William Dalrymple was definitely one of the hits of the 2013 Auckland Writers and Readers Festival, indicated by unseemly shoving at his session in the big room and a plaintive cry of  “if anyone has a spare ticket I’ll buy it” outside a smaller venue.

Cover: In XanaduAlthough he abandoned travel writing some years ago, he devoted a session to reading from his travel books, and as he said, he still travels for his work. Does getting shot at count as armchair travelling?

Dalrymple read first from In Xanadu, his first book; “a young man’s book” and one with some “hugely embarrassing bits”. In it he follows the path of Marco Polo from the Holy Sepulchre to Xanadu.

City of Djinns was next up. It’s about Delhi, a centre of refinement and manners in the culture of India, but a world split in two by Partition.

From the Holy Mountain is about another world that is disappearing: the world of the Christians of the Middle East.  They survived centuries of Islamic expansion, but now huge emigrations have seen them all but disappear from the lands they lived in for generations.

Cover: Nine Lives Nine Lives is his last travel book to date, and one he is not in at all, apart from a little bit of setting up. It attempts to describe the different Eastern religions, a subject more misrepresented by Western writers than any other.

For Dalrymple the worst thing a travel writer can do is the same thing over and over again. I don’t think he’s in any danger, but he did say he could re-write From the Holy Mountain in the light of what has happened to the Christians of the Middle East.

So who are the travel writers he rates?

Cover: Blueprints for a Barbed Wire CanoeWayne Macauley was one of my festival discoveries at the 2013 Auckland Writers and Readers Festival. I read  Blueprints for a Barbed-Wire Canoe  in preparation for attending his session (now that’s conscientious festival-going). It reminded me of Colm Tóibín and for me there can be no higher praise. They don’t share subject matter or style, but they both manage to be spellbinding without being showy.

Blueprints is Macauley’s first novel. In it the suburban dream of owning your own home goes very wrong very quickly. Macauley’s description of the physical decay of a model housing estate resonated very strongly with me, in my second year of living in the east of Christchurch.

It’s on Year 12 reading lists in Australia, which is great if you want the kids to read an exemplary prose stylist, but could be a fail if you want them to aspire to home ownership in the suburbs.

Year 12 is when Macauley’s own life changed; a ‘drop-dead gorgeous’ teacher got the class to read Joyce, Hamlet, Voss and The Waste Land. Now his work may be changing the lives of the kids who read him.

In his sessions at Auckland Writers and Readers Festival, it became evident that Macauley is a deep thinker, looking at things most of us take for granted and taking our ideas about them just a little bit further.

In Blueprints for a Barbed-Wire Canoe it’s the suburban dream. In The Cook it’s the service industry and the jobs that have replaced manufacturing. Is this good? In Caravan Story it’s the desirability of the arts in society. How many writers and artists do we need?

It’s a big ask for a reader to question things more deeply than they would in an ordinary narrative. But in the hands of a writer as skilled as Macauley it’s a very rewarding undertaking. The man has written an entire book without using one comma.

Cover: From the Ruins of EmpireOne of the very best things about writers and readers festivals is discovering writers you haven’t read. I’ve mooched along to sessions just to fill in an hour and found authors I now regard as must-reads; Denise Mina and Geoff Dyer spring immediately to mind.

Pankaj Mishra was a discovery at  Auckland Writers and Readers Festival 2013. He sounded far too intellectual to mooch along to, but he was fascinating on the radio and he came highly recommended so I went to his session in an alert and mindful manner.

The Economist  called his latest book,  From the Ruins of Empire, “subtle, erudite and entertaining”, and The Wall Street Journal it “thoroughly readable”.

Entertaining and readable. Promising. Subtle and erudite. A bit daunting.

From the Ruins of Empire rethinks the way we understand Asia by telling  the story of the men who met the aggression and challenge of the West over a period of two hundred years,  creating the ideas that have built the powerful Asian nations of the 21st Century.

As Mishra talked about beginning the book  with the Battle of Tsushima I knew I was going to learn something in this session because I had never heard of the Battle of Tsushima.  But that was ok because according to Mishra most of the figures in From the Ruins of Empire are unfamiliar.

Mishra’s story about empire is “not the one that was on parade during the war on terror”. He thinks the histories that show empire as a wonderful thing are fraudulent but acknowledges their ideas have a real force.  He would like us to stop, look and ask “are these histories true?”

