Storyland is set in an ‘up ended’ land that’s evergreen, with birds that fly at night and the unimaginable around every river bend. This is a tapestry of five different groups, in five different times across 237 years of Lake Illawarra’s existence. A mere drop in time for this ancient Australian landscape, but with monumental consequences for both the land and its people.
From the moment the small boat Tom Thumb is pushed away from the ship Reliance, we are immersed in the hearts and minds of the people who chose to make this part of Australia home. We begin with a Huck Finn-esque adventure up river following the fates of men with ideals in their heads and claims to stake; where anything is still possible.
As you tumble and sometimes pass gently through time, the common threads of what makes a home; survival, suspicion and competition for resources become apparent. What does the future hold for these characters and most of all our land?
by Catherine McKinnon
Published by HarperCollins New Zealand
You know that a book is a wonder when you stomp around the house muttering ‘I should have written this’. The wonderful new cookbook by Kate YoungThe little library cookbook really is one such SATHM (stomp around the house muttering) book.
Fiction and food are one of life’s irresistible combinations, and ‘literary’ cookbooks have always been a weakness of mine. I’m thinking of Cherry cake and ginger beer, The unofficial Harry Potter cookbook, and Dinner With Mr Darcy, the list goes on. However, there is something particularly appealing about Kate Young’s contribution to this unique foodie genre. Not only are the recipes seriously good- (if a cookbook contains a bread recipe that enables me to produce a loaf of crusty goodness rather than a forlorn looking dough worthy of papier mache, then I know that the cook knows their stuff), but also, the narrative is simply gorgeous. Young takes us on not only a culinary and literary journey, but also an engagingly personal one that had me wanting to reminisce, cook and read simultaneously.
Young includes the essential recipes that any respectable ‘library cookbook’ should have (I am of course thinking of Proust’s madeleine in particular here), but she also includes recipes from books that are simply dear to her heart. These include crab and avocado salad from Sylvia Plath’sThe Bell Jar, chicken casserole from Barbara Pym’sExcellent Women, and gin martini and chicken sandwich from JD Salinger’s Franny and Zooey.
Young is not limited in her literary taste either, with ‘hunny’ and rosemary cakes’ worthy of Winnie the Pooh getting a deserved mention, and even vanilla layer cake as Anne of Green Gables originally intended getting its full due.
This was perhaps what I loved best about this gorgeous book — the lovely surprises when I turned page after page to also see one of my own beloved authors getting their recipe out there, such as mince pies from Kate Atkinson’s Behind the Scenes at the Museum, curried chicken from Conan Doyle’s Sherlock Homes, and eclairs from Nancy Mitford’sThe Pursuit of Love. Young’s taste in both food and literature is so close to my own; I was busy lapping up every word and nodding profusely in agreement.
Observations really do make Young’s narrative a joy, see du Maurier’s Rebecca:
the sinister Mrs, Danvers, surely one of the most insidious and manipulative villains in literature, turns a story that could be romantic into one where even the crumpets seem to be a threat.
the thing is, I think meringues and coffee get a raw deal here. They’re meant to be emblematic of the comfortable, predictable life that Lucy lives as a young woman, but I think they deserve better… And so I am here to advocate for meringues and coffee.
I very much enjoyed her bookish reminiscences along the way, such as her passage on first reading The book thief:
I have a vivid memory of being reduced to tears by the ending, trapped in a window seat on a flight to Italy. Perhaps inevitably for a story narrated by death and set in Germany during the second world war, it’s devastating.
I also enjoyed the stories of family and friends along the way, in fact, as the youngest of three sisters, her dedication of Shirley Jackson’s ‘spice cookies’ to her own sister bought a bit of a lump to my throat (also, as my sisters would heartily concur, greater love hath no sister than this that she should lay down her cookie recipe…).
There is nothing not to love about this gorgeous book — engaging, beautifully presented, and full of scrumptious recipes, this really is a must read for all book loving foodies.
Stacy Gregg’s latest pony book The Thunderbolt Pony is a children’s novel very close to home, both for Cantabrians and for the author. Set in the aftermath of an earthquake in the real life town of Parnassus, near Kaikoura, the story is about 12 year-old Evie and her determination to save her beloved Arabian pony Gus, her loyal border collie Jock and her aptly named cat Moxy.
