David Walliams came into the Christchurch Boys High auditorium through the crowd – a real rock star entrance. And in kid books circles (and tv entertainment ones) he really is that level of famous. There were about 700 kids and 400 adults here to see Mr Walliams.
Rachael King, WORD Christchurch literary director asked him about the 20 million books he has sold – “All bought and burnt by Simon Cowell”, he said. David had the audience in the palm of his hand from the get go, with stories, heaps of audience participation, and his trademark naughty wit. Even the obligatory Australia diss – The World’s Worst Children?:
Well, I’ve just been in Australia and met a lot of the children …
He read us the tragic tale of Windy Mindy whose farting into wind instruments leads to a galactic end.
The kids in the audience served up stories about why their siblings are so bad. One answer had the crowd in stitches (beautifully conveyed in this tweet):
WALLIAMS (working the crowd) Now, who's got a Worst Kid in the World in *their* family?
WALLIAMS Just yell it out!
KID (yelling) MY BROTHER WAS BORN AND TOOK ALL THE ATTENTION.
Bad Dad is his latest bestseller, and tells the story of Frank, whose Dad is a banger driver who ends up in jail after being a getaway driver. David read for us a rather splendid excerpt about how one might get the dreadful medical condition Bottom Freeze (including cryogenically freezing your bottom for posterity).
David’s favourite of his own books is Gangsta Granny (my kid’s fave too), and it came from listening to his own Gran’s stories about the Blitz:
Every old person has a story to tell.
He read Gangsta Granny’s famous naked yoga scene (and see Tony Ross’s brilliant illustration came up on the big screen). David gave a big shoutout to his illustrators Tony Ross and Quentin Blake – both in their 80s.
Walliams explained a bit about why he loves a villain:
Without Voldemort, Harry Potter would just be having a lovely day at school.
Burt, the Ratburger villain, was inspired by a contestant in Britain’s got talent who ate cockroaches. Ergh. Miss Trunchbull (from Roald Dahl’s Matilda) is one of his fave villains. It’s that combo of funny and evil, and who wouldn’t want to be a villain (for a day).
We got to see sneak preview clips of Ratburger (Walliams himself is unrecognisable as the grotty villain), and Grandpa’s Great Escape (Jennifer Saunders is the Matron in that, and veteran actor Tom Courtenay is Grandpa.) He is that rarest of beasts – an author who gets to see his creations come to life first hand, because he stars in the adaptations.
David admits he was a reluctant reader. He went to the library with his family every couple of weeks, and would pick books on the solar system, space travel, and dinosaurs. And then he discovered Charlie and the Chocolate Factory. It got him into reading, and to writing.
Roald Dahl is his “gold standard”. When he visited Dahl’s Gypsy Cottage and met his widow, she said kids still ring the doorbell and ask to meet the author. David has visited the Roald Dahl Story Museum and looked at the handwritten manuscripts. He clearly loved the writing set up of Roald Dahl – sitting in armchair, a picture of his much-missed daughter nearby, with a big ball of rolled up choccie wrappers to add to, and a telephone (to put a sly bet on the gee gees).
And David loves his fan mail, and who wouldn’t when kids are so honest:
Little Britain fans – he thinks the funniest thing he’s ever written is this:
10 lucky kids got to ask a question, and got a fab box set of Walliams’ books. A ripper of a prize I reckon. Thanks to David Walliams, WORD Christchurch, HarperCollins New Zealand, Merivale Paper Plus, and the crew involved in the event – and to everyone who came along, you rocked and made it a fun whānau night. It was especially awesome to get to get your book signed and a picture taken. Ka rawe!
Two babies are born at Cross Roads Farm – one mulatto, one white.
People come from miles around to view the babies – a miracle of nature. Born to a white woman, Elma, the children are said to have two fathers – one white; her fiancée, Freddie Wilson, – one black, believed to have been forced on her by Genus Jackson.
Genus Jackson is lynched without trial at the beginning of the book. Will those responsible get away with it?
Juke Jessup is hiding a still. His intentions towards Nan, the house girl, are less than fatherly. His own daughter Elma, is “fixin” to be wed to Freddie Wilson, the local cotton mill owner’s son. But when the twins are born, all hell breaks loose.
Like Light in August and To Kill a Mockingbird, this is a story of injustice for all. Racial segregation was still prevalent in 1930s Georgia, where African-American people were barely removed from slavery.