If we step back and consider the longer histories of the Islamic countries of Asia even familiar events start to look very different. We have to ask the hard questions of commentators and journalists – what does the ‘rise of Asia’ mean?

Definitely more questions than answers, but I certainly came away examining lots of things I thought I knew, which can’t be bad.

Search catalogueThe final session of the 2013 Auckland Readers and Writers Festival celebrated the life and work of poet, novelist, writer, teacher, academic and artist, Albert Wendt. Robert Sullivan spoke to this gifted and charismatic author who received a warm reception from his attentive audience.

Albert Wendt has been fundamental in shaping the contemporary literature of the Pacific. In his work he confronts racism in New Zealand, speaks openly about the effects of colonial upheaval on his people and incorporates Samoan storytelling and rhythms of language into Western form. He says his novels have to work when he reads them aloud. If they don’t work, he rewrites.

His novel Sons for the Return Home, the story of a Samoan man and his Western girlfriend, was written forty years ago and has become a seminal text. Leaves of the Banyan Tree took the author over 15 years to write and has been well received around the world. His poetry is some of the most engaging and memorable work produced in this country.

Wendt is a very visual writer. When he spoke, he told us of the black beauty of the lava beds of Samoa, the sun setting over  a circle of white stones where the two oceans meet, and the black star shape of the flying fox bat as it sails overhead. It is no surprise he’s turned to painting in recent years. He says, ‘I love the tactile feeling of the paint. I can get into the zone and stay there.’

Albert Wendt at AWRF 2013Witi Ihimaera, Bill Manhire and Selina Tusitala Marsh read excerpts from Wendt’s work and the audience was treated to performances by the author’s granddaughter, talented opera singer Isabella Moore, and by the Kila Kokonut Krew.

It was a wonderful and fitting end to the celebration of literature that has been AWRF 2013. In her conclusion, organiser Anne O’Brien said 13,000 people had attended the sessions this year which is a 25% increase on last year. She thanked Albert and his peers, the writers from New Zealand and around the world, who came and made the event so worthwhile, and the audience who engaged with the authors and supported the vision of New Zealand’s largest literary festival.

Plans are already underway for the Auckland Writers and Readers Festival 2014. Do try and get here if you can.

Search catalogueChristchurch: A Transitional City Part IV is that rather fabulous looking book bound in brown paper. It documents Christchurch’s transitional projects, street art, and pop-ups. Architectural designer Barnaby Bennett presented the session. I found it difficult, not because of anything lacking in him but because the session was really aimed at Aucklanders. As Barnaby observed: “You could put anyone from Christchurch up here and they could talk about it eloquently.”

There were a lot of questions and discussion on Christchurch “Crisischurch”: CERA, Christchurch City Council, Gerry Brownle, Ngai Tahu …

Barnaby showed slides of things like the Pallet Pavilion, the Think Differently book exchange (the fridge), street art featuring bandaids, and even our own Central Library Peterborough got a look in.

I thought Barnaby’s observation that “Temporary things stay much longer and start to inscribe patterns of behaviour” was a valid one. We have certainly seen that happening. He mentioned that “things go into a liquid state before they start freezing” and that these transitional things are “crystallising”.

A challenging session and one that brought out to me that all of New Zealand needs to get a clue about what is happening in Christchurch. As Barnaby said,  game playing in Auckland is based on what has been gotten away with in Christchurch.

He ended by saying:

Christchurch has brought out to me the lack of solidarity in New Zealand.

Red Dust Road by Jackie KayOne of the highlights of the Auckland Writers and Readers Festival 2013 for me has been discovering the work of British author Jackie Kay. How did I manage to live so long and not come across this woman? She is a multi-award winning poet, short story writer, memoirist and novelist. She writes for children. She’s also one of the most endearing, funny, exuberant people I have come across. When she walks in a room, the energy lifts. You can’t help but be drawn to her bright smile and her genuine warmth.

Jackie Kay’s writing contains the bittersweet wisdom of someone who’s faced big challenges in their life. She was born to a Scottish mother and a Nigerian father then adopted by a white couple with Communist Party affiliations. In 1960s Glasgow this was unusual to say the least. This, together with her candid sexuality, means she’s faced prejudice from many quarters. Throughout it all, she’s stood by what she believes in. Jackie Kay is one amazing woman.

