I couldn’t resist the title Holidays in Soviet Sanitoriums:
Holidays in the USSR were decidedly purposeful. Their function was to provide rest and recreation, so citizens could return to work with renewed diligence and productivity
So, no lounging by the pool or sipping a pinacolada for these folk then? The sanitoriums turned out to be a cross between a medical institution and a form of summer camp, complete with exercise regimes, edifying and educational talks, and strictly healthy but bland diets.
Many of these institutions have closed, some have become more like the western ideal of a spa complete with mud wraps and the like, while others have maintained their strict adherence to alternative forms of physical therapy. For a fee, you can soak in crude oil, be wrapped in paraffin, wax, endure electrotherapy – or for the really adventurous, spend your summer vacation in a salt mine breathing in the pure minerals and sharing a curtained off dormitory area metres underground.
As well as the information about the therapies available, there is also fascinating insight into the architecture of the time with photographs alongside the interesting stories of the healing properties meted out in these unique institutions.
I nearly always judge a book by its cover, it is an enticement…a taste of things to come, but I sometimes find myself wondering if I have read a particular book as so many of the more recent book covers look very alike.
The covers in the era 1920-1970 were works of art in their own right. Representing a variety of art styles from Art Deco, Modernism, postwar neo-romanticism and the intriguingly named Kitchen Sink School (Wikipedia tells me a form of social realism depicting the situations of the British working class), this book includes over 50 artists mainly from the US and the UK. It is beautifully put together by the publishers Thames and Hudson and is a lovely book to dip into, both to read about the artists and to admire the beauty and detail of the covers.