Stacy Gregg portrays strong, independent, fearless girls in her books and here Evie bravely overcomes not only the forces of nature but her anxiety disorder, which she has been suffering since her dad became terminally ill. Evie’s OCD manifests itself in the belief that she if she doesn’t stick to set routines, it will cause bad things to happen, making her the ‘bringer of earthquakes.’ Evie must embark on both a physical and mental journey, in a race against time to get to a rescue boat.
Stacy Gregg has experienced the effects of anxiety disorder firsthand, with her own daughter developing OCD a couple of years ago, and she brings the specificity of what it can be like into the story. In fact, Stacy manages to intertwine quite a lot into this pacy yet reflective story. There’s also Greek mythology in here too with reference to Poseidon, who makes the perfect tie-in as not only the god of the sea but of earthquakes and horses as well.
You don’t have to be a horsey person for this story of adventure and animal friendship to appeal. Gregg’s style of historical fiction applied here will particularly resonate with many middle-school children in New Zealand and those around Canterbury, the Hurunui and Kaikoura will feel especially immersed in the familiar settings. Overriding everything, however, is Stacy’s signature quality storytelling.
Interview with Stacy Gregg
We interviewed Stacy on the release of her latest book – she talks about her research and writing process and about her experiences with anxiety disorder in her family.
Stacy, what types of research did you do for The Thunderbolt Pony?
As well as reading lots around my subjects, I’ve always travelled for my research. My books have taken me to Arabia and Spain, Italy and Russia and now for The Thunderbolt Pony, Kaikoura and the East Coast of the South Island. It was important to me to travel the route that my heroine will take, the 64-kilometre stretch between Parnassus and Kaikoura. I was hoping the earth might move while I was there, but it didn’t. I had to rely on second-hand accounts of what the earthquakes were like because I’ve only ever been in a minor tiny tremor once here in Auckland.
What did you find in your research of the earthquakes that surprised you?
That they are noisy! You don’t think about the sound an earthquake makes, you think about the feeling of the land moving underneath you. But everybody I spoke to talked first about the noise. The boom that comes beforehand and the sound like a train surging beneath you. Like the rumble of the thunder that comes before the lightning – it gave me the title for the book.
Stacy, did you have a real person in mind when you were writing the character of Evie, who has OCD?
Evie’s journey is based very much on my own daughter’s struggles with OCD. When I first had the idea for writing the book I asked Issie what she thought about having a character who suffers from OCD and she was really, really supportive of me writing about it. She felt like it was important to raise awareness of the condition so that kids who are suffering from anxiety disorders realise how common it is and that they aren’t alone. There’s been such an overall increase in anxiety disorders in pre-adolescents, but this is especially true in places like Canterbury and Kaikoura where the kids have been through an earthquake and the ongoing aftershocks. Statistics in a recent study in Christchurch have shown that four out of five kids in the region have some level of PTSD (post-traumatic stress disorder). It’s a very real issue.
What did you find in your research about anxiety disorders like OCD that surprised you?
My daughter gets really cross people say stuff like “Oh I totally need to keep the kitchen clean – cos I’m so OCD!” Because that’s not OCD at all – that’s just liking things to be neat! I remember there was a time when the word “schizophrenic” was misused in the same way. Then the mental health community stepped up and reclaimed it and said “hey it’s not okay to talk about schizophrenia as if it means you have a split personality -it’s actually a real condition that people suffer from.” I think the same thing will happen now with OCD.
There are a lot of mistaken preconceptions about OCD being a ‘clean freak’ condition where you have to wash your hands or keep things perfectly tidy. Yes, it can manifest in that way, but it’s just as likely for you to have OCD and have a super-messy bedroom! For many OCD sufferers it’s about wanting to protect people – or animals – you love and make them safe by adhering to rituals and counting. It’s a bit like superstition on steroids. If you have OCD you are compelled to carry out your rituals and you get really anxious and upset if you can’t do them right as you really do believe you are risking harming everyone that you love. You’re carrying the weight of the world on your shoulders. In The Thunderbolt Pony, Evie is fighting her OCD and trying to get a grip on her actual reality, but she’s got a lot to contend with.
How challenging was it to write about a condition in your family? Was this a helpful process for you, to write about it?
