See the film, then read the book

 "War Horse" book coverPrior to the quakes of recent months, my social life included an occasional visit to the cinema. With the demise of the Arts Centre cinema, which was my frequent haunt, and a reluctance to enter cinemas in shopping malls without sussing out where ALL the escape routes are (a particular behavioural trait which previously I had displayed only when flying …),  I found I was watching a good deal of films in DVD format at home. Nothing wrong with this except my perceived lack of  ‘a sense of occasion’ which cinema visits had previously inspired in me.

However, this all changed when the trailer for War Horse appeared on my small screen. Suddenly the TV and my lounge were too small for such an epic story… And what a story! Imagine  a combination of Gone with the wind for wonderful technicolour processes; a plethora of  Lassie films for pathos; and a similar storytelling format to  Black Beauty, whereby a succession of characters are introduced through the short snatches of time they spend with Joey, aka ‘War Horse’, in a truly unsettling period of history.

My background knowledge of the use of horses in war, and especially during the 1st World War, was admittedly sketchy, but for all the graphic and mental horrors of this period in history, I felt the film’s editing was first rate – the futility and carnage of battle was left to the viewer’s imagination (my runaway ‘fertile’ imagination notwithstanding). Now I am going to read the book. As a general rule of thumb books come first followed by film adaptations, but not this time…

Anyone else admit to being influenced by the film first before embarking on the novel?

If so, check out our listings of Books that have been made into films and television. (For those movies that are yet to be released try Read the book – then see the film.)

One thought on “See the film, then read the book

  1. Vanessaccl 27 February 2012 / 9:06 am

    Hi Karen, I have definitely been influenced by films to read books – I probably would never otherwise have picked up The English Patient or The Constant Gardener. The first in particular has become one of my favourite books, because of its beautiful language – something that I couldn’t have appreciated in the film.

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