an image to find out more).
Just be sure to clear out some room in your boot first.
Places that maps can’t confine or identify, Utopias, pieces of land in the middle of a highway, political places and cyberplaces. Written by the author of Off the Map, this book is hard to define but easy to read. Each chapter is short, creative writing about places that defy definition in the normal scheme of things. Makes you look at the notion of Place in an entirely different way.
Perhaps you are a child of the 50s and 60s, or you just love the design from this era? Better Homes and Gardens presents the new decorating bible for those favouring that wonderful mid-century design sensibility. Crammed full of original designs, plans, colours, design and advertising. Great for ideas but also wonderful just to ponder times past.
I love cute dog photos, (I blame Facebook for this), and luckily Really Good Dog photography has plenty of them, but what has been surprising (and in a good way) is the depth of the photos and the accompanying essays. These are no ordinary pictures, they tell a story both about the dog and the photographers. Many are startlingly beautiful, some fit the cute variety and others are just wonderful photographs with a dog almost there by chance. All tell a story and this is a great book for those who love dogs but also for those who are interested in photography.
Holidays in the USSR were decidedly purposeful. Their function was to provide rest and recreation, so citizens could return to work with renewed diligence and productivity
So, no lounging by the pool or sipping a pinacolada for these folk then? The sanitoriums turned out to be a cross between a medical institution and a form of summer camp, complete with exercise regimes, edifying and educational talks, and strictly healthy but bland diets.
Many of these institutions have closed, some have become more like the western ideal of a spa complete with mud wraps and the like, while others have maintained their strict adherence to alternative forms of physical therapy. For a fee, you can soak in crude oil, be wrapped in paraffin, wax, endure electrotherapy – or for the really adventurous, spend your summer vacation in a salt mine breathing in the pure minerals and sharing a curtained off dormitory area metres underground.
As well as the information about the therapies available, there is also fascinating insight into the architecture of the time with photographs alongside the interesting stories of the healing properties meted out in these unique institutions.
I nearly always judge a book by its cover, it is an enticement…a taste of things to come, but I sometimes find myself wondering if I have read a particular book as so many of the more recent book covers look very alike.
The covers in the era 1920-1970 were works of art in their own right. Representing a variety of art styles from Art Deco, Modernism, postwar neo-romanticism and the intriguingly named Kitchen Sink School (Wikipedia tells me a form of social realism depicting the situations of the British working class), this book includes over 50 artists mainly from the US and the UK. It is beautifully put together by the publishers Thames and Hudson and is a lovely book to dip into, both to read about the artists and to admire the beauty and detail of the covers.
The collaboration between the writer A.A Milne and illustrator E.H. Shepard was unheard of at the time, and led to an iconic series of books where story and illustration became synonymous with our enjoyment of Pooh, Piglet, Christopher Robin, Eeyore, Tigger, Rabbit, owl, Kanga and Roo. This is a lovely book of whimsy and memory, including examples of how the illustrations developed, descriptions of the life and family of Shepard and his relationship with A.A. Milne.
Bothies were originally built as rudimentary accommodation for bachelor farm workers, and the vast majority of them were abandoned but have now been renovated by the Scottish Bothies Association. They are randomly found across Scotland, are free, and often nowhere near attractions or national parks, however the nature of their existence and local make them an attraction in themselves. These are not luxury 5 star huts, they are basic…”the two low benches can be edged towards the hearth, but there is a strange absence of chairs”. “Not available during stag stalking”. “No stove or fireplace” or “bring your own fuel”. The views, landscape and the sheer out-of-the-way nature of these places however make up for the lack of home comforts. Detailed descriptions of how to find them are included along with beautiful photographs of the hut and surrounding areas.
Coal, a yellow Labrador retriever is owned by Interior Designer Jeffrey Alan Marks.
“Coal travels with me a great deal, so her things are held in a navy leather tote bag that matches not only the car but also the navy leash I designed for her”
The dogs in this books live a charmed life, surrounded by opulent furniture, luxurious soft coverings and well clad owners. They generally tone in well with surroundings and exude a certain smugness as they lounge beside their owners. If you have a love of dogs and good interior design then this book will certainly not disappoint.
The author puts herself somewhere between the age of 80 and 100, so death is not an abstract idea, but she stresses that this is not a sad book. Certainly clearing away all that clutter accumulated over a long life, alongside making decisions about the precious to alleviate family arguments, and perhaps dealing with things that you would rather people didn’t pore over after your demise is not a bad idea. These are all practical suggestions, but this odd little book is as much about ideas on how to declutter as a memory of a life well lived.
In complete contrast to decluttering is an ode to the past, a collection of beautiful objects with memories attached, this little book is a celebration of the everyday. It is a mixture of history and art with beautifully painted renditions of old china and ceramics that the author remembers from her childhood, alongside family stories and interesting detail about some of the history behind these beloved pieces.