It was tough at times to open the wound and examine it – but it’s better than letting it fester I think. Issie and I are both the same like that, we confront stuff head on and she was very honest with me and trusted me to tell the story. OCD is a rough gig. It can totally dominate someone’s life in a very debilitating way. Issie did a lot of really hard work with her clinical psychologist and that work gave her the tools to overcome it. I’m really proud of how open and brave she was, and I’m really grateful to our psychologist Hilary, for the support he gave her. The character of Willard Fox is very much based on him and he gets a big thank you in the dedication.
What has been the response so far from readers of The Thunderbolt Pony?
I just toured in Australia around schools in Sydney and what amazed me was that the kids there all knew what OCD was and they were very open to talking about anxiety disorders and seemed to really naturally engage with it. I’m just about to begin the South Island tour now – kicking off in Kaikoura – and I admit I am anxious about talking to the kids who have actually experienced the real earthquake. It’s going to be special, going back to the place where the book is set, but it’s also daunting. I hope they like it.
One thing really engaging about your books is the historical fiction aspect, how you use real places, events and real experiences in many of your stories. Why do you choose to write this way?
I think it’s the ex-journalist in me – I love to do solid research and I like to have a true story as a base foundation for my fiction. The Princess and the Foal was the start of that for me – it is the real story of the childhood of Princess Haya of Jordan. Her mother died in a helicopter crash when the Princess was 3 and she became really emotionally withdrawn and shut down after her death. When the princess was 6 her father, King Hussein, gave her an orphan foal to raise and said. “This foal has no mother, just like you. It’s on your shoulders now to be in charge and care for this young life.” This was the turning point for Princess Haya and her whole life story, her incredible success as an Olympic show jumper and as a powerful world influencer, came from that moment. It was so special to me to tell her story and to be given access to the royal palaces and the stables. My love of telling a true story sprang from working on that book.
You often write your historically-based stories from two points of view but in The Thunderbolt Pony we have just Evie’s viewpoints, one during the rescue adventure and one reflecting on her journey later (both physical and mental journey). Is this your way of using your ‘dual narratives’ device in this story?
That is a really good question in terms of discussing structure and the devices an author uses. I have frequently used dual narratives in previous books – dovetailing two girls with perspectives that are historical and modern-day up against each other. For this story though, there is just one voice, it is Evie’s story and hers alone. However, I didn’t want to write it in a linear fashion – I felt like we needed to see her two journeys – the physical and the mental – intertwined. It gives the book a different pace and that’s why we make time leap back and forth. The skill for a writer I think, is to construct a tricky timeline and make it feel like it makes sense and is effortless so that the reader doesn’t notice!
You’ve said you like to “get rid of the parents in a story” – can you tell us more about that and why?
It’s not just me who likes to get the parents out of the way. Look at Harry Potter. Or Lemony Snicket. Parents are a problem because they like boring stuff like routines and being safe. They are all about healthy meals and bedtimes and they are also on hand to help you when things get rough. If there are no parents you can have big crazy adventures where you must be brave and do everything yourself and there’s no one to stick their oar in and say “hang on a minute this is madness let’s stop and have a proper dinner!” That is why you get rid of the parents – they are too sensible and they ruin your fun and crush the spirit out of the adventure.
You write about strong female characters who are fearless, independent, self-sufficient. Can you tell us more about that?
I’ve always written strong girls as my heroines. Horses make girls powerful. You can’t be a powderpuff. You need to be mentally and physically tough to handle them. And at the same time you need to stay vulnerable and soft, because it’s in those unguarded moments that you create a true bond with a horse. My daughter rides competitively and when we roll up at competitions I’m always impressed at these women turning up driving massive trucks and handling enormous powerful warmbloods. We just don’t think anything of it – we don’t expect men to come and help with any of it. It’s a very feminist sport.
How long did the writing process take for this book?
I write a book a year. I spend about three months researching, three months writing and then another three months with my editor, pushing the manuscript back and forth through various stages beating it into shape. Then the next three months are publicity and touring and preparing to do it all over again. I love every stage of the process, I’m very lucky to do the job that I do.
What’s next? What are you working on at the moment?
My next book is called The Fire Stallion and it’s set in Iceland. As usual, I have the whole thing plotted out already – but I’m not giving away any spoilers yet!