To say that women in this story get a raw deal is an understatement. Even the man pulling the strings in town, George Wilson, is not spared from the sufferings he hands down the pecking order.
Each character has a tale to tell in this riveting book. And they all have secrets. Dreams too – sometimes their dreams are all they have.
Nan has grown up on Crossroads Farm after the death of her mother, the housekeeper Ketty. She dreams of the return of her father, Sterling, but never loses sight of stark reality even while she fantasizes about the future:
She had long had a picture in her mind of his homecoming: he would come up the driveway in an automobile, a Pontiac or Chevrolet, with a licence plate that said MARYLAND. The dogs would go out to greet him first and she’d step out onto the porch. He’d be wearing a Sunday suit and a wide-brimmed hat, which he’d tip up to get a better look at her, and then he’d take off the hat and hold it over his heart, and his eyes would see and see her. And then she would know. She would recognize him. She would recognize her own face in his.
But she knew nothing happened the way you imagined it. That was how she knew it was real.
It’s not a question of whether the truth will out, it’s when – it slowly but surely leaks through the holes in the characters’ stories, gathering together to a flow as large as the local creek.
Eleanor Henderson writes with feeling, strong historical influence and an eye for a poetic phrase. Despite most reviewers’ perception of this as a tragic story, I was pleased with its conclusion.
I got lost on The Twelve Mile Straight. You will too.
Twelve Mile Straight
by Eleanor Henderson
Published by HarperCollins New Zealand
Storyland is set in an ‘up ended’ land that’s evergreen, with birds that fly at night and the unimaginable around every river bend. This is a tapestry of five different groups, in five different times across 237 years of Lake Illawarra’s existence. A mere drop in time for this ancient Australian landscape, but with monumental consequences for both the land and its people.
From the moment the small boat Tom Thumb is pushed away from the ship Reliance, we are immersed in the hearts and minds of the people who chose to make this part of Australia home. We begin with a Huck Finn-esque adventure up river following the fates of men with ideals in their heads and claims to stake; where anything is still possible.
As you tumble and sometimes pass gently through time, the common threads of what makes a home; survival, suspicion and competition for resources become apparent. What does the future hold for these characters and most of all our land?
by Catherine McKinnon
Published by HarperCollins New Zealand
You know that a book is a wonder when you stomp around the house muttering ‘I should have written this’. The wonderful new cookbook by Kate YoungThe little library cookbook really is one such SATHM (stomp around the house muttering) book.
Fiction and food are one of life’s irresistible combinations, and ‘literary’ cookbooks have always been a weakness of mine. I’m thinking of Cherry cake and ginger beer, The unofficial Harry Potter cookbook, and Dinner With Mr Darcy, the list goes on. However, there is something particularly appealing about Kate Young’s contribution to this unique foodie genre. Not only are the recipes seriously good- (if a cookbook contains a bread recipe that enables me to produce a loaf of crusty goodness rather than a forlorn looking dough worthy of papier mache, then I know that the cook knows their stuff), but also, the narrative is simply gorgeous. Young takes us on not only a culinary and literary journey, but also an engagingly personal one that had me wanting to reminisce, cook and read simultaneously.
Young includes the essential recipes that any respectable ‘library cookbook’ should have (I am of course thinking of Proust’s madeleine in particular here), but she also includes recipes from books that are simply dear to her heart. These include crab and avocado salad from Sylvia Plath’sThe Bell Jar, chicken casserole from Barbara Pym’sExcellent Women, and gin martini and chicken sandwich from JD Salinger’s Franny and Zooey.
Young is not limited in her literary taste either, with ‘hunny’ and rosemary cakes’ worthy of Winnie the Pooh getting a deserved mention, and even vanilla layer cake as Anne of Green Gables originally intended getting its full due.
This was perhaps what I loved best about this gorgeous book — the lovely surprises when I turned page after page to also see one of my own beloved authors getting their recipe out there, such as mince pies from Kate Atkinson’s Behind the Scenes at the Museum, curried chicken from Conan Doyle’s Sherlock Homes, and eclairs from Nancy Mitford’sThe Pursuit of Love. Young’s taste in both food and literature is so close to my own; I was busy lapping up every word and nodding profusely in agreement.
