Book event blog posts have a formula: introducing the author, setting the scene and then a chronological or thematic account of the literary chit-chat. But I’m feeling rebellious, so no entrée, no mains and straight to dessert. What is Francis Spufford going to serve up next on the fiction front?
He is currently working on a new novel (hurrah!) set in South London and starting in the year 1944 when a German V2 rocket fell on a branch of Woolworths in New Cross killing 168 people. Each chapter is set in a different year, so far he has got to 1949, and the volume and diversity of research has been hugely challenging. To date he has had to get his head around the intricacies of lino printing, 1970s reel-to-reel technology, what working on a suicide prevention helpline would be like, Nazi skinheads and being a female backing singer in Los Angeles in 1979…whew!
Asked about his late-in-life move into fiction, Francis Spufford replied that as an academic teaching creative writing, at Goldsmiths University of London, he felt ashamed giving advice and guidance on writing fiction without have dipped his own pen in the fiction ink.
He set himself an ambitious agenda for his first novel as he wanted to include: “a duel, a rooftop chase, a trial scene, a love story, bone-crunching violence, rude sex, a mystery and jokes” plus set it in the 18th Century New York and with at least a nod and a wink towards the language and style of the new 18th Century novel. “A mass of incompatible pleasures now but quite in keeping with the period” where “serious intentions and low pleasures could be stuck in together”. It did involve compromise and became essentially a 21st Century novel in an 18th Century manner but one which allows the reader to feel a sense of time travel but without the style being too verbally off-putting.
Setting the novel in historic New York was also important to him as he was drawn to the satisfying reversal of the city past and present:
The sheer tininess of the place then — some 7,000 people — versus the densely populated urban craziness of today.
The fact old New York was parochial versus its current cosmopolitan outlook.
That it was pious, Protestant, and ethnically limited compared with today’s predominantly secular and ethnically complex society.
Mr Smith, the mysterious central character, is a city-slicker — a London sophisticate travelling to the small and provincial New York “a Jane Austen sized village”. This New York is highly politicised and on surface level patriotically Royalist but the reader is aware that change is coming and that British influence is waning.
Francis Spufford was extremely knowledgeable and passionate about early US history, his retention of information researched some time ago but instantly recalled was enviable! He drew parallels between early New York and the US today saying “paranoia about tyranny has featured throughout its history” but he also lamented the topicality of his novel. He hadn’t anticipated Donald Trump and the focus on modern America’s paranoia and darkness.
Francis Spufford also spoke about his Christian faith and the process of writing Unapologetic — his response to Dawkins’ God Delusion. His aim he said “was to write a book that wouldn’t convert but would make belief recognisable to the reader” that faith was not “superstition or madness but meeting some human need”. He was anxious about creating a backlash as he wrote it not as “a good-tempered argument between faith and atheism” but in a more pugnacious attempt to show “that religion didn’t belong in a zoo of weird things but was a human norm”.
This was a bookishly warm and entertaining hour and if you haven’t read Francis Spufford, pull finger and get on with it!
Pop! Bang! That’s what happened – literally – when a group of New Zealand children’s authors and illustrators presented inspiring talks to hundreds of Canterbury school children, just ahead of the announcement of the 2017 winners of the New Zealand Book Awards for Children and Young Adults.
Several of the nominated authors and illustrators toured the country speaking to school children about their work and craft. Hosted in conjunction with WORD Christchurch, they addressed primary and intermediate students who came from across Canterbury to hear them speak at St. Margaret’s College. They talked about what it takes to be a writer and/or illustrator and what keeps them inspired and shared their working processes, all with the aim of sparking readers and the next generation of writers and illustrators. We share some of the highlights here.
Session One: Tania Roxborogh, Leonie Agnew and David Elliot
“Any change for good is powered by fury and passion to make the world a better place” says Tania Roxborogh, and this idea is a driving force behind the story in her book about the Bastion Point occupation for Scholastic’s My New Zealand Story series, told from a child’s point of view.
