When the WORD blog team put their hand up to cover different sessions at WORD Christchurch, I was fortunately alone in choosing both “The Storyteller” and “Black and Blue Storytelling” with Ivan E. Coyote. As the event continued and audiences enjoyed the stories, people kept coming back for more and more. By Sunday morning, “The Storyteller” session was sold out and WORD volunteers brought more chairs in.
Ivan hails from the Yukon, Canada and their stories are autobiographical, exploring family history and dynamics, gender identity, social justice and equality. At times self-deprecating, but with a good sprinkling of wit and humour so that the messages they are conveying are all the more powerful for being from personal experience. To deliver these messages in any other way, would perhaps come across as a lecture. Ivan has taken pains to point out that that is not their intention. In a Radio New Zealand interview Ivan explained that the medium they use is very traditional, whilst the subject matter is not. They write the story down and craft it before learning it, then once it is learnt, they are able to really tell it and tweak it and ad-lib for the audience. The result is a very natural, polished telling by a gifted raconteur.
Autobiographical storytelling requires a fine balance between truth and privacy. Ivan applies a strict set of criteria to their writing / telling. They ensure that the story is honouring and they thoroughly examine their own motivation in writing the story – for example are they trying to ensure that they have the last word? The essence of this is ensuring that they show compassion and that they “use their powers for good”. Ever since the sessions during WORD, I keep thinking what a great attitude and approach it is to aim to make everyone, even the most challenging person in the room comfortable and included. At the end of the day, why can’t we all just get along?
Ivan uses story to recount interactions with people with absolute attention to detail. “I’m not so much OCD but ATD – that’s attention to detail”. Through “Scars” we learnt a little about the mysterious world of a hand model, the map of childhood accidents and ultimately the effect of top surgery. This was moving for both the teller and the listeners. The humane telling elicits empathy, groans and sighs from the audience. On Sunday morning there was barely a dry eye in the room.
The session ended on a lighter note with Ivan telling a series of “literary doritos” short, bite-sized stories inspired by overheard snippets of conversation and a standing ovation.
I asked Ivan if they intended readers to read their collections in order, as it seemed that Missed Her was intended that way. Ivan said that it didn’t matter although the Tomboy Survival Guide would probably be better if it was read in order. You read it here first…
Christchurch Zinefest 2016 is happening on Sunday 18 September, 11am to 5pm at Space Academy / Kadett (371 St Asaph Street). I spoke to one of the Zinefest organisers, Alice Bush – a graphic design student at University of Canterbury. She’s been making zines for four years. As well as going to Christchurch Zinefests, Alice went to Wellington Zinefest last year.
Tips for Zinemakers
Don’t feel intimidated by what is out there already!
Start making, not worry too much about what you’re making. Know that it will be accepted in a community. I think that all zines are valid – no matter how hi-fi or lo-fi they are.
At the moment, I’m really into Riot grrrl feminist type stuff. What she said by UC Femsoc is a great feminist zine. Filmme Fatales from Melbourne is another great read.
I always love a good funny zine as well, batshit weird … I saw a zine in New York dissecting Home Depot as an art store. There was one at Wellington Zinefest called “Sock review”, which was pretty awesome.
I like zines because they can be anything that you want them to be, no matter how weird your idea is.
Zine culture in Christchurch
There is Zinefest once a year, but that’s about the only event we have at the moment. The zine culture has been laying low, and the Zine Library that was in the Darkroom disappeared last year. I’m trying to build up the culture a bit more, getting people involved and doing more stuff.
Space Academy has started having zine nights. The culture is there, but it is not as big as in Auckland and Wellington. It’s hard to do creative stuff in Christchurch when everything goes into rebuilding.
Zines and the Internet
People used to make fanzines and send them to their friends, now fan-culture has moved on to the internet and there’s not really any need for zines in that culture anymore. It’s interesting to see zines or digizines on sites like Issuu. It is for magazines, but I’ve seen tons of zines up there.