Her latest collection of sJackie Kay at AWRF 2013hort stories, Reality, Reality is brilliant. You’ve just got to read it. I bought it off the stand at the Festival and wolfed it down. The title story introduces a woman who performs daily cook-offs against imaginary competitors to the blinking red eye of her security alarm. At her session, Kay read from ‘Those are not my clothes’, a tragically funny story of an elderly woman in rest home. The author says she’s drawn to older women characters because their stories tend to disappear under the radar.

When I spoke to Jackie Kay, she told me she was on her way down to Christchurch on a kind of pilgrimage. Her adoptive parents met in Christchurch at the Coffee Pot above the Communist Party Bookshop. She was looking forward to finding the street they lived in which has apparently just been released from behind the Red Zone. In addition, her old neighbour from Glasgow is a psychologist and is now living in our fair city.

If you see Jackie, make her welcome. You’ll be very pleased you did.

Back to the land at CCLWhy is a Writer’s Festival like a box of chocolates? Because there’s something inside for everyone.

Today I saw Tony Murrell, from Radio Live’s garden programme, host a lively session with The Gardener magazine editor Lynda Hallinan and sustainable gardening writer Janet Luke. All three are highly regarded gardening experts. They’re passionate about plants and their enthusiasm was infectious. I’ve never seen the microphone passed to so many people so quickly. It seemed everyone in the audience had a question to ask or a comment to add.

Tony Murrell has noticed a huge resurgence in interest in growing food at home in recent years. He laments the fact that many of today’s gardeners have lost the skills needed to grow veges successfully and have to spend money on re-education, tools, catalogues, fertilisers, etc. This results in expensive crop of perpetual spinach, lettuce and tomatoes which people get bored with and ‘turn back into camellia hedging’.

His panelists disagree. “It’s not all about money, Tony,” said Janet. “You are such an Aucklander!”

Linda said, “Don’t spend anything! Don’t build raised beds, don’t hire a garden designer, don’t buy a tonne of compost. Just buy a spade, dig a hole and plant things.” She believes gardening journalism has made it sound difficult and it’s not. “It’s natural. Plants grow and produce fruit because they are fulfilling their biological function. People think it’s harder than it is.”

Some sustainable gardening tips:

  • Lasagne your compost heap
  • Pile fallen leaves into a black polythene bag, tie it off, punch a few holes in it and store behind your garden shed for a year. It makes great compost.
  • If your plants look great above the soil but have nothing beneath, your garden has too much nitrogen and not enough potassium.
  • Janet Luke and Lynda Hallinan at AWRF 2013Blue flowers attract bees. Plant rosemary and borage to help pollination.
  • Chop out the middle of your lemon tree and prune to a vase shape.
  • Avoid systemetic sprays – they hurt bees.

If you’d like to know more, visit your library and check out Linda Hallinan’s Back to the land and Janet Luke’s Green Urban Living. They’ll give you plenty of helpful advice on how to get your garden doing what comes naturally.

The End of Mr Y at CCLScarlett Thomas teaches Creative Writing at Kent University in England.  She has written eight novels including Our Tragic Universe and The End of Mr Y which was longlisted for the Orange Prize.

Who better to write a book about how to write?

Her latest work, Monkeys with Typewriters, is a guide to creative writing and contains Scarlett Thomas’ best advice. In conversation with Paula Morris, she said this is the book she wishes had been available when she started out.

The title comes from the Infinite Monkey Theorem which puts forward the proposition that a monkey, hitting keys at random on a typewriter for an infinite amount of time, could almost surely type the complete works of Shakespeare. Let’s just say it’s a long shot. According to Thomas there’s a one in 15 billion chance of a monkey typing the word banana, but this isn’t the point. The point is that it’s the words on the page that matter because they are the story. What was going on in the writer’s mind or life when s/he wrote them is irrelevant.

Scarlett Thomas at AWRF 2013A couple of writing tips:

1. Make the task seem manageable. The Hound of the Baskervilles is a short novel of 60,000 words. Break that down into 3,000 words a day and you’ve written a novel in 20 days – doesn’t seem so hard now, does it?

2. The only thing that drives characters are desires and objectives. Like people they act for a reason. Find the one key driver that is a superobjective for your character, it could be the need for comfort/control/balance/fame/popularity, and you have the beginnings of a believable character.

Some authors moan about the difficulties of being a writer. Thomas believes this is because they haven’t worked at Pizza Hut. Her advice for discontented writers? “Do some rubbish jobs so you appreciate how wonderful being a writer really is.”

The library has Max Rashbrooke’s book Inequality : a New Zealand crisis – and what we can do about it on order and it is due to be published in June.

