Being lucky enough to have some sneak peeks before the opening night of Plum, The Court Theatre’s new play, has really got me giddying up at the prospect of actually seeing it.
At the photo call in the Heritage Hotel this week, Laura Hill (the Muse) channelled Wallis Simpson (only younger and much prettier) with a touch of Dita von Teese and was unbelievably at ease while being photographed. Perhaps they have classes at drama school in how to obey instantly when asked for the “1940s off to the future” look.
Colin McPhillamy (Plum) was resplendent in a specially commissioned cardigan featuring every Arran pattern known to an expert knitter. He had taken one for the team in having his normally full head of hair shaved to resemble P. G. Wodehouse’s less well-covered pate, while Laura Hill’s brunette look called forth the question “who’s in charge of the wig”?
And I cannot resist sharing the set model which is made, to scale, before each show so the set construction team, props and tech departments know what to expect when it comes time to build, install and light. Do they keep them all and if they do can I see them? All of them?
Plum is a world premiere set at the most critical time of P. G. Wodehouse‘s life. The man who set off to be interned with a copy of Shakespeare, a pair of pyjamas and a mutton chop was accused of lending “his services to the German propaganda machine” and he never returned to England for the rest of his long life.
It’s going to be quite the combination of script, actors, costumes and set. I can’t wait.