Observations really do make Young’s narrative a joy, see du Maurier’s Rebecca:
the sinister Mrs, Danvers, surely one of the most insidious and manipulative villains in literature, turns a story that could be romantic into one where even the crumpets seem to be a threat.
the thing is, I think meringues and coffee get a raw deal here. They’re meant to be emblematic of the comfortable, predictable life that Lucy lives as a young woman, but I think they deserve better… And so I am here to advocate for meringues and coffee.
I very much enjoyed her bookish reminiscences along the way, such as her passage on first reading The book thief:
I have a vivid memory of being reduced to tears by the ending, trapped in a window seat on a flight to Italy. Perhaps inevitably for a story narrated by death and set in Germany during the second world war, it’s devastating.
I also enjoyed the stories of family and friends along the way, in fact, as the youngest of three sisters, her dedication of Shirley Jackson’s ‘spice cookies’ to her own sister bought a bit of a lump to my throat (also, as my sisters would heartily concur, greater love hath no sister than this that she should lay down her cookie recipe…).
There is nothing not to love about this gorgeous book — engaging, beautifully presented, and full of scrumptious recipes, this really is a must read for all book loving foodies.
Stacy Gregg’s latest pony book The Thunderbolt Pony is a children’s novel very close to home, both for Cantabrians and for the author. Set in the aftermath of an earthquake in the real life town of Parnassus, near Kaikoura, the story is about 12 year-old Evie and her determination to save her beloved Arabian pony Gus, her loyal border collie Jock and her aptly named cat Moxy.
Stacy Gregg portrays strong, independent, fearless girls in her books and here Evie bravely overcomes not only the forces of nature but her anxiety disorder, which she has been suffering since her dad became terminally ill. Evie’s OCD manifests itself in the belief that she if she doesn’t stick to set routines, it will cause bad things to happen, making her the ‘bringer of earthquakes.’ Evie must embark on both a physical and mental journey, in a race against time to get to a rescue boat.
Stacy Gregg has experienced the effects of anxiety disorder firsthand, with her own daughter developing OCD a couple of years ago, and she brings the specificity of what it can be like into the story. In fact, Stacy manages to intertwine quite a lot into this pacy yet reflective story. There’s also Greek mythology in here too with reference to Poseidon, who makes the perfect tie-in as not only the god of the sea but of earthquakes and horses as well.
You don’t have to be a horsey person for this story of adventure and animal friendship to appeal. Gregg’s style of historical fiction applied here will particularly resonate with many middle-school children in New Zealand and those around Canterbury, the Hurunui and Kaikoura will feel especially immersed in the familiar settings. Overriding everything, however, is Stacy’s signature quality storytelling.
Interview with Stacy Gregg
We interviewed Stacy on the release of her latest book – she talks about her research and writing process and about her experiences with anxiety disorder in her family.
Stacy, what types of research did you do for The Thunderbolt Pony?
As well as reading lots around my subjects, I’ve always travelled for my research. My books have taken me to Arabia and Spain, Italy and Russia and now for The Thunderbolt Pony, Kaikoura and the East Coast of the South Island. It was important to me to travel the route that my heroine will take, the 64-kilometre stretch between Parnassus and Kaikoura. I was hoping the earth might move while I was there, but it didn’t. I had to rely on second-hand accounts of what the earthquakes were like because I’ve only ever been in a minor tiny tremor once here in Auckland.
What did you find in your research of the earthquakes that surprised you?
That they are noisy! You don’t think about the sound an earthquake makes, you think about the feeling of the land moving underneath you. But everybody I spoke to talked first about the noise. The boom that comes beforehand and the sound like a train surging beneath you. Like the rumble of the thunder that comes before the lightning – it gave me the title for the book.
Stacy, did you have a real person in mind when you were writing the character of Evie, who has OCD?
Evie’s journey is based very much on my own daughter’s struggles with OCD. When I first had the idea for writing the book I asked Issie what she thought about having a character who suffers from OCD and she was really, really supportive of me writing about it. She felt like it was important to raise awareness of the condition so that kids who are suffering from anxiety disorders realise how common it is and that they aren’t alone. There’s been such an overall increase in anxiety disorders in pre-adolescents, but this is especially true in places like Canterbury and Kaikoura where the kids have been through an earthquake and the ongoing aftershocks. Statistics in a recent study in Christchurch have shown that four out of five kids in the region have some level of PTSD (post-traumatic stress disorder). It’s a very real issue.
What did you find in your research about anxiety disorders like OCD that surprised you?