The ARW site has this to say about the author.

Journalist Max Rashbrooke has written for national newspapers and magazines in Britain and New Zealand, including the Guardian, the National Business Review and the New Zealand Listener.  He was the recipient of the 2011 Bruce Jesson award.

Search catalogueIt would be fair to say that as a journalist writing about the growing gap between the rich and the poor and as a recipient of the 2011 Bruce Jesson award “given annually for critical, informed, analytical and creative journalism which will contribute to public debate”, that Max Rashbrooke would have a few tough things to say about the current state of affairs in New Zealand, and he certainly did, with Mark Sainsbury asking the questions. Max gave many statistics, for example the bottom 10 percent have had no increase in income in the past 30 years, at the top it has more than doubled.  Someone earning $14.80 per hour, which equals $490 a week after tax and after having paid for all essentials is left with $50 per week or $5 a day.

His belief is that inequality is not just an issue for those struggling with poverty but  that income gaps are corrosive for society as a whole. To back this up  his book contains interviews of people from all income levels and includes  essays from well-known researchers, who along with their analysis also provide solutions.

He made reference to Christchurch and suggested that we are experiencing inequality in the bucketloads, (not quite his words but that was the gist of it) which is either a good thing to hear as someone is acknowledging our issues, or a not so good thing because we really must be in a bad way!

The audience was right behind him, it was a free event and was jam-packed with good solid lefties.  People stood to ask questions that were ostensibly political speeches.  People cheered, it was like an old-time political rally with Mark Sainsbury conducting straw polls in his booming voice… “How many of you would pay higher taxes if it could help with the problem of inequality”? Every hand in the house went up, a biased audience yes, and depending on your political persuasion a result that is either comforting or downright nuts.  All in all a great free event and I am looking forward to the book.

Have a look at Max Rushbrooke’s Blog to read some of his articles.

IMG_07186pm on Sunday night and I am in my hotel room looking forward to the trip home tomorrow.  Auckland has been itself in that it has rained and shined, sometimes all at once. I have marvelled at all the people and the beautiful old stone buildings. The festival has been a whirlwind of facts, figures, stories, discussions, a bit of famous author watching and endless cups of coffee.  There has been no time for shopping and barely time to eat. All in all very satisfying indeed.

Today I started off with a visit to the 1920s through to the 1950s with Rosemary Mcleod and The Secret life of aprons. A lovely hour spent looking at her slides of aprons she has known, from the beautiful to the downright odd. It was a lovely slice of New Zealand domestic history which was very much appreciated by the audience.Rosemary’s droll wit was perfect for the occasion. The Art Gallery was looking great, and I had time for a quick trawl around the contemporary art exhibition, with a quiet nod to Jacqueline Fahey’s piece that I could look at with new understanding having heard her speak on Thursday. I also loved the huge hand-made flowers created by Choi Jeong Hwa that hung in the atrium seemingly opening and closing at will.

IMG_0721Next up was a free session, Fifty Shades of WTF. I was to be disappointed, it would seem the fifty shades phenomena has reached the festival and it was full half and hour before it started.

What the Internet is doing to you with the author Aleks Krotoski was often way over my head, but she was an author with a mind like a steel trap who could probably have talked all day. Her interviewer Toby Manhire only needed to ask a couple of questions and away she went! Her basic premise was that the Internet isn’t doing anything, it is what we are doing to each other that is the issue. The Internet will not destroy and neither will it revolutionise, it is just a thing….we are still communicating, the means are different but not what we are talking about. She touched on cyber-addiction and whether there is such a thing (there isn’t apparently), romance on the Internet, and is the Internet capable of serendipity. That’s where I lost her.  The book sounds very readable, and if she writes like she talks it will be entertaining and full of information.

Lastly I toddled along to Faction, a bit of a silly choice as it was about the film The Red house which I haven’t seen, however Annie Goldson and the Alyx Duncan who made the film did a great job breaking down what it was all about.  Alyx used her father and step mother in the film, it started out as a documentary about their lives that didn’t work out and ended up with them acting themselves, but to a script that included some aspects that were true and some that were fictional.  I enjoyed the session and hopefully the library will be able to get the DVD once it comes out.

Thank you Auckland for providing such a great festival. 13,000 people was the last tally that I heard had attended the festival, which is amazing, and certainly warms a librarian’s heart.  To all those authors who spend hours writing, usually in quiet isolation,  I thank you for coming out and sharing your craft, your beliefs and passions.

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