I’ve been reading this article by Bryce Galloway. He’s been involved in zines for a long time. In the early 2000s it started being closed off, and away from the outside world and the Australian and American zines. It’s good when people put their stuff up on the web, because then everyone can see it. You’re getting your work out there to everyone.
Zines and libraries
I visited the Wellington zine collection when I was there. Zines have always been away from the mainstream way of publishing, and it is interesting that they are now in that context of the library.
Zines have been made since the 1920s. They started with sci fi, fanzines, and poetry. I’ve been trying to track down things from that era, most of it is in America. So it’d be great if the zines we make now will last to influence and encourage aspiring zinemakers in the future. I’m all for archiving things and making sure that things last.
I remember it quite clearly. It was 1989*, I was 14, and TV had just got a third channel. My sister and I were watching the box when an ad for a new show came on. There was this guy with what looked like a gold banana clip wrapped round his face. We turned and looked at each other and burst out laughing!
That was the first I ever saw of Star Trek: the Next Generation. Not that I actually watched it. Oh no! It obviously was a show for total dorks. Not a girl like me trying desperately to be cool.
What would 14 year old me think of 41 year old me? Between then and now, I have to admit, I turned into a Trekkie. I like to think I’m not one of those super crazy Trekkies who wear Starfleet uniforms in public and know how to speak Klingon, but…. When Miss Missy was a baby and said “qapla” (that means “success” in Klingon, you know) I claimed that as an actual factual word, and even said it back to her whenever she did something clever.
I’ve planned family holidays to Wellington and Las Vegas around Star Trek exhibits and experiences. I own every available Trek movie and series from Enterprise to the Kelvin timeline reboot. I’ve even got Star Trek The Animated Series – but not the original series (that could be because I’m not a big fan of Captain Kirk, but actually it’s because I’ve never seen it for sale). And I do wear my Starfleet T-shirt in public.
See, the thing is, when I actually watched Star Trek a few years later, I discovered a show that is not only exciting sci-fi, but also funny, poignant, and thought provoking. My first exploration of the final frontier was Star Trek IV, The Voyage Home**, otherwise known as “The Whale Movie”. Funnily enough, this is the movie that doesn’t feature the Starship Enterprise, isn’t set in space, or the future, and doesn’t have Spock’s iconic pointy ears (as he spends most of the movie with a bandana round his head). What it is, is a lovable, funny, conservation parable, where the crew of the Enterprise (in a stolen Klingon Bird-of-prey) go back in time — to what was the present, but is now 30 years in the past (that’s as far back as Marty McFly goes in Back to the Future, you know!) — to rescue some whales in order to save the world, and the future.
It’s full of wonderful scenes like Chekov wondering round 1980s San Francisco looking for “nuclear wessels” with his Russian accent; Scotty trying to talk to a (now very old school) computer; Kirk getting the girl (as usual) and excusing Spock’s odd behaviour by mistakenly claiming that he had a bit too much “LDS” back in the ’60s. I recently watched it again, with The Young Lad, and enjoyed it just as much as I had when I first saw it on TV when I was 17.
After seeing the Voyage Home, I started watching The Next Generation now and then — until I became hooked when Jean Luc Picard (aka Patrick Stewart) was captured by the Borg. It turns out that resistance reallyis futile. Becoming a Trekkie was inevitable. Although I must say, you can call that thing Geordi La Forge wears a Visual Instrument and Sensory Organ Replacement (or VISOR) all you like, it still looks just like a banana clip to me!
Of course, my first contact with Star Trek in 1989 was nowhere near the beginning of the story. Before my generation of Trekkies, there were those who were captivated by The Original Series which first aired 50 years ago today on 8 September 1966.
