125 Years – Are We There Yet?: WORD Christchurch Festival 2018

Are we there yet? 125 years on from the historic law change that granted New Zealand women the right to vote, an impressive line-up of women gathered in a WORD Christchurch panel at The Piano to discuss this question. Georgina Beyer, Dame Anne Salmond, Sacha McMeeking, Lizzie Marvelly, and Paula Penfold were chaired by the indomitable Kim Hill.

Things kicked off  in an unexpectedly musical fashion with sparkles and a ukulele as Gemma Gracewood and Megan Salole of the Wellington International Ukulele Orchestra led in with a waiata, the workers’ anthem “Bread and roses”, even managing to get the crowd chiming in with a refrain at the end, Gracewood quipping that “it’s in Kim Hill’s contract to be introduced like this at every event she does”, which is most certainly a lie but it’s nice to pretend it’s not.

In panel discussions it can sometimes be a challenge to make sure that each person gets space to share their thoughts though for this event each panellist got their own turn at the podium. Unsurprisingly all of them answered in the negative but were good enough to elaborate on why, and to speculate on how we could, indeed, get there.

125 Years: Are we there yet? WORD Christchurch Festival 2018
Dame Anne Salmond, Georgina Beyer, Paula Penfold, Sacha McMeeking, Lizzie Marvelly, and Kim Hill. WORD Christchurch Festival 2018. Thursday 30 August 2018. File reference: 2018-08-30-IMG_0132

Dame Anne Salmond bemoaned the “experiment” that’s seen public services turned into businesses and the damage it’s done to our communities. “What price work,” she asked “if you have to trade away some of your desires and dreams? What price a thriving economy if we’ve got children dying of Third World diseases?”. Change, she felt,  must be a shared task.

She also queried why, as someone who has an academic background in New Zealand history, and the Treaty she is always being asked by journalists about comments made by Don Brash, someone who has never deigned to study these topics. “Why am I still hearing the same voices?” she wondered.

Georgina Beyer remembered and paid tribute to Sonia Davies, the “lovely little piece of firework” who talked her into joining and running for the Labour Party. Davies’ autobiography (later turned into a movie) took it’s name from the waiata that opened the session.

Beyer outlined the slow, but building momentum leading on from 1893, pointing out that it took many years before a woman was elected into parliament (Lytteltonian MP, Elizabeth McCombs in 1933) but that change has been more rapid in the last few decades. Though parliament is still much more balanced in its distribution of power than the boardroom is.

She acknowledged that in some corners of feminism there was a pushing back against transgender activism, that some felt perhaps that all the work and achievements up to this point were being “ridden on the coattails by this ‘transgender lot’.” But she felt that this division wasn’t helpful and that we need to move forward together.

Although initially reticent to offend – egged on by a throaty “Oh, go ON!” by Kim Hill – Beyer confessed that she felt religious dogma had a lot to answer for, citing Brian Tamaki’s “Man up” campaign as just another way of saying “women, go back to the kitchen”, expressing outrage at Gloriavale as “detrimental” to both men and women, and that “conversion therapy is a breach of human rights”.

Journalist Paula Penfold, who is involved with Stuff’s #MeTooNZ campaign, used her time at the podium to present a “listicle” of good news/bad news facts including such sobering statements as “New Zealand has the worst rate of family and intimate partner violence in the world”, an estimated 80% of which is unreported. That the gender gap is closing… but her mother probably won’t live to see it. But she was hopeful, watching her teenage children engage with these issues, that the “young people are seeing a way forward with this”. Which was something of a life-raft in a sea of not great news, which I’m sure was her intention.

Sacha McMeeking, though thwarted initially by screeching feedback, had the audience in the palm of her hand as she gently and wittily guided us through the complicated topic of how you effect social change, noting that we often try to do this from a very top level way, via laws, or on an individual level but that we need to focus on the part in the middle where we collectively create new social habits. She used the metaphor of desire paths, those well-trodden dirt path “shortcuts” that show where people have chosen to diverge from a paved walkway, the implication being that it’s a repeated wearing down by many feet on many trips that can leave a trail for others to follow.

“Society,” she said “is inherently conservative. The status quo is given every possibility to replicate”. It’s about consciously looking, then, for ways to subvert this. Looking for places to blaze (or just wear down, slowly over time) a different trail. And what was this audience, if not a core of people who might help do that? This was about as uplifting as the evening got, and as such, received the largest round of applause.