Through the process of researching and writing this book, Roxborogh was reminded that: “Retelling history is never straightforward” because “people lie, self-edit, and mis-remember” and that “people remember different things.” She added that there is also the problem of bias in New Zealand media – from the right wing as well as the left wing – which she had to take into consideration when researching for this book.
When Roxborogh visited Bastion Point to help her find her point of view for the story, she found herself humbled, prompting her to ask: “What right do I even have to tell this story?” She realised, however, that regardless of who she was, the story of the protesters was a story worth telling.
Roxborogh teaches English and Drama at a Canterbury high school and has written over 50 books.
Snark – Being a true history of the expedition that discovered the Snark and the Jabberwock … and its tragic aftermath.
Elliot’s illustrated book was inspired by Lewis Carroll’s The Hunting of the Snark, and the Jabberwock and his presentation of museum-like artefacts and the stories he told about them would have had some in the audience wondering if his tale of the mission to discover the snark was true or not.
Elliot says he spent time living in a cottage inside Edinburgh Zoo and you have to wonder if this influenced his work illustrating weird and wonderous creatures.
For The Impossible Boy, Agnew asked: “What if a kid believes in something so much that his faith in it makes it real?” like Peter Pan’s belief in fairies, and on the flipside, “if you were an imaginary friend, what if you discovered you weren’t real?”
Agnew recommended using a little bit of non-fiction to make your fiction more real. In this case, she used the war-torn streets of Beirut in Lebanon as the inspiration for her setting of the story.
Various authors at the event talked about the hard parts of writing, when you feel like quitting or at least taking a break. Writing can take time! Agnew wrote 100 drafts of her book over 6 to 8 years. She says if you’re stuck, consider what Einstein said: You don’t solve a problem by looking at it in the same way, try looking at things from a new angle.
Agnew fits writing into her job as a primary school teacher by getting up at 5:30am to write before the school day starts. What inspired her to become a writer? Agnew “grew up in a house full of books” and her dad was a journalist who writes non-fiction, but really, she says, she “just wanted to do it.”
In the first session with Tania Roxborogh, Leonie Agnew and David Elliot I felt an overall theme of the elusive – of capturing the elusive writing spark, capturing the Snark, and elusive invisible friends. Another theme that came through for me was the theme of imagination: imagine if someone was trying to take your land, imagine wondrous creatures and lands, imagine how an imaginary friend would feel if they discovered they weren’t real. Imagine.
Session Two: Des Hunt, Jenny Cooper and Simon Pollard
Des Hunt has a love of adventure stories, science, New Zealand animals and he combines all of these into his stories. Sunken Forest was inspired by a real life summer camp he went on when he was 15 at Lake Waikaremoana, a trip that was memorable partly for sparking his interest in geology. The lake was formed during an earthquake landslide that drowned the forest. Standing tree trunks eerily remain there underwater today. Also trapped there are eels which can’t make their way back to sea to migrate to the Pacific islands to lay eggs. Unable to leave, they grow exponentially large.
In Sunken Forest, one such eel befriends Matt, who is sent to boot camp after his father, a boy racer, is sentenced to prison. At camp, Matt has to deal with bullies and getting the blame for things he didn’t do.
In his talk, Des Hunt totally engaged his audience from beginning to end, by which time he had them on the edge of their seats. He cleverly demonstrated the idea of building tension in a story by blowing up a balloon… about to burst at any moment. How do you really build tension in a story? He says: Add conflict and injustice, a disaster and… Pop!… an explosive climax.
While many of those who spoke at the event started writing or drawing as early as their primary school years, surprisingly Des only published his first fiction book when he was about 50 years old but has since written heaps of books. His passion for writing is now so strong that he can’t imagine doing anything else and he hopes to be an author until he dies. This is good news for my young son who was so inspired by Des Hunt’s presentation he immediately went and read Sunken Forest, despite never having independently read a chapter book without pictures in it before. Des certainly inspired him reader to take his reading engagement to a higher level.