This is a book that celebrates the food of nineteenth century England and includes many of the dishes described in the books of Charles Dickens, including recipes and detail about the history of the time. Pete Evans of Paleo fame would no doubt enjoy Bone Marrow pudding, (apparently Queen Victoria had bone marrow every day so he is in good company), however French plums appealed more to me, alongside a good Leicestershire pork pie featured in Great Expectations. Many of the recipes are surprisingly appealing and are made even more interesting with a good dash of history and an even measure of literature.
The bare walls of our busted city are a canvas for something beautiful. Since the earthquakes, a lot of us think: “Christchurch street art is ka rawe”. Here’s a mere sample of what is happening right now:
Superlot 9 is opening on 2 December at 122 Lichfield Street and is going to have street art bedecking giant spraycans.
Fiksate Gallery in New Brighton has an exhibition of street art, illustration and urban contemporary art on until 17 December.
YMCA Christchurch in association with PAINT (Pushing Art in New Zealand Trust) presents Street Prints Otautahi 2017. Large scale murals will be painted in the central city, New Brighton and Lyttelton, plus there’s a range of events and activities for all ages between 21 December and 29 December.
Street art can be ephemeral, as murals are painted over, blocked out, or the building canvas demolished. But there is a particular little leap of happiness in the heart when you spot something happening. It’s a buzz. Our street art is tied up with memories and possibilities, and with hope. I spoke to Lindsay Chan who since 2015 has been playing an important role documenting Ōtautahi’s street art and facilitating new artworks via the website Watch this space:
Why do you think Christchurch has become such a street art hub?
Christchurch always had talented muralists and graffiti artists, but it was the earthquakes that brought their talents to the forefront. The city became a blank canvas with empty buildings and buildings waiting to be torn down. George Shaw from Oi! YOU together with the Canterbury Museum and then the YMCA brought in internationally renowned artists to paint large-scale murals across the CBD. Combined with the amazing local talent and visiting international artists keen to make the most of the post earthquake landscape, Christchurch started making a name for itself in the international street art scene. Did you know it has its own chapter dedicated to Christchurch in Lonely Planet’s first ever street art dedicated guidebook, Street Art ?
How did Watch this Space get started?
When I moved to Christchurch a few years ago, I went on one of Frocks on Bikes free bike tours. That day they showed us around the different street art works. I was surprised to see all this amazing art work in the very city that I live in and bike through all the time. The bike leaders pointed out so many different art works that I had never noticed. I asked Connie, the leader from Frocks on Bikes, how she had decided the route, and she said it was actually quite a lot of work because none of the information was centralized. It was scattered across individual newspaper articles and maps were often incomplete and not kept up to date. Not to mention, Frocks on Bikes is a group of volunteers, so I thought it was a bit crazy that she ended up having to go through various newspaper articles and websites to decide a route and find out the details of each artist and work.
I work in geospatial information systems (GIS). We make maps and visualize data. We take number data and put them into an easy to understand format, usually into maps. I’m always looking for ways to learn new skills and thought this could be a great opportunity to put my skill set to use with something I’m really interested in – street art and create a resource that can be used now by the city and as a legacy item once the city is fully rebuilt.
What does your role involve day-to-day?
Well, my “real” job is working as a geospatial analyst at the Department of Conservation (DOC). I do Watch This Space stuff outside my regular work hours and have gotten others involved too because we think it’s something the city and the visitors to the city need. We are now a charitable trust and have five trustees who are a big help with sharing the day-to-day duties.
Day-to-day, we try to keep up to date with where the latest murals and graffiti are coming up in town and share that through our website and social media so other people can know about it too. We take photos, research the artists, chase down funding, and meet with all kinds of different people to try and convince them that the graffiti and murals in Christchurch are truly amazing and something that the city needs to make space for in “new” Christchurch.
Do you have any favourite artworks in town?
That’s a hard one Donna. I have many favourites. One of the things that draws me to graffiti and murals is the stories behind each of these. I like the paste up of Tony Fomison and the tags that cover it. This one is located on the corner of Manchester and High. The paste up was put up after the earthquakes as part of Christchurch Art Gallery’s Outer Spaces project, but they put it over a tag. Later that artist came back to mark his territory and tagged over the paste up. I think it’s a great dialogue between outdoor and indoor art and the different forms of art that exist in Christchurch.
My other favourite was a portrait of Ikarus by Wongi . It was on the corner of Manchester and Welles. I like how graffiti is something friends go out to do together. I think it’s even cooler that Wongi did a portrait of one of his good friends and the works around it give it a nice touch too. It shows that a lot of different artists had been out to that spot.
How can Christchurch people and visitors help grow Watch this space? What are the features of the website they can use?