My daughter gets really cross people say stuff like “Oh I totally need to keep the kitchen clean – cos I’m so OCD!” Because that’s not OCD at all – that’s just liking things to be neat! I remember there was a time when the word “schizophrenic” was misused in the same way. Then the mental health community stepped up and reclaimed it and said “hey it’s not okay to talk about schizophrenia as if it means you have a split personality -it’s actually a real condition that people suffer from.” I think the same thing will happen now with OCD.
There are a lot of mistaken preconceptions about OCD being a ‘clean freak’ condition where you have to wash your hands or keep things perfectly tidy. Yes, it can manifest in that way, but it’s just as likely for you to have OCD and have a super-messy bedroom! For many OCD sufferers it’s about wanting to protect people – or animals – you love and make them safe by adhering to rituals and counting. It’s a bit like superstition on steroids. If you have OCD you are compelled to carry out your rituals and you get really anxious and upset if you can’t do them right as you really do believe you are risking harming everyone that you love. You’re carrying the weight of the world on your shoulders. In The Thunderbolt Pony, Evie is fighting her OCD and trying to get a grip on her actual reality, but she’s got a lot to contend with.
How challenging was it to write about a condition in your family? Was this a helpful process for you, to write about it?
It was tough at times to open the wound and examine it – but it’s better than letting it fester I think. Issie and I are both the same like that, we confront stuff head on and she was very honest with me and trusted me to tell the story. OCD is a rough gig. It can totally dominate someone’s life in a very debilitating way. Issie did a lot of really hard work with her clinical psychologist and that work gave her the tools to overcome it. I’m really proud of how open and brave she was, and I’m really grateful to our psychologist Hilary, for the support he gave her. The character of Willard Fox is very much based on him and he gets a big thank you in the dedication.
What has been the response so far from readers of The Thunderbolt Pony?
I just toured in Australia around schools in Sydney and what amazed me was that the kids there all knew what OCD was and they were very open to talking about anxiety disorders and seemed to really naturally engage with it. I’m just about to begin the South Island tour now – kicking off in Kaikoura – and I admit I am anxious about talking to the kids who have actually experienced the real earthquake. It’s going to be special, going back to the place where the book is set, but it’s also daunting. I hope they like it.
One thing really engaging about your books is the historical fiction aspect, how you use real places, events and real experiences in many of your stories. Why do you choose to write this way?
I think it’s the ex-journalist in me – I love to do solid research and I like to have a true story as a base foundation for my fiction. The Princess and the Foal was the start of that for me – it is the real story of the childhood of Princess Haya of Jordan. Her mother died in a helicopter crash when the Princess was 3 and she became really emotionally withdrawn and shut down after her death. When the princess was 6 her father, King Hussein, gave her an orphan foal to raise and said. “This foal has no mother, just like you. It’s on your shoulders now to be in charge and care for this young life.” This was the turning point for Princess Haya and her whole life story, her incredible success as an Olympic show jumper and as a powerful world influencer, came from that moment. It was so special to me to tell her story and to be given access to the royal palaces and the stables. My love of telling a true story sprang from working on that book.
You often write your historically-based stories from two points of view but in The Thunderbolt Pony we have just Evie’s viewpoints, one during the rescue adventure and one reflecting on her journey later (both physical and mental journey). Is this your way of using your ‘dual narratives’ device in this story?
That is a really good question in terms of discussing structure and the devices an author uses. I have frequently used dual narratives in previous books – dovetailing two girls with perspectives that are historical and modern-day up against each other. For this story though, there is just one voice, it is Evie’s story and hers alone. However, I didn’t want to write it in a linear fashion – I felt like we needed to see her two journeys – the physical and the mental – intertwined. It gives the book a different pace and that’s why we make time leap back and forth. The skill for a writer I think, is to construct a tricky timeline and make it feel like it makes sense and is effortless so that the reader doesn’t notice!
You’ve said you like to “get rid of the parents in a story” – can you tell us more about that and why?
It’s not just me who likes to get the parents out of the way. Look at Harry Potter. Or Lemony Snicket. Parents are a problem because they like boring stuff like routines and being safe. They are all about healthy meals and bedtimes and they are also on hand to help you when things get rough. If there are no parents you can have big crazy adventures where you must be brave and do everything yourself and there’s no one to stick their oar in and say “hang on a minute this is madness let’s stop and have a proper dinner!” That is why you get rid of the parents – they are too sensible and they ruin your fun and crush the spirit out of the adventure.
