The Orange Chair: “Women and Money”

Girls Just Want To Have Fund$Whether you fastidiously check your internet banking after every purchase so that $3.99 doesn’t go unaccounted for, or simply plonk everything on your plastic, secure in the knowledge that it will all be affordable somehow, money is an ever-present concern for all of us, as evidenced by the boundless popularity of books centred on financial advice.

As part of the series of “Orange Chair” public conversations being held at Parklands Library – Te Kete Wānanga o Waitikiri, one such financial advisor and author, Sheryl Sutherland, will be seating herself in the famous hot seat next week at 6:00pm on Wednesday 30th October to share her wisdom.

Sheryl’s background is very impressive, with three books on financial success under her belt and over three decades’ experience in financial planning. She is especially committed to helping women better manage their money and investments in what is often a male-dominated world, so this particular Orange Chair is a must-attend for any woman looking to better balance her budget.

But what, there’s more! Call (03) 941-7923 now to secure your place (numbers are limited) and you’ll go in the draw to win of two prize packs, each consisting of Sheryl’s three books, which will get you started down the road to freedom from debt and empower you to make wise investments.
Smart MoneyMoney, Money, Money, Ain't it funny

FESTA’s Canterbury Tales: Better living through puppetry

The Canterbury Tales, by Geoffrey ChaucerOf weeping and wailing, care and other sorrow

I know enough, at eventide and morrow.
The Merchant, The Canterbury Tales

In a figurative sense, shoulders play an important role in our lives, with most of us at one point or another providing a shoulder on which to cry, or to lean. In more than one instance I have shouldered the blame and the burden, not to mention given out my fair share of cold shoulders and, on rare occasions, I have been known to put my shoulder to the grind.

It is only recently that I have taken on the role of a literal shoulder, which I will be doing this Labour Weekend as part of FESTA, the Festival of Transitional Architecture, which runs from 25th-28th October. FESTA is entering into its second year of making life in earthquake-damaged Christchurch exciting and vibrant by showcasing a wide variety of creative projects, with last year’s launch attracting 30,000 people back into the heart of a broken city still finding its bearings.

2012’s LUXCITY wowed residents and visitors alike with its wondrous light installations, and the centrepiece for 2013 also looks set to set many jaws agape in amazement. In an appropriately-appropriated re-telling of Geoffrey Chaucer’s The Canterbury Tales, an epicly-sized representation of The Merchant, who will be controlled by nine puppeteers, flanked by a handful of less-epic-but-still-very-impressive friars, will lead an eye-popping procession through the city, beginning at the Bridge of Remembrance and finishing in the Square. And yours truly will be playing the role of The Merchant’s right shoulder, lest you thought my introduction was mere padding.

The details are far too delicious to divulge, but in my rehearsal with the Free Theatre team I have been getting to grips with the fine art of replicating lust, resignation, and frustration via the medium of a bamboo pole attached to a billowy shoulder, which ranks high in the list of sentences I never imagined I’d type.

Getting FESTA puppets ready Getting FESTA puppets ready Getting FESTA puppets ready

The Canterbury Tales procession will be in full swing on the evenings of Saturday 26th and Sunday 27th October from 8:30pm onwards. We entreat you all to don your best carnival costumes, bring a tambourine or some maracas, and join in the festivities to help us cast off the recent years of weeping, wailing, and other sorrow.

In the meantime, please enjoy the following:

Getting FESTA puppets ready

Unknown Superiors: Erewhon Calling – Experimental Sound in New Zealand

Even to lifelong natives of one race or another, New Zealand is often summed up in one word: boring. The long white cloud of our original name seems in the 21st century to consist of ennui, repression, angst and mundane order coupled with rigid expectations and an ingrained fear of singularity.

Aside from technological advances, some loosening of morals and the allowance of more wiggle room in sexual politics, there is little difference between modern New Zealand and the country Bill Pearson was writing about sixty years ago when he argued that being different = trying to be superior.

So may the heavens smile upon the random eccentrics who buck the trend and spend their time fashioning flame-powered pipe organs, or learning how to press records with Frankenstein-ed washing machine parts, or utilising the power of the sun to make a robot play guitar. In Erewhon Calling – Experimental Sound in New Zealand, Bruce Russell has compiled a vibrant celebration of the “antipodean misfits and malcontents” who devote their hands, hearts and ears to staying as far away from the oeuvre of The Exponents as is humanly conceivable.

In an expected esoteric fashion, this collection derives its title from Samuel Butler’s satirical novel Erewhon, in which the eponymous fantasy land is, as Russell retells it, “defended…by stone sound sculptures which make such ‘hideous noises’ that…’however brave a man might be, he could never stand such a concert.’ ” An almost-reversal of “nowhere,” Butler’s novel allegedly satirises blandly-Victorian principles (I barely made it fifty pages in so I’m inclined to take the internet’s word for it), and by merging Butler’s title with that of The Clash’s classic album London Calling, Russell nails the spirit of these brilliant weirdoes.

Although perhaps brilliance is too light a term for these unknown superiors, such as Alastair Galbraith and his eight note fire organ that harnesses the power of bunsen burners to produce distinct notes. Also to be found within these pages is the ingenuity of Geraldine’s Peter King and his lathe cut approach to record pressing, for which he uses a home-made machine cobbled together from washing machine parts in a process so unique, it has attracted the attention of such far-flung artists as Beastie Boys and Pavement.

Even Christchurch City Libraries’ own Adam Willetts earns a spot for his experiments with solar-powered robots (or ‘solarbots’), which were given the ability to make music on an electric guitar in order to transform the live performer into the furniture itself.

So for those of you feel like celebrating New Zealand Music Month by leaning on the more intriguing side of things, Erewhon Calling should provide you with a great starting point (I’d also recommend Russell’s Left-handed Blows – Writing on Sound 1993-2009), plus be sure to join us at New Brighton Library on Saturday 25 May as Adam performs with his home-made modular synthesisers and takes us on a musical journey which promises to be anything but boring.