What have you recently enjoying reading and what’s on you ‘to-be-read’ pile?
I have just finished Neil Gaiman’s book on Norse Mythology (OK that’s a big clue for the subject matter of my next book). But I won’t be able to read anything for a while now. I am an all-or-nothing reader and I can’t read other authors when I am in writing mode as I’m a terrible mimic. I have to isolate myself for the next few months and then I will binge read when the new book is finally done. On the bedside table until then are Magpie Murders by Anthony Horowitz, The Dry by Jane Harper, and My Absolute Darling by Gabriel Tallent.
This quote is attributed to either Churchill or perhaps Hermann Göring (the jury is still out!) and it’spretty accurate – if yours is the only side of the story people hear, then its probably going to be the one that everybody believes. But the not-so-recent rise of fictional accounts of real historical events and significant historical figures has been trying to even the ledger by giving us the other side of the coin!
And we’ve had LOADS of writers contributing to this movement; think Hodd by Adam Thorpe – depicting Robin Hood as an outlaw, a thief, and generally a really bad man; or The Roving Party by Rohan Wilson – exposing John Batman as a scoundrel and murderer with his attempts to control (and/or massacre) the indigenous population of Van Diemen’s Land (Tasmania) and Victoria; and Wolf Hall by Hilary Mantel – the courts of King Henry VIII from Cromwell’s view-point.
Each of these stories seeks to expose the “truth” or at least broader context of historical events in whatever form that can take since so long a time has passed…And now there’s a new title to add! In his new book Fletcher of the Bounty, Graeme Lay recounts the story of the mutiny on the Bounty with Fletcher Christian as the central character.
Lay’s skilled storytelling builds a world of contrast, between the confines of life on board a naval vessel adhering to authority and routine, to the freedom and love of life experienced during the time spent in Tahiti, connecting with people from another world and ultimately falling in love with an indigenous girl. He also describes well the slow unravelling of the ship’s commander William Bligh, and demonstrates just how alien he must have seemed while in Tahiti – clinging desperately onto his military ceremonies and brutal disciplines (continuing to wear full dress uniform in the sweltering heat, for example), while at the same time considering himself far superior to all others, crew and islanders both.
The story of the Bounty, one of idealism, betrayal and the resulting struggle to create a Utopian ideal, is familiar to all of us and as far as rewriting the story of the Bounty, the relationship breakdown between Bligh and Christian, and the inevitable mutiny, Lay doesn’t really push any boundaries beyond what we already know. It’s a well written sea-tale/love-story, and it does expand brilliantly on many of the themes dealt with in brief in the 1984 Roger Donaldson film The Bounty, (with the two leading characters played by the greats Mel Gibson and Anthony Hopkins).
His compelling character-driven narrative is highly descriptive and contextual and if you like a good nautical tale or are a fan of historical fiction then you should get a kick out of this retelling of the tale – I especially like the inclusion of regional languages as the crew travel around the Antipodes. Just don’t expect any new earth-shattering nuggets of insight.
This is a true story. This is two stories. It is a history of Timbuktu, a place with myth and legend wrapped around it, and it is the tale of librarians and archivists who worked hard to protect precious manuscripts from destruction.
The Book Smugglers of Timbuktu details the events of 2012 as Timbuktu (in Mali) comes under the control of jihadists linked to al-Qaeda. Rare manuscripts are under threat. The fear is that these cultural treasures will meet the same fate as historical sites destroyed by the fundamentalists. Archivists and librarians — and in particular Timbuktu librarian Abdel Kader Haidara — come together and formulate a plan to spirit away manuscripts. They smuggle them out via a network of helpers, concealing and transporting them away by land and sea.
The drama of 2012 alternates with chapters about history and the various explorers who sought after the city of Timbuktu. In 1788, Sir Joseph Banks (naturalist on the Endeavour with Captain Cook) was part of the African Association Committee considering the exploration of Africa. Timbuktu was a golden unknown, and yet this Committee and others had it pegged as a place of great wealth. It became an alluring target for European explorers.
These historical chapters tell us a lot about Timbuktu, and the adventures and horrors that faced various explorers who got there, or didn’t. They also unveil the fiction and myth-making at the heart of its histories, and how people chased after a place that didn’t really exist.
