Once again, WORD Christchurch was fabulous. All the session I went to were thoroughly interesting and enjoyable, and reading all the fabulous write ups of other sessions caused some serious past-tense FOMO. My holds list has also got rather long…
However, I’ve also been thinking about some of the connections between different sessions. One very sparkly connection was Stacy Gregg‘s silver boots, another around leaving New Zealand – or not. At the very wonderful Mortification session Steve Braunias told a beautifully crafted story about giving a well-known politician fleas, but one of the points he made was about how he wasn’t particularly keen to do a big OE – he was settled in New Zealand. In Explosive Archaeology Brannavan Gnanalingam noted that Robin Hyde developed her career in New Zealand, rather than going overseas to do so. Sometimes it seems that some Kiwis have to go away to achieve in order to come back and be successful, but as these stories show that isn’t always the case. New Zealand is more than enough.
As we found out, when you are mortified you are very vulnerable – think inopportune periods, an inopportune goat in the buttocks, assorted inopportune number twos and buttocks exposed to the elements. I enjoyed hearing people talk about things in life that had not gone so well – we need to be open about our screw ups. Sex also makes us vulnerable. Sharing your wibbly bits with someone else is risky, as is showing your mum poems you’ve written which contain a lot of sex. Tayi Tibble was nervous showing her mum her more sexual poetry, but her mum was fine with it. Her risk paid off.
But, as Chris Henry reminds us, it really is ok to be vulnerable. Looking after our mental health is so very important, and reaching out to people and telling them how we feel is huge and so worthwhile. Chris demonstrates very well how you can be a hero and vulnerable. ‘We can make a life‘ not only covers family stories and the earthquakes, it also advocates for the amazing work that rural GPs do, which Chessie feels is sometimes under appreciated.
Advocacy came up again in Explosive Archaeology – in terms of making sure we are speaking about underappreciated artists and genres, and also in terms of making sure we are leaving doors open for those that come after us. When we succeed – who do we take with us? Who do we raise up?
I love events that make me think and WORD certainly did that. I’m going to make sure that I’m ok with my vulnerability, and that if I like something I tell people about it.
I like the WORD Christchurch Festival, and I’ve enjoyed telling you about it.