You write about strong female characters who are fearless, independent, self-sufficient. Can you tell us more about that?
I’ve always written strong girls as my heroines. Horses make girls powerful. You can’t be a powderpuff. You need to be mentally and physically tough to handle them. And at the same time you need to stay vulnerable and soft, because it’s in those unguarded moments that you create a true bond with a horse. My daughter rides competitively and when we roll up at competitions I’m always impressed at these women turning up driving massive trucks and handling enormous powerful warmbloods. We just don’t think anything of it – we don’t expect men to come and help with any of it. It’s a very feminist sport.
How long did the writing process take for this book?
I write a book a year. I spend about three months researching, three months writing and then another three months with my editor, pushing the manuscript back and forth through various stages beating it into shape. Then the next three months are publicity and touring and preparing to do it all over again. I love every stage of the process, I’m very lucky to do the job that I do.
What’s next? What are you working on at the moment?
My next book is called The Fire Stallion and it’s set in Iceland. As usual, I have the whole thing plotted out already – but I’m not giving away any spoilers yet!
What have you recently enjoying reading and what’s on you ‘to-be-read’ pile?
I have just finished Neil Gaiman’s book on Norse Mythology (OK that’s a big clue for the subject matter of my next book). But I won’t be able to read anything for a while now. I am an all-or-nothing reader and I can’t read other authors when I am in writing mode as I’m a terrible mimic. I have to isolate myself for the next few months and then I will binge read when the new book is finally done. On the bedside table until then are Magpie Murders by Anthony Horowitz, The Dry by Jane Harper, and My Absolute Darling by Gabriel Tallent.
This is a true story. This is two stories. It is a history of Timbuktu, a place with myth and legend wrapped around it, and it is the tale of librarians and archivists who worked hard to protect precious manuscripts from destruction.
The Book Smugglers of Timbuktu details the events of 2012 as Timbuktu (in Mali) comes under the control of jihadists linked to al-Qaeda. Rare manuscripts are under threat. The fear is that these cultural treasures will meet the same fate as historical sites destroyed by the fundamentalists. Archivists and librarians — and in particular Timbuktu librarian Abdel Kader Haidara — come together and formulate a plan to spirit away manuscripts. They smuggle them out via a network of helpers, concealing and transporting them away by land and sea.
The drama of 2012 alternates with chapters about history and the various explorers who sought after the city of Timbuktu. In 1788, Sir Joseph Banks (naturalist on the Endeavour with Captain Cook) was part of the African Association Committee considering the exploration of Africa. Timbuktu was a golden unknown, and yet this Committee and others had it pegged as a place of great wealth. It became an alluring target for European explorers.
These historical chapters tell us a lot about Timbuktu, and the adventures and horrors that faced various explorers who got there, or didn’t. They also unveil the fiction and myth-making at the heart of its histories, and how people chased after a place that didn’t really exist.
The story is as punchy, thrilling, and exciting as a thriller. But it doesn’t take the easy route and is not simply an adventurous yarn about heroic librarians. Charlie English has done a mass of reading, research, as well as interviews and first-hand reporting. Were there really hundreds of thousands of manuscripts? How bad was the risk from the jihadists? What happened to all the money donated by various international agencies? He scrapes away bluster and lily-gilding, working away at finding the truth, and he gets as close to it as he can. The Book Smugglers of Timbuktu is a brilliant piece of research, and a history with layers and depth.
Curled up in a big cosy armchair? On the bus while you head off across town? Where’s your all-time fave spot to read? Let us know, and you are in to win three awesome books kindly supplied by HarperCollins New Zealand:
The story of New Zealand’s response to our second most powerful earthquake on record. Described by Geonet as one of the most complex earthquakes ever observed, Radio New Zealand’s Vicky McKay was first to report on its violence, broadcasting live in the Wellington studio when 7.8 arrived by stealth at 12.02am.
A tale of espionage, love and passionate heroism. Inspired by true events, this is the story of how society’s ‘lovely ladies’ won a war.
To enter the competition, email your contact details and a description of your favourite place to read to firstname.lastname@example.org with the subject line “Favourite place to read competition” by 5pm on Friday 19 May. (Sorry, staff of Christchurch City Libraries and Christchurch City Council are not eligible to enter). Good luck!