It was fantastic to see instant booktalking success in action! Des tours schools doing writing workshops so see if your school can be added to his schedule.
She especially does a lot of research for illustrating the war stories, hiring models and WWI artefacts and taking hundreds of photos to draw from so she could get the details correct. The war stories she works on are “hard to illustrate because they are so sad” but equally she says, they are “really satisfying.” She added: “Sometimes the hardest and most challenging things you work on were the most rewarding.”
This was a sentiment shared by several of the speakers. Getting to a finished product takes times and many drafts! She tries 6 – 10 layouts before she has a rough drawing and after that, a finished painting may take up to 6 hours.
Pollard is a spider expert, lecturing as an adjunct professor at the University of Canterbury and he has been working with spiders for 30 to 40 years. He is interested in telling stories about what spiders get up to and recently worked with WETA Workshop on the impressive display of oversized bugs for the Bug Lab show at Te Papa Museum.
Pollard is an engaging speaker and really brings bugs to life. He told stories (complete with eek-inducing pictures) about the jewel wasp that immobilises and enslaves a cockroach so it can use it as a living nursery, laying its eggs in it to hatch. Ingenious, but gross. We also heard about the clever Japanese honey bees that kill their enemy, the Japanese hornet, by gathering together in a ball around one and quivering – the heat of their buzzing wings stops the wasp from secreting their signal for more wasps to attack them.
Then there’s the insect that looks like a spider, but isn’t, just to scare off predators. After learning all these fun facts, we were left marvelling at the magic of the natural world.
Primary and intermediate students from all over Christchurch lined up to ask lots of questions of the authors and illustrators after they spoke. Here are their inquisitive questions, and answers aimed at inspiring young readers, writers and artists.
What were some of your favourite books (growing up and now) and what writers would you recommend?
An integral part of the New Zealand Book Awards for Children and Young Adults is the HELL Reading Challenge, now in its fourth year. It has been hugely successful in getting kids reading and enjoying the pleasure of stories (and pizza). Kids can pick up their reading challenge cards at Christchurch City Libraries (until December 2017).
Flash in the Pan is a popular night that brings together flash fiction writers. Challenge your ideas of fiction with flash readings and award presentations. This experimental form of brevity that links traditional narrative while pushing on boundaries of poetry and dialogue.
And in keeping with the season of Matariki, this is the first year that Flash in the Pan will feature te reo — Tania Roxborogh and Teoti Jardine will read stories in Te Reo Māori.
“Characters burst off the pages, delighting us at every turn,” say the judges of this year’s New Zealand Book Awards for Children and Young Adults. They have selected 35 finalists for the 2017 awards, out of 152 submissions.
“This year’s shortlist reminds us that books are powerful vehicles for helping children make sense of their world and gain a better understanding of themselves and others. At times the vividly descriptive writing was brutal and heart-breaking, providing moving portrayals of life through the eyes of children and teenagers. All finalist titles are convincing in their realism, skilfully laced with honour and honesty throughout,” says convenor of judges Pam Jones. Many of the books submitted dealt with serious issues. “War featured highly, alongside other topical themes like teenage pregnancy, surveillance, abuse, homelessness, racial tensions and bullying. Coming-of-age stories and characters that are living with extended family members highlighted the meaning of family and love,” Pam Jones says.
The awards are administered by the New Zealand Book Council on behalf of the New Zealand Book Awards Trust. The final award winners will be announced 14th August 2017.
A special Kia Ora to Canterbury finalists:
Gavin Bishop – illustrator, Helper and Helper – Junior Fiction
Jenny Cooper (Amberley), Gladys Goes to War – Illustration
Simon Pollard, The Genius of Bugs – Non-Fiction
Tania Roxborogh, My New Zealand Story: Bastion Point – Junior Fiction
The Esther Glen Award for Junior Fiction finalists will capture the imagination of every young reader, either immersing them in another world or reality, giving them a problem or mystery to solve or causing a laugh-out-loud response to witty conversations. “We’re pleased to see these books feature an equal mix of strong male and female characters from different races, ethnicities and backgrounds,” say the judges.