The story is as punchy, thrilling, and exciting as a thriller. But it doesn’t take the easy route and is not simply an adventurous yarn about heroic librarians. Charlie English has done a mass of reading, research, as well as interviews and first-hand reporting. Were there really hundreds of thousands of manuscripts? How bad was the risk from the jihadists? What happened to all the money donated by various international agencies? He scrapes away bluster and lily-gilding, working away at finding the truth, and he gets as close to it as he can. The Book Smugglers of Timbuktu is a brilliant piece of research, and a history with layers and depth.
It has been 34 years since readers last heard from Fay Weldon’s infamous creation – Ruth Patchett, the ultimate she devil. Now in 2017, Ruth has returned. She is 84 years of age, now a dame, and a president for the institute for gender parity.
Her children have (unsurprisingly) not spoken to her for many years. Her husband now lives as a ‘guest’ in the high tower and suffers from dementia (though, as his carer observes, he still recognises his wife well enough and possesses the unfortunate gift of the foul-mouthed gab). The ghost of Mary Fisher haunts the high tower observing the politics and shenanigans of Ruth’s institute.
It seems that Ruth Patchett has indeed reached the end of the road. The ambitious Valerie Valeria, a relative newcomer to the institute, feels she is more than ready to take over the she devil’s mantle. This seems inevitable, until the appearance of Tyler, a young, attractive, twenty something — and the she devil’s grandson.
The ultimate down-trodden male, Tyler has suffered much — his mother is quick to remind him that, had she known he was going to be a boy, she would have aborted him. His sisters have ‘sharp elbows’ too and take daily delight in attacking his masculinity; and worst of all, as a man Tyler is unemployable and must stand passively back while woman take all the good jobs.
When Tyler eventually meets the she devil and it is proposed he transform himself into a woman to become her heir, Tyler concludes that he has nothing to lose and everything to gain. It is a weird and wonderful story that promises to provide Weldon with plenty of hilarious ammunition, but I found this sequel to have all the weird of its predecessor ‘Life and Loves of A She Devil’ but a lot less of its wonderful. In place of Weldon’s usual sharp, effortless satire there is an overuse of jarring obscenities, and while there were a couple of small twists along the way, I felt the attempted build up and climax to be lacking.
However fans of Life and Loves will certainly appreciate the reappearance of characters from Weldon’s beloved original who have aged exactly as readers would imagine. Even in her 80s, Ruth remains every bit the atrocious, scheming she devil; Mary makes for the ultimate ostentatious ghost, and Bobbo is all too believable as the foul-mouthed, utterly unlovable old man.
While many critics have also described Weldon’s gender politics as being ‘confused’, I found her narrative to be reflective of the confusing gender politics of our times, and full of Weldon’s wicked sense of humour. There are no heroes to be found in this novel — Weldon targets smug, ambitious feminists in the guise of Valerie Valeria, who really seems to have confused and indeed the forgotten all about the feminist message. Tyler/Tayla is portrayed as a spineless, unthinking vehicle for Valerie Valeria’s ambitious schemes, and the she devil herself remains the dreadful monster we have come to know from Life and Loves.
While less accomplished than her other works, there is a lot to enjoy in Weldon’s latest novel. If you are interested in the theme of gender wars or just have a great appetite for the absurd then don’t hesitate to pick this up. With Fay Weldon, you are always guaranteed an entertaining and utterly original ride.
Curled up in a big cosy armchair? On the bus while you head off across town? Where’s your all-time fave spot to read? Let us know, and you are in to win three awesome books kindly supplied by HarperCollins New Zealand:
The story of New Zealand’s response to our second most powerful earthquake on record. Described by Geonet as one of the most complex earthquakes ever observed, Radio New Zealand’s Vicky McKay was first to report on its violence, broadcasting live in the Wellington studio when 7.8 arrived by stealth at 12.02am.
A tale of espionage, love and passionate heroism. Inspired by true events, this is the story of how society’s ‘lovely ladies’ won a war.
To enter the competition, email your contact details and a description of your favourite place to read to firstname.lastname@example.org with the subject line “Favourite place to read competition” by 5pm on Friday 19 May. (Sorry, staff of Christchurch City Libraries and Christchurch City Council are not eligible to enter). Good luck!