Photographer Laurence Aberhart‘s latest work is ANZAC, a collection of 70 photographs of NZ and Australian war memorials. Laurence, Jock Phillips (who wrote the introduction to ANZAC) and Christchurch Art Gallery director Jenny Harper discussed the evolving relationship between the community and its war memorials, the changing attitudes to the memorials between the First and Second World Wars and individual monuments and sculptors as part of the WORD Christchurch Writers and Readers Festival. The relationship between the community and its memorials was a constant theme of the discussion and in a broader way, Laurence’s book. Jock said they “made claims to be timeless monuments…[but] the way they are treated and meanings they have change dramatically over time.” When they were erected there was an “intense relationship between the community and the memorial”, but over time they fell into disrepair as communities developed and moved around them. Laurence said that the disappearance of some memorials showed that “nothing is permanent. It can all go in an instant.” Jock explained that all local memorials to World War One were community funded and there was a tension between wanting to create something meaningful and sombre and wanting to create something useful in memory of the fallen. After World War Two, the government offered a subsidy for memorials that also served a practical purpose, hence the proliferation of War Memorial community halls, swimming pools and play grounds.
Laurence illustrated the session with beautiful photographs from ANZAC illustrating some of the more remarkable war memorials including:
- A solitary solider standing guard over the now vanished hamlet of Rongahere.
- The Mercer solider standing atop a turret of a 1860’s Land Wars gun ship.
- Robert Hosie’s lone soldier standing on Otago Peninsula looking out on the Pacific.
- Christchurch sculptor William Trethewey’s Kaiapoi war memorial is considered one of the best, and attendees were encouraged to visit it. Trethewey, one of the few New Zealand memorial scupltors, also designed the Cenotaph in Cathedral Square and the Captain Cook statue in Victoria Square.
The session closed with a quote that appears on several war memorials:
“From little towns in a far land we came, To save our honour and a world aflame. By little towns in a far land we sleep, And trust the world we won for you to keep.” Rudyard Kipling
- Read more WORD Christchurch Writers and Readers Festival posts
- Read our 39 quick interviews with festival guests
- Our page on WORD Christchurch
- Our page on Anzac Day
- Our images of memorials and statues