The judges enjoyed delving into the world of teenagers via the books entered for the Copyright Licensing NZ Award for Young Adult Fiction. “We immersed ourselves in the issues that plague young people—family, school pressures, relationship woes, sexuality and the looming adult world. Authors are not afraid to explore dark themes, but also to inject humour when it’s needed.”
An integral part of the New Zealand Book Awards for Children and Young Adults is the HELL Reading Challenge, now in its fourth year. It has been hugely successful in getting kids reading and enjoying the pleasure of stories (and pizza). Kids can pick up their reading challenge cards at Christchurch City Libraries (open until December 2017).
Meet a finalist…
Come see bug genius Simon Pollard at South Library during KidsFest Do you like bugs? They may be small, they may be creepy, but bugs have super-sized powers! Join Simon Pollard, author of the wicked new book The Genius of Bugs, as he takes you into the world of the everyday and the extraordinary, the grotesque and the mysterious, with bug tales, facts and figures that showcase insect ingenuity and reveal astounding bug behaviour. Be entertained and amazed and bring your best bug questions. Ages 7-13.
When: Tuesday, 11 July, 10.30-11.30am Venue: South Library, Colombo St Price: FREE
Organised by WORD Christchurch
BIRD + YOUNG sounds like a firm purveying fancy jewellery. But for Hera Lindsay Bird (poet) and Ashleigh Young (poet, writer, editor), it is words and ideas that are the things they are making and selling. This WORD Christchurch event at the Christchurch Art Gallery auditorium was introduced by WORD’s programme director Rachael King and chaired by Amy Marr, the Visitor Programmes Coordinator of the Art Gallery.
Hera Lindsay Bird is a poet whose works have pretty much gone viral – you might have read the one about Monica from Friends, and that Keats one – everywhere, BAM! Ashleigh Young is a poet and writer who recently became the first New Zealander to win Yale University’s Windham-Campbell Prize, worth US$165,000 (NZ$230,000), for her collection of raw, real, beautifully honest essays, Can you tolerate this? Their books are both on the shortlist for the Ockham New Zealand Book Awards.
It was a soggy evening, but that didn’t deter the crowd. It was full to the gunnels.
How do they get time to write when they work full time (Hera at Unity Books, Ashleigh at Victoria University Press)? It ain’t easy, but great employers help. Hera gets a paid day off each week. Ashleigh’s boss has offered time off for writing, while keeping her job open.
What followed was a discussion that ranged widely – from influences, to the IIML, sexy stuff, humour, and processes – with a good amount of Q&A time (surprise fact: lots of questions asked by men). Here’s some of the things we learned:
Ashleigh edited Hera Lindsay Bird’s book which she said required barely a single change. She read the manuscript on the floor, weeping and cackling.
Hera enjoys reading crime fiction, humour, and heaps of poetry. She’s currently reading the Adrian Mole books by Sue Townsend.
Ashleigh has lots of self help books concealed on her Kindle.
Ashleigh said she can’t remember not wanting to write (but always knew she’s need a day job to pay the bills)
Hera’s parents had star charts – not for good behaviour but for writing, and she would get paid to write poems. She wondered if her Coromandel hippy parents fancied her as the next Laura Ranger (remember Laura’s Poems?)
Hera feels the support of her family and knows that even if she writes something explicit, her Dad will be chill with it.
Everyone knows you’re not supposed to judge a book by its cover, right? But we do, of course. I mean, when you’re browsing the library shelves, it’s the cover that attracts you to a book, isn’t it? I’ve heard that you’re supposed to read to page 90 (!) of a book before you decide if you should read it, but I sure don’t have time for that!