The show had a hard time getting on air, with the first pilot being rejected because it was too cerebral, had a female character as second in command, and because Spock looked too demonic with his pointy ears and slanty eyebrows. Roddenberry wrote a new pilot (with a fist fight at the end) and recast Majel Barrett as Nurse Christine Chapel instead of Number One — but he refused to get rid of Spock. And thank goodness! Imagine what Star Trek (and pop-culture) would be like without Spock! No “Live long and prosper,” no Vulcan hand salute, no “The good of the many outweighs the good of the few.” Were those network executives out of their (non-Vulcan) minds?
Well, the show did make it to air, but it struggled to survive. It managed three seasons mainly thanks to a million-letter-strong writing campaign by the ever loyal fans. But then, even though it was cancelled, the world just refused to say goodbye to Star Trek. Because whatever the network execs said, the audience found it inspirational.
When I was nine years old Star Trek came on. I looked at it and I went screaming through the house, ‘Come here, mum, everybody, come quick, come quick, there’s a black lady on television and she ain’t no maid!’ I knew right then and there I could be anything I wanted to be.
And so here we are, fifty years later, celebrating the anniversary of a franchise that totals (to date) six TV series and 13 movies, and all manner of spinoffs.
Now I can’t bring you anything as exciting as a make-up collection, or a collectors edition Barbie doll. Or something as weird as an inflight Spock bag. But I wanted to do something special to mark the occasion. I made a Star Trek book list not that long ago, so this time I decided to trawl through all our Sci-fi and movie magazines for all the best Trek bits on offer. Well, I’m not usually much of a magazine junkie, but I’ve thoroughly enjoyed discovering the wonders of PressReader and Zinio, which can bring you magazines on the go on your smart phone or tablet — the PressReader app will even tell you when the latest issue of your favourite mags are available. And I’ve realised just how easy it is to place a hold on the right issue of a magazine. And so, without further ado, I present to you:
Missbeecrafty’s Star Trek Magazine Round-up
SciFi Now Timewarp Collection, Volume One: A guide to the first six Trek movies, with some interesting ‘did you knows’ and a guide to The Next Generation. Interestingly, only one of my favourite episodes made it onto their Best list (Chain of Command), and another favourite (I, Borg) is on their Worst list. I would definitely add Measure of a Man and The Outcast to the Best list!
SFX, Issue 270, March 2016: The anniversary issue, sporting a fetching but anachronistic red cover and command emblem. Interviews with William Shatner (James Kirk), Jonathan Frakes (Will Riker), Robert Picardo (The Doctor), and Brannan Braga (writer and producer). Also a 52 year, logical temporal anomaly of a 50 year timeline.
SFX, Issue 275, Summer 2016: An interview with Brent Spiner, which is actually about Independence Day, but I did like his idea of Tilda Swinton playing a Soong-type android.
Empire, Issue 326, August 2016: Another anniversary edition. This one is a 58 page mag-within-a mag ram-packed with Trek-ness. Some wonderful photos from the CBS archives; my favourite is Anson Williams (aka Potsie from Happy Days) chatting with Seven of Nine. I never knew he grew up to be a director! Did you know Christian Slater, Famke Janssen and Kirsten Dunst all starred in Star Trek? Check out Before They Were Famous to find out who else! Celebrate Redshirts, and finally, test your knowledge with the 50 years, 50 points quiz.
SciFiNow, Issue 105 2015: A touching tribute to Leonard Nimoy
SciFiNow, Issue 119 2016: Part 1 of a timeline which includes info about voyages that never made it to the screen. (Sorry, I didn’t manage to track down part 2 in time to include it in this list).
Total Film, Issue 248, August 2016: The making of Star Trek Beyond and another timeline. This one is worth mentioning because it includes Galaxy Quest (“the greatest Star Trek film that isn’t”). It’s wonderful to know that Patrick Stewart loved it, and laughed longer and louder than anyone in the cinema!
And there you have it folks. Live long, and prosper!
*The nitpickers among you may know that Star Trek: the Next Generation originally aired in 1987, but that was in America of course, and this was a loooooong time before anyone invented “same week as the US” TV!