Musician and columnist Lizzie Marvelly was at her most compelling when describing the culture shock she felt when, after being raised in a family that valued gender equality and attending the female-centric Rotorua Girls High, she changed schools and became one of a minority of female pupils at Kings College in Auckland. Being rated out of ten for attractiveness by boys via the unexpected medium of vegemite-smeared pieces of toast, or having chants of “get back in the kitchen” called out to girls on the sportsfield. And of course, the sad realisation that she was not allowed to be head prefect because that was a title reserved for boys only.

When questioned by Hill on whether exerting the right to make choices is, in and of itself feminist, Marvelly had this to say:

The fact that we have choices is a feminist victory but that doesn’t mean that every choice you make is a feminist one.

For her, unless the choice you’re making in is in support of gender equality then it’s not a feminist one. I’ve never heard this stated so simply, and it makes complete sense to me, though I imagine, as with most things, the devil is in the details/interpretation.

During question time, the questions were, well, largely musings masquerading as questions. Interesting issues were raised, certainly, but it was hard for most of the panellists to grasp onto an answer when questions were somewhat fuzzy. The exception being Georgina Beyer’s recollection of the pack-rape she suffered as a young woman in Sydney – it was devastating in content, sure, but also in her matter of factness about it. And it exposed the flaw in the questioner’s definition of women as “people with vaginas”, introduced as it was with the wryly delivered, “prior to my having a vagina…”

It was a very sobering and downbeat story to end the evening on, but it was also a session that went significantly over time. And I suspect many of the people in the audience did as I did and talked over the issues with their companion on the journey home.

Are we there yet? No, but not for want of trying.

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Podcast – Indigenous women in leadership

Speak Up Kōrerotia logoChristchurch City Libraries blog hosts a series of regular podcasts from specialist human rights radio show Speak up – Kōrerotia. This show is created by Sally Carlton.

In a break from the usual format of panel discussion, this episode is a recording of Sacha McMeeking and Hana Skerrett White of University of Canterbury and Arihia Bennett, CE of Te Runanga o Ngai Tahu who presented on the topic “Indigenous women in leadership” for a New Zealand Human Rights Commission event to promote the United Nations Declaration on the Rights of Indigenous People (UNDRIP) and #IWD (International Women’s Day).

The three talks discuss themes such as:

  • Hero-leadership vs Service-leadership (Western leadership vs indigenous leadership)
  • Māori woman leaders in history
  • Examples of leadership amongst women in your own whakapapa
  • Women and whānau, and changing roles

Transcript of audio file

Find out more in our collection

Cover of Māori and Aboriginal Women in the Public Eye Cover of Crossing the Floor The Story of Tariana Turia Cover of The spirit of Māori leadership Cover of Te Puea: A life Cover of United Nations Declaration on the Rights of Indigenous Peoples Cover of Te Ara: Māori Pathways of Leadership

More about Speak up – Kōrerotia

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Ngā Pounamu Māori explored

Whangia ka tupu, ka puawai

That which is nurtured, blossoms and grows

Christchurch City Libraries hold many taonga. Ngā Pounamu Māori Collection is one of them. Filled with history, art, mahi toi,  te Reo Māori, tikanga, kaupapa, whakapapa, politics, moemoea, traditions, kōrero, whānau me pūrākau.

Each library has someone who is the kaitiaki of that librarys’ Ngā Pounamu Collection (Ngā Kaiāwhina) and we recently shared some pukapuka from this collection.

This is what was on show. Quite a variety indeed!  We hope there will be some discovery moments for our blog readers as you venture into this awesome collection.