So anyway, when I saw Resistance is Futile the other day, I was sure this was just the book for me. Anyone who’s read my blog posts before will know that I’m a bit of a Star Trek nerd (just a wee bit!) so I was really excited to read this geeky love story with a Trek reference in the title. It looked like it was going to be the perfect read.
But I was wrong. It wasn’t that the story wasn’t any good–I enjoyed it well enough–it just wasn’t what the cover had lead me to believe. I was expecting a kind of Rosie Project-ish story, but with a geek-girl protagonist and a few Star Trek references thrown in. But what I got, was an X-Files-ish murder-mystery-come-alien-romance story. There was not so much as a single “Beam me up, Scotty” or “Live long and prosper” to be had. I think there might have been a vague reference to the Prime Directive on page 265. Maybe. Or maybe I’m just clutching at straws.
Of course, sometimes it’s the other way around.
When I read the blurb of The Round House by Louise Erdrich (“A mother is brutally raped by a man on the North Dakota reservation where she lives… Traumatized and afraid, she takes to her bed and refuses to talk to anyone – including the police…”) I groaned inwardly. “Who chooses these books anyway?” I grumbled. But it was for book club, so I had to at least attempt to read it. Grudgingly I began…
…and instead of the abhorrent, disturbing tale I was expecting, I discovered an arresting, thought provoking story of a young man’s search for justice for his mother. Although the story was often upsetting, it was not gratuitous. I learnt fascinating and shocking things about life on a Native American reservation. I was amazed that Erdrich, a (then) 57 year old woman, could create a teenage-boy-character so utterly believable and real as Joe. I laughed at the oddball characters of his extended family. And I cried as the conclusion approached, knowing, without knowing, what was about to happen.
And… I reveled in Joe’s love of Star Trek! Both for its own sake, and because it was so unexpected! Joe and his friends idolised the super-strong, fully-functional android Data; they wanted to be Worf, the Klingon warrior* (they were also Star Wars fans, of course–but I forgave them). A few chapters in, I suddenly realised that each chapter shared its title with an episode of Star Trek: the Next Generation (yes, I am that much of a Trekkie that I know the titles of the episodes, and I only had to check the synopsis of a couple of them to be sure what they were about). I then had a sudden desire to watch all those episodes, and analyse the connections with each chapter. In fact, I found myself wanting to write whole essays on this book. Back in the dim reaches of history, I actually did a degree in English. I was even invited to do Honours (though I didn’t, for reasons which I’ve now forgotten). I loved studying, but I don’t think I’ve ever read a book since that I so wanted to write academic essays about. The more I think about it, the more I think this book deserves the “Missbeecrafty Best Book” award. I’m sure that’s almost as prestigious as the American National Book Award for Fiction which it actually won in 2012.
Literary prize winning books aren’t for everyone, I know, but don’t judge this book on its prize-winning-ness. And don’t judge it on it’s Trekkie-ness! If you’re not a Star Trek fan, don’t worry, I’ve read a bunch of reviews, and hardly anyone else seems to have even noticed it, and they still loved it. And don’t judge it by its cover, either!
There are a number of excellent resources available if you’d like to learn more about the 1881 invasion of the Parihaka settlement by Government forces, the aftermath and ongoing legacy of this event. Whether you want something that’s suitable for children, a fictional account or well-researched history on the topic, our library collection has got you covered.
This pair of children’s books written by Jennifer Beck and illustrated Lindy Fisher, with the Teo Reo translation done by Kawata Teepa. They look at what happened at Parihaka through the frame of a school speech contest.
I really like that they are companion volumes, with the same beautiful illustrations, and that the Gunpowder Plot and the climactic day at Parihaka both 5th November are compared and contrasted. The murderous intent of those who wanted, in their anger and frustration, to blow up the Houses of Parliament is juxtaposed with the calm and dignified passive resistance of the people of Parihaka. Simple but hugely powerful, these two books are a great introduction to a hugely important New Zealand historical event and hanging it off an event in British history creates another level of interest.
