And I’m not talking about your everyday gentle Mediterranean breeze here. I’m talking about weather with attitude. The sort of unwanted bad stuff that pulls out a chair at the table and settles in for the long haul. The sort of weather that drives couples in enclosed spaces to the edge of their tolerance, when even a good argument seems preferable to scanning the skies, yet again, for a tiny patch of blue.
And, indeed, there are novels where the weather is like an additional character in the plot, where you feel that the weather is partly responsible for everything that goes wrong and a few of the things that go right. Here’s my selection of great weather reads:
- Caribou Island – David Vann’s novel about the dangers of attempting to fulfil someone else’s obsession, set in a bitterly cold climate.
- The Shipping News – Annie Proulx. The 1994 Pulitzer prizewinning novel in which unpredictable weather plays a key role.
- Smilla’s Sense of Snow – Peter Hoeg. A detective’s “visceral feeling for snow” makes for a chilling Danish thriller.
- Atonement – Ian McEwan. Read this review in The Guardian on the effect of weather on the characters in this novel.
- The Sheltering Sky – Paul Bowles’ novel reveals the effect that strange environments and great heat can have on relationships.
Four out of five of these books have been made into films. Which begs the question: is extreme weather an asset, visually and atmospherically, in both novels and films? But don’t take my word for it, here’s Ernest Hemingway on the subject:
Remember to get the weather into your god damned book – weather is very important.
As far as our little Catlins trip went, in the end we did not have a marital spat, instead opting for a drive in the pouring rain to Gore, for a cappuccino. And in that one sentence resides everything you need to know as to why a film will never be made of my life!