I really like going to the movies, but often the actors ruin it for me. Maybe that’s why silent films appeal – the actors don’t speak, and I can project onto them. Also the outfits are often really good. So it was with great pleasure that I happened on Silent Movies : the birth of film and the triumph of movie culture, a stunning new collection of essays and images on the beginnings of the film industry.
Silent film wasn’t all damsels tied to train tracks. This book demonstrates the variety of work that was being created. Such a new medium naturally lent itself to considerable experimentation. The book pays homage to the work of art directors, cinematographers and directors and is lavishly illustrated with stills, promo materials and posters from the Library of Congress’s memorabilia collection. The cover photo for example of Clara Bow is beautiful.
If you are already schooled in the history of cinema, this may not offer any new information, but it does provide a nice condensed examination of the international film industry from 1893 to 1927. What I am most impressed about is the coverage of the industry outside the U.S. Author Peter Kobel examines genres such as horror, westerns and comedy. Apparently interest in the preservation of silent films has increased in recent years. Director Martin Scorsese is a big advocate for tracking down and restoring what is lost (he writes the foreword for this book). Continue reading
It may not be common knowledge amongst the general populace but librarians love a nice morning tea and what could be more fitting in preparation for celebrating our national day, than indulging in a little food nostalgia?
- Home made : stories and recipes from New Zealand stove tops – A collection of New Zealanders’ family recipes and stories behind them as passed down through the generations. Includes historic photos and images of the recipes. They have thought of everything, including a pocket at the back for you to add your own favourite family specialties.
- Ladies a plate : traditional home baking – Johnston is a dedicated home baker herself, and has searched through hundreds of manuscripts and community cookbooks from the early to mid twentieth century. She tested the recipes herself to find the best version of some of our well known favourites. This is a pretty good looking book, with lots of recipes and historical material.
- The Edmonds cookery book – Keep it “old school” with this 1914 edition of the beloved cookbook which is now available online. The cinnamon scones sound nice but I might pass on the tongue omelet, just quietly.
- First catch your weka : A story of New Zealand cooking – In which author David Veart investigates just how our Kiwi “style” of cuisine came into existence (no wekas were harmed in the production of the book).
And if all that isn’t enough to have you dreaming of lamingtons over the long weekend then check out our page on iconic Kiwi foods. Dig in!
This morning I read that Meryl Streep is to play librarian Vicki Myron in the film version of Dewey : a small-town library cat who touched the world. If you are not familiar with the story, Dewey Readmore Books was a gingernut cat found stuffed into the return slot of the Spencer Public Library in Iowa. Luckily Dewey was found by Myron and spent the rest of his nineteen years at the library, where he charmed visitors and contributed to a healthy community spirit.
I haven’t read the book, but the story got me thinking about animals at Christmas. It’s well documented that the holiday season can be an especially bad time of year for pets. Abandoned pets turn up regularly at animal shelters, as that cute Christmas kitten grows into a curtain-ripping monster.
Adopting a pet can be a huge decision. If you are thinking of adopting a pet this Christmas, or giving one as a gift, there are some good resources around for helping you make the choice. The December issue of Pet New Zealand has a guide to help you make the right pet choice for you and your family.
If you do decide to adopt, Christchurch City Libraries has plenty of books on petcare, and links to many petcare websites on our Internet Gateway.
Between 1968 and 1972, nine American spacecraft voyaged to the Moon and 12 men walked upon its surface. These twelve are still the only human beings to have stood on the Moon. Earlier this year, I watched the excellent documentary In the Shadow of the Moon, a film that brings together the surviving crew members from the Apollo missions and allows them to tell their story. Unfortunately the reclusive Neil Armstrong is absent, but the amusing anecdotes told by his friends give great insight into his character (he comes across as a pretty cool guy). I strongly recommend this movie (which you can rent from Alice in Videoland). The “rarely seen footage” is beautiful and compelling. The astronauts are all refreshingly down to earth, and I found it interesting how their experience in space shaped their personal philosophies. The danger of the early missions was really brought home to me – amazing to think what they achieved with such limited technology.
Seeing the movie sparked my interest in all things lunar, especially the intriguing Armstrong. Although I was initially put off by the words “authorised biography” (yawn), I read James Hanson’s First Man : the life of Neil A. Armstrong and was happily surprised. The book is well researched, with great detail and I learned a lot about the man. Armstrong also features in Moon Dust : in search of the men who fell to earth, Andrew Smith’s attempt to track down and interview the moonwalkers. His tales present a rather darker view of the moon experience, but is very entertaining.
One thing In the Shadow of the Moon doesn’t dwell on are the politics behind the Apollo voyages. The Soviet- U.S. space race reflected the political climate of the 50s and 60s, when both nations were wanting to establish themselves as superpowers. The book Dark Side of the Moon explores how the American government seized on the moon flights as a way of boosting public morale after World War II. Again, it is a worthwhile read.
Hounded by authorities because of taxes, left-leaning politics and a liking for young ladies, the once adored comic Charlie Chaplin split the United States in 1952. On his last day in the country, he finally consented to his portrait being taken by the noted fashion photographer Richard Avedon. Avedon had been keen to take Chaplin’s photo for many years, but the actor continually declined. After a full day’s shooting, Chaplin gave Avedon the perfect, spontaneous photo. Head down, fingers aside his head like devil horns, he grins at the camera. It’s an unforgettable image, both humourous and political. Chaplin’s goodbye to the States is one of the most memorable in Performance, a new collection of Avedon portraits. The subjects are all leading performance artists, and while you may recognise the names, many of these images have never been published before. Avedon had an ability to really capture the vitality of his subjects, and these photographs all possess a charming lack of inhibition.
