Auckland’s Pop-up Globe: Richard III

Last week at the fabulous Pop Up Globe in Auckland, I went along to see Richard III, Shakespeare’s depiction of the last Plantagenet monarch’s rise to power.

Richard III is often simultaneously described as being a comedy, tragedy and historical play. This production perfectly captured the comic side which can often be difficult to portray with such a villain at its centre. Richard mercilessly manipulates and murders his way to the top, still managing to win audiences along the way with his wonderful way with words and memorable speeches. Think House of Cards but with fantastic Jacobean period dress and swords.

Is it also a tragedy? This, I guess, will depend on how attached/frustrated/indifferent you become towards the other figures in the play. Richard’s contemporaries are certainly not portrayed as being the biggest and brightest on the block (unfortunate pun that I am sure Shakespeare would approve), with some, such as Lady Jane, seemingly complicit in her own doom.

As to the play’s historical label, audiences have to be wary of Shakespeare’s bias (or perhaps just adaptability to the times), considering his audience included Elizabeth I, the granddaughter of Richard’s successor, Henry Tudor. In this production there were also some modern references – the two princes in the tower were sulky teens sporting headphones, while Richard’s hired thugs presented themselves as street wise gangsters. These small hat tips to the modern day were subtly done and received some good laughs.

Against the beautiful backdrop of the replica Globe Theatre, the performance was given just as it would have been in Shakespeare’s day, without microphones and depending solely on the power of the actor’s voice. The cast really knew how to draw in their audience – at times even making their audience the actual audience, to Richard’s coronation, for example.

As with all of Shakespeare’s plays, universal and timeless themes come through, such as the abuse of power and man’s journey into evil. If you think Shakespeare isn’t for you and you don’t see the point of pondering over all those footnotes, you really should think again. It is often said that everything you need to know is in Shakespeare – and really who could disagree? No one has ever managed to capture the good, the bad, the ugly, the wise and unwise quite like the Bard, and no one has ever managed to surpass his beauty and mastery over the English language.

The library has many resources to help you start or continue your journey through Shakespeare’s oeuvre including copies of his works and free to borrow DVDS of his plays. If you can’t make it to the Pop-up Globe, locally our own Court Theatre often has a Shakespeare production on the way, and there is also Top Dog’s open air theatre to keep an eye out for.

Further reading

Dear Diary Day

Dear Diary Day is observed each year on 22 September. If you have kept a diary, today is the day to go back and reread your efforts – or if you don’t have a diary, today is a great time to go about starting one.

Diaries are acknowledged to be excellent ways of letting off steam, and effectively becoming a better person (though if you are like me, realistically, you just brood on what you have written and become all the more grouchy – but then I am a bit ‘special’ like that). There is also nothing quite like going back and rereading these snapshots of your life – be they good or bad – and, in the process, enjoying a lot of memories, and learning from your mistakes.

Dear Diary Day, is also a great time to acknowledge those great diarists who have taken the ultimate step in diary keeping – namely, committing their memories to print. Here are some great reading picks for ‘Dear Diary Day’ that will hopefully inspire you to write up your thoughts for posterity too:

Cover of The Kenneth Williams diariesThe Kenneth Williams Diaries: The Telegraph recently predicted that in twenty years time, Kenneth Williams will not be remembered as a Carry on favourite, but as one of the English language’s finest diarist. It is impossible not to agree – this volume of his diaries is devastatingly honest both in his assessment of others, from Joe Orton to Tony Hancock, and of himself. Deliciously waspish, and often unbearably tragic, these diaries really do bring readers closer to a fine autodidact and one of Britain’s most underrated performers.

The Noel Coward Diaries: These erudite and witty diaries bring to life one of Britain’s most beloved theatrical figures – Noel Coward. A man of seemingly numerous talents from acting to writing, Coward’s diaries take us through theatrical tours, his own private struggles with depression, and ultimately priceless stories of his contemporaries and of himself. A sheer delight to read, Coward’s diaries are rewardingly gossipy but always without any sort malice, just like the man himself.