Written in 2011, this novel weaves fact and fiction together to tell the story of Erenora, a young woman living in Parihaka at the times of the invasion and land confiscation. It is also told from the perspective of a retired teacher, who is researching his whanau and comes across Erenora’s story.
Because of the two stories, and points of view changing, it can be a little tricky to get your head around at times, but I think it’s worth persevering. Erenora’s journey to the South Island in search of her husband, who has been taken prisoner after the massacre is a touching and descriptive and I learnt a lot about how life was for both Māori and Pakehā in those early years of our nation.
It certainly paints a brutal picture of the events of Parihaka and allowed me to get a sense of the injustice and upheaval during this not so proud part of our past.
This book can be found in both the Nga Pounamu Māori collection and in Young Adult, so recommended to YA readers looking for books for NCEA reading as well.
Parihaka is paradoxically one of the most shameful episodes and one of the most remarkable and enduring stories in New Zealand’s colonial history.
This ground-breaking publication brings together art, poetry and waiata from the past 100 years. It features over 100 artworks that explores the legacy of Parihaka and its leaders, Te Whiti o Rongomai and Tohu Kākahi. It draws on teachings and sayings of Te Whiti and Tohu, in Māori and English, many of which have been previously unpublished and are here now reproduced in full. Artists include Shane Cotton, Tama Iti, Tim Finn (with that classic song), Tony Fomison, Colin McCahon and Ralph Hotere to name a few.
This is a collaboration between City Gallery, Wellington from their 2000-01 exhibition, The Trustees of Parihaka Pā and Victoria University Press.
Originally published in 1975, journalist and historian Dick Scott broke new ground with Ask that Mountain. This book draws on official papers, settler manuscripts and oral histories to give the first complete account of what took place at Parihaka. This illustrated seminal work was named by the Sunday Star Times in 1995 as one of the 10 most important books published in New Zealand.
This will not be an easy read as events are recounted. There is violence and oppression but ultimately it is a compelling story of an important event in New Zealand’s past.
I have let quotes from the author do all the talking with this title.
“It is about the forgotten stories, blind spots and hidden corners that I encountered in the history-making about the Crown’s 1881 invasion of Parihaka Pā, a non-violent settlement in Taranaki. This invasion is one of the most troubling, significant and well-known events in the short shared history of Māori and Pākehā, yet is easily overlooked.” -Rachel Buchanan.
“The story of Parihaka did not end with the 1881 invasion or the 1907 deaths of its two leaders – Te Whiti o Rongomai and Tohu Kakahi. It is difficult, impossible even, to find the place to put the final full stop to the story of this place, or the stories of many of Aotearoa New Zealand’s other trouble spots. Our world is saturated with the unfinished past, and yet it is so easy to be blind to it all, to pretend that the past is not really there at all and none of these disturbing things really happened. Open your eyes! Come with me on a road trip into the present past.” -Rachel Buchanan.
“After growing up in Taranaki, doing a Phd on Parihaka and now writing a book, I know a lot about the place but I’ve still got a lot to learn. Parihaka is a story that got under my skin I guess when I was a school-kid, but my biggest inspiration was the big art show at City Gallery in 2000-2001. It was awe-inspiring and I wanted to know more about a place that could inspire so much passion. Now, nine years later, I think I understand!” –Rachel Buchanan
Kelvin Day brings together eleven distinguished academics and historians who provide fresh and engaging insights into this turbulent period, much sourced from previously overlooked material, and a remarkable collection of photographs and illustrations. It includes the chapter A new kind of resistance: Parihaka and the struggle for peace by Historian Hazel Riseborough.
“People need to know what happened at Parihaka”, according to Kaumatua Rangikotuku Rukuwai.
This was the main motivation behind Dr Danny Keenan’s decision to write a book about the life of its prophet Te Whiti o Rongomai.
Inspired by his chats with Rangikotuku (Te Whiti’s great grandson) and his wife Ngaraiti over cups of tea at their New Plymouth home, Keenan revived the idea he had for the book back in the early 2000s. The book documents the roles both Te Whiti and fellow prophet Tohu Kākahi played in the creating the reputation of Parihaka as a place of peace.
