Lyrical writing saw influential indie songwriter Kristin Hersh of Throwing Muses in conversation with Aldous aka Hannah Harding, local folk musician. Chaired by Rachel Morton, station manager of RDU, was the chair.
And this WAS a good session. It was raw and intense, and I will only be able to hint at how intimate it was, and how deep it went.
Kristin Hersh’s favourite piece of writing is an article about cockroaches. Hannah picks the last six pages of The Outsider “no fullstops, one blubbering eulogy”:
You don’t need God, you don’t need a lover, you don’t need children …
Hannah Harding: Lyrical writing
At which point Kristin says:
You don’t need, but it’s still a gameboard.
I don’t write songs about things. I feel under the auspices of the songs … they make their own collage from bits and pieces. I’ve liced pieces of it, the images … I don’t find out what a song is about until it kicks in. … Songs don’t knock me on the head and trick me to write them anymore … songs are a pulsing will.
I am going to help people escape from lives they don’t want to live … It’s a way to justify my anxieties as an art.
A safe place?
The two talked about anxiety (Hannah) and PTSD (Kristin), dreams, archetypes, the enormous emotional vocabulary of children.
Hannah feels when she performs as Aldous she is “genuinely walking in another’s shoes”. Kristin talked about performing with makeup and beer as her only weapons, and she told a devastating story that had everyone in tears:
All crying. Kristin Hersh got note from drug addict “I am going to kill myself tomorrow but you bought beauty in my life.” #wordchch — ChChCityLibraries (@ChristchurchLib) August 31, 2014
Kristin Hersh and Hannah Harding: Lyrical writing
When ideas come
4am. Your Ghost was written mostly on Scottish whiskey.
It always starts out as a poem. I do see it as a project and I want it to be influential and I want people to resonate with it.