We want Watch This Space to be a project for the people by the people. The website is set up so people can contribute their own street art images, so if you see something new come up, take a photo and send it in. If you notice a building getting torn down or an art work getting covered up, take a photo and send it in. If you’ve taken photos pre-earthquake, send it in. Watch This Space can only cover so much ground, so please, we’d love to add your images to the map. The best way for this project to be sustainable is if the community gets involved, and we’ve created some easy to use tools so you can.
How do you work with artists and building owners to activate walls with art?
We have steadily been building ties with the local artists as we add their works to the map and write about them in our blog. People around town are starting to come across our resource and contact us from time to time for help connecting with artists. We recently helped ChristchurchNZ in their search for wall space for the David Kidwell mural on the corner of Lichfield and High as well as helping Christchurch City Council find artists for the Enliven places street mural project.
Artists can fill out this expression of interest form on our website, and businesses or local organisations who want to commission a mural can fill out a form, where we’ll help to connect them with a local artist.
There’s a lot that happens before we actually see the mural on the wall, which many people don’t see or understand. That’s where we can step in and help make it easier on both parties.
I think one of the great strengths of Watch this Space is that you also list the artworks that are no longer viewable, whether they are on buildings that have been demolished, or sites that have been built up. Do you have a sense of the work having a role to play in our history?
I think it’s extremely important to follow street art as it gets decommissioned. Many people see the beauty of street art as being ephemeral. I agree that is an aspect that contributes to its beauty, but art isn’t just about beauty. Throughout history, art has been used as a form of expression and commentary on the current climate. Graffiti, murals, and street art are a record of what our city is, what it was, and what it could be.
Take for example Daek Williams’s mural that used to be on the corner of Colombo and Peterborough Street. He made that for the Rise festival, and the mural is based on his impression of the residents of the Red Zone and how they stayed and did not leave Christchurch.
Dcypher’s mural on the side of the Roxx climbing gym on Waltham Road is the artist’s interpretation of Christchurch’s urban landscape prior to the earthquakes. Following street art as it gets covered up and torn down is also preserving piece of history and the memories individuals attach to different works.
Do you use libraries?
I went to the library a lot as a kid. I read a lot growing up.
What are you reading/watching/listening to now?
I have to admit, I’ve been watching the Marvel series on Netflix. I used to love reading as a kid, but when I entered high school, there was so much required reading and analysis and essays about what we were reading, I haven’t been able to get back into it. I recently heard an interview by the author of Nevermoor on RadioNZ. It reminded me of the Harry Potter series, which I was a big fan of growing up. Nevermoor sounds pretty awesome. I might have to go check that out..
Watch this space …
From Friday 24 November, we’re starting to guide tours on Fridays and Saturdays for the rest of the summer. They will go from 11am to 12:30pm, at a cost of $25 per person. Proceeds from the tour will go back into Watch This Space to help cover developer fees, the interviews and editorials on our blog, and be put aside to commission a mural in the future. Find out more and book your tour.
Have you ever come across an activity or hobby that surprises you by the extent of the passion felt by those who are involved, and by the global reach and organisation behind the hobby? I’m not talking about Star Trek conventions or Cosplay in general, but rather the world of Bonsai. A gathering of Bonsai enthusiasts matches anything Star Trek fans can generate in terms of excitement and passion, but without the funny uniforms or prosthetics.
I was lucky enough to be able to organise a few days off from my library duties and attend the recent National Bonsai Show and Convention in Dunedin on 7th and 8th October.
Perhaps you’re surprised that there is a National Bonsai show? There’s even a New Zealand Bonsai Association to oversee all things bonsai. This is not Japan, it’s true, but there are still plenty of people in New Zealand who would travel significant distances for such a gathering. And what a mixed lot they were! The Bonsai bug bites all equally – that gathering had everyone from a retired professor of agricultural systems to a carpenter, and, of course, a librarian. All were united by a passion for bonsai, regardless of background.
The convention had two main attractions for most, the national show itself, and the demonstrations and workshops with the famous (in the bonsai world anyway) bonsai professional Bjorn Bjorholm the first non-Japanese bonsai professional to work in Japan. Now based in the United States, Bjorn travels extensively to different parts of the world giving talks and demonstrations, so a chance to sit in with an acknowledged master was not to be missed.
Curious about the bonsai thing? The library can be your friend. There are a good range of books in the library covering the history, the aesthetic principles and the hands-on techniques. The library also offers access to articles from the best known English language Bonsai magazine, the Bonsai Journal.
And if you fancied finding out a bit more and maybe getting some hands on time with trees in the company of like-minded mini tree enthusiasts, why not go along to a local Bonsai club meeting? There are two clubs in Christchurch, both listed in the CINCH (Community Information Christchurch) database. See you there!