The Diary of Virginia Woolf: These diaries from one the 20th century’s most important and ground-breaking literary giants, are a real privilege to read. Virginia Woolf’s diaries take you to the very heart of a genius – dispelling the myth of a sobering and snobby intellectual, and replacing this with a complex, sensitive, and even humorous woman. With descriptions of other famous literary figures – from Katherine Mansfield to T. S. Eliot – as well as descriptions of day to day life, and her journey through writing, this first volume of her diaries is a fascinating and eye-opening read.

Cover of The diary of a young girlThe Diary of A Young Girl: Just after receiving a blank diary for her birthday, Jewish teenager Anne Frank and the rest of her family were forced into hiding in Nazi occupied Amsterdam. This beloved classic is her evocative and honest record of those two years in hiding in a claustrophobic attic, along with her parents, sister, and others desperate to escape the horror of the Nazi regime. Over seventy years since its first publication, ‘The Diary of Anne Frank’ remains an unforgettable testament to one of the most shameful events in world history, as well as a moving tribute to the spirit of a remarkable young girl.

The Diary of Samuel Pepys: You couldn’t really say that you love reading diaries and not read Samuel Pepys. A member of parliament who rose to the position of Chief Secretary to the Admiralty, Pepys is better known now for the diaries he wrote throughout the 1600s. Recording such historical events as the Plague and Great Fire of London, these astonishingly honest and ever entertaining diaries also chart the author’s own life – from political chicanery, to his own sexual adventures and domestic conflict.

Cover of The diary of a booksellerThe Diary of A Bookseller: Shaun Bythell’s hilarious diary charts a year in the life of the largest secondhand bookshop in Scotland. It is one of the ultimate books about books, packed with stories of eccentric book buyers, sound book recommendations, and accounts of stock purchase trips to auction houses and estates. With its wonderfully barbed and ever-entertaining style, this is a diary enthusiast’s and book shop lover’s dream.

The Diaries of Evelyn Waugh: These classic diaries reveal Evelyn Waugh in all his cantankerous yet honest and genuine glory. A must for Waugh fans, and anyone wishing to delve into the history of this era, these diaries are a mesmerising read filled with hilariously indiscreet portrayals of his peers, and great insights into the creation of Waugh’s beloved work.

Journal of Katherine Mansfield: The diaries of Katherine Mansfield contained in this volume, are mainly drawn from the last years of her life as this beloved author struggled but bravely strove to continue writing. Despite war time losses, and the immense pain Mansfield found herself in, she manages to write of the beauty of things surrounding her, and movingly reflects on her life, and celebrated writing.

Cover of Ancient as the hillsAncient as the Hills: James Lees Milne was a writer and English architectural conservationist, now best known for his compulsive diaries. Kept over the course of 60 years, his diaries cover a fascinating half century in history – from war time England to Blair Britain. Along with engaging descriptions of his own life and work, Milne observes a fascinating array of people from Nancy Mitford to Mick Jagger – always with absolute honesty and a fantastic eye for detail.

I Will Bear Witness: These powerful diaries are Jewish scholar Victor Klemperer’s record of life in Nazi Germany. His eloquent and mesmerising entries describe the day-to-day horror of life in Hitler’s Germany with important detail, candour, and courage.

Read more

Quick Questions with Victor Rodger – WORD Christchurch

CoverWe are asking quick questions of writers and thinkers coming to the WORD Christchurch Festival 2018 (Wednesday 29 August to Sunday 2 September).

Victor Rodger is an award-winning playwright of Samoan and Scottish descent, best known for his play, Black Faggot. Last year his short story, ‘Like Shinderella’, was published in the Maori/Pasefika anthology Black Marks on the White Page.

Victor Rodger. Image supplied.
Victor Rodger. Image supplied.

What are you looking forward to doing in Christchurch?

Going to Vanilla Ices if it’s open!

What do you think about libraries?

They always contain treasure.

What would be your desert island book?

A Confederacy of Dunces by John Kennedy Toole or The Road by Cormac McCarthy.

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Share a surprising fact about yourself.