The Avedon book has really fancy packaging and will look great laying on your coffee table for a couple of weeks. Indeed, big, glossy photography books abound at the moment. The other one I’m poring over is Vanity Fair the portraits : a century of iconic images. Vanity Fair has a well established reputation as a stylish chronicle of society, so this celebration of their most famous sitters was always going to be good. Considerable thought has gone into the juxtaposition of the images and the result makes leafing through the pages more thought provoking. I especially liked the placing of covergirl Kate Moss, gorgeous in a Marlene Dietrich style tuxedo, facing a page with a photo of La Dietrich herself.
Those of you in Auckland and Wellington are lucky to have the chance to see Beach House this weekend. I’ve been listening to the second album from this Baltimore band a lot over the past week and it has quickly become one of my favourites. Victoria Legrand and Alex Scally create lush, dreamy pop just perfect for wintry nights. Of course I like my pop to sound from another time, and Beach House make their keyboards, fuzzy guitars and harpsichords sound other-worldly. Legrand’s vocals are warm and hazy at times reminiscent of Nico, at others a drugged Debbie Harry. The lyrical subject matter is the stuff of all good pop – romance, unrequited love, lonesomeness, etc. The result is an assured and fully realised sound, which I think you will like if you are a fan of Cat Power or Isobel Campbell. Incidentally, Legrand is the niece of Michel Legrand, the composer of many a hallucinogenic French film soundtrack. Maybe it is something in the genes. Continue reading
In local music awards news, the APRA Silver Scroll Awards top twenty has been announced. The award celebrates songwriting across musical genres. APRA (Australasian Performing Right Association) members vote, and the five finalists will be announced mid August. The winner will be presented the Silver Scroll Award on 10 September 2008.
Among the candidates are Bright Grey by The Phoenix Foundation, Dreams in my Head by Anika Moa, Tane Mahuta by The Ruby Suns and Gather to the Chapel by Liam Finn.
Visit the APRA website to view the contenders, read the lyrics and listen to the songs.
Elizabeth Cotten’s unique style made her one of the most original guitar players in the history of American folk music. Like many great blues musicians, she was unknown until fate intervened and she was “discovered” while working as a maid at the home of famed ethnomusicologists the Seegers. They recorded her and in 1957, at the age of 62, she released her debut album. Her distinctive guitar playing attracted great interest and she developed a following amongst the folk revivalists of the fifties and sixties. Her idiosyncratic left-handed technique (dubbed “Cotten picking”) developed out of necessity; unable to afford a guitar, she secretly used her brother’s, not-restringing but playing it upside down. Thus, she formed her way of playing the bass lines with her fingers and the treble strings with her thumb. The result is a fluid and lyrical style.
Cotten’s classic albums were re-released on the Smithsonian Folkways label a couple of years ago, including her debut Freight Train and Other North Carolina Folk Songs and Tunes. Freight Train is probably her most famous tune (she wrote it when she was twelve years old but it wasn’t a hit for fifty years or so). Shake Sugaree features a great version of the title track sung by her twelve year old granddaughter.
The folk revival generated a lot of interest in Cotten. She became an increasingly popular performer, writing and recording new material, yet she didn’t retire from domestic work until 1970. The Smithsonian Institute recognised her as a “living treasure” and she received a Grammy Award in 1985.
Smithsonian Folkways have consistently been providing good introductions to their exhaustive catalogue of sound recordings. Elizabeth Cotten also appears on the American Roots Collection compilation and another good entry level collection is the Friends of Old Time Music box set. It is well worth taking a visit to the Folkways website, they have great background information on their artists and you can sample lots of tracks. If you are intrigued by Elizabeth Cotten, read this 2005 article from The Listener.
Some fine looking new art books have arrived in the library recently. My favourite is probably a weighty tome on the Mexican artist Gabriel Orozco. The artist has a prolific and varied practice making sculpture, painting, photography and video. This book features significant works since the 1980s, and Orozco’s output is so varied I find it hard to describe. Certainly the everyday object is crucial to his work; he twists the known into something playful and imaginative. Fortunately the essays and interview within provide a lot of insight. If you want to become familiar with Orozco before placing a hold on this book, take a look at the site for the very good PBS series Art 21 in which he features.
Local artists are providing some goodies as well. Nightingale features the evocative watercolours of Christchurch artist Brenda Nightingale. The familiar painters’ subject matter of children, lakeside outings and lonely dogs are transformed into something haunting. The sketchy, blurry technique beautifully captures the ephemeral nature of these moments. There is also something a little eerie in the images, which somehow remind me of Lord of the Flies. Continue reading
Recently I saw Dead Time an exhibition by New Zealand photographer Ben Cauchi at the Christchurch Art Gallery. Cauchi uses 19th century photographic techniques to create spooky and evocative images. Most of the photos are ambrotypes and tintypes, so they exist as one offs. The end result is kind of creepy and reminds me a lot of spirit photography.
The Spiritualist movement began in the 1850s and was founded on the belief that the human spirit exists outside the body and that the living can communicate with the spirits of the dead. The most famous spiritualists were the Fox sisters, who were able to produce rapping noises from the furniture in their house. These rappings were said to come from spirits, in answer to questions put to them. As the Fox sisters fame spread, they inspired a host of imitators. However, Margaret Fox later admitted that she had produced the noises through manipulation of her joints. Continue reading