The Guys That Draw

CoverThis session with Dick Frizzell (Dick Frizzell: The Painter, John Reynolds (Certain Words Drawn) and Ian Wedde was one of the most relaxed and unassuming sessions I have attended so far. I took it as a good omen that in a sea of arty black, the man who sat in front of me wore a brilliant pink and orange striped shirt – and it was.

No doubt about it, the art boys and the word boys come from two different galaxies. Both Frizzell and John Reynolds have however achieved a remarkable crossover in the art books they have just produced. They have turned books about art into art works in their own right. The art book publishing world will never be the same again. Reynolds referred to this as getting ahead of the pack in terms of  biographical writing by “starting the distortion process on your own terms”.

Reynolds introduced a theory that I think every librarian will buy into. He maintains that proximity alone to great art works or books or objects of beauty will cause “the molecules to twitch”. All you have to do is be in its presence or “rub yourself against it” and the benefits will accrue. This is heartening for all of us who have looked at customers streaming past everything that libraries have to offer to sit glued to their facebook page on the computer. This does not mean that we have to push the users against the books Dean, or hide the computers behind piles of classics but rather that just being in the library environment itself could be life enhancing.

The final masterstroke for me was when Frizzell revealed that he is involved in the branding of the up-and-coming Rugby World Cup in 2011. For the first time I find myself looking forward to this event!!

One thought on “The Guys That Draw

  1. Valerienl 17 May 2010 / 10:23 am

    Hi Roberta.
    Thanks. It is interesting to think of a new way of living with books and technology that I might not like. We now have people twitching their noses at Facebook, but I can remember when you could borrow ‘serious’ fiction for free and you paid for ‘popular’ fiction. How you figure out who goes where was something I could never fathom. I can also rememve the big fuss over Tintin and Asterix books. Let them alone and they will discover Mozart, Dickens and Rembrandt in their own time.

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