The iconic and legendary Pixies are well and truly back and we are giving away tickets for their Christchurch show on 9 March.
In 2014 they returned from a 23 year hiatus amid much anticipation with their comeback album Indie Cindy, which was met with thunderous applause & critical acclaim (…from myself, at least!) and if they’d stopped there I would’ve felt completely satisfied as a lifelong fan. Having waited since 1991 for an album of new material (Trompe le Monde), it’s clear that they’ve picked up right where they left off – melodic, lyrical, grunty, and with bucket loads of their signature explosiveness.
It’s now the early stages of 2017, they’ve got a new bass player (Paz Lenchantin), and I’m stoked to be readying myself to see them live right here in Christchurch, on Thursday, 9 March at Horncastle Arena, as they tour their latest album Head Carrier.
Released late last year, Head Carrier is yet another example of their signature sound and songwriting styles, and if you’ve never heard them before then this album is well worth a listen if you like bands such as The Stone Roses, Smashing Pumpkins, or even The Jesus & Mary Chain – another 1990s indie band due to make a comeback this year.
If you’re keen to win a double pass to the Christchurch Pixies show just answer the simple question on our competitions page.
If you are at all into thrillers, you have probably heard of this New York Times bestselling author of Orphan X and its sequel The Nowhere Man.
But did you know his skills extend way beyond the crime genre? He’s also a Shakespeare-tragedy scholar and a writer of comic books. Gregg will be interviewed by local crime reviewer Ken Strongman. After the talk, there will be an audience Q & A and book signing, with books available to purchase on the night. Book your tickets now.
Gregg has a contract for three more Orphan X novels, and Bradley Cooper’s production company has picked up the film rights. Gregg has experience writing for television, so he is on screenwriter duties for this movie adaptation.
I asked my Dad – who is thriller and crime buff – a few questions about Gregg:
You’ve read books by Gregg. Tell me a bit about them.
As mentioned I have read three of Gregg’s books over the past year. My first taste was Don’t Look Back about a year ago. A great story about a single mother on an adventure tour group to Mexico, concerns over being trapped by a dangerous predator and secrets wanting to get safely back home to her son. Great “edge of the seat” stuff to keep you glued to the pages.
I then noticed the highly acclaimed Orphan X which I read next a few weeks later. Evan Smoak is the man. Taken from a group home and trained in undercover operations it has more potential thrills, twist and turns you think you could handle. It is no surprise Bradley Cooper is signed up for the movie.
I was hooked by now, so read one more of Gregg’s books to confirm my theory. I read Tell no Lies in May of last year and this one was based in San Francisco, a counsellor with ex cons and suddenly anonymous threats from a killer. No rest again as the action is maintained.
He is bleeding good, one of my favourites.
What are the best things about his writing?
The joy of his books is the immense variety, realism yet excitingly dangerous and ever changing scenarios. Some people may only like to read them during the day as those noises from inside your house could be the precursor to something evil.
Are you keen to see him in person? What would you ask him?
If I happened to meet Greg my question would be how hard is it to switch from comic book to a serious badass thriller.
Wednesday marked the opening of what is one of the biggest events on the National Māori calendar. Eagerly awaited by thousands, this biennial event is the paramount event for Māori performing arts. An extravaganza of live performance and a bringing together of some of the best exponents and practitioners of the art form from across iwi and the motu.
Places at the Nationals are hotly contested within individual rohe. Top qualifying groups from each district make the National competition. The amount of work that goes into the stand of each group is immense. Original composition, choreography, vocal excellence, beauty and excellence in the language as well as physical fitness are all required.
Participation at this level also requires a mastery of a variety of art forms – from mōteatea to poi to haka and traditional weaponry. Hundreds of hours of relentless practice and commitment are required from members of groups that take months if not years in the preparation of what they will share with the mutitudes when they take the stage. The result is a feast for the senses and the soul, each group bringing the best they have. The best groups embody all the aspects of ihi, wana and wehi.
Various components of each set are judged and scored. Each set consists of waiata tira, mōteatea, whakaeke, waiata ā ringa, poi, haka and whakawātea. Individual items as well as other components such as excellence in the Reo, original composition, kākahu, kaitātaki tane and kaitāki wahine are all judged and scored to help decide the overall winner of each judged item and to decide the eventual overall winner.
Everyone has their own favourite kapa and star performers, the choreography that causes “ohhs ” and “aahhhs”, the brilliance of new original compositions. Te Matatini inspires excellence in all the performers, and has been known to spark many a conversation, ignite hapū, iwi and rohe pride. Occasionally results have been known to cause debate or some controversy, but one thing is for sure – Te Matatini never disappoints.
If you’d like to find out more, Te Matatini have their own website where you can find more in-depth information. Māori Television is live streaming and on offering on demand services to New Zealand, Australia and America. The Facebook pages of Te Kaea and Māori Television are offering up to the minute social media updates. Every group gets their moment in the spotlight with the top scorers in each pool qualifying for finals on Sunday (you can find a full programme here.)