  • Native Land Court 1862-1887: a historical study, cases and commentary / Richard Boast, 346.043 BOA – fascinating history, history of the Maori Land Court and over 100 principal cases including text and introductory commentary explaining the case and its significance.
  • Ora Nui, Maori Literary Journalcover for Ora Nui – collection of different works from different authors, great starting point. (Available as an free downloadable eBook).
  • Choosing a Māori Name for your baby / Miriama Ohlson – transliterations and  traditional names.
  • Māori Agriculture, Elsdon Best – Interesting reading in context. A good start but does need to come with a proviso, also available online. Library disclaimer: Elsdon Best has come under criticism over some of his work.
  • Apirana Taylor – poet, short story and novel writer. A Canoe in Midstream
  • cover for parihaka - the art of passive resistanceParihaka the art of passive resistance,- edited by Te Miringa Hohaia, Gregory O’Brien and Lara Strongman –  well written and capturing interest
  • Ben Brown< “amazing” performance poet.
  • Hone Tuwhare Tuwhare – poetry made into music. Not by wind ravaged (Parihaka)
  • Te Rongoa Māori / PME Williams
  • Tikao Talks / Teone Taare Tikao – a must read! Traditions and tales as told by Teone Tikao (Rapaki) to Herries Beattie. Related information can be found in Tī Kōuka Whenua.
  • A Booming in the night / Benjamin Brown and Helen Taylor – beautiful!! Childrens. More from these two.
  • cover for Ko Wai Kei te Huna?Ko Wai E Huna Ana? / Satoru Ōnishi – Childrens, Te Reo Māori publication
  • Toddling into Te Reo(series), reprinted 2014 by Huia Print – Childrens – nice to have the translations at the back, good to let parents know about this, colourful and thoughtful
  • He aha tenei? / Sharon Holt – Childrens Reo Singalong Written in Te reo Māori and includes translation and CD.
  • Five Māori Painters / 759.993 – gorgeous!! See the exhibition and interviews.
  • Matters of the Heart / Angela Wanhalla – A history of interracial marriage in New Zealand. Evocative of the time periods, good for seeing family connections
  • Cover of The Last MaopoThe last Maopo / Wiremu Tanai Kaihau Maopo – WW1 commemorations, letters that he sent home to a friend about his experiences as part of the second Maori contingent in WW1, personal story woven into it. 2014 publication
  • e Whai / Briar O’Connor – the art/activity of making string patterns – fun, informative and nostalgic.

 

 

 

More recommendations  from Ngā Pounamu Māori.

 

cover for Mau Mokocover from huia histories of māoricover from Once upon a time in aotearoa

Whaia te iti kahurangi ki te tuohu koe me he maunga teitei

Aim for the highest cloud so that if you miss it, you will hit a lofty mountain.

Mana wahine: Dr Patricia Te Arapo Wallace

Cover of Pūawaitanga o te Ringa - Fruits of our busy hands Dr Patricia Te Arapo Wallace was involved in one of Christchurch City Libraries’ most significant cultural taonga Pūawaitanga o te Ringa – Fruits of our busy hands, a series of tukutuku panels that were specially woven as a community project for the Ngā Pounamu Māori Centre.

She is widely respected for her knowledge of Māori material culture:

When Dr Patricia Wallace wanted to piece together the mysteries of traditional Maori dress,  she found inspiration in an unconventional form – modern-day plastic Ken dolls. With the help of ‘Barbie boyfriends’ she was able to reconstruct how early Maori traditionally wore large kaitaka (cloaks) wrapped around their bodies.

Cover of Looking flashLast month Dr Wallace became the first Ngata Centenary Doctoral Scholar to graduate from Canterbury with a PhD in Maori. While the department has previously awarded four doctorates, Dr Wallace is the first Maori person to do her doctoral study solely in the Maori department. Her achievements are even more remarkable for the fact that she only embarked on a university education in her fifties. Research throws new light on traditional Maori dress.

from the article Research throws new light on traditional Maori dress (2003)

She wrote an impressive  Introduction to Māori Dress feature in the  Berg Fashion Library,  in 2010.

Dr Wallace also wrote the chapter ‘He whatu ariki- he kura, he waero: chiefly threads – red and white’ in the book Looking Flash: Clothing in Aotearoa New Zealand by Labrum, McKergow and Gibson (2007).

She is one of six contributors to Whatu Kākahu-Māori Cloaks (2011) which will be launched at the 2011 National Weavers’ Hui.

Read Patricia’s Researcher profile from the University of Canterbury.

Mana wahine – Whetu Tirikatene-Sullivan

Cover of Whetu Tirikatene-SullivanWhetu Marama Tirikātene-Sullivan passed away in July. She is renowned as the first Māori woman cabinet minister. But she also had a major influence in the world of fashion and design, as this article Snapshot: A Māori Fashion Designer in the Berg Fashion Library reveals:

She commissioned a large number of garments incorporating Māori motifs by contemporary Māori artists, such as Sandy Adsett, Para Matchitt, Cliff Whiting, and Frank Davis. She wore these at her many public engagements, and they were generally regarded as her signature style. For many New Zealanders this was the first time they had seen such traditional elements in a new context.

Photo
Mrs Tirikatene-Sullivan (M.P.) at art exhibition (image on Kete Horowhenua from Horowhenua Historical Society Inc.)