2018 Hugo Award Winners: A great year for women in science fiction and fantasy

Hugo Award logoThe World Science Fiction Convention* that was hosting the Hugo Award ceremony has finished, the results are in and this year’s Hugo Award winners have been announced.

Women dominated this year’s Hugo Awards in what has turned out to be a great year

for women in science fiction and fantasy; a genre, that it is fair to say, has been dominated historically by men.

So without further ado, here are the winners of this year’s Hugo Awards.

Cover of The stone skyBest Novel: The Stone Sky, by N.K. Jemisin

This year’s Hugo Award for best novel goes to Book three of The Broken Earth Trilogy by N.K. Jemisin. Books one and two, The Fifth Season and The Obelisk Gate respectively, are both previous winners of the award. This also makes N.K. Jemisin the first author to win three Hugo Awards for best novel in a row as well as making The Broken Earth the only trilogy in which all three novels are best novel winners (the closest to doing so previously was Kim Stanley Robinson‘s Mars Trilogy with two wins and a finalist position).

Cover of No time to spareBest Related Work: No Time to Spare, By Ursula Le Guin.

Essentially, this is the reward for best piece of non-fiction related to the world of science fiction and fantasy and understandably, recently deceased Ursula Le Guin, now six time winner of the Hugo Award and Science Fiction royalty, is the winner of this category. ‘No Time to Spare’ is a collection of Le Guin’s musings on various subjects from the mundane to the philosophical.

Cover of Monstress vol. 2Best Graphic Story: Monstress, by Marjorie Liu and Sana Takeda

The best graphic novel of the year is the sequel to 2017’s winner: ‘Monstress Vol. 2’. Monstress is an apocalyptic steampunk fable notable for its exceptional artwork (with artist Sana Takeda also winning this year’s award for Best Professional Artist) and interesting world building.

Best Dramatic Presentation, Long Form: Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers).

What essentially amounts to the award for best film, Wonder Woman takes the cake for its adaptation of the DC Comic hero in a film that captures the essence of this year’s Hugo Awards winners.

Winners of all categories are as follows:

Best Novella: All Systems Red, by Martha Wells

Best Novelette: The Secret Life of Bots, by Suzanne Palmer

Best Short Story: Welcome to your Authentic Indian Experience™, by Rebecca Roanhorse

Best Series: World of the Five Gods, by Lois McMaster Bujold

Best Dramatic Presentation, Short Form: The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland

Best Editor, Short Form: Lynne M. Thomas & Michael Damian Thomas

Best Editor, Long Form: Sheila E. Gilbert

Best Professional Artist: Sana Takeda

Best Semiprozine: Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine: File 770, edited by Mike Glyer

Best Fancast: Ditch Diggers, presented by Mur Lafferty and Matt Wallace

Best Fan Writer: Sarah Gailey

Best Fan Artist: Geneva Benton

Don’t forget to check out previous year’s winners for best novel, best related work, graphic story, novella, and short story.

*Worldcon comes to New Zealand in 2020, with Wellington having hosting duties.

Let’s think about the future

The winners of the Hugo Awards will be announced next month and with the Nebula Award winners having been announced in May (two of the biggest awards in science fiction), let’s take this moment in between to think about the future in literature and what it actually means to write and think about the future.

When we think about fiction and the future, there are two sub-genres that immediately spring to mind: dystopian and utopian. Most people will be familiar with dystopia; arguably the most popular form of science-fiction that there is. From Atwood’s The Handmaid’s Tale, The Walking Dead, or the classics of Nineteen Eighty-Four, Brave New World, and Logan’s Run, the idea of dystopia appear to be firmly entrenched in Western cultures’ collective imaginary. We all have different ideas of what a dystopia might look like, but put simply, it is an imagining of an unpleasant future that could occur through an apocalyptic event, the rise of widespread tyranny, or simply the break down of civil society.

The counterpoint to this bleak storytelling of a world gone to the dogs is utopian fiction. Many people will, as with dystopia, have different ideas of what utopia looks like. So, in this instance I am going to use the pragmatic definition of utopia put forward by Hugo and Nebula award winning author Kim Stanley Robinson: utopia is imagining the best possible outcome given where we are now. What I like about this understanding of utopia is that it doesn’t mystify utopia into religious sentimentality but places it firmly into the realm of possibility.

Cover of New York 2140Take Robinison’s novel New York 2140 (that has been nominated for the 2018 Hugo Award for best novel) for example. Here we experience a New York that as endeavoured to survive and re-create itself in the wake of catastrophic climate change as the innovation of adaptability of humanity leads to a future despite of the crisis it found itself in. Robinson’s Nebula award winning novel 2312 also highlights the redeemable aspects of humankind as they work together to try alleviate humanity’s suffering and begin to recreate Earth into something resembling its former self.

Utopian fiction is not about the absence of conflict – no one would want to read or watch a story with no conflict – but the conflict is about the actions taken to prevent the fall into dystopia. Isaac Asimov‘s Foundation series is a fantastic example of such utopian thinking as the protagonists work to prevent a galaxy wide collapse into unprecedented galactic barbarism. Here, the utopian thinking is about creating a future for humankind that is free of insecurity and suffering.

Other examples of utopian fiction include Ursula Le Guin‘s The Dispossesed and Arthur C. Clarke‘s Childhood’s End.

So take a moment, and read about the future. Not the future in which everything is awful and the only thing humanity can hope for is survival, but a future in which humanity has a chance to thrive and flourish as it overcomes all the obstacles that could limit it from having a meaningful future existence.

And you might want to try the best novel finalists for this year’s Hugo Awards and the winners of this year’s Nebula Awards.