The book details the events leading up to the invasion of 1881 and the arrest and imprisonment of the two men and is peppered with drawings from the time period, photographs, both old and new and accounts from people there at the time, and memories of whanau. It also traces the life of Te Whiti from Ngā Motu, where he was born, to his settling at Parihaka and his evolving sense of the injustices and disempowerment Māori experienced and his response to these.
This is a fascinating perspective of Parihaka. Author Danny Keenan has ancestral connections to Parihaka and the interviews he did with descendants whose oral histories of the injustices, shed a unique light on a history.
Today Bob Dylan won the prestigious Nobel Prize in Literature with the board honouring Dylan “for having created new poetic expressions within the great American song tradition.”
The news has been met with some criticism from some traditional writers who are angry with the decision to pick a songwriter over novelists and traditional poets. But the majority agree this is a well-earned honour.
Bob Dylan made his first studio recording in 1963 and has since released 37 studio albums alongside countless compilations of live and unreleased material. Dylan has been a keen student of American song styles with his work taking in folk, rock and roll, rockabilly, gospel, country and jazz.
He initially created Woody Guthrie styled topical protest songs instantly winning widespread acclaim and adoration. This earned him the title “voice of a generation” a description he balked at. By 1964 he had abandoned politics for more complex and surreal imagery. When he started integrating these with hard rock and roll he created a sound and style that could be the most influential in 20th century music.
A complex and enigmatic character, Dylan has always been prolific, amassing a huge backlog of unreleased live and studio recordings, with many surpassing the quality of his officially released catalogue. As they are slowly made available to the public it has become clear that Bob Dylan has created one of the most important bodies of work within popular music.
The Nobel Prize for Literature has often been a magnet for controversy, facing criticism for who it has chosen, who it has left out and where the prize recipients have come from. Through all this it has remained one of the most prestigious literary awards and the list of past recipients is a who’s who of the world’s greatest writers.
The astounding quality and impact of Bob Dylan’s work surely earns him the right to win this award.
Every year at around this time, the Man Booker Prize Long List is published. Thirteen new fiction books, each and every one selected to push you to your limits as a reader. All with engaging titles and eye-catching covers that scream out Pick Me! Read Me!
The long list is for the real die-hards, here’s what I fancy this year:
The Many – Wyl Menmuir’s novel is my top choice because it is by a first time author who had just completed a creative writing course when he wrote the book, and it was written from a campervan on the Cornish coast. It is seriously the underdog entry.
Hot Milk – Deborah Levy. I cannot wait to read this. It explores the cross over between a daughter’s over-developed sense of responsibility towards her mother, and her need to take risks and live her own life. And I love the cover.
Serious Sweet – A.L. Kennedy’s Serious Sweet sounds like just my kind of book: two characters (with all the first world flaws we know and love) find one another in London. He’s a ‘bankrupt accountant’, she’s ‘shakily sober’. Together they do their best in a world intent on doing its worst.
The Schooldays of Jesus –J.M. Coetzee. A South African-born writer who has already won the Booker prize twice. He’s the heavyweight of the list. This novel (a sequel to The Childhood of Jesus) is about growing up, parenting and life choices. It’s allegorical writing, so don’t read too much into the cover – chances are that’s not Jesus learning to pirouette at a dance school.
As I bash out this blog on the keyboard, I swear I can feel the sinking of the collective heart of all my book club ladies over the years. Long have they loathed my Man Booker choices. When pushed they will give me the ‘too’ list: Too weird, too literary, too boring, too obscure, too depressing. “Nonsense” I retaliate, “Man Up”!
The long list has a short life span. Soon it will be culled from this baker’s dozen, to the six of the short list and finally down to the eventual winner. And at least a couple of these lovelies are sure to make it into a book group near you!
It’s more exciting than rugby. No really, I’m not kidding, it is!