I bunked off school to go meet Lauren Bacall when I was a young fella at Linwood North.

Victor Rodger’s sessions at WORD Christchurch Festival 2018

Comfortable in your skin Friday 31 August 6pm

Black Marks on the White Page: A Roundtable Saturday 1 September 10.30am

The Sex and Death Salon Saturday 1 September 10pm

Astroman at the Court Theatre – We talk to writer Albert Belz

One of the prizes in our Winter Read Challenge for teens is three double passes to see Astroman at The Court Theatre. This show is on from 27 October to 10 November. It sounds like a ripper – the 80s, video games, and Michael Jackson moves:

It’s 1983, and young Hemi ‘Jimmy’ Te Rehua knows how to dominate the games at the Whakatāne Astrocade Amusement Parlour. Too smart for his own good, Jimmy has a knack for trouble.

In this vid, playwright Albert Belz talks about Astroman to The Court Theatre’s Artistic Director Ross Gumbley.

We asked Albert a few questions:

How would you describe your play Astroman in a couple of sentences?

A coming of age story set in the small town N.Z. 1980s where a young boy genius discovers what it really means to be brave.

Do you have any tips for teens who want to get into writing plays?

Write with humour about the things that make you most angry.

What are your fave things – games, books, comics, movies, tv etc?

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Kia ora Albert, and good luck to all of you entering the Winter Read Challenge.

More about Albert

Love, jealousy, and more than a little stabbing: NZ Opera’s Tosca

Tonight I had the delight of watching Tosca, performed by New Zealand Opera. In the spirit of joy and discovery, I brought along my mother, who was lucky enough to have this be her maiden voyage to Puccini’s works. Indeed, I would have her begin her experience with no other. Love and jealousy, deceit and more than a little stabbing, Tosca embodies everything I love about French drama and Italian opera.

Tosca is originally set in Italy in the early 1800s (in this performance, still in Italy, but pushed forward to the stylish 1950s). It focuses on the diva Tosca, her lover, Cavaradossi, who is accused of helping a prisoner escape, and the devious Scarpia, the Chief of Police, who desires Tosca and sees an opportunity in her desperation when her lover is arrested. The more modern setting was very tasteful, the ominous mafia undertones fitting almost too well with the political pressure within Italy, certainly connecting the audience more than Italy’s situation in Napoleonic times.

Orla Boylan as Floria Tosca. Image supplied.

Favourite character? Scarpia, of course. His leitmotif looms ominously throughout, providing dread from the moment the curtain rises. Teddy Tahu Rhodes provided a brilliantly full sound, and stole the show for me. His embodiment of Scarpia continually drew my eye back to him, commanding and leaving others in his shadow (at times, literally, due to clever stagecraft).

Favourite song? Lucevan Le Stelle. I sniffled my way through it, and even my mother had her eyes prick with tears in the heartfelt rendition by Simon O’Neill as Cavaradossi. His vocal performance of this piece was especially superb, the pauses speaking as much as his smooth and soaring phrases. You can have a taster of this in O’Neill’s 2015 performance in the video below.

Favourite moment? Spoiler alert: Tosca’s dramatic end. Nothing says defiance like jumping off a prison tower, crying ‘See you in hell, sucker’ (*ahem, not an exact translation). Orla Boylan provided a Tosca that was funny, believable and heart-breaking, with a voice and costume selection that delighted my diva-prone heart.

Teddy Tahu Rhodes as Baron Scarpia in Tosca.
Teddy Tahu Rhodes as Baron Scarpia. Image supplied.

Kudos, of course, to the Christchurch Symphony Orchestra, whose accompaniment outshone every production of Tosca I have watched. The mark of an excellent supporting orchestra is its seamless interactions with the performers, heightening the emotion and not overwhelming, which the CSO accomplished. The Freemasons New Zealand Opera Chorus featured as well, supporting with a variety of characters, and a fair few familiar faces to the Christchurch musical theatre scene.

All in all, a brilliant night. It definitely makes me want to go and reread my copy of Scarpia by Piers Paul Read, which provides the story from the perspective of the notorious Baron.

As someone who loves opera, I would highly recommend the experience. The show runs from 8 to 16 March.

Further information

The Gig Guide: December 2017

Planning on attending a concert, show, or gig in Christchurch? Then why not take a look at what we’ve got of that artist’s back catalogue?

Comedy

Music

Christmas

Special performances incorporating festive music.

Popular music

Theatre & Dance

What gigs are you looking forward to in the near future? Anything we’ve missed? Do let us know in the comments.

The Gig Guide: November 2017

Planning on attending a concert, show, or gig in Christchurch? Then why not take a look at what we’ve got of that artist’s back catalogue?

Comedy

Kids

Music

Theatre

What gigs are you looking forward to in the near future? Anything we’ve missed? Do let us know in the comments.

The Gig Guide: October 2017

Planning on attending a concert, show, or gig in Christchurch? Then why not take a look at what we’ve got of that artist’s back catalogue?

Comedy

Kids

Music

Theatre

What gigs are you looking forward to in the near future? Anything we’ve missed? Do let us know in the comments.

The Gig Guide: September 2017

Planning on attending a concert, show, or gig in Christchurch? Then why not take a look at what we’ve got of that artist’s back catalogue?

For more performances this month see the Christchurch Arts Festival website

Comedy

Dance

Kids

Music

Theatre

Other

What gigs are you looking forward to in the near future? Anything we’ve missed? Do let us know in the comments.

Not such a strange meeting – Wilfred Owen and Siegfried Sassoon

Cover100 years ago last week at Craiglockhart Hospital for Neurasthenic Officers in Edinburgh, Wilfred Owen introduced himself to Siegfried Sassoon and one of the great literary friendships was born. Wilfred was recovering from shellshock, deeply traumatised by his time on the Western Front in 1917. Siegfried, grieving and angry at the deaths of his friends and men in his unit, had protested against the continued conduct of the First World War. After intervention from Robert Graves, he was sent to Craiglockhart rather than face a court martial. As the aspiring poet Wilfred was well aware, Siegfried was already a moderately famous poet. In the few weeks together they had in Scotland, Siegfried encouraged and mentored Wilfred.

Wilfred was killed on 4 November 1918, exactly a year after he left Craiglockhart and a week before the Armistice, however in the time between meeting Siegfried and his death he produced some of the most famous war poems, including Anthem for Doomed Youth and Strange Meeting. Their shared influence can still be felt today – their works are still taught in school, and Siegfried’s quote “I died in hell; they called it Passchendaele” has been widely quoted in the ongoing commemorations of the Third Battle of Ypres.

CoverWe know so much about their friendship as they both wrote about it – Wilfred in excited letters to his mother and Siegfried a couple of decades later in his volume of autobiography Siegfried’s Journey. This documentation has provided excellent source material for modern authors looking to portray the two poets. They are the subject of a two-hander play Not About Heroes which covers Craiglockhart in Act One and their different paths in Act Two. Intimate and moving, this is a powerful play (but having directed it a few years ago I am quite biased).

CoverPerhaps the most well-known depiction of their friendship is in Pat Barker‘s award winning Regeneration Trilogy. However, in Barker’s interpretation of Siegfried’s time at Craiglockhart, his friendship with Wilfred is overshadowed by his connection with his doctor, W. H. R. Rivers. There’s a lot going on in the trilogy – the cultural construct of masculinity cracking under pressure, mental health, sex, pacifism – and Siegfried and Wilfred are only one strand to this. Rivers is perhaps the main character and the marvelous fictional creation that is Billy Prior dominates the last two books.

I’ve mentioned before how Billy is possibly my favourite literary character. He’s the working class kid who becomes an officer; he’s bisexual; he’s somewhere on the continuum of sanity and insanity; he’s a split personality. He’s so many things that in some ways he shouldn’t work but – to me at least – he does. Billy and Rivers tie the trilogy together.

And so a chance meeting 100 years ago is still being interpreted and played out today; the voices of those caught up in conflict still resonating.